Slow Browsing

Window shopping was a fact of life when I lived in Boston. Since I walked everywhere or took public transportation, it was impossible not to peek at the window displays or stop in for a browse at one of the many curious shops on my way to and from work and school. The bookshops of Harvard Square—Raven Books, Harvard Book Store, Grolier Poetry, Globe, Schoenhof’s—were particularly irresistible, but anything from the watch shop on Church Street to the Anthropologie store (set mercilessly behind a three-story wall of glass) could lure me in just as easily.

There were a couple of things, though, that kept me from whiling away my whole life in those perfectly curated shops and breaking the bank on the whole lot of it. First, I was broke, so there’s only a certain amount of time you can stand to spend among small, brightly colored objects that cost more than your grocery bill for the month. Second, I had rule: love it and leave it.

If I found something I really truly absolutely loved and “needed,” I made a special point of admiring it and then promptly leaving the store without it. It was pure anguish, but it was a perfect test. I told myself that if it was still on my mind in a week, I’d come back for it, and if it was still there, well, perhaps it was meant to be.

For the most part, those things I thought I couldn’t live without disappeared within twenty-four hours into my vast mental archive of objects briefly admired but never possessed. The things that stuck were rare and sometimes unexpected. A pair of boots I wore to pieces over several years. A yellow, vintage-looking kitchen timer I never came back for because I was sure I didn’t need it. I’m still sure, but it persists in my memory years later.

I’ve been thinking lately that a similar policy might help with my internet consumption. There are so very many lovely things to read online that I could spend my whole life consuming them, never stopping to let one of them sink in, never returning to being and doing in the world. The ever-changing landscape of the internet lends a sense of urgency to all this. If I don’t read it right now, it might be gone later, I might forget about it entirely, or worse, I might not be able to retrace the winding path of links that led me to it in the first place.

In order to deal with the last fear, I’ve taken to bookmarking articles of interest in Evernote and making an effort to avoid reading every great thing I find on the spot. If it’s really worth my time, I’ll remember it later and come back for it. If not, well, I suppose it disappears then into my digital archive of things briefly admired and never possessed. For what it’s worth, at least the digital archive is searchable, and perhaps I’ve saved myself as much time as I saved money during my student days in a land of beautiful and expensive things.

The Art of Returning

I have fallen in love, unconditional love, with so many places. Various weeks or months into living in a new location, I often declare it “home.” This is not a sense of growing roots or settling, but rather a feeling of comfort and belonging. To give a few examples---I claim my home town of Boulder, Colorado, to be heaven-on-earth [thus, my true love], I claim I fell in love with living abroad in Nicaragua, I claim I found my career in Uganda and Rwanda, I claim I felt more secure and loved in Washington, DC than anywhere else thus far in my journey, and, finally, I claim I re-found happiness and bliss during a year long journey in Mexico City. All of these places are homes. 

This story has two parts: 1) the magic, wonder, and awe of a huge, vibrant, culturally-infused city and 2) the impressionable and open place in which I existed when I found myself living in Mexico City.

I have a theory that you should try to return to places you fell in love with through living there within a year of leaving. That amount of time allows the freshness to remain in relationships and in most cases halts significant enough changes in the city landscape, such that you won’t recognize your favorite blocks, cafes, or parks. Within nine months of leaving Mexico, I returned for the first time, yet I could already feel the changes---I missed my friends and many had already moved on to new experiences as well, my Spanish faltered, but above all, I already felt far away from the person I had embodied when I lived there. The context of this blog post is my second return trip, which comes exactly two years, or better put---a whirlwind of life---after the first visit.

Returning to a place is always accompanied by so many questions ranging from the more mundane (Will my favorite park still look the same? Will the coffee shop on the corner still be there? Will I remember how to get to my old apartment?) to the deeper, more existential questions (Will I still love the city? Will I regain the sense of freedom I had when I lived here? Will I still feel like I belong here? Will I feel like I could live here again?). For those of us who have moved between cities and countries, it is always heartbreaking to leave while at the same time inspiring to move and settle into a new community. In the back of my mind, I imagine past homes as places I can always return to, like visiting old friends or family. They become pieces of me scattered in the world that I can collect, if I return to walk the same streets and share coffee in the same parks with the same friends. Of course, I could easily, fall back in love with the bold, colorful buildings, dry summer days, bustling city parks, and long fun-filled nights. Who couldn’t?

Part I: The city that left an impression

Roxanne Varzi, the author of Warring Souls, describes cities as landscapes that individuals walk through, writing their own versions of the city as they walk. In her eyes, the individual experiences a sense of poetry in the city that they write as they walk and inhabit the space. Returning to Mexico City meant revising and adding to the story that I had written years before. Walking around certain parks and on certain streets brought back dormant emotions, some of which exist in the past, and I briefly visited them, and others, re-ignited bringing me back to the joyfully open and tenderly vivid experiences of the past. Re-writing the poetry, as Varzi would call it, requires openness to re-experience a city and to then reconcile new experiences with what you fell in love with in the past.

The magnitude of the city still leaves an impression, from the top of the tallest building in the centro historico, you can witness the city stretching on in every direction. Although your eyes can sense the cars and people 43 stories below, it is nearly impossible to comprehend over 22 million people sharing this space. It is breath taking. Every element feels more vibrant, buildings burst with colors, food with flavors unimaginable in my Boston life, salsa dancing with a sense of glee. Even the light cast by the sun setting over the zocalo feels more radiant. Returning doesn’t change these elements, in fact they feel more alive and more intense---almost as if the point is to confirm my stories and memories.

Part II: The girl ready to be molded

As vulnerable as it is to write about why we make major life decisions, it is important in the context of this marvelous city. I moved to Mexico City mostly because I was ready to spend a significant amount of time abroad and I had a friend living there. The combination of those two simple facts landed me in this particular city. Moving had meant uprooting a world and home I had created in DC---of close friends, a wonderful job, and a boyfriend of a number of years. The year passed as I healed, taking the training wheels off and experiencing a new sense of freedom and fulfillment in living abroad.

Although my memory would like to re-write the story of Mexico City as full of magic and glee, the year did not pass without challenges, questions, and heartache, as ripping out roots often causes. Some questions which are not and cannot be answered by moving or even the passing of time. Yet, returning after a number of years away caught me off guard, as many of the same questions of uncertainty surfaced, as though triggered by spaces I used to inhabit. Past insecurities gently haunted me, illuminating today’s struggles that mirror those from a few years ago that my current self had attempted to grow and learn from. But, there they were in their gut-wrenching openness.

----

Silently walking, questioning my life, Varzi’s words rang true---as I rewrote the stories and the memories, capturing them in my current space, not just in the magical, gleeful past. This is a long term relationship, with this enchanting city, and I can only imagine the new stories my future self will write.

From Higher Learning to Simply Earning

Dear Sibyl,

I've been teaching upper elementary school for over a decade.  I usually love teaching, although I have gone through some tough situations that have shifted my view from teaching as a calling, to teaching as a job. My question is: my enthusiasm for teaching upper grades is waning, and I'm wondering if a grade change is what I need to bring back my passion for teaching, or is it just gone? What do you think?

From,

On The Fence

Dear On the Fence,

You’ve hit on a central question to many people in the workforce today: “Does my job need to be my calling?  If not, then how do I get through it?  If so, how the hell do I get out of this job?”

Let’s set that huge question aside for a minute and just talk about your circumstances.  It sounds like, even though you no longer feel jazzed about teaching, you are currently looking for ways to bring the magic back.  You’ve been burned by some bad experiences, and are wanting to turn things around before you get too jaded.

This is completely possible.  It will require a good amount of change, but if you can be open to the changes, it could be beautiful.  You can still be a teacher and not do exactly what you are doing now.  I encourage you to consider ALL the options: a grade change, a school change, an entire genre change---you are a teacher, but do you need to teach in schools?  What do you love to teach, and is there a market of people who would be interested in learning that from you?

Take your career to couple’s therapy.  Sit down with a pad of paper and a pen (not a computer---the brain works differently long hand), set your watch for a 50 minute session, and write, stream-of-consciousness, a conversation between your Teacher Self and your On The Fence Self.  Go ahead, ask TS all your hardest questions, answer “Yeah, but what about the time. . .”, and hash it all out.  Notice what voice Teacher Self takes on.  Is it a tone you recognize from another part of your life?  Are there action steps you can take to salvage the relationship?  Can you seek out training, a teacher support group, or go to some of the galvanizing events groups like Yes World provide to support people doing good in the world?

Let’s say, at the end of all this soul searching, you and Teacher Self decide to break up.  You want to discover your true/new calling.  You won’t be alone.  More and more people are spending their nights and weekends working on the things they are passionate about, either to eventually make their living off of those things, or just because it feeds their everyday experience that much more.

You can’t stay on the fence forever.  At some point, you’ll have to jump one way or another, and my advice to you is to do so with both feet, whatever direction you choose.  You might find yourself dismantling the fence, slat by slat, despite the splinters incurred, in order to find a new, less polarizing way to live.

Love,

Sibyl

Submit your own quandary to Sibyl here. 

Landmarks

I’m pants at directions.  I’m pretty sure that’s British slang for really bad, if not, well I’ve never been to Great Britain so you’ll just have to excuse my ignorance.  International colloquialism aside, I’m really pretty terrible at directions, both giving them and following.  If you’re ever giving me directions, and you hope to actually have me make it to the destination, kindly avoid saying things like ‘Turn North after two miles’.  I have no concept of either which way is north or how far two miles is. The only time I know which way is east or west is if the sun is either rising or setting. There’s an old scene in a Muppet movie when someone tells the Muppets to turn left at the fork in the road.  You can probably guess the next part, the Muppets drive a little ways until they see an actual fork, a giant utensil sticking into the ground, and then they make the turn.  Those are the kind of directions I could follow.

I like landmarks.   They’re how I make my way from point A to point B and how I describe where I’ve been. My memory records locations like others remember dates.  I may not remember the year or even the month, but like any good wanderer, I can remember where I was.  When I heard Mother Teresa died: in the parking lot of my grade school. When the twin towers came down: College at mandatory language tutoring.  The first time I slow danced with a boy, my first taste of alcohol, the first time I kissed my husband.

I remember the where; like little snapshots in my brain. Polaroid pictures of significant moments that have made up my life and likely quite a few insignificant ones.  I can see the view, where I was, who I was with, and my surroundings. The images often have invisible aspects too, how I felt, my perception of the event or moment.  Perhaps there is some deep psychological or physiological reason or correlation; a left brain versus right brain debate.  Maybe Katherine’s research into memory and narrative would have an explanation.  Or perhaps all the artistic talent that I see in my family tree filtered into my DNA after-all, leaving my brain to prefer visuals and images over statistics or dates.

Whatever the case, the snapshots of my memory are there to show me where I’ve been.

They are the Landmarks of my life.

Alchemy

I’ve been thinking about this Joseph Campbell quote: “If the path before you is clear, you're probably on someone else's.” As artists, we really don’t know what effect our work will have once we put it into the world. Whether working for a client, collaborating, or preparing for a solo show, that uncertainty is always there. As artists, we have to be confident enough to make work that is honest about who we are and the world we inhabit. We never know if we are good enough; there is not a set path for how to succeed or even a clear definition of what success means. Embracing that uncertainty and going forth honestly anyway is our job, the same way that when I waitress my job is to set aside my ego and serve the customer as well as I can, even when they are annoying and the kitchen is slow and I am so tired and I have my period and I just want to go home.

The worst part is, when you’re a waitress you know that it makes sense that in a city with a lot of people, there are lots of restaurants, because everyone needs to eat. But as an artist living in The Age of Mechanical Reproduction™, a lot of times it just seems like there is already enough art! You can buy a printed copy of any great painting, illustrated book, or amazing poster you like. Why make more? When I think about the sheer number of artists making things and trying to make a name for themselves, it boggles my mind. Throw in some heaping self-doubt and it’s enough to make you want to stop trying altogether.

I thought of this overabundance of art when I heard about Meriç Algün Ringborg recent show at Art in General, The Library of Unborrowed Books, in which she culled a selection of books from the Center for Fiction’s library. The piece, following the same guidelines as her 2012 show at the Stockholm Public Library, “comprise[d] all the books from a selected library that have never been borrowed.”

The show is a little embarrassing for the books. Claire Barliant of the New Yorker writes that “while [she] browsed [she] found [her]self searching for flaws in the books that might have made them undesirable” to others, which sounds like online dating. The Center for Fiction’s tumblr is ostensibly supportive, but incorrectly refers to Ringborg with male pronouns, so perhaps there’s a little buried resentment on their end.

But Michele Filgate of the Paris Review finds that the show made the books more attractive, writing, “there’s something about displaying the books as art that made me want to page through each and every novel. It’s as if all of the words put together are trying to say, We are necessary; we have stories to share.”

Although the mass of artists living today can be daunting, it is also be powerful. If there are that many of us who want to approach problems creatively, there are ways to harness that creative power to make the world a better place, and that is exciting.

The truth is, most of my artist friends think about a lot of the same questions I do. I see the different ways that we try to make ourselves and the world better through art, whether it be through an overtly political message or simply a celebration of creativity over consumption. Nobody has it all figured out, but everyone is trying.

Artists like El Anatsui (go see his awe-inspiring show at the Brooklyn Art Museum!) and Chakaia Booker (read more about her here) are especially exciting to me, because of their approach to materials. They take objects that most people think of as ugly and disposable, and make them into gorgeous sculptures. It’s not just that this is a surprising thing to do, it’s also that their work acknowledges the world we find ourselves in, with all of its industrialized waste and ugliness, and finds beauty there. The detritus and tires and metal scraps that make up Booker and Anatsui's work are not so different from the unborrowed books in Ringborg’s piece. All three artists find value in objects that other people have ignored. That’s what art does. It takes the parts of ourselves, our worlds, our perceptions that we thought were the most unlovable, the most obscure, or just too obvious to bother with, and transforms them into something to share with pride.

Further Reading:

The Work of Art in the Age of Mechanical Reproduction

Paris Review: Borrowed Time

New Yorker: The Art of Browsing

Ringborg's Website: Meriç Algün Ringborg

Center for Fiction: The Library of Unborrowed Books

ltr">El Anatsui

Defiant Beauty

Marriage Equality

This week, the Supreme Court is hearing cases that will determine the constitutionality of DOMA and the legality of Prop 8. It saddens us that we have to even write this, but we believe in the fundamental equality of all human beings. Love is love is love. Here are three pieces from our archives on the subject: Renee explores the difference between Civil Unions and Marriages: The Same, But Not Equal

Nora ponders what she and her wife will tell their son about marriage inequality: On Inequality

Miya argues that marriage equality is about families, and has ideas about what laws should come from this battle. Family Equality and the Legacy of the Struggle

Please read, enjoy, discuss, and share.

Meet the Local: Sarajevo, Bosnia and Herzegovina

Meet the Local is a series designed to uncover the differences (and similarities) in how we think and live in different parts of the world.  Over the upcoming months, I’ll ask locals from places all over the world the same set of getting-to-know-you questions.  This week, meet Neno, who was born in Sarajevo and has lived there ever since, including four years spent largely underground during the siege.

What do you like about the place you live?

I like, first of all, the people.  The people and the size of the city.  Sarajevo is a quite good city to live because it’s quite a small city---it’s only 400,000 people---so you know everyone.  It’s like one big family.  And also the history, the culture.  But mainly the people.  The people are very friendly in this city, so you can always count on someone helping you in the city.  I like that feeling.

 What don’t you like so much?

I don’t like politics in the city, and the politicians.  It’s affecting the every day life---we could have better public transport, we could have more investments, we could improve many things in this city.  But unfortunately we have a lot of bureaucracy.  We have three governments, and three presidents.  It’s a small country---only four million people---so to make one decision when you have three presidents. . . it’s quite impossible.  Nothing gets done.

What do you normally eat for breakfast?

I drink tea, or sometimes coffee.  Then scrambled eggs, with cheese.  No pies!  Because people think we are eating the pies for the breakfast.  The pies are more for the lunch or for the dinner.  People think we are eating pies every day, but it’s very, very heavy on your stomach.  It’s more like a fast food things.  I eat pies only maybe two times in a week.

What do you do for a living?  How important is your job to your sense of self?

I’m a student of political sciences and diplomacy and international relations, getting my masters.  I lead walking tours when I have free time from my studies.  I think I will stay in tourism.  I’m studying political sciences, so people always think I will be involved in political life but I think I like history, I like the political philosophy, but I don’t see myself in a political life.  I want to send a message from this city, this country.  I think we have more to offer than just the recent history.  That’s the reason I started doing walking tours.  Unfortunately, this country still has a reputation as a war torn country.  When you say Bosnia, the first image people have is the war in Bosnia, Sarajevo under siege, but I truly believe this country is a country with a long and rich history, friendly people---I think we have a lot to offer.

My job is very important to my sense of self.  It’s very difficult life in this country.  You know, I’m 27 years old and I’m still living with my parents.  But in some ways, I have freedom because I earn all of my money.  So for my self-confidence, it’s very important that I also earn something.  Most people live with their parents till they are married, because they are close with their family, but also because of the economy.  It’s a very high unemployment rate---43% at the moment.  So unfortunately people can’t afford to have their own flat.  And also Sarajevo is a very small city, so even if I rented a flat, I would go every day to my mother’s to eat something.  So at the moment, I think it’s better to stay with my family.

What do you do for fun?

I like to hike, when it’s sunny weather, in the [1984 Sarajevo Winter] Olympic mountains.  I also like photography---I like to walk around and take photos.  I like to bicycle---there’s one part of the city that has bicycle infrastructure, so I go there and I bicycle.  I also like bowling, so I go there with my friends for bowling very often.  I also like to read, and to travel.

How often do you see your family?  Tell me what you did the last time you saw them.

I live with my family.  We are very close, because I was here during the siege so we were always together then.  The sense of community in this country is very strong.  The people are close to each other; the neighbors are close to each other.  The siege made us closer, because we survived together the most horrible moments. I think the siege of the city affected people in a positive but also negative way.  I think that people in this country appreciate small things more.  Maybe like some other countries or the younger generations in this country, one small thing is nothing.  For example, I like to eat everything.  I’m not choosy, but I have a niece, and she was born after the war.  And we all have a Sunday lunch together and she is so picky---I don’t like that, I don’t like that---and I get so frustrated, like, you need to eat everything, because you don’t know the feeling of when you have nothing to eat at all.  I appreciate the food.  I try to enjoy small things.  But also the war had negative effects---like, I never celebrate New Year’s Eve on open squares.  I don’t like fireworks.  Whenever I hear fireworks, I get flashbacks, because it’s the same sound as the shells exploding.

What’s your biggest dream for your life?

To travel around the world.  Now, I’ve traveled almost all of Europe, except the UK and Ireland.  Personally, I think that’s the best spent money.  When you learn about other cultures, you start to appreciate more about your own culture, and your own life.  But after traveling, to again always return to this country.  No place like home, no place like home.  I experienced the worst things in this country, so why not stay?  I think this country deserves a better future with smart and educated people.  We will not have a bright future if all the smart and educated people leave the country.  So we need to stay, and we need to fight for the changes.

 If you could live anywhere in the world, where would it be?  Why?

I like Spain and Portugal.  The people are very similar to us here---they’re also very friendly, very open.  They also have not very good economy, like this country, but they’re like, let’s enjoy life!  Things will improve!  I can imagine myself living in Lisbon for one or two years, but like I told you, I then want to come back to Sarajevo.

What are you most proud of?

I’m proud of my family.  I’m proud of my mother, my father.  Because I think they directed me in a good way, they raised me to be a good guy.  My mother for me is like a big hero because I was with her during all of the wartime.  She was also working every single day, walking back and forth through the snipers, because she needed to do something, to occupy her mind, to not be in a basement all the time.  She was working not to lose her mind, and a little bit to keep her job position. She was working for free.  Sometimes she got paid in cigarettes.

How happy would you say you are?  Why?

I am very happy because I have a good family.  I have my mother, my father, my sister, my niece.  It’s a very small family, but we are very close to each other.  That’s my biggest happiness.  Also, I’m happy because I live in Sarajevo.

To read the answers of a local Londoner, click here to meet Carleen.

Swept Away

Hello Sibyl,

Last summer while at the Paris airport on a layover, I met a guy who was also there on a layover.  We emailed and texted and he came to visit me in Amsterdam in November, and again in December (he lives in Venezuela). During these first visits, he opened up and told me that since meeting me he was thinking about a future with me and that he has never done that before.  We fell in love, discussed marriage and where we could both live together (he has a 5 year old son, so cannot move here, and after a recent visit, I know I could never live in Venezuela).

Once he was home (in January), I mentioned something about the future, and he said he could not talk about it.  I wrote him a long email explaining that HE was the one who brought up the future and talked about plans, etc.  He said he was sorry, but just needs more time, and for me to please be patient.  

I do understand we need to be patient and get to know each other better, but it seems like he has changed.  He used to be very open about sharing feelings and affections, but now seems to have pulled back (I visited him 2 weeks ago in Venezuela).  Plus i wonder if there is a future between us given the distance and the fact that it would be difficult to find someplace to live together.

I wonder if I should end it now or just enjoy the times when we see each other?

Thank you very much and kind regards,

Futuretripper

Dear Futuretripper,

In the short time since I started this column, I have received several quandaries like yours.  They are from women who are disappointed by the men in their lives, but claiming that they love them, and hoping for a future with them still.  Here is what is missing in these letters: any indication of what there is to be loved about these men, why they are worthy of such undying love, and what makes them eligible to be a good life partner.

From your letter, it's clear that the two of you had an immediate connection that went very deep, and made both of you want to hang on it to forever, by planning a future together.  However, other than the fact that he's a father, and he lives far away from you in a place that you never want to live in, what have you told me about this man?

Paraphrasing The Little Prince, I want to know what his voice sounds like, what games he loves best, and if he collects butterflies.  I want to know why he is worth the struggle of a long-distance romance.  Just the fact that he changed his mind and no longer wants to talk about the future with you is not enough to end the relationship, as most people have trouble with commitment.  However, it does seem like there is some denial of the reality of the issues the two of you are facing, if you chose to go forward with this relationship long-term.

You had a lovely Before-Sunrise-esque connection with this man.  However, not every connection one makes with another person needs to be followed to the fullest extent.  Some people, no matter how deeply we feel we are cosmically drawn to them, are meant to just be brief interludes in our lives.  It's hard to make meaning of those experiences and let them go, but otherwise, it is like trying to hold the ocean in your hands.

Of course, there is a chance that you do indeed have a future with your cross-continent lover.  However, my advice to you is to hang back, and give the relationship room to grow.  You need to let it breathe, and see what transpires in the space between the two of you---which for you, is a lot of space!  Just let that be the reality.  Don't force anything, and use the time you used to spend planning the future reflecting instead on why this man is so special, and what he can really offer to your life.

And then write back and tell me of all his stunning substance, and how it resonates with who you are and what you need.  But please, if you find that you only like this man for nebulous reasons, and if he doesn't seem to really want all that you are willing to give him, release your hands, and let him float on.

Love,

Sibyl

Submit your own quandary to Sibyl here. 

On Reading Fiction and Ethics

By Carrie Anne TiptonIllustration by Akiko Kato

I have many faults; some are known fully to me, and many, I am sure, are felt more expansively by others. But this one virtue I have in spades: empathy. Such a strongly-buttressed wall of my interior house, it has, ever since I was a child, prevented me from being able to read descriptions and view depictions of people being unkind to one another; in fact it is almost impossible for me to stomach any graphic rendering of suffering at all. I enter easily into others’ pain, a trait I can only attribute not to some oustanding moral fibre, but rather to my childhood gorging on fiction—which trains the mind and soul to inhabit the skin of another in a way that little else can.

It has always been difficult for me to comprehend the willing and cognizant visitation of pain on an innocent party: given a choice, why choose to hurt? So on that bitter cold Chicago afternoon, riding the schoolbus home from fourth grade, I did not understand why the young boy a few seats ahead of me cracked his window, casually tore pages out of a paperback, and sent them lofting away on the wind. That was someone’s book, I thought to myself, aghast and angry and pained, for my little mind grasped that he had perpetrated two sins: one against the book and another against its owner. To be fair, he first held the volume up high and asked if it belonged to anyone before cheerfully ravaging it. I remember the scene now as he brandished the tattered, faded copy of C.S. Lewis’ The Silver Chair above his head, whole for the last few seconds of its life while he waited in vain for its owner to claim it.

I recall thinking quite vividly, How strange that he should have found a copy of the very book that I have in my backpack (for I was once again working my way through the Chronicles of Narnia). Thought number two: I’m so glad that mine is zipped away in the outer pocket. I didn’t think to doublecheck, naively gazing on at what I thought a complete coincidence.

When a thief takes something outright, to kill or to destroy, one is chagrined. But when a thief half-steals, with the half-permission of the thing’s owner helping him along, the burden of pain doubles with a measure of shame. At home, the vision still seared into my head of great chunks of paperback hurtling against the grey winter sky, I realized the pocket was unzipped after all. It was mine. He took mine. He ripped mine. He savaged mine. It had been mine. It was still mine, in all its pieces on the sidewalk blocks away. We didn’t have much money. The copy had belonged to my mother.

I’m sure I cried. My mother also felt my pain keenly (this makes sense: another great reader of fiction, she) and sensed the book’s pain sharply too. Soon she had ordered another copy. I remember her shaking her head and asking no-one in particular, why would someone do such a thing? As I write this I turn around and see on my shelf six faded and tattered volumes of the seven-book Chronicles, tucked into a shabby old case, and a glossy fourth volume nearby that doesn’t fit into the case. And together, they make me wonder: if he had read books, if he were in the practice of walking in the roads trod by make-believe people, would he have so readily hurt a living person and a living book all at the same time?

I will read to my child.

Re-writing Our Narratives

“Our memory is our coherence, our reason, our feeling, even our action. Without it, we are nothing.” – Luis Buñuel

Over glasses of wine with good friends, I felt my newly acquired academic vocabulary sneak into normal catch-up banter. As I shared the details of events that transpired since I last saw my friends, I referred to “my narrative,” “story-telling,” and “memory.” These words permeate each line of my master’s thesis and much of my graduate school studies. Throughout the past year, I have searched for every line of academic literature on memory and the role it plays in defining the story of an individual as well as its cohesive and divisive power within a community and society. It is an academic search, with a personal quest at its heart.

The blurry lines of my thesis refer to the difficult, painful memories that feel hesitant and, at times, unspoken in Rwanda. The individual stories of a past marked by suffering give way to a national narrative for the country. In his most recent book, Phil Clark discusses the idea of “truth-shaping,” which draws on the fluid nature of memories---allowing them to be molded into a cohesive narrative. The idea of blending stories into a narrative brings me to the essence and power of storytelling. What is told? Who tells it? What is kept for oneself or even silenced? What memories are shaped into a new narrative? How does this process take place?

To borrow words from Pierre Janet;

“Memory is an action: essentially it is the action of telling a story.”

While the case study of my thesis considers the Rwandan conflict and subsequent process of healing and rebuilding, the theories of the role of memory, separated from the conflict, transcend into my own life, infusing into my own story. The internal reflection stimulated by the notion of truth-shaping and allowing memories to take a more fluid nature, inspires a yearning to re-write my own stories and critical moments that define how I got to where I am.

What if I could reframe my memories, drawing on the positive, the lessons, the growth, and build upon whatever heartbreak lies within them? It seems that as an individual I could reach a place of deeper healing and, perhaps, create a more positive narrative that would not only impact how I saw the past, but how I could envision the future.

Farewell Manhattan

by Amy Ferguson I’ve lived on the island of Manhattan for eight and a half years. It still amazes me that it’s been that long. You see I was an unlikely New Yorker. When I was younger and I visited here I didn’t have that magical New York City movie moment that so many people have. The moment when the light changes and everything moves in slow motion and you get this epiphany, this “I have to live here” feeling in your bones. That never happened for me. Instead, I reluctantly moved here for a depressingly low paying internship when I was 25. My plan was to stick around for a couple of years, have a quintessential New York experience and then get the hell out. But that’s not what happened. No, somehow when I wasn’t looking this place became my home.

In a few weeks I’ll be leaving Manhattan and moving to Brooklyn. I know it doesn’t sound like much of a move, only about five miles away, and I’m certainly not the first person to make it. But it marks the end of an era for me, the end of my time as a Manhattanite.

The island of Manhattan is relatively small when you think about it. But so much has happened to me in those 23.7 square miles that no matter where I find myself, I find memories. Around every corner, tucked in every neighborhood are places that mean something. Places where things happened to me.

The tiny studio I rented on Carmine with the awkward floor plan and the closet in the kitchen. Or the garden apartment on West 85th with the exposed brick and the to-die-for backyard. The way West 11th Street looked blanketed in white during my first New York snowstorm. The view of Midtown from the Reservoir, still my favorite place to go for a run, where I huffed and puffed through my first ever mile. The cozy candlelit restaurant on Greenwhich Ave where a relationship began. A shady park bench at the corner of Sixth and Bleecker where another one ended.

Everywhere I look I see little snippets of my past. Moments captured. Because in Manhattan your life doesn’t happen here or there, it kind of just happens everywhere.  This entire island was my home.

So I bid you farewell, dear Manhattan. I’ll miss you. But Brooklyn measures in at whopping 81.8 square miles and like any good New Yorker I’m always craving more space.

Snow Fall(ing)

I can count the number of times I’ve seen snow on two gloved hands. It happens in Portland maybe once a year. When it does---or might and, usually, doesn’t---it’s the talk of the town. Schoolteachers make announcements to their classrooms and snow becomes the only topic of polite chatter in the grocery store checkout. “Looks like it’s going to snow, huh?” The day before its arrival we all watch the sky, every one of us an amateur meteorologist. The cloud cover holds the moisture, but too much won’t let in the cold.

Snow isn’t a unique kind of weather in Oregon. It’s just the rarest form of rain. On the way to “snow” are “the in-betweens,” softer circles of slush hitting the windshields on cars headed home. As kids, we’d sit at the windows, hoping against hope for a snow day. “Will it stick?” The flakes fell and dissolved on contact.

The real snow only ever came at night. Eerie golden spotlights lit the bare tree branches, the snowflakes swirling around streetlamps like gnats in the summer. The mornings were nothing short of magic, but it all melted by noon.

My first snow in New England was something different altogether. I was walking to the bus in mid-November when the sky was blue and a few stubborn leaves still clung to the elm trees. Out of nowhere came the tiniest flurries, the flakes not so much falling as suspended. All around me they were appearing and disappearing, like dust shook out from a rug.

The snow was unlike anything I’d ever seen---unexpected but completely certain. It felt like something was only beginning. It felt like falling in love.

Making My Time Worthwhile

I am no stranger to leading a quiet life. My junior year of high school was spent moving between bed and couch after a crippling case of mono left me unable to do much except journal and wish for more sleep. My life from that point on has involved much less “doing” and much more “resting” than it ever had before; I have learned to value quietness and contemplation, in addition to big dreams and grand accomplishments. Still, even after eight years of this new life, I find myself struggling on a regular basis with my own need to be doing something that looks and feels “worthwhile” and “productive” with my quiet time.

Days before Christmas, my husband and I took a romantic trip to the labor and delivery unit of our local hospital to figure out why my then-28-weeks-pregnant self was contracting regularly. Although we never got many conclusive answers, we didn’t have a baby that week either, and eight weeks later I am still pregnant—and still contracting.

These last two months have seen me confined to the couch for a new reason: pregnancy complications. Once again, I’ve found myself spinning through the same old doubts and worries, letting the same anxieties creep back in to my head and my heart.

A week or two ago, I decided to put together a to-do list comprised of productive, worthwhile things that I could do from my resting place on the couch. For a few days, I worked industriously on my list, checking things off and feeling proud.

And then, one day, I was tired. The contractions had kept me up for most of the night before, and I was physically and mentally exhausted. I sleep-walked through the morning, doing little bits of nothing here and there, my sluggish brain unable to keep up with much of anything.

Halfway through the day, I found myself locked in a round of internal self-castigation. Look at you, wasting your whole day, said the nagging voice in the back of my mind. Can’t you do anything that would be worth something?

Suddenly, instead of just feeling overwhelmed and defeated, I found myself rising up against that nagging voice. Isn’t it worth something to care for myself, and for my baby? I found myself asking. Isn’t it worth something to take some time to cherish my body so that it can stay strong and do what it needs to? Isn’t it worth something, sometimes, just to rest?

I have always struggled with this idea—that resting, taking care of myself, can in and of itself be a worthwhile task. That I don’t have to be filling every single quiet hour with efficiency and the kinds of accomplishments that can be crossed off my beloved to-do lists.

That day, I created a note on my computer and wrote these words as a reminder to myself: “I don’t have to be curing cancer in my resting time. I can be doing whatever I need.”

Sometimes, what I need is to be busy, to be getting a lot done. But sometimes, what I need is just to go easy on myself. To give myself a little grace. To let go of all my often-unrealistic expectations and just be.

In a society that values busyness and accomplishment, that can be a difficult pill to swallow. But still, I imagine that if I ever get the art of “simply being” down someday, I will be a better person for it.

Do you struggle with allowing yourself time to rest and rejuvenate?

Kids Say the Darndest Things

Hi Sibyl, I was at brunch the other morning with some friends and my husband and our 4-year old daughter. When we got up to leave the restaurant, there was a woman seated at a table with her friends who had no hair, eyebrows, or eyelashes. My daughter proceeded to laugh (I don't think in a mocking way---just surprised), and yell "Look, Mom! She's not real! She's not real!"

My solution was to hurriedly pick her up and carry her out of the restaurant (as she was making a beeline towards this woman's table--perhaps a better verb than "pick her up" would be "tackle her"), explaining that the woman was real and that she just looks different and pointing and laughing like that can be really hurtful. I was also mortified, and didn't know whether to address the woman and apologize or just pretend like my daughter was talking about something else or to just abandon her at the restaurant and pretend like she wasn't mine.

I know I could have handled it better, but I don't know how. What's your advice for these types of situations that are definitely teaching moments, but where the teaching happens at the potential embarrassment of someone else?

Thanks!

Abashed Mommy

Dear Abashed Mommy,

First of all, I understand your reaction and love that you still want to do even better.  Let’s break down why you were so mortified.  The honesty of children can be adorable, but not when it is public, culturally inappropriate, and has an implied power imbalance, like the situation you wrote in about.  But you know what?  It’s not just kids that say seemingly-ignorant things to perfect strangers—adults do this all the time, too, so it is great that you are the kind of person trying to navigate such situations with consciousness.

My family is multicultural, and not a week goes by that some nice, well-meaning person, usually from the race that holds the most power and privilege in our society, says some stupid racist bullshit to one of us.  They are not racists, but, speaking from their own ignorance, social awkwardness, and unconscious internalized racism, my husband is jokingly called a token minority, I am assumed to be the nanny, and our child is considered "exotic" for having brown skin and a big blonde afro.

It is exhausting to hold all these projections, and though I usually find a way to forgive the perpetrator of these (and many more) awkward statements, I really wish someone would, in the moment, acknowledge that they said something messed up and that they still have some work to do on themselves.  But then I think, how could they, if it has never been modeled for them?  They are like little children who have never been taught to handle faux pas in a graceful way.

I think we can change this, starting with our own children.  In the situation you wrote in about, you and your daughter, who assumedly have all your hair, are in a position of privilege in regards to the woman with alopecia.  You have the expected, preferred amount of hair on your body, she does not, and it's not because of a fashion statement.

Therefore, it could have been a powerful statement to your daughter, and to the woman without hair, if you had been able to manage your own shame in the moment and, in front of everyone, say to your girl, "Honey, I know you are surprised to see someone that looks differently from you.  You didn't mean anything by it, but that woman is a person, just like you, and calling her ‘not real’ could have hurt her feelings.  Now that I know that you have never seen a person like her before, I’ll teach you all about it when we get home.”

Then you take your cues from the other woman.  Is she pointedly ignoring this conversation?  Then just smile apologetically at her and leave, as it’s clear she doesn’t want to interact.  However, if she is paying attention to what you’re saying to your daughter, address her, “I’m sorry if we surprised you in the middle of your brunch.  My daughter is still learning about people who look differently from her, and I’m doing my best to teach her.  Enjoy your meal!”  Then go on your way to answer the myriad questions your daughter is bound to have outside the woman’s earshot.

I know that this approach seems like it will be awkward.  However, it’s already awkward, for all of you, so you may as well name that, and approach it head-on.  Through doing this, you’ll be showing your daughter that mistakes happen, and it’s best to stay calm about them but admit them, apologizing but then moving on.  She can then use this experience whenever she makes a well-meaning but still offensive social faux pas, in any arena.

Which is going to happen.  There is no way to avoid, sometimes, putting our foot in our mouths, in ways that offend due to differences in ethnicity, gender, sexual orientation, politics, age, size, or health.  That is part of being human in a diverse society.  However, if we can start recognizing power and privilege in even the most innocuous environments—like Sunday brunch—and doing so publicly, perhaps our kids will grow up in a more self-aware society, seeking to make changes that start within.

Love,

Sibyl

Submit your own quandary to Sibyl here. 

Lessons from a Big Box Hotel...

Dearest Clara,

On this recent trip to Mexico, our last few days were spent in what I tend to call "big box hotels".  Big, behemoth structures on the beach that cater to hundreds---if not thousands---of sun-seekers at a time.  Some people love them, but I typically don't.  It's just not my style.  I prefer something quieter, something less engineered to be a not-quite-right replica of home.  But after one time in Tunisia where, after a desert adventure that nearly went awry, I paid the ludicrous day entry fee for the luxury of a clean shower and an afternoon spent next to a beautiful pool with a lemonade, I realized that I needed to change my approach to these hotels.  They are still not my favorites that I seek out, but life will bring you to them in some form or other.  Maybe you have a wedding to attend, maybe you have points to use up, or maybe there is a family vacation.  Or maybe you find yourself far away from home, and like in Tunisia, it happens to be the best place to cure homesickness.  In any case, here are a few things I keep in mind to make sure I have just as good a time:

• Manage your expectations: Big box hotels are not quaint, and often times, but not always, they are not particularly personal.  Don't look for those qualities here as you won't find them.  You can likely guess well what will or won't be there, and what might or might not happen from a service or food or entertainment perspective.  Manage your expectations accordingly---pleasant surprise is always a better feeling than unprepared disappointment.
• Play to the hotel's strengths: While a larger size might prevent the hotel from doing certain things, it does enable them to do other things well.  Maybe they organize activities of some sort, maybe they have a grocery store on the property. . . Any big hotel has some things that they are good at---seek those things out and make them a priority for your time.
• Make a smaller world for yourself on the big property: Carve out a small corner for yourself where you can find one.  You'll find that no matter the size of a hotel, there is always a terrace or a part of the garden or the library corner that largely goes unnoticed by all the countless other patrons.  Make those spaces of calm your own.
• Claim your chair early: If there is one thing larger hotels do well, it's usually the beach and pool scene.  But everybody knows that.  It's worth getting up a little bit earlier to stake your claim on the best chairs with the gorgeous views and a bit of fruit or coffee.  Enjoy the cooler morning view or breeze on your chair, and as things get crowded stake your claim while you leave to have a late breakfast.  If you have breakfast first, you will always have second tier beach seating.
• Pack books: Several of them---when the world outside with all the people and hustle and bustle becomes too much, you can create your own world in the pages you choose to bring.  I like to bring books that are particular to the destination---while a big box hotel doesn't lend itself to leaving the property easily, you can still continue to learn about it through books.
• Find ways to eat off the property: A break in routine is always a good thing, especially when hotels are bigger or more generic.  Your taste buds and waistline will thank you.
• When in doubt, look out at the ocean: Big box hotels are often amongst other big box hotels and the sight can be overwhelming.  So many stories, so many people, and it makes you wonder how different it all must have looked when the coastline was bare.  When all this development feels too much, just look out in front of you rather than the world behind you.  The ocean and the horizon will always give you a sense of infinite possibility.

All my love,

Mom

Meet the Local: London

Meet the Local is a new series, designed to uncover the differences (and similarities) in how we think and live in different parts of the world.  In the next few months, I'll be traveling to Zagreb, Sarajevo, Spain, Portugal, Ghana, Morocco, and Scandinavia.  In each place, I'll interview someone who lives locally (although they may have originally come from somewhere else, as you'll see in today's post; I find that to discount people who have immigrated is to deny a core part of a city's makeup, especially in places like London).  I'll ask the same set of questions everywhere.  This week, meet Carleen Macdermid, from London, England:

What do you like about the place you live?

First of all, I love that it’s London, because I’m Australian---I moved here about eleven years ago.  I love how central it is.  I walk everywhere nowadays. I almost never get in the Tube.  It’s a 40 minute walk home, but I’ll still walk, because you see so much more of London.  I’m right by the river.  I’m in the middle of everything.  I love it.

What don’t you like so much?

It’s made me harder as a person. Australians are notoriously chilled out and easy going.  I’ve not become more English because to an Australian it’s very important not to be English but I’ve definitely become a Londoner.  I’m hard.  People get in the way in the Tube.  I’m always in a hurry.  When I first moved here, I would see celebrities all the time and now I just see idiots that are in my way and I don’t like that about myself.

What do you normally eat for breakfast?

I almost never eat breakfast.  I’m terrible at it.  I’m fully aware that it’s the most important meal of the day but I so enjoy my sleep that breakfast gets sacrificed every morning and has done since I was about fourteen.

What do you do for a living?  How important is your career to your sense of self?

I currently don’t really do anything, because I’m in the process of being made redundant.  I did get kids into apprenticeships for four years, and I was a teacher for seven years, and now I’m on the cusp, so if anyone thinks I’ll be useful to them, they’re welcome to contact me.

I worked really hard over the last six months to get that balance back.  For a long time there, my work was absolutely everything, it took all my free time, it took all my focus, and I kind of think if you’re working with young people, that’s important. Now, I like the fact that my focus is more on myself.  A better social life, a better work/life balance.

What do you do for fun?

I was a drama teacher for years, and for a long time I didn’t do any of that at all.  Now, I do improv, I rehearse with groups, and I’m just in the process of trying to write, to attempt for the very first time, stand up comedy.

How often do you see your family?  Tell me what you did the last time you saw them.

I see them very rarely---they’re on the other side of the globe, so the last time I saw them was three and a half years ago, and I helped them pack up and move out of the house I was raised in and move to the other side of the country.  My sister and my niece get here in two weeks, and it’ll be the first time they’ve ever visited me over here.  After that, I’ll be redundant, so I’m going to pop home to see mum and dad, and it will be the first time in three and a half years.

What’s your biggest dream for your life?

To find something that really satisfies me.  I’ve always had jobs that I’ve enjoyed elements of, I liked working with young people, but I’ve never really had anything in my life where I’ve kinda sat there and gone: yeah, I do that, and I’m really happy about it and really proud of it.  So I’m determined to track that down, be it in my work or be it in something creative.  It’s out there, and I’m gonna find it before I get too old.

If you could live anywhere in the world, where would it be?  Why?

I would invent a magical place that was similar to London and had the lifestyle and the get up and go but had my parents a lot closer than 24 hours away by airplane, and had some of the warmth of Australia without turning into the awful, shabby parts of Spain where people go and conglomerate and do awful things.

What are you most proud of?

I am most proud of the fact that my job has always contributed to young people.  I spent my entire career in education and training and I can point to literally hundreds and thousands of kids that I’ve helped.  I’ve got young people now who are teachers like I was, and other young people that have really good professions because they did apprenticeships with me, and I’ll always have that to be proud of.

How happy would you say you are?  Why?

I’m gonna go with 85%.  Even at my most unhappy, I never manage to drop below about 65 or 70%, I’m just naturally an upbeat person, but I like the fact that I’m starting to do more for me for the first time in a long time.

Of Road Trips and Adulthood

From the passenger's side, I feed my handsome driver PB&J in bite-sized pieces as we sail along at 70 miles-per-hour from Atlanta to Baltimore. For my own part, I am a nervous and inexperienced highway driver. I am slightly more useful as a navigator and even more so as a DJ. We are on our way to the wedding of friends, and by the time you read this, we'll be on our way back from the whirlwind weekend. The excitement of these impending nuptials finally dawns on me when we get on the road, so I spend the first bit of the drive giving my companion a rundown of the schedule of festivities and the many people he will meet. He is a captive audience.

I run through the list of college classmates and friends from Boston and then brush off the rest with a wave of my hand. "Those are all the people our age. I can't tell you much about the grown-ups."

I am caught off-guard by the absurdity of my statement and add the caveat that perhaps we technically qualify as grown-ups too.

In one of Joy the Baker's recent posts, she lists off some of the commonly perceived barometers of adulthood: getting married, having kids, doing your own taxes. Of course, as she explains, none of these are particularly useful or accurate benchmarks of adulthood. They are significant milestones, certainly, if they happen to occur in one's life, but they don't have much to do with the definition of "grown-up."

I'm not sure there's a definition, really, or a destination we're trying to reach. As we count off the last few exits before our stop, I figure this whole marriage thing and the being-grown-up thing has a lot more to do with the journey than with the arrival. This may seem obvious, but it's not necessarily what I had expected. I used to imagine adulthood as a very serious state of being, in which you feel like you have some level of control over your life and then work really hard to maintain it.

Thankfully, this stage of life that I looked forward to for so long is a lot more fun, if also much more chaotic and unpredictable, than I ever let myself imagine. It is a series of small rituals and choreographies, punctuated occasionally by surprises, for better or worse. Some things are hard, but also funny. Some things are just hard, and the rest is just funny.

It helps to have a kind companion to cry and to laugh with as we sail along. I'm more grateful each day to be on this road together.

Celebrating International Women's Day by Respecting my Girl's 'No'

By Rhea St. Julien “Can you hold my hand to cross the street?” I implored, my arm stretched back behind me to my two year old, Olive.

Her hands were crammed in her peacoat like a mini Bob Dylan. “Not today.” she said, not looking up.

My husband and I cracked up in laughter, at how serious of a refusal she gave me, and since street safety is important, I grabbed one of her little hands out of her pocket to skip to the other side.

We retold the story several times that day, of how adorably earnest she was about not holding hands at that time. But I felt a ping of guilt, as all the feminist texts I read about raising a strong daughter tell me not to laugh at my girl’s “no”s, but to respect them.

It’s good advice. In my life, I have had people be shocked, offended, and outright dismissive of my no. I had my share of experiences in the young days of burgeoning sexuality in which boys did not listen to my no. But in many ways, I was able to get through those body manipulations less scarred than the times my no has been rebuffed in educational, professional, and personal settings. The power of a woman’s no. What is it worth?

I know the world Olive will grow up in is not much different than the one I did. And despite the fact that people are often appalled when I say no, I keep doing it. My parents can attest to the fact that I was born with a certain strain of defiance, a gene from my father, a steely commitment to protection, of myself and my loved ones, when that is needed. I want to impart this to my daughter as well, though I think all I’ll need to do is nurture what is already within her.

“Mama, can you not sing that right now?” She looks up at me, a concerned look on her face. I was grooving, but she’s asking me, seriously and politely, to stop. I let out a chuckle, at how much it means to her that I stop singing my silly little song in that moment, but I say, “Okay.”

I’m trying to cut out the laughter, and skip right to either telling her, “I hear that you don’t want to wear your coat, but you have to, it’s cold out!” or saying “Alright, you don’t have to go upstairs yet. We can wait here until you’re ready.” It’s hard, since she’s so flipping cute, her eyes big and imploring, her unibrow knitted into an expression of concern, or determination.

“No Mama, I don’t want to smile right now.” “Oh, alright. No smiles.”

Today, that meant not getting a kiss goodbye when she left for preschool. I wanted one, and asked for one, but when she said no, I decided, in honor of International Women’s Day, I wouldn’t steal one. I’d let her no be no. And off she went.

This piece is also running on Rhea's blog Thirty Threadbare Mercies today.

Wasting Away Again in Judgey-Mama-Ville

Dear Sibyl, As a new mom, I find myself HATING 'mom-talk.' I find it awkward listening to my friends tell me the new developmental leap their kid has taken.   How do I respond if my kid has already been doing that (for months)? I hate how it makes me feel.  If I disengage and reply with "That's great," I feel sad I didn't take that moment to brag about my own kid. BUT if I engage and be truthful about what my kid is doing, does that start an unintentional "let-me-one-up-you" war? I don't want to prove anything---I don't want to put that pressure on me or my little man who is just happy banging stuff around and laughing about it.  

I hate mothers who are scared of germs---who won't let their kid play in a public park.  I hate mothers who won't let their kid sit in dirt or GRASS (for crying out loud who cares if a dog peed there once a million years ago. . . and yes. . . I heard that come from a lady once).  I hate them because they tell these things to me AS MY KID IS PLAYING IN DIRT. . . AS MY KID SITS HAPPILY IN THE SHOPPING CART WITH NO CLOTH PROTECTION.  What do I say to them?  (You are neurotic?)   

Is there a polite way to disengage from this?  I'm not into the 'mom-shop' talk.  I don't mind talking about motherhood but I hate when it turns into what people’s kids are doing and when they did it and just you wait. . . and oh I would NEVER let him do that. . . you let them eat what?  From the whole foods salad bar???  GERMS!!!!  I especially hate when they talk to me as if I have no idea what is coming next.  I find it patronizing.  

For the love of all things---how do I deal with them?

Trapped in Momville

Dear Trapped,

You’ve got to take it all less personally.  Let me explain, because believe me, I know what you mean---I’ve been there.  And it never goes away.  Parenting brings out a level of anxiety and neurosis in certain people that even that mom who is armed with antibacterial hand gel just to let their kid use the swing has never known before. That does not mean you need to get caught up in it, or identify yourself with that woman in any way.

New moms are trying to define themselves in their new role, and some women do that by getting very particular about everything child-related.  These moms are unsure of how to be a parent, so they equate it with Getting It Right, and then work hard to shore up their definition of “right” by forcing you to feel their anxiety and agree with them about this worldview.  You have to fight not to be sucked in to the crazy-making conversational dance about what food you introduced first to your baby and what that means about you as a person.

And that probably means you feel alienated, and lonely.  Which is an uncomfortable space to be in, but a normal way to feel.  What you've got to let go of is the hatred.

When I became a mother, I was shocked at the level of discourse of the mothers I encountered on the playground, at playdates, and just out in the world.  The level of competitiveness was striking---moms even found ways to put down my child's early verbosity ("She's going to have quite a mouth on her when she's 13!") and would urge their kids to draw like my child was ("Hunter, draw a circle!  You can do it, see hers?  Just like that."), looking over at me to prove my kid was nothing special, after all.  I was saddened that all they wanted to discuss was diaper changes and when to wean, while I had read three books and watched several documentaries that week that I was eager to discuss, but my attempts to shift the conversation fell on deaf ears.

From observing this pack mentality over several months, I realized a few things: I was going to find "my people", eventually, but these folks were not it.  Therefore, I separated the moms I knew into two categories, "co-workers", and "friends".  The co-workers were the moms I always saw on the playground but knew I was never really going to connect with, the ones obsessed with germs and growth charts.  I delegated them in my mind to the annoying co-workers I once had in the professional setting---I talked to them when I needed to, stayed emotionally detached from them, and, if anything, found compassion for their exquisitely neurotic states.  If they pissed me off too much to have compassion for them, I moved on to just pity their children.

The ones I found to be friends with were always slightly off.  The moms who would plunk down on the park bench and say, "I almost dropped the kid off at the Fire Station last night.  This latte is the only thing keeping me from doing it now."  The ones who talked about their sex life, or lack there of, the ones who cracked wry jokes at their family’s expense, yet still daily inspired me with their devotion to their kids.  Also, I found that I could often relate more to the nannies, who were invested but just removed enough from the children to have more of a sense of humor about all of it, and more likely to invite me out for a drink after my husband got home.

You are going to find your people.  You will know, when you walk into their house and their homes are not neat as a pin with family portraits hanging everywhere and cookies baking in the oven, but rather, their home looks lived in.  You will know, when they ask you how you are, and they really mean you, not how well your child slept last night.  And they are going to make this wild world of parenting so much more fun.

So, the way you deal with the new moms that are driving you nuts with the comparison-based mom talk is you don't hang out with them.  You take out a magazine at the park when a mom you don't know is hovering over their kid and yours, and smiling crazily at you like, "Aren't you going to follow your kid around?!"

You decline the playdates to the houses where the moms have disinfected the bottoms of all their shoes, even though they never wear shoes indoors.  You do this even if that means you are lonely sometimes, and just end up hanging out with your own kid.  This will force you to go find the parents you can actually relate to.

You go find your people, and you try, really hard, not to talk shit about those other moms.  They are fighting a terrible battle that they will never win, the battle to protect their kid from struggle, and from life.  Leave them to it.  Be your own kind of mother.  Go play.

Love,

Sibyl

Submit your own quandary to Sibyl here. 

Lessons from Tulum...

Dearest Clara, I mentioned last week that one of my regrets, if you can call it that, is that we discovered Mexico so late in life, despite it being so close.  And a big reason for that was our trip to Tulum last year.  In fact, we enjoyed it so much that we made a point of going back again this year when we attended a wedding, even though it wasn't exactly on the way.  This little town, which no doubt has changed over the years, for us ended up being such a perfect hamlet, where the biggest decision of the day is whether you should have dinner on the beach side or the jungle side.

Here's what I've taken away from our two visits to this little unexpected paradise:

• Nothing worthwhile actually requires electricity after ten o'clock in the evening: Because this town is officially off the grid, many places have eco-standards and run on generators, which means that many places don't necessarily have ready electricity after ten or so.  With the exception of some evenings where that fan would really be a nice to have, I found that I don't really miss electricity after that hour anyway.  Anything worth doing at that hour should be taking place in the dark or by candlelight anyway.
• No swimming after dark: A midnight dip in seems like it would be a good idea---I've certainly thought so before. . . But during this most recent visit, a girl waded out into the dark ocean and accidentally stepped on a stingray, leaving her with a ferocious gash.  Some creatures are not meant to be disrupted at night, and dark waves should be best enjoyed from the shore.
• The best ingredients don't need to have much more added to them: Tulum is the home of simple, beachside jungle fare, a happy mix between Mexican cooking with tinges of Italian inspirations.  And when you're working with fresh seafood and fresh fruits and herbs, much more just isn't needed.  When you're lucky enough to be surrounded by fresh food, take advantage and appreciate it for what it is.
• When you turn everything off, turning it back on might scare you: Because of the off the grid nature of this area, we've found it's one of the few places we can shut everything off. . . phones. . . internet. . . TV. . . the constant barrage of news from the world. . . it takes a little while to get used to being without those things.  And then, at some point, you realize that you didn't need all of constant exposure to everything as much as you thought you did.  Turning it all back on will scare you---give yourself an extra day in the calm once you get home.
• Some things are worth going back for: The first time we came to Tulum, I spotted a beautiful leather necklace in a shop. I didn't buy it, thinking that it might be one of those items that seems like a good idea in the place where you buy it, but doesn't quite fit your daily life at home.  And I regretted not buying it ever since we returned from the first trip.  On this second trip, I made us drive a bit out of the way to the same shop, scared that the necklace would be long gone.  It was. . . but they had another similar one, even better I would say.  So in this instance, I was lucky.  Try not to leave a lot of unfinished business if something is important to you, but if you missed something the first time, make an effort to go back.  It might not turn out the way you expected, but it will still be worth it.

All my love,

Mom