Ten Years Ago

By Madeleine Forbes Ten years ago I said goodbye to my parents at Heathrow Airport. I remember they bought me breakfast, a dry croissant that stuck to the roof of my mouth. Later, I wrote in my diary that I felt “removed, relaxed, a slight sick feeling in my stomach”. I did not cry, I noted proudly, until I was walking through the tunnel from the gate.

I was eighteen years old and it was the first time I had ever been on a plane.

I feel sad when I think about that time. Sad for all the things I thought might happen that never did. The possibilities that once seemed to stretch over the horizon have gradually dissolved. That’s not a complaint, it’s just the way life is. With every year that passes, opportunities pass too. I will not, in all probability, have published my first novel before I’m thirty. I’m too old to be a prodigy, and unlikely to be a millionaire at any point: I’ve made too many choices in other directions. Ten years ago these were still things that had yet to be decided.

I thought I was an adult. I had stayed out all night at grimy raves in East London. I had been assistant director of a play which we took to the Edinburgh Fringe festival, sleeping in bunks in a hostel in the depths of the city. I’d spent three days in Paris with a boy I loved, who had subsequently broken my heart. I thought that one of the things that the trip would achieve would be finally moving on from him.

I had been waitressing and working front of house at a children’s theatre, so I was financially independent. Kind of. I had saved for the trip myself but as I was still living with my parents and paying no rent or bills, I now see this for the delusion it was. I knew how to roll a joint, flirt, write essays, and drive a car. I had secured a place at Oxford University to read English Literature, and now I was off on my requisite gap year travels. I was going to become a Well Rounded Person and Find Myself, and write some kind of Great Work in the process.

So when the volunteer program in Northern India, which I’d written about lovingly on my university applications, fell through, I was unfazed. I’d read a lot of Lonely Planets by then and Southeast Asia sounded easy. A piece of cake. I don’t remember feeling any fear as I found the cheapest flight, which happened to feature a change of planes in Kuwait. In 2003 the second gulf war was just starting and I remember that I was worried a US invasion of Iraq might disrupt my plans. I felt kind of glamorous as I speculated about it, as though I had already gained something of what I wanted from traveling, without actually having gone anywhere.

I had nothing booked and no contacts. I read and read, my way of making sense of the world back then when I still trusted words above all else. I had memorized almost every aspect of my potential route, train connections and visa requirements and areas to avoid. I had a tiny first aid kit and a travel towel and a money belt and a mosquito net. I had reduced my possessions, as advised by the Lonely Planet, to the bare minimum. I had I think one pair of shorts, one pair of trousers, a couple of t shirts. I planned to be away for at least six months.

As things turned out, the boy I was getting over is the same one I’m planning our wedding with now. I thought I was starting my career as a writer, filling notebook after notebook with smudges and stains from the cheap blotchy biros I bought on the road. This year, finally writing again, I finished the stack of blank books I brought home with me, like little neon tiles, adorned with kitschy asian cartoons. It was like picking up a baton from eighteen year old me.

There was that long patch in between. A decade, in fact. When I tried out wanting other things. I tried so hard I went full circle and had to go away again. That’s another story, involving bicycles, wild boar and a Uruguyan nomad, and that’s how I find myself here.

All those miles later, back where I started. Eighteen and stupid. I didn’t understand anything then, and yet I knew more than I thought I did. In a funny way, I already knew everything.

White Smoke in Rome

It is hard to express the immense emotions that filled my heart when I passed by St Peter’s square on April 13^th and saw the white smoke coming out of the Sistine Chapel at the Vatican. Witnessing the Pope election wasn’t the purpose of my trip to Rome, and yet that was the part that made it incredible.

My mom and I arrived in St. Peter around 6.30 PM of a rainy Wednesday afternoon. The sky was getting dark, my boots were soaked with rain, and my mom’s mood was high as I kept coughing and sneezing. But the day had been great, so we stopped by the square hoping for some more good luck. Honestly, we never thought we could see the white smoke at our very first attempt, since this usually takes up to a few days. We found a spot under the colonnade, so at least we wouldn’t get wetter, and I fought for some space with a French girl who was fierce and quite determined to have more square inches than needed all for herself. But again, the pain was worth it. We waited until 7.10, and when the smoke appeared out of the chimney of the conclave room the first thing that came to my mind was that sometimes the color can be confusing, as it looks grey more than white or black. By the seconds my doubts vanished and reality became clear---the white cloud grew bigger and bigger, people started screaming (my mom right into my left ear!) and the Catholic Church had a new Pope.

Almost an hour passed between the smoke and his appearance. An hour filled with great hopes for the future. Nobody knew the new Pope’s name yet, and people were guessing, talking and gesturing excitedly to strangers and whoever was around. Would he be from Europe again or from another continent? Would this Pope warm young hearts just like John Paul II? Would he give us words that we will always remember and pass on to the future generations like Pope John XXIII? His speeches were poetic, sweet, simple, and yet contained innovative elements. I wasn’t born in 1962, but the words he pronounced at the opening of the council are still famous and precious: “Returning home, you will find children. Give a caress to them and say: this is the caress of the Pope. You will find some tears to dry, so say a good word: the Pope is with us, especially in times of sadness and bitterness.”

As Pope Francis started talking from St. Peter’s balcony, it was evident from the very beginning that he will be no traditional Pope, and this couldn’t make people happier in such time of crisis. His name did the rest. Francis explained later that his namesake, St. Francis of Assisi, “teaches us profound respect for the whole of creation and the protection of our environment, which all too often, instead of using for the good, we exploit greedily, to one another’s detriment.” He also said his family’s international roots---his parents were born in Italy and then moved to Argentina---means that the “dialogue between places and cultures a great distance apart matters greatly to me.” As simple as he seems to be, Pope Francis even surprised the owner of a newsstand in Buenos Aires with a phone call to explain that he will no longer need a morning paper delivered every day. All good signs that we may eventually have some good surprises in the future.

Mom and I strolled happily back to our hotel, floating among a crowd of pushing people with smiles on our faces. Part of me feels turned on by this event---lately my faith has been kind of latent. At the end of April I will be going to Jerusalem with my husband, and what was planned as an exciting trip in a land we have never seen and we have only heard about is slowly becoming in my intentions an opportunity to discover the deep roots of my religion.

What was meant as a nice trip to our country capital definitely ended with a pleasant surprise, and filled my heart with hope and new blessings. More pictures from Rome on www.alicepluswonderland.blogspot.com.

Grand Cayman: A Home Away From Home

By Eloise Blondiau Grand Cayman looks exactly like the postcards: white sand, a calm ocean and a diamond sun set in an azure sky. The hot, salty air hits you as soon as you step out of the plane and onto the steps leading down to the runway. I think if I had only been here once, it would be easy to dismiss the island as just that: a pretty picture on a postcard. But having spent almost every summer there---though I've lived in big, grey London all my life---Cayman looks a lot like home.

Before I could walk I used to climb up my Godfather’s globular belly as he reclined on the balcony overlooking the ocean. Not long after, I chipped my front tooth on edge the bath in his apartment and had to have it removed, leaving me with a comical smile until it grew in eight years later. I accidentally spilled most of my first beer in the jacuzzi with my older sister and her cool friends. In Cayman, I had my first kiss; first date---coincidentally still the only date where I've been picked up on a waverunner. I had my first holiday with a boyfriend here, too.

I learned how to snorkel in Cayman. My twin brother and I used to race into the ocean clumsily in our fins and headgear, smashing through the soft, glassy turquoise. We would splash gracelessly to the nearby reef to explore, searching for great whites. Although we did once come face to face with a barracuda, and the odd lobster, we never did find those sharks. If we were lucky, our parents took us to Stingray City, where schools of stingrays glide over sandbanks in open water. You can wade in the shallow water, their silky white underbellies tickling as they brush past. You can even feed the rays from an outstretched fist and watch them suck out the squid with an abrupt slurp. Although these stingrays are generally harmless unless threatened (read: trodden on), doing this still makes me feel like the fearless adventurer I longed to be as a child.

Last summer may have been one of my last in Cayman. My Godfather passed away a few years ago, leaving his huge, worn armchair empty beside the seaside view. I like to fill this vacancy by sitting there myself; thinking about him watching the news in his flip-flops and his swimming shorts. We miss him and remember him always, recalling the many stories he told us and all the wisdom learned from him as often as we can. My poor Godmother misses him the most. Now she lives alone in that beautiful apartment in the sunshine, with no one else to care for, to chatter to, to scold, to cook dinner for. She won't want to live alone there forever, and soon we will all have to leave Cayman behind.

On a rare sunny day in England, I can close my eyes and, concentrating very hard on the sun above me, transport myself to Seven Mile Beach. What is beyond simulation in London, however, is my Cayman sunset.

There is no better way to end the day than by sitting before the great ocean and all the life within it. The sun smoulders orange, until it disappears over the horizon and is swallowed by the cool sea.

If not now, when?

‘I need a mental health day,’ I thought to myself in the late afternoon.  This desperate impulse came after the last in a series of indignities, mounting responsibilities and frustrations surrounding work, travel and family.  I was standing in line, waiting for coffee, when I realized my breathing was a little too shallow and my stomach was churning.  My mind scrambled and slid over panicked thoughts of work that would get pushed forward yet another day.  I clutched my iPhone in a death grip and it felt white-hot in my hand, having already recharged it once since pulling it from the wall eight hours earlier.  DING, went the insistent alert tone, indicating another new email.  When it occurred to me that I am my own boss and I could technically, literally fold the laptop closed and shut it all down for the day, I felt a glint of relief.  Of course, if you ask any person who works for herself, you will hear about the sensation of near constant pressure and generalized anxiety that does not defer to the bounds of the hours between 9:00 AM and 5:00 PM. As you might expect, despite a clear recognition that I am suffering the ill effects of stress, I didn’t turn tail at that point and head back to the apartment.  I persisted in working through the day and even felt some perverse sense of exhilaration knowing that I had beat back the creeping beast.  There is apparently some distinction in ignoring the warning signs of a mind and body teetering on the brink of collapse.

While this may sound melodramatic, I am ripe for a break down.  I tell you this not to burden you or try and arouse sympathy.  I have a superb and dynamic support system.  I say it because we all have to start taking better care of ourselves right this very minute.  Most of you are like me and you don’t do it well enough---it might even be something that never enters your conscious thought.  You might never have deliberately considered, ‘How am I doing?’

I was reminded this week---in the way you hope you never have to be---that life is invaluable and that the people living it are fragile.  It can be a slippery slope from suffering the strains of the daily grind to taking your own life.  When something like that happens, it feels irresponsible, disrespectful not to take a personal inventory.  You owe it to yourself and the people that love you.

The Fundamentals (I am not a doctor.  I am not a sleep expert.  I am not a nutritionist.  I am a clinical social worker, but mostly these reminders are derived from my personal investigation.):

1)   Get enough sleep.  I am averaging 5-6 hours these days and a grown adult needs more like 7-9.  Even an hour or two less than your body requires can have devastating effects, including putting you at increased risk for a range of psychiatric conditions.  Learn more about your sleep needs here.

2)   Drink mostly water and lots of it.  Stay hydrated.  Your body uses water for everything and needs at least 8 glasses a day to run effectively.  Sugary, caffeinated drinks do not count toward hydration (my delicious afternoon coffee notwithstanding) and often serve to dehydrate you.

3)   Eat in a way that nourishes your body.  Eat frequently – small meals with protein, fresh fruits and vegetables and complex carbohydrates.  Eat what’s in season.

4)   When you begin to feel overwhelmed in whatever domain in your life, stop and reprioritize.  Figure out only what absolutely needs to be done.  Then give yourself even more latitude with that short list.

5)   If you are experiencing physical symptoms---headaches, stomachaches, short of breath, ruminating instead of sleeping---take immediate action.  Take a day off, if you can.  Consider yourself in a state of emergency and respond proportionally.

6)   Reach out to others.  Instead of caving inward, turn to those around you and ask for help.  Particularly if you are person who is stoic or simply presents well under duress, you would be surprised to learn how few people close to you are aware of your struggle.  This is partly true because each of us is so immersed in our own.

7)   Talk to a professional.  You and I and a million people like us can help de-stigmatize therapy.  We can say out loud that we are vulnerable and benefit from added support.  If you had heart disease, you would go straight to the cardiologist.  If you are struggling with your emotional or mental health, why wouldn’t you go see a therapist?

I am going to get through this weekend’s big deliverables and then take some time for self-care and family travel.   Just knowing I am going to do this with intention is already helping.  I am also going to see my therapist when I get back, because why wouldn’t I?  What could possibly be more important?

Cursing in the Var

By Kayla Allen The day started auspiciously enough, with a visit to the Villa Noailles, a modernist structure designed in 1923 by Robert Mallet Stevens.  My three children romped in the triangular cubist garden.  I wallowed in the view from the hillside, a span that stretched above the ancient city of Hyeres and out to sea, beyond the Iles d’Or, the three islands punctuating the coastline.  Our annual summer trip to France had rolled around and in this Eden-like setting I felt smugly serene.  I vowed to the wind, water and sky: this vacation, I would get along with the Var-ois.

I had previously lived in the region that runs along the Riviera and stretches to the vineyards of Bandol, with a hefty Provencal overlap into the Luberon.  But my two year stay in Hyeres was marred by grumpy bigots and xenophobes who would wag their fingers at this lanky blonde American and her dingo-like dog any chance they got.  I revealed my nationality simply by saying a warm Louisiana “bonjour” to whomever I passed on the street.  People wouldn’t respond, they’d stare back, mortified.  The residents of this region of France are notorious, even among their countrymen, for an acute grouch factor, totally incongruous with the calm waters of the Mediterranean and the perpetual sun.

In the late 1800s Hyeres drew crowds as a hopping winter escape for British and Russian aristocrats.  Robert Louis Stevenson made an extended pit stop and later remarked, “I was only happy once, that was in Hyeres.” But his stay came nearly a century before Jean-Marie LePen set up camp in the region with his extreme right Front National Party.  Jean-Marie LePen has managed to hold various elected offices while spewing vitriolic messages of hate, with poisonous arrows sometimes aimed at American foreign policy and culture.  When I am in town, it seems I always bump into his staunchest supporters.

I was happy to leave Shreveport, pleased to be back in Europe and determined not to let my husband’s cranky compatriots interfere with my trip.  After my blissful morning at the Villa Noailles, I made a trip to Geant Casino, France’s version of Wal-Mart. Mia, my three-year-old toddler, six months out of diapers, tagged along.

We strolled through the produce section, Mia contentedly following along, pushing a cart tailor-made for her height.  She reveled in her independence and her alone-time with me.  As we entered the bread department she stopped in her tracks and announced,  “I need to pee-pee, Mommy.”  Her timing could not have been worse.  I instinctively knew French grocery stores did not have toilets.  If they did, they would be like all public restrooms in France, covered in mulch of an undetermined nature.  No toilet paper to be found, possibly a tiny sink that might offer a sluggish stream of cold water, and certainly no soap.

“Honey, can you wait?”  I calculated how much time it would take us to return to our rental.  But just as I asked, a small yellow rivulet zigzagged down her legs, creating a puddle at her feet.

“Accident, mommy.”

No problem.  I searched for an employee and magically found an amiable enough Produce Guy within seconds. I explained in my acceptable French that my daughter had had a mishap.  I even offered to clean it, if he had a few extra paper towels handy.

As he nipped off to find suitable products, I asked Mia not to move in order to keep the mess contained.  Meantime, another shopper treaded dangerously close and I warned her in my most cordial voice.  Here’s how it translated:  “Excuse me – please be careful, my daughter had an accident.  It is better maybe don’t promenade upon it.  I’m waiting for some wiping material now.”

This woman, a traditional Var-oise whose skin had been baked to a leathery crisp, looked at me as if I’d just sucked down a Big Gulp and followed it with a whopping Yankee belch.  Her mouth turned down at the corners and her nostrils flared like she was the main attraction in a bullring.  She pushed her dyed black hair out of her eyes, leaned over to grab a loaf of bread and whispered “petite salope.”  Huh?  Had she called my daughter or me a little bitch?

My hackles shot straight up.

The nice Produce Guy came with the towels and I started cleaning Mia while he mopped the innocent mess. I turned to the woman.  “Vous avez une problem, madame?”  I asked.

She emitted an evil glow and smirked. “Put a diaper on her, alors!”

Defending oneself against rude inhabitants in foreign countries only amounts to extreme tedium. But when unjustifiable insolence is directed at the most perfect three year-old girl in the world, rage follows.  I was dazed by my indignation.  In stunned silence I checked Mia and told her everything was okay (she sported quick drying nylon pants).  Next, I approached this monster before she left our section and in my best negative-adrenaline-rush French spouted, “Why would you speak something like this?  Why would you insult my child in such a way?  She made an accident, which is normal for a person of this age!”

She responded with an irritated shrug, “She had an accident but someone else must clean it up.”

I said, “That’s not your problem.  You are mean.  You are very very mean.”  I grew frustrated at my tragically impotent communication skills.

I should have left it at this, and God knows I tried. I looked at precious Mia standing behind her toddler cart.  If I’d had the capability to actually think, I could have mused on whether or not allowing her to see my increasing anger was a good idea.

But instead, every Gallic affront I’d ever suffered accumulated in that instant at Geant Casino.  And while I’ve enjoyed many wonderful moments during my Francophile years, my mind reeled back to insults hurled, starting in the 80s.  Then I first journeyed to France as a neophyte model and magazine editors balked at my size 4, saying I was “porcine.” I thought about the malicious queue-breakers at museums who laughed with disdain when I protested.  All the catty shop-girls and condescending waiters I’d ever encountered morphed into a clichéd montage of scornful pointy-noses and mono-brows. I rifled mentally through the piles of hurt and feelings of inferiority from years past.

“O! Let me not be mad, not mad, sweet heaven; keep me in temper; I would not be mad!” I called on Shakespeare for calm, but I could not reason with myself.  My earlier vow to avoid getting riled disappeared and my ire switched to high beam.

I took a moment for inward reflection and breathed deep.  I tapped into my inner stash of French curse words, honed from years of stoned, drunken nights with my favorite Eurobuddies in bars and hostels across the continent.   And I told myself Mia couldn’t yet understand the language, at least not in the way I intended to abuse it.

I strode two aisles over and found Bullwoman examining cheese. “Oh you again?” she said casually.

Yes, me again.  I would make it so that she never forgot me.  She’d never nonchalantly slur others.  Besides debasing my daughter, she’d offended my mothering skills.

I addressed her using the informal “tu-tois”, already an insult. “Toi, tu est une grosse conne.”  You are a large idiot.  With the right tone it could’ve sounded worse, but I was just getting warmed up.  I checked Mia’s whereabouts.  She lagged behind me, not in earshot.

Bullwoman responded, “You should learn to speak French, alors.”  She followed that with an aside: “Etranger.  C’a ma fait chier.”  The Var-ois have an irritating habit of hissing “foreigner” whenever a foreigner is around.  But to tell me I was annoying her?

The time had come to throw down.  My passionate response:  “nique ta-mere.” Not only a vulgar way of implying she should have intercourse with her mother, but also the name of a popular rap group from the Paris suburbs.  I followed that with a quick “va te faire enculer” implying she should have sex with herself, but via a non-traditional route.

“Casse-toi,” she replied.  A simple “bugger off” to which I could not muster a rebuttal.

I returned to Mia, totally dry by now, barely smelling of sweet baby pee.  I tried to focus on my shopping, as I stocked up on gruyere, creamy yogurt, and cornichons.  I fumed my way through saucisson and jambon.   The gall, the Gaul!

People are so polite where I come from that if a little girl accidentally peed in public a stranger would rip off a shirtsleeve to help clean it up.   They’d sponsor a bake sale at their church to buy billboard space stating to the world what a great job I was doing as a mother, and as a human being on Planet Earth.

But I languished in the Var.

As I paid for my goods and headed for the exit, I couldn’t help but turn and scan the check out lines for my Var-oise nemesis.  It was easy to spot her pernicious aura.  Instinctively, I wheeled my cart back inside, resolute in my desire to have the last word.  Plus, I was having fun.  In the words of Montaigne, “No one is exempt from speaking nonsense, the only misfortune is to do it solemnly.”

When she saw me coming she rolled her eyes.   Good, I thought, I’m getting to her.  I smiled.  “Madame, je comprends tres bien ton problem,” in a low voice and with deliberate calm, I continued in French.  “Tu a besoin d’etre bien baiser, mais il ne personne qui veux.   Bonne chance.”  Translation:  “Ma’am, I know what your problem is.  You need to get laid but no one will have you.  I wish you the best of luck.”  Her response: a simple jaw-drop to the scuzzy linoleum-tiled floor.

And with that, I marched triumphant to my car. Without the likes of Bullwoman I would have never have broken past years of suppressed anger.  Now when a Var-ois behaves offensively, I smile, shrug my shoulders, and head to the nearest beach.

XXX. Provence

Bridget is a neuroscience major at a college in Maine. She hasn’t taken a French class since high school before coming to spend these four months in Aix---naturally, her French is a bit rusty at first. But she is open and friendly, and communicates with a completely adorable mixture of lots of hand gestures, anglicized turns of phrase, and ums. It’s easy to understand her if you are willing to listen. Bridget comes over to my apartment one afternoon. When I introduce her to Agnès, Bridget tries to say how nice it is to meet her, that her home is so sunny and light and she would love to live here. Agnès, not even hearing what she is saying, cuts Bridget off in the middle of her sentence.

Agnès turns to me and says, She doesn't speak very good French, does she? And of course Bridget understands her. Understanding is the easy part. It’s speaking up where things get difficult.

Slow Browsing

Window shopping was a fact of life when I lived in Boston. Since I walked everywhere or took public transportation, it was impossible not to peek at the window displays or stop in for a browse at one of the many curious shops on my way to and from work and school. The bookshops of Harvard Square—Raven Books, Harvard Book Store, Grolier Poetry, Globe, Schoenhof’s—were particularly irresistible, but anything from the watch shop on Church Street to the Anthropologie store (set mercilessly behind a three-story wall of glass) could lure me in just as easily.

There were a couple of things, though, that kept me from whiling away my whole life in those perfectly curated shops and breaking the bank on the whole lot of it. First, I was broke, so there’s only a certain amount of time you can stand to spend among small, brightly colored objects that cost more than your grocery bill for the month. Second, I had rule: love it and leave it.

If I found something I really truly absolutely loved and “needed,” I made a special point of admiring it and then promptly leaving the store without it. It was pure anguish, but it was a perfect test. I told myself that if it was still on my mind in a week, I’d come back for it, and if it was still there, well, perhaps it was meant to be.

For the most part, those things I thought I couldn’t live without disappeared within twenty-four hours into my vast mental archive of objects briefly admired but never possessed. The things that stuck were rare and sometimes unexpected. A pair of boots I wore to pieces over several years. A yellow, vintage-looking kitchen timer I never came back for because I was sure I didn’t need it. I’m still sure, but it persists in my memory years later.

I’ve been thinking lately that a similar policy might help with my internet consumption. There are so very many lovely things to read online that I could spend my whole life consuming them, never stopping to let one of them sink in, never returning to being and doing in the world. The ever-changing landscape of the internet lends a sense of urgency to all this. If I don’t read it right now, it might be gone later, I might forget about it entirely, or worse, I might not be able to retrace the winding path of links that led me to it in the first place.

In order to deal with the last fear, I’ve taken to bookmarking articles of interest in Evernote and making an effort to avoid reading every great thing I find on the spot. If it’s really worth my time, I’ll remember it later and come back for it. If not, well, I suppose it disappears then into my digital archive of things briefly admired and never possessed. For what it’s worth, at least the digital archive is searchable, and perhaps I’ve saved myself as much time as I saved money during my student days in a land of beautiful and expensive things.

The Art of Returning

I have fallen in love, unconditional love, with so many places. Various weeks or months into living in a new location, I often declare it “home.” This is not a sense of growing roots or settling, but rather a feeling of comfort and belonging. To give a few examples---I claim my home town of Boulder, Colorado, to be heaven-on-earth [thus, my true love], I claim I fell in love with living abroad in Nicaragua, I claim I found my career in Uganda and Rwanda, I claim I felt more secure and loved in Washington, DC than anywhere else thus far in my journey, and, finally, I claim I re-found happiness and bliss during a year long journey in Mexico City. All of these places are homes. 

This story has two parts: 1) the magic, wonder, and awe of a huge, vibrant, culturally-infused city and 2) the impressionable and open place in which I existed when I found myself living in Mexico City.

I have a theory that you should try to return to places you fell in love with through living there within a year of leaving. That amount of time allows the freshness to remain in relationships and in most cases halts significant enough changes in the city landscape, such that you won’t recognize your favorite blocks, cafes, or parks. Within nine months of leaving Mexico, I returned for the first time, yet I could already feel the changes---I missed my friends and many had already moved on to new experiences as well, my Spanish faltered, but above all, I already felt far away from the person I had embodied when I lived there. The context of this blog post is my second return trip, which comes exactly two years, or better put---a whirlwind of life---after the first visit.

Returning to a place is always accompanied by so many questions ranging from the more mundane (Will my favorite park still look the same? Will the coffee shop on the corner still be there? Will I remember how to get to my old apartment?) to the deeper, more existential questions (Will I still love the city? Will I regain the sense of freedom I had when I lived here? Will I still feel like I belong here? Will I feel like I could live here again?). For those of us who have moved between cities and countries, it is always heartbreaking to leave while at the same time inspiring to move and settle into a new community. In the back of my mind, I imagine past homes as places I can always return to, like visiting old friends or family. They become pieces of me scattered in the world that I can collect, if I return to walk the same streets and share coffee in the same parks with the same friends. Of course, I could easily, fall back in love with the bold, colorful buildings, dry summer days, bustling city parks, and long fun-filled nights. Who couldn’t?

Part I: The city that left an impression

Roxanne Varzi, the author of Warring Souls, describes cities as landscapes that individuals walk through, writing their own versions of the city as they walk. In her eyes, the individual experiences a sense of poetry in the city that they write as they walk and inhabit the space. Returning to Mexico City meant revising and adding to the story that I had written years before. Walking around certain parks and on certain streets brought back dormant emotions, some of which exist in the past, and I briefly visited them, and others, re-ignited bringing me back to the joyfully open and tenderly vivid experiences of the past. Re-writing the poetry, as Varzi would call it, requires openness to re-experience a city and to then reconcile new experiences with what you fell in love with in the past.

The magnitude of the city still leaves an impression, from the top of the tallest building in the centro historico, you can witness the city stretching on in every direction. Although your eyes can sense the cars and people 43 stories below, it is nearly impossible to comprehend over 22 million people sharing this space. It is breath taking. Every element feels more vibrant, buildings burst with colors, food with flavors unimaginable in my Boston life, salsa dancing with a sense of glee. Even the light cast by the sun setting over the zocalo feels more radiant. Returning doesn’t change these elements, in fact they feel more alive and more intense---almost as if the point is to confirm my stories and memories.

Part II: The girl ready to be molded

As vulnerable as it is to write about why we make major life decisions, it is important in the context of this marvelous city. I moved to Mexico City mostly because I was ready to spend a significant amount of time abroad and I had a friend living there. The combination of those two simple facts landed me in this particular city. Moving had meant uprooting a world and home I had created in DC---of close friends, a wonderful job, and a boyfriend of a number of years. The year passed as I healed, taking the training wheels off and experiencing a new sense of freedom and fulfillment in living abroad.

Although my memory would like to re-write the story of Mexico City as full of magic and glee, the year did not pass without challenges, questions, and heartache, as ripping out roots often causes. Some questions which are not and cannot be answered by moving or even the passing of time. Yet, returning after a number of years away caught me off guard, as many of the same questions of uncertainty surfaced, as though triggered by spaces I used to inhabit. Past insecurities gently haunted me, illuminating today’s struggles that mirror those from a few years ago that my current self had attempted to grow and learn from. But, there they were in their gut-wrenching openness.

----

Silently walking, questioning my life, Varzi’s words rang true---as I rewrote the stories and the memories, capturing them in my current space, not just in the magical, gleeful past. This is a long term relationship, with this enchanting city, and I can only imagine the new stories my future self will write.

From Higher Learning to Simply Earning

Dear Sibyl,

I've been teaching upper elementary school for over a decade.  I usually love teaching, although I have gone through some tough situations that have shifted my view from teaching as a calling, to teaching as a job. My question is: my enthusiasm for teaching upper grades is waning, and I'm wondering if a grade change is what I need to bring back my passion for teaching, or is it just gone? What do you think?

From,

On The Fence

Dear On the Fence,

You’ve hit on a central question to many people in the workforce today: “Does my job need to be my calling?  If not, then how do I get through it?  If so, how the hell do I get out of this job?”

Let’s set that huge question aside for a minute and just talk about your circumstances.  It sounds like, even though you no longer feel jazzed about teaching, you are currently looking for ways to bring the magic back.  You’ve been burned by some bad experiences, and are wanting to turn things around before you get too jaded.

This is completely possible.  It will require a good amount of change, but if you can be open to the changes, it could be beautiful.  You can still be a teacher and not do exactly what you are doing now.  I encourage you to consider ALL the options: a grade change, a school change, an entire genre change---you are a teacher, but do you need to teach in schools?  What do you love to teach, and is there a market of people who would be interested in learning that from you?

Take your career to couple’s therapy.  Sit down with a pad of paper and a pen (not a computer---the brain works differently long hand), set your watch for a 50 minute session, and write, stream-of-consciousness, a conversation between your Teacher Self and your On The Fence Self.  Go ahead, ask TS all your hardest questions, answer “Yeah, but what about the time. . .”, and hash it all out.  Notice what voice Teacher Self takes on.  Is it a tone you recognize from another part of your life?  Are there action steps you can take to salvage the relationship?  Can you seek out training, a teacher support group, or go to some of the galvanizing events groups like Yes World provide to support people doing good in the world?

Let’s say, at the end of all this soul searching, you and Teacher Self decide to break up.  You want to discover your true/new calling.  You won’t be alone.  More and more people are spending their nights and weekends working on the things they are passionate about, either to eventually make their living off of those things, or just because it feeds their everyday experience that much more.

You can’t stay on the fence forever.  At some point, you’ll have to jump one way or another, and my advice to you is to do so with both feet, whatever direction you choose.  You might find yourself dismantling the fence, slat by slat, despite the splinters incurred, in order to find a new, less polarizing way to live.

Love,

Sibyl

Submit your own quandary to Sibyl here. 

Landmarks

I’m pants at directions.  I’m pretty sure that’s British slang for really bad, if not, well I’ve never been to Great Britain so you’ll just have to excuse my ignorance.  International colloquialism aside, I’m really pretty terrible at directions, both giving them and following.  If you’re ever giving me directions, and you hope to actually have me make it to the destination, kindly avoid saying things like ‘Turn North after two miles’.  I have no concept of either which way is north or how far two miles is. The only time I know which way is east or west is if the sun is either rising or setting. There’s an old scene in a Muppet movie when someone tells the Muppets to turn left at the fork in the road.  You can probably guess the next part, the Muppets drive a little ways until they see an actual fork, a giant utensil sticking into the ground, and then they make the turn.  Those are the kind of directions I could follow.

I like landmarks.   They’re how I make my way from point A to point B and how I describe where I’ve been. My memory records locations like others remember dates.  I may not remember the year or even the month, but like any good wanderer, I can remember where I was.  When I heard Mother Teresa died: in the parking lot of my grade school. When the twin towers came down: College at mandatory language tutoring.  The first time I slow danced with a boy, my first taste of alcohol, the first time I kissed my husband.

I remember the where; like little snapshots in my brain. Polaroid pictures of significant moments that have made up my life and likely quite a few insignificant ones.  I can see the view, where I was, who I was with, and my surroundings. The images often have invisible aspects too, how I felt, my perception of the event or moment.  Perhaps there is some deep psychological or physiological reason or correlation; a left brain versus right brain debate.  Maybe Katherine’s research into memory and narrative would have an explanation.  Or perhaps all the artistic talent that I see in my family tree filtered into my DNA after-all, leaving my brain to prefer visuals and images over statistics or dates.

Whatever the case, the snapshots of my memory are there to show me where I’ve been.

They are the Landmarks of my life.

Lessons from public speaking...

Dearest Clara,

To  be completely honest, I've never been a huge fan of public speaking.  I get nervous.  I tend to have dreams where I worry I forgot what I was going to say — or that I came on the wrong day — or that the audience didn't understand me.  But somehow through my work I tend to find myself presenting a lot — I'm always anxious going into it, but even though it's not my strongest skill, everything seems to turn out okay in the end.  And over the course of these presentations I've learned that:

• Practice makes perfect: Trite but true.  Figure out a scripting mechanism that works for you and learn your content — practice often, and practice in front of a mirror.  If nothing else, have an introduction and transition to each point you would like to make.  When it comes to speaking, practice pays off.
• But give yourself a cut off time: There comes a time where more practice and more review and more notes don't help.  Give yourself some space to reset your mind and compose yourself.  Use that time to build your confidence so that you can go into your speech with a clear mind.
• Speak much more slowly than you think: Trust me, it will sound much faster to everyone else, and it will help you avoid stumbling.
• Milk coats the throat: A friend who is also an opera singer told me that once, so I always go into a long presentation with a cup of warm milk.  Most people think it's a coffee but really, the milk helps to coat the throat to keep the words coming smoothly.
• The best presentations feel like conversations: But that doesn't mean they are unscripted.  Good conversations take preparation, and when you ask a question to a public group, make sure you know what the answer you want to hear is in advance.  Think of how you will transition from that answer to your following points.
• Start strong...remain strong...finish strong: And if you don't start strong, you can still be strong, and finish strong.  And if you don't start strong, or remain strong, you can still finish strong.  Don't let parts of the presentation that didn't go well get you discouraged.  You can always get yourself back up - and people remember the last impressions of a presentation the most.  Make sure your impression counts.

All my love,

Mom

[Photo of the lovely Erin Loechner at Alt Summit by Justin Hackworth]

Alchemy

I’ve been thinking about this Joseph Campbell quote: “If the path before you is clear, you're probably on someone else's.” As artists, we really don’t know what effect our work will have once we put it into the world. Whether working for a client, collaborating, or preparing for a solo show, that uncertainty is always there. As artists, we have to be confident enough to make work that is honest about who we are and the world we inhabit. We never know if we are good enough; there is not a set path for how to succeed or even a clear definition of what success means. Embracing that uncertainty and going forth honestly anyway is our job, the same way that when I waitress my job is to set aside my ego and serve the customer as well as I can, even when they are annoying and the kitchen is slow and I am so tired and I have my period and I just want to go home.

The worst part is, when you’re a waitress you know that it makes sense that in a city with a lot of people, there are lots of restaurants, because everyone needs to eat. But as an artist living in The Age of Mechanical Reproduction™, a lot of times it just seems like there is already enough art! You can buy a printed copy of any great painting, illustrated book, or amazing poster you like. Why make more? When I think about the sheer number of artists making things and trying to make a name for themselves, it boggles my mind. Throw in some heaping self-doubt and it’s enough to make you want to stop trying altogether.

I thought of this overabundance of art when I heard about Meriç Algün Ringborg recent show at Art in General, The Library of Unborrowed Books, in which she culled a selection of books from the Center for Fiction’s library. The piece, following the same guidelines as her 2012 show at the Stockholm Public Library, “comprise[d] all the books from a selected library that have never been borrowed.”

The show is a little embarrassing for the books. Claire Barliant of the New Yorker writes that “while [she] browsed [she] found [her]self searching for flaws in the books that might have made them undesirable” to others, which sounds like online dating. The Center for Fiction’s tumblr is ostensibly supportive, but incorrectly refers to Ringborg with male pronouns, so perhaps there’s a little buried resentment on their end.

But Michele Filgate of the Paris Review finds that the show made the books more attractive, writing, “there’s something about displaying the books as art that made me want to page through each and every novel. It’s as if all of the words put together are trying to say, We are necessary; we have stories to share.”

Although the mass of artists living today can be daunting, it is also be powerful. If there are that many of us who want to approach problems creatively, there are ways to harness that creative power to make the world a better place, and that is exciting.

The truth is, most of my artist friends think about a lot of the same questions I do. I see the different ways that we try to make ourselves and the world better through art, whether it be through an overtly political message or simply a celebration of creativity over consumption. Nobody has it all figured out, but everyone is trying.

Artists like El Anatsui (go see his awe-inspiring show at the Brooklyn Art Museum!) and Chakaia Booker (read more about her here) are especially exciting to me, because of their approach to materials. They take objects that most people think of as ugly and disposable, and make them into gorgeous sculptures. It’s not just that this is a surprising thing to do, it’s also that their work acknowledges the world we find ourselves in, with all of its industrialized waste and ugliness, and finds beauty there. The detritus and tires and metal scraps that make up Booker and Anatsui's work are not so different from the unborrowed books in Ringborg’s piece. All three artists find value in objects that other people have ignored. That’s what art does. It takes the parts of ourselves, our worlds, our perceptions that we thought were the most unlovable, the most obscure, or just too obvious to bother with, and transforms them into something to share with pride.

Further Reading:

The Work of Art in the Age of Mechanical Reproduction

Paris Review: Borrowed Time

New Yorker: The Art of Browsing

Ringborg's Website: Meriç Algün Ringborg

Center for Fiction: The Library of Unborrowed Books

ltr">El Anatsui

Defiant Beauty

Dressing Like a Princess, and Other Concerns

I recently read Peggy Orenstein’s Cinderella Ate My Daughter, which examines the numerous sociological trends that affect the upbringing of the young American girl, from Disney Princesses to an obsession with pink to the unhealthy emphasis placed on beauty and romance. Orenstein posits that while there have always been difficulties in raising confident, not-defined-by-gender-stereotypes daughters, there has been a recent turn towards “pink power” that sees hyperfemininity as something to be celebrated and—also—commodified. She asks: what harm are we doing to our daughters by allowing them to buy into this type of girl culture? And is there even a way around it?

This got me thinking about my own childhood, and the gender stereotypes and plastic role models I was raised on. Was it better or worse than what’s available to girls today? Walking around toy and kids’ clothes aisles in Target, everything seems familiar: Barbies, Polly Pockets, Dream Phone (yeah I totally owned that). But is Orenstein correct in saying that this lifestyle, these values, are more insidiously ingrained than they were in the 1950s to early 1990s? (Yeah really—the 1950s??)

In response, I did a quick mental review of all of my Halloween costumes from childhood to high school. Halloween costumes are the one time a year that all children, and not just those attending Disney On Ice shows, exorcise their inner aspirational identities whether those are found in the professional (astronaut, cheerleader, ballerina) or the fantastical (princess, skeleton, Muppet) worlds. And it's surprising how many of these aspirational identities reflect the desire to properly align with gender conventions as displayed by both role models and peers, even in the so-called pre-"pink power" era. I realize it's a little early (late?) to be talking about Halloween, but bear with me-- let's just say I'm keeping the whole post in the strictly anti-normative mode---rejecting media---and commodity-driven holiday industries---yada yada yada.

Kindergarten: Cat. Because my parents chose my costume. I vowed never to do it again because I couldn’t deal with the face paint. Question: have you ever seen a boy dress as a cat? Why the close association between the feline and the feminine?

First grade: Princess. Really, the pinnacle of my aspirational fantasies, not duplicated in subsequent years only because I didn’t want to copy myself. My princess image was ripped straight from the pages of early ‘90s Mac kids’ computer game Storybook Weaver: a long white dress, a tall pointy damsel-in-distress hat with a delicate veil flapping from the top, loose flowing hair. I was, for that night, I think, truly happy.

Second grade: Fairy. Because I couldn’t be a princess again. Blue wings, a silver-pipecleaner-encrusted wand (something I for a brief time collected at every street fair my family took me to).

Third grade: Ballerina. I knew how to be a ballerina because I took ballet for two weeks when I was five. I actually quit because they told me we couldn’t wear tutus, which I had mistakenly thought was what ballet was about. Took the cheap route and wore my never-used tutu over my hot pink one-piece bathing suit.

Fourth grade: Witch. Major paradigmatic shift. I was getting older, and it was starting to be cool to be not-pink. Instead I went all-black.

Fifth grade: Cowgirl. My gender-based evolution led me to privilege chic fashion over ultra-femininity, and I felt like with a cowgirl costume I could show off my cute denim skirt, throw on a cute denim vest, and accessorize with a charming cow(boy) hat, Western-style kerchief, and boots. I felt pretty good about this one. I felt grown up.

Sixth grade: Gypsy. My rejection of commercialism (not wanting to call the store-bought costume an “Esmeralda” from The Hunchback of Notre Dame) led me to label it in an ethnically essentialist way instead, but what is Halloween if not a whole bunch of essentialism/racism? (I don’t do this anymore.) Same thing happened in eighth grade when I labeled my I Dream of Jeannie costume a “harem girl” (yikes).

Seventh grade: Sorceress. Honestly, I was just lazy and wanted to reuse my witch costume. I wore more makeup. My mom wouldn’t let me on normal days.

Eighth grade: See sixth grade.

Ninth grade: Geisha. Yes, I lampooned my own ancestral culture. I just happened to have an ornate kimono-style dress from my grandma lying around, and I stuck two chopsticks in my hair and called it a costume. Troubling that two of my childhood costumes involved ethnic caricatures that imply prostitution and sex work.

Tenth grade: Buffy. Finally, I got it right. . .

Who did you dress up as as a child, and what do you feel like that says about your particular upbringing? It’s kind of an interesting exercise. Especially when considering the (much thornier) question of, how did I turn out as a result?

Marriage Equality

This week, the Supreme Court is hearing cases that will determine the constitutionality of DOMA and the legality of Prop 8. It saddens us that we have to even write this, but we believe in the fundamental equality of all human beings. Love is love is love. Here are three pieces from our archives on the subject: Renee explores the difference between Civil Unions and Marriages: The Same, But Not Equal

Nora ponders what she and her wife will tell their son about marriage inequality: On Inequality

Miya argues that marriage equality is about families, and has ideas about what laws should come from this battle. Family Equality and the Legacy of the Struggle

Please read, enjoy, discuss, and share.

Meet the Local: Sarajevo, Bosnia and Herzegovina

Meet the Local is a series designed to uncover the differences (and similarities) in how we think and live in different parts of the world.  Over the upcoming months, I’ll ask locals from places all over the world the same set of getting-to-know-you questions.  This week, meet Neno, who was born in Sarajevo and has lived there ever since, including four years spent largely underground during the siege.

What do you like about the place you live?

I like, first of all, the people.  The people and the size of the city.  Sarajevo is a quite good city to live because it’s quite a small city---it’s only 400,000 people---so you know everyone.  It’s like one big family.  And also the history, the culture.  But mainly the people.  The people are very friendly in this city, so you can always count on someone helping you in the city.  I like that feeling.

 What don’t you like so much?

I don’t like politics in the city, and the politicians.  It’s affecting the every day life---we could have better public transport, we could have more investments, we could improve many things in this city.  But unfortunately we have a lot of bureaucracy.  We have three governments, and three presidents.  It’s a small country---only four million people---so to make one decision when you have three presidents. . . it’s quite impossible.  Nothing gets done.

What do you normally eat for breakfast?

I drink tea, or sometimes coffee.  Then scrambled eggs, with cheese.  No pies!  Because people think we are eating the pies for the breakfast.  The pies are more for the lunch or for the dinner.  People think we are eating pies every day, but it’s very, very heavy on your stomach.  It’s more like a fast food things.  I eat pies only maybe two times in a week.

What do you do for a living?  How important is your job to your sense of self?

I’m a student of political sciences and diplomacy and international relations, getting my masters.  I lead walking tours when I have free time from my studies.  I think I will stay in tourism.  I’m studying political sciences, so people always think I will be involved in political life but I think I like history, I like the political philosophy, but I don’t see myself in a political life.  I want to send a message from this city, this country.  I think we have more to offer than just the recent history.  That’s the reason I started doing walking tours.  Unfortunately, this country still has a reputation as a war torn country.  When you say Bosnia, the first image people have is the war in Bosnia, Sarajevo under siege, but I truly believe this country is a country with a long and rich history, friendly people---I think we have a lot to offer.

My job is very important to my sense of self.  It’s very difficult life in this country.  You know, I’m 27 years old and I’m still living with my parents.  But in some ways, I have freedom because I earn all of my money.  So for my self-confidence, it’s very important that I also earn something.  Most people live with their parents till they are married, because they are close with their family, but also because of the economy.  It’s a very high unemployment rate---43% at the moment.  So unfortunately people can’t afford to have their own flat.  And also Sarajevo is a very small city, so even if I rented a flat, I would go every day to my mother’s to eat something.  So at the moment, I think it’s better to stay with my family.

What do you do for fun?

I like to hike, when it’s sunny weather, in the [1984 Sarajevo Winter] Olympic mountains.  I also like photography---I like to walk around and take photos.  I like to bicycle---there’s one part of the city that has bicycle infrastructure, so I go there and I bicycle.  I also like bowling, so I go there with my friends for bowling very often.  I also like to read, and to travel.

How often do you see your family?  Tell me what you did the last time you saw them.

I live with my family.  We are very close, because I was here during the siege so we were always together then.  The sense of community in this country is very strong.  The people are close to each other; the neighbors are close to each other.  The siege made us closer, because we survived together the most horrible moments. I think the siege of the city affected people in a positive but also negative way.  I think that people in this country appreciate small things more.  Maybe like some other countries or the younger generations in this country, one small thing is nothing.  For example, I like to eat everything.  I’m not choosy, but I have a niece, and she was born after the war.  And we all have a Sunday lunch together and she is so picky---I don’t like that, I don’t like that---and I get so frustrated, like, you need to eat everything, because you don’t know the feeling of when you have nothing to eat at all.  I appreciate the food.  I try to enjoy small things.  But also the war had negative effects---like, I never celebrate New Year’s Eve on open squares.  I don’t like fireworks.  Whenever I hear fireworks, I get flashbacks, because it’s the same sound as the shells exploding.

What’s your biggest dream for your life?

To travel around the world.  Now, I’ve traveled almost all of Europe, except the UK and Ireland.  Personally, I think that’s the best spent money.  When you learn about other cultures, you start to appreciate more about your own culture, and your own life.  But after traveling, to again always return to this country.  No place like home, no place like home.  I experienced the worst things in this country, so why not stay?  I think this country deserves a better future with smart and educated people.  We will not have a bright future if all the smart and educated people leave the country.  So we need to stay, and we need to fight for the changes.

 If you could live anywhere in the world, where would it be?  Why?

I like Spain and Portugal.  The people are very similar to us here---they’re also very friendly, very open.  They also have not very good economy, like this country, but they’re like, let’s enjoy life!  Things will improve!  I can imagine myself living in Lisbon for one or two years, but like I told you, I then want to come back to Sarajevo.

What are you most proud of?

I’m proud of my family.  I’m proud of my mother, my father.  Because I think they directed me in a good way, they raised me to be a good guy.  My mother for me is like a big hero because I was with her during all of the wartime.  She was also working every single day, walking back and forth through the snipers, because she needed to do something, to occupy her mind, to not be in a basement all the time.  She was working not to lose her mind, and a little bit to keep her job position. She was working for free.  Sometimes she got paid in cigarettes.

How happy would you say you are?  Why?

I am very happy because I have a good family.  I have my mother, my father, my sister, my niece.  It’s a very small family, but we are very close to each other.  That’s my biggest happiness.  Also, I’m happy because I live in Sarajevo.

To read the answers of a local Londoner, click here to meet Carleen.

XXIX. Savoie

The past four months have been the loneliest I’ve ever experienced, no thanks to me. My reaction to life in a new country has been to hole myself up and reject most social interaction---hardly a path to happiness, but what do I know when I have never lived away from home for so long before.

On the eve of my departure, Marie and I exchange e-mail addresses. We’ve been living together since January but our interaction has been fairly limited---she has her parents house to go back to every weekend, not to mention her ongoing three-way relationship keeping her busy. When we’re both in Chambéry, I spend my time in class, walking around the hills north of our apartment, or shut in my room. Our conversations, which have been pleasant and fun, are when we both happen to be in the tiny kitchen having breakfast at the same time. Most have centered around Nutella.

Marie and I hug and she hands me a slip of paper with her address along with a small gift, a pair of earrings that will faire ressortir le vert de tes yeux, bring out the green in my eyes. The simple gesture, like so many others I’ve experienced in the week leading up to my departure, makes me wish I could go back to the beginning and start all over. I wish I’d had the courage to be real friends with you, I want to say. But I don’t.

I tuck the piece of paper into one of my books knowing that I’ll probably never take it out again. Years have since passed, and like the red poppies that I once collected outside Clémence’s house in Normandie and pressed inside the pages of one of my journals, I have no idea where that slip of paper is now. But it’s nice to know that it’s somewhere, and if I ever feel like looking, I might be able to find it again.

Favorite Favorites

I don’t mean to be a notebook snob. But after four months sailed by without a page of journal writing from this dedicated journal-writer’s desk, I promptly accepted my status and hit purchase on a stack of my favorite notebooks. You might be tempted to assume that I wasn’t writing in a notebook for all this time simply because I was busy or because I was writing in other places. Those excuses might fly for some of the other tasks that have lingered on my to-do list for months, but they could not have accounted for my having fallen off the notebook path. I have written through busy. I have written through crazy and happy and sad. I have written even when I had so many other things to write that I wondered if I’d run out of words. In the notebook, everything is different. No matter what else is going on beyond its margins, I always look forward to meeting myself on the page.

The special notebooks, in case you are wondering, are these. I’ve had other notebooks lying around over these four months, which is why it took me so long to order my favorites. A piece of paper is a piece of paper, I kept telling myself—all the while abandoning one mediocre notebook after another only a few pages in.

I’m sure most artists would agree that it’s no use to blame your tools or your medium for your own lack of production. In fact, creative limitations are often a perfect starting point for innovation. And yet, if you’ve found the thing that works for you, you might as well stock up on it and never risk having to worry about running out.

The pages of my favorite notebooks are so perfectly smooth to write on and not so harshly white as to blind you. The cover is red, which makes it look very inviting and easy to spot when I’ve left it in a pile of all the other books and papers awaiting my attention. It’s small enough to carry around in a tote bag and large enough to allow for some breathing room. It lies flat when it’s open, and it’s flexible enough to fold one side around to the back if you need to. It’s sturdy enough to write with it on your lap, and it doesn’t (thank heavens!) have lines.

This is not an advertisement for my favorite journal, but more of a celebration of favorites. Sometimes it seems the internet is flooded with “favorites” and “likes,” but I’m talking about the really favorite favorites. These are not the pretty pictures, pinned and forgotten, or the impulse buys that end up in the back of the closet. They are the tangible things that stick with you for the long haul and accumulate layers upon layers of memories. The perfectly reliable pens to go with your perfectly favorite notebook. The tea that makes your day. Every. Single. Time.

When my notebooks finally arrived, I tore the box open and started writing. It was like meeting an old friend for coffee after a very long time. You can pick up just where you left off last.

What Are You Reading (offline, that is)?

Magdalena Macinska is a dreamer, interpretor, translator, and writer---weaving words between her native language Polish and the English she lovingly adopted. She makes a home in Warsaw, but has left her heart in places around the world. The world never ceases to wonder her and she blogs about her endless questions at www.questionchest.blogspot.com. Books taught me that there is something such as love at first sight. So many times has it happened that I was wandering aimlessly around the airport waiting for my plane and ended up in the airport bookshop and there, among the bestsellers meant to ease my travel time, was the book  that could potentially change my life!

My eyes often land on self-help books, a mention of them on my favorite blogs makes me prick my ears. I am always ready to experience a moment of enlightenment. But they also have to be beautifully written. Self-help books are for me a challenging genre of non-fiction. Good advice is not enough. There needs to be captivating story behind, the author’s spirit and presence must flow through the pages.

I believe that some books are meant for us to read, just like some people are meant to be a part of our life. Maybe because they help us to connect with the more tender parts of the soul, heal the darker places. Here are some of the ones that not only helped me, but have enchanted me and made me fall in love.

Laura Vanderkam’s 168 Hours. You have more time than you think challenged me to rethink my relationship with time. She asks for brutal honesty in demystifying one’s o weekly planning patterns and at the same time offers an optimistic encouragement that there is indeed time to do all the things we want. She does so by beginning not with time saving techniques, but with inviting the reader to dream about they want to fill their time with. Laura has a sharp eye for myths and makes witty remarks about our obsession with perfect households and commandments of time management like “don’t work in the evenings” which do not always match the reality of our today’s working life. She balances thorough research, deep common sense and humor, which makes this book feel so down to earth and real to me in all those times I want to moan “there just isn’t enough time!”

Gretchen Rubin, the author of Happier at Home, holds a warm and simple conversation with the reader right from the start. In the first pages she recalls how her husband asked her why she wanted to write a second book on happiness if she had already done one project on happiness and was satisfied with it. She gives us an answer in another scene from her life, describing how when she was standing at the kitchen counter one day she felt a wave of  absolute contentment and at the same time a profound longing for home. Gretchen unveils the paradoxes of happiness: being grateful for what we have and believing we can always happier. She guides us through her personal journey of making the home a happy place, sharing stories and anecdotes. In the background we discover a heartwarming picture of her family where small changes make a big difference, and yet nobody is perfect. I feel gently prompted to look for my own happiness for home and at the same time don’t feel scared of impossible commitments.

Susan Jefferson speaks with a strong and passionate voice in her book Feel the Fear and Do It Anyway. She uses the whole arsenal of expressive and exaggerated rhetoric we sometimes find in self-help books, and yet never ceases to be convincing and authentic. Susan understands how paralyzing fear can be and counter-attacks it with a language of positive self-esteem and self-power. Reading this book made me feel that the writer believes in me, and that I can do also do the same for myself. She teaches that by changing the language we speak to ourselves and trusting in our own resources and power we can tame fear and learn to live with it.

Brené Brown’s book The Gifts of Imperfection: Let Go of Who You Should Be and Embrace Who You Really Are is written by a researcher converted into the language of the heart. With clarity and precision she redefines to the scary notion of vulnerability. She shows courageous ways to show our vulnerability and in effect create connection. Brené contemplates on the paradox of embracing darkness that leads to light in our relationships. Philosophical reflections are intertwined with touching and hilarious stories of how she experienced her “nervous breakdown” AKA “spiritual awakening”. Her honesty encourages me to experience my own.

Swept Away

Hello Sibyl,

Last summer while at the Paris airport on a layover, I met a guy who was also there on a layover.  We emailed and texted and he came to visit me in Amsterdam in November, and again in December (he lives in Venezuela). During these first visits, he opened up and told me that since meeting me he was thinking about a future with me and that he has never done that before.  We fell in love, discussed marriage and where we could both live together (he has a 5 year old son, so cannot move here, and after a recent visit, I know I could never live in Venezuela).

Once he was home (in January), I mentioned something about the future, and he said he could not talk about it.  I wrote him a long email explaining that HE was the one who brought up the future and talked about plans, etc.  He said he was sorry, but just needs more time, and for me to please be patient.  

I do understand we need to be patient and get to know each other better, but it seems like he has changed.  He used to be very open about sharing feelings and affections, but now seems to have pulled back (I visited him 2 weeks ago in Venezuela).  Plus i wonder if there is a future between us given the distance and the fact that it would be difficult to find someplace to live together.

I wonder if I should end it now or just enjoy the times when we see each other?

Thank you very much and kind regards,

Futuretripper

Dear Futuretripper,

In the short time since I started this column, I have received several quandaries like yours.  They are from women who are disappointed by the men in their lives, but claiming that they love them, and hoping for a future with them still.  Here is what is missing in these letters: any indication of what there is to be loved about these men, why they are worthy of such undying love, and what makes them eligible to be a good life partner.

From your letter, it's clear that the two of you had an immediate connection that went very deep, and made both of you want to hang on it to forever, by planning a future together.  However, other than the fact that he's a father, and he lives far away from you in a place that you never want to live in, what have you told me about this man?

Paraphrasing The Little Prince, I want to know what his voice sounds like, what games he loves best, and if he collects butterflies.  I want to know why he is worth the struggle of a long-distance romance.  Just the fact that he changed his mind and no longer wants to talk about the future with you is not enough to end the relationship, as most people have trouble with commitment.  However, it does seem like there is some denial of the reality of the issues the two of you are facing, if you chose to go forward with this relationship long-term.

You had a lovely Before-Sunrise-esque connection with this man.  However, not every connection one makes with another person needs to be followed to the fullest extent.  Some people, no matter how deeply we feel we are cosmically drawn to them, are meant to just be brief interludes in our lives.  It's hard to make meaning of those experiences and let them go, but otherwise, it is like trying to hold the ocean in your hands.

Of course, there is a chance that you do indeed have a future with your cross-continent lover.  However, my advice to you is to hang back, and give the relationship room to grow.  You need to let it breathe, and see what transpires in the space between the two of you---which for you, is a lot of space!  Just let that be the reality.  Don't force anything, and use the time you used to spend planning the future reflecting instead on why this man is so special, and what he can really offer to your life.

And then write back and tell me of all his stunning substance, and how it resonates with who you are and what you need.  But please, if you find that you only like this man for nebulous reasons, and if he doesn't seem to really want all that you are willing to give him, release your hands, and let him float on.

Love,

Sibyl

Submit your own quandary to Sibyl here. 

On Reading Fiction and Ethics

By Carrie Anne TiptonIllustration by Akiko Kato

I have many faults; some are known fully to me, and many, I am sure, are felt more expansively by others. But this one virtue I have in spades: empathy. Such a strongly-buttressed wall of my interior house, it has, ever since I was a child, prevented me from being able to read descriptions and view depictions of people being unkind to one another; in fact it is almost impossible for me to stomach any graphic rendering of suffering at all. I enter easily into others’ pain, a trait I can only attribute not to some oustanding moral fibre, but rather to my childhood gorging on fiction—which trains the mind and soul to inhabit the skin of another in a way that little else can.

It has always been difficult for me to comprehend the willing and cognizant visitation of pain on an innocent party: given a choice, why choose to hurt? So on that bitter cold Chicago afternoon, riding the schoolbus home from fourth grade, I did not understand why the young boy a few seats ahead of me cracked his window, casually tore pages out of a paperback, and sent them lofting away on the wind. That was someone’s book, I thought to myself, aghast and angry and pained, for my little mind grasped that he had perpetrated two sins: one against the book and another against its owner. To be fair, he first held the volume up high and asked if it belonged to anyone before cheerfully ravaging it. I remember the scene now as he brandished the tattered, faded copy of C.S. Lewis’ The Silver Chair above his head, whole for the last few seconds of its life while he waited in vain for its owner to claim it.

I recall thinking quite vividly, How strange that he should have found a copy of the very book that I have in my backpack (for I was once again working my way through the Chronicles of Narnia). Thought number two: I’m so glad that mine is zipped away in the outer pocket. I didn’t think to doublecheck, naively gazing on at what I thought a complete coincidence.

When a thief takes something outright, to kill or to destroy, one is chagrined. But when a thief half-steals, with the half-permission of the thing’s owner helping him along, the burden of pain doubles with a measure of shame. At home, the vision still seared into my head of great chunks of paperback hurtling against the grey winter sky, I realized the pocket was unzipped after all. It was mine. He took mine. He ripped mine. He savaged mine. It had been mine. It was still mine, in all its pieces on the sidewalk blocks away. We didn’t have much money. The copy had belonged to my mother.

I’m sure I cried. My mother also felt my pain keenly (this makes sense: another great reader of fiction, she) and sensed the book’s pain sharply too. Soon she had ordered another copy. I remember her shaking her head and asking no-one in particular, why would someone do such a thing? As I write this I turn around and see on my shelf six faded and tattered volumes of the seven-book Chronicles, tucked into a shabby old case, and a glossy fourth volume nearby that doesn’t fit into the case. And together, they make me wonder: if he had read books, if he were in the practice of walking in the roads trod by make-believe people, would he have so readily hurt a living person and a living book all at the same time?

I will read to my child.