The A Word

 

By Michelle Brock

It was a typical weekday morning.  I had to get my three year old off to preschool and head to work where I teach fifth grade.  It was parent teacher conference week, so I was feeling a tiny bit anxious to make a good impression and have meaningful conversations with my students’ parents.  

We pull up to preschool, where my son usually hopped out of the car and made a mad dash to be one of the first kids in class.  Yet today, when I was feeling a little rushed to make copies before my conferences started, and I was wearing a more profession outfit that was a little harder to wrestle in, my son REFUSED TO GET OUT OF THE CAR.  “I don’t want to go to school today Mommy!  I want to play at home with DAAADDDYYYY!!!”.  

I was breathing deep and remembered to honor his disappointment and feelings.  “I know it’s hard to be away from Daddy.  He’s a lot of fun.  But you’ll get to play with Noah and Alessandro and that will be a lot of fun too.”

“No!”  Then he crossed his arms and refused to budge.  

I took another deep breathe and stayed the course.  I used the low serious voice.  “I’m going to count to three and you need to be out of the car.  1...2...3.  I see you still aren’t out of the car.  If you choose not to get out of the car, you are going to lose your show this afternoon”.  I brought out the big guns,  and waited.  But he was not going to budge.  In that moment, I knew I played the last card I had, so I had to resort to brute force.  I grabbed his upper arm, hauled him out of the carseat and made the humiliating walk of shame, dragging my pint sized boy while he was screaming bloody murder.  Thank god we arrived very early and my humilation was only witnessed by one other parent.  While I was marching my son to what outsiders must’ve thought was the gas chamber, I wanted to shake him like a rag doll and smack him all over.  How could he do this to me, when I was taking him to a place where all he has to do was play and have fun.  

I usually always have a smile on my face.  Even in high school, I was voted Everyone’s Friend because of my happy exterior.  However, recently I’ve been thrown a loop because of an intense emotion has been taking root inside me.

But in the last three years or so, I’ve been struggling with the most uncomfortable and scary emotion:  my anger.  Not just feeling annoyed or peeved, but feeling like I could rip a person to shreds with my bare hands ANGER!  

What could turn the sweet high schooler I once was into the Incredible Hulk?  I’ve been trying to figure it out.  I can pinpoint the birth of my anger to three years ago, because that was when my oldest child was two and a half years old.  The smiley, mommy-clingy toddler was gone, replaced by a curious, energetic, strong-willed child.  What was once a two minute activity to get his shoes and coat on to head to a park, became a thirty minute wrestling match and battle of the wills.  I hate to admit that 9 times out of 10, he would end up in his stroller with no coat and shoes, and I would walk out of the house looking like I just stuck my finger in a light socket.

Unfortunately, my anger was not contained to these stressful interactions with my two year old.  I started feeling angry that my husband was  a lot more patient and calm in these situations.  My anger would brew when I would get to a park and the other moms had beautiful put together outfits with full faces of makeup, and I looked like I just got mowed down by a pack of wild toddlers on trikes.

Then our building got inhabited by those lovely creatures called bed bugs.  My anger mounted when two tenants refused to get rid of those nasty little nuisances.  First they denied they had them, then they blamed other people for having them, and after we got so desperate we had to call the Department of Health, they wouldn’t let inspectors look inside their unit.

You must be wondering, how did my anger manifest itself?  Was I cursing out my neighbors in the elevator?  Walking down Valencia street with hour long rants about how people can suck?  No, I took out my anger on my husband and myself.  Yelling at him if he was five minutes late, or couldn’t read my mind when I needed help.  My sleep was almost non-existent.  I lay in bed, vaguely conscious, but very aware that I was not asleep, because if I were asleep I couldn’t be thinking about how I wasn’t sleeping.  And my lack of sleep just added to my anger, because I was pretty sure if I were well rested, I would have had the energy to calm myself and not get so ANGRY!

The act of me getting in touch with the anger of raising young children, really opened the flood gates to the anger I suppressed growing up.  I’m the second of four children, raised by a single mom, although we did get to see our dad on the weekends.  My mom worked tirelessly to try and provide for us, while also going to school, but she was often worn out and did not have much patience for us.  We were yelled at, hit, and woken up in the middle of the night to do the chores that didn’t get done while she was away.  Living that way as a child was very scary.  I was often angry at my mother, but I didn’t know how to express that anger.  I knew that if I showed my mom how angry I was, I would get yelled at and spanked, so it just got stuffed down.  Whenever I find myself in a frustrating situation with my kids and I’m taking my deep breaths so I’m not cursing my kids out, I feel outraged!!  Outraged that I really want to hit my kids (although I never thought I would feel this way and I hate myself when I feel this way), and bitterly resentful that my mom wasn’t able to get control of her emotions and not hit us.

So, I’ve been trying really hard to deal with my anger.  I often tell myself that anger is a valid emotion.  I need to help myself and my children channel our anger in appropriate ways.  The first line of defense that parents know so well is to use our words.  In my classroom, I have this sentence frame hanging on the wall:  “I feel ________________ when you ________________ because__________”.  It’s really easy for me to remember when my 10 year old students come to me seeking help with a conflict, but in my every day life I’m still trying to make speaking this way a habit.

When I feel myself getting angry, I try to recall the words an old boyfriend used to say, “anger is really just a way to mask our fear”.  So I try to figure out what I’m feeling scared about.  When I go this route, I often feel like I’ve fallen down a rabbit hole.  Asking myself what am I afraid of shakes me to the core.  I feel like an 8.0 earthquake has overcome me and the epicenter is my gut.  Thinking about the fear under my anger scares me so much because I’m really afraid of everything!  I’m afraid I’m failing as a parent because I’m a teacher that can’t control my own children. I’m afraid of the attention I get mid-meltdown from other parents and innocent bystanders.  I’m afraid my kids won’t like me when they are older.  I’m afraid my husband and I won’t be able to pay our bills, won’t be in love when our kids go off to college, will get divorced.  I’m afraid that I’m not a good enough daughter and that I will fail my children as a mother.  All of these fears are in my head, and it’s so painfully terrifying to face them, so I often choose not think of them and just be angry.

After I let my angry Hulk emerge, I feel so ashamed.  I feel like a monster when I’m imagining ripping someones head off, and even worse when I’m gripping my kids by the shoulders.  I don’t want to live a life of anger and irritation. I want to be compassionate and caring, in control of my emotions, able to walk away when I’m feeling upset.  

Speaking about my anger with other parents helps me to feel less alone.  Children asserting their independence is one of the hardest situations to hold and go through.  I’m learning it makes the most patient people feel crazy and upset.  

The road to managing my anger is sure to be a lifelong journey.  I need to honor, acknowledge, and figure out how to walk through the hot coals and glass shards of my anger.  I need to be brave and not stuff my rage down, ignore it or try to walk around it.  All of those avoidance techniques are just temporary solutions, that will leave my anger festering like a wound, that will later bubble up, reeking and infected.  

I’m learning to accept all parts of myself, even the fiery, fuming, jaw clenching monster, which is what I’ve come to view my anger as.  I’m nowhere near conquering or mastering my anger.  But I’m a lot closer to learning how to deal with it by naming it and acknowledging it.  

 

 

Broken Sonnets

 

By Trina Moyles

“You should write about it,” said Joanne.

The walls of her large counseling room were painted buttercup yellow and the corners stuffed with gigantic corduroy beanbag chairs. Joanne’s voice was soft and perky. She always made me feel like a kindergarten student and I liked it that way. If I had met her in the streets, out of context, I would’ve thought her to be a hippie. Someone whom you’d forgive of her airy fairy ways because of old age. It was hard to imagine Joanne working with sex offenders. Would she tell them the same thing?

Write about it.

The truth was I had tried to write about it. Many times. I had all the journals filled with a few sentences or a paragraph that usually said something like this:

An old story that starts the same as the rest.

Or

You’donlytellthisstoryifitwasn’tyours.

I liked to cram the words together to hide the meaning, hoping it would give me time to hand it over to a reader and by the time she realized what she was about to read, I’d already have a good thirty-second head start running away.

I wanted to write about it, but I was too terrified to put myself inside the details.

Or I was too self-loathing to allow myself to get into the details because my story wasn’t so awful, not like, say, the stories of other women I had met. Why should I be complaining about a story like mine? I was pushed down and scraped my knee. Those women were pushed down and broke their legs, fractured their pelvises, even their bones split open and the marrow of who they were was washed away.

But I threw away the journals with the stories that died in childbirth because their covers were too bright, too flashy, too presumptuous and I felt they shouldn’t contain a story so ugly. Those journals were like expensive homes in the suburbs.

So I switched to writing half-eaten sentences in old university notebooks on lined paper with metal rings but then I realized those ones were so easy to erase in an instant. Ripping the paper from their metal bones felt so good. I tore out more pages than I wrote.

Poetry became a good way to obscure what happened. Instead of writing about me, I wrote about a woman from my home-town who’s teenage son had died years ago and she was still spotted by her neighbors, walking the length of the riverbank, holding a stuffed animal in her arms and searching the piles of stones and driftwood for his body, though he hadn’t drowned in the river, he had been hit in the back of a head by a drunkard.

I wrote dark sonnets instead of my story because a rule of fourteen lines felt like a safe place for hiding inside. I wrote those sonnets at unpredictable moments, on the backs of receipts, or napkins, or scratched into my memory as I pretended to be somewhere visiting with someone and nodding my head to something. When I stitched them together, they didn’t resemble my story – not the version people knew – and that felt somehow satisfying. I was tired of repeating that story to people who meant well but were only digging at a scabby wound whenever they asked.

Poetry was the perfect front.

No one read poetry in my hometown, anyways.

I had wanted to recite some to the dental hygienist who had burst into the room as I was tilted back in the dental chair, my mouth pulled apart with metal, hooked and the cavity inside dry and brittle as a leaf. Maybe she had read my name on the chart outside, maybe my story was somehow related to her story, anyways, for some reason she felt compelled to push into the room and say how sorry she was for me, and me, her captive audience could only nod and sound out an animal response.

“Uhhh guhh” I said to her, though I wanted to say:

May the sun never go down, may the light never leach from these summer skies.

How she would’ve responded with a polite nod as if she understood, which she didn’t understand, not at all, and nor any other person who felt the need to be nice and approach me in the streets and croon, “Oh, I heard what happened to you, and I’m so sorry.”

It was better that I was sleeping alone on those nights because they were dark, a new category of dark, that I wouldn’t have been able to explain to anyone else.

These days, I am afraid of what’s on the other side of light: the memory of light

stripped from me. His dead weight hand across my eyes, nose, his power dangling

above.

I realized that too well one night, after mistaking the footsteps of my cat down the hallway for an intruder and dialing 911 and apologizing to the smirking police officer whom I bothered and I swear was looking at my tits from beneath my pajama top.

I remember lightning. The geese scattering, my breath

a cracked lake. The switchblade certainty of how I would take it:

Obedience, I fired quick.

Remembering my story made me act fast.

‘Trigger reactions’ was what Joanne called my episodes of throwing a pizza in the face of some half-drunk guy who made a comment about gang-banging a girl, or finding a blood blister on my foot and going to Emergency demanding they remove the cancerous mole, or screaming at some poor Nigerian guy to let me out of the back of his taxi.

My story became many broken sonnets that had piled up in the cellar like soft forgotten potatoes, and shot forth tangled sprouts that searched, confused, for light.

Knowing how we need the light,

knowing what I’d give for it.

 


Trina Moyles is a Canadian freelance writer and photographer currently living in southwestern Uganda. She writes about the collision of culture, community development, politics and creative sustainable living on her personal blog The Bean Tree - www.thebeantree.org.

 

Mary I and the Bloody Mary in the Mirror

By Liz Matsushita

I am ten years old and I’m at a sleepover. It’s one of those nights where everyone is 

trying to scare each other. We’ve probably just watched a bad 1970s horror film that had 

way too much blood for our fifth-grade eyes. We might have tried to perform a lame 

séance. Invariably, then, on one of those nights, someone will suggest doing the thing that 

scares me the most:

“Say ‘Bloody Mary’ three times in a mirror and see what happens.”

My invariable response: NO. EFFING. WAY.

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A Neutral Space

By Molly McIntyre

For all of high school I wrote in the same teal, college ruled, spiral-bound Mead notebooks. In my early twenties I drew exclusively with F pencils on Strathmore 5x7” drawing pads. Now I make paper cut outs using Marcal transfer paper in red or white and Excel #11 blades (100 pack.) 

All of this brand loyalty, to free my brain from having to decide the multiple choice questions and focus on the other kind, like the expression on a face or the width of a line. 

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An Embarrassment of Rituals

An Embarrassment of Rituals

By Sarah Brysk-Cohen

I secretly love all the Tupperware.  This is the case even though it spills out of the sliding drawer every time I yank it out.  I typically use more force than is necessary for this action (How is this material so strong, yet so light?), causing futuristic sippy cups and tiny, pastel modules for storing halved grapes to bounce about the kitchen floor.  Occasionally, I curse when this happens, which might explain why my 21-month-old has taken to using the phrase, “FUCKING DAMNIT!” at random intervals.  We don’t have the heart to tell her that doesn’t really make any sense.  This Tupperware is instrumental to a meditative daily routine that keeps this little family whirring. 

(photo credit) 

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Where is home, exactly?

Where is home, exactly?

By Shani Gilchrist

Strangely, my grandmother didn’t enter my thoughts on my first journey from London to Paris. Instead of having my face pressed against the window as I rolled into the city for the first time, I was consumed by the novel I was reading when the train pulled into Gare du Nord. When my husband and I exited terminal we had to rush to a nearby restaurant for a meeting he had scheduled. My husband’s Midwestern boss and an ebullient French salesman were waiting for us at a table that had been converted into a riotous range of files, product samples and wine glasses. The Frenchman launched into his pitch after our glasses had been filled, pausing first to advise me not to order bouillabaisse because Parisian chefs don’t understand the regional nuances of such a soup. I sat back and nibbled on my salad and listened to the salesman’s mixture of humor, self-deprecation, hard data, and bullshit, stricken as I realized how familiar his performance was to me. All around us there were tables full of businessmen conducting conversations in a similar manner, and I fully understood the world I was occupying.

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Who Wouldn’t Love You?

Who Wouldn’t Love You?

By Catherine Close 

Yesterday, a typical October school day, hit our southern end of California with a blast of Santa Anas. I don’t know if it was the warm winds or the slow march toward Thanksgiving break, but students were acting twitchy.

One student, in particular, exhibited the symptoms we teachers dread: calling out, touching others. The list goes on. I walked over to his desk. I leaned down. Quietly, I asked him to walk outside with me. We stood in a puddle of sunlight. The hills behind him were brown but in the afternoon sun blazed golden. I looked into his eyes.

(photo credit) 

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From My Floor

By Katherine Conway

Dearest R,

As always, I am writing to you from my floor. This is a new floor, a light brown carpeted basement floor. This new floor feels far from the cool white-tiled floor of my house in Rwanda, where I mulled over evil, humanity, and healing. It feels even further from the big red tiles of my Honduran campo home, where I spent many candle-lit hours writing and sunrise filled mornings processing life’s journeys. It feels far from the expensive rug covered floor in Boston we collapsed on after hours of storytelling and shared empathy. This is my new floor — it doesn’t yet contain those moment, those memories.

R, I moved. again.

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Why We Go

Why We Go

By Jennifer Snyder

The clock ticks faintly as I sip from my ever-present water bottle. It’s the refillable type, of course, but that’s not really the point.

As I sip, I read familiar words on the screen. Some newspaper desperate to monetize is going on about things I already know: Americans aren’t using their vacation time and are less happy than their European counterparts.

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To Paris, With Love (and Insecurity)

To Paris, With Love (and Insecurity)

By EBK Riley

My daughter Delia is disappointed that we can’t go to Paris for her seventh birthday this September.   I don't know when it really started, but now, she's all about the City of Lights.  Her favorite mug in our mismatched collection is one that features a line drawing of the Eiffel Tower, and when Angelina Ballerina ended on PBS Kids last Sunday morning and Rick Steves’ Best of Europe: Paris came on, she watched the whole thing as if it were a Taylor Swift special.  She tells me that she needs to bring a sweater, even in the summer, and that the best value for a stay in Paris is an out of the way two star hotel:  nice beds, continental breakfast and some evening room service, for little more a night than a one star hotel in the center of the city.  If she had a bag, it would be packed.  

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Perpetually Ungrounded

By Roxanne Krystalli

My darling K,

I, too, am writing to you from a floor — the third floor of Ginn library, to be precise. I am sitting at what I feel is my ‘assigned seat:’ by the window, across from the tree by which I mark the seasons. At the moment, I am living to the tune of red leaves – perhaps my favorite seasonal soundtrack. When I think about ‘putting down roots,’ as you put it, I think of red leaves and the first raindrops on library windows. There is something peculiar about being grounded by transience, about finding one’s roots in seasons which — by definition! — change. Perhaps this is the kind of permanence that you and I can aspire to: the sense of being rooted and grounded, with just a pinch of whimsical nostalgia, remembrance, and dreamy transience to keep our wandering souls alive.

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Older

Older

By Erica Nikolaidis

In September, I turned 33. I have not yet succumbed to the fear and dread with which many people experience birthdays. Sure, I could do without the ravages of age—the new lines crinkling my face, my butt’s slow and steady southward migration, the sad Vince Guaraldi music that plays in my head whenever I see my boobs. But it seems silly to get neurotic about the inevitable (oh, that I could apply this sage insight to my other neuroses). Why not embrace the new number, enjoy the concrete justification to Treat. Yo. Self? Open presents, eat cake, get your feet rubbed. Get your feet rubbed while eating cake and opening presents!

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Love Stories

Love Stories

By Gabrielle Menezes

Three-meter long ropes of pink and red padlocks reach up to the ivy-covered balcony, known as Juliet’s Balcony, in Verona.  People would like to believe that this was the balcony made famous in the scene when the ‘star crossed lovers’ declare their love for each other in Shakespeare’s play. Visiting tourists close small locks on the building as a sign of their unbreakable bond to each other, and as a romantic gesture of sympathy to Romeo and Juliet, who died for love. Watching the teenagers who go into the nearby shop to buy locks or write graffiti on the street walls, or the older couples who come in to take photographs, it doesn’t seem to matter to them that the government of Verona built it in the 1930’s. All around the rose marble city there are sites like this: Juliet’s tomb is in fact unoccupied, and her house picked simply because the family name resembles Juliet’s family name, ‘Capulet’.

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The Upper Right

The Upper Right

By EBK Riley

"How about Maine?" Mike asked

"That's in the upper right corner, right?"

"The what?  You mean is it in the Northeast, in New England?" He laughed

"Yeah, that's on the upper right when you look at the map, like we're on the lower left."

"You mean the Southwest, because Arizona is in the Southwest, not the lower left."

Even though we hadn't been on a car trip longer than an hour, we were seriously considering moving across the country together. We were both going to grad school, partly because I was finally finishing my bachelor's degree after many false starts and big gaps, and partly because we were both ready for a change--together-- which was a change in itself. Mike was considering lots of options and had sent for applications from universities all over the country. I saw brochures coming in the mail from the University of Michigan and Notre Dame. When we talked about grad school again, I said, "I don't want to live in the middle."

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"My daughter wants to be a farmer"

"My daughter wants to be a farmer"

By Trina Moyles

The mother who wrote these words is Susan Godwin, a Nigerian farmer. Susan has five children, and farms seven hectares of yams, groundnuts, and maize. She uses a hand-hoe to crack open the earth and plant the seeds that pay for her children’s school fees. All children have left for the city to work, study and live – all but one remaining daughter who wants to become a farmer. And for that, Susan is fearful.

Susan’s essay, “My Daughter Wants to Be a Farmer” was recently published by Oxfam in a series entitled: The Future of Agriculture (2013). Oxfam published 23 essays in total, which were solicited from high-level policy analysts, leaders from non-profit organizations, CEOs from seed companies, and international activists. Of the 23 contributors, Susan was the only farmer.

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Teenage Flaws In London

Teenage Flaws In London

By Shani Gilchrist

“It’s a nice place. Come on, you’ll like it.”

I’d spent the previous 30 minutes primping in our bedroom on the third floor of a row house my husband and I had rented for part of the summer in London. It was the first time I’d felt excited all week, as I hadn’t had many opportunities to speak to another adult.

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Worlds of Intellect

Worlds of Intellect

By Shani Gilchrist

One of the biggest discoveries I made while traveling in England with my family was the universality of modern dilemmas. On both sides of the pond, mothers are struggling with decisions about returning to work, couples struggle with whether to live in the suburbs or closer to town. Conversely, one of the differences in daily life that seemed the most distinct to me was the insertion of intellectual life into daily routine. Actually, insertion is the wrong word. Insertion indicates a deliberate or forced addition of intellectual activities or thought into the culture, which it is not. Leisurely pursuits such as reading and attending lectures are part of the fabric of middle and upper class society in England and other parts of the world. It made me wonder how America seems to have skipped that trait.

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Dreams of Travel

Dreams of Travel

By Gabrielle Menezes

The land fades out from medieval maps, and the borders are filled with drawings of dragons and mermaids. Later, English mapmakers would often write ‘Here be dragons’ to indicate uncharted and therefore dangerous territory. Now, the dragons have been slain with Google map, and any mermaids have fled to deeper waters. The idea of a truly remote place doesn’t exist anymore.  Travel can enrich and enlighten us, but with the accessibility of travel comes the unraveling of the mystery. I have been fortunate to have travelled widely, but now no longer feel the excitement of exploring exotic destinations. Too often I catch myself trying to diligently go through the recommended checklist of ‘ the top ten things to do’ in a country.

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To the Moon and Timbuktu

To the Moon and Timbuktu

Nina Sovich shares the first chapter of her new book, To The Moon And Timbuktu, with Equals. 

The cab driver assures me his sister Salima runs a lovely hotel.

“It’s a very good hotel, yes, very good hotel. No noise, no bother. Very clean. They have many, many Western tourists. Many women. Salima is a good woman.”

He leaves me in front of a squat two-story building made of poured concrete that sits on the edge of the desert next to the army airport. The second-floor balcony is hanging off its anchor bolts, and the windows are murky with sand and pink goo that looks a lot like Pepto-Bismol. The only light in the hotel emanates from a first-floor pool hall that smells of fish heads and burned felt. Cigarettes, empty milk cartons, and black plastic bags skip down the street in the midnight breeze, accumulating in a huge pothole in front of the hotel. Clean, I suppose, is a relative term.

© by Nina Sovich. Published by Amazon Publishing/New Harvest. All Rights Reserved. 

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Interruptions

Interruptions

By Rebecca D. Martin

You arrive on a Sunday. The house is white with a purple porch swing; the lane is unpaved, historic, and one-way. Once the ferry docks, you debark the boat and follow the road to the right. Soon, you turn left onto the small, sandy lane. When you get to the purple porch swing, you have arrived at your vacation. You are on Okracoke Island, in North Carolina. It is a vacation spot so remote that only a ferry will deliver you, and that is what you came for. You did not come for construction noise.

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