bare feet.

It's a particular feeling, the earth beneath your bare feet. For city folk the experience can be rare indeed. In the summertime, I try my best to find clean-enough looking patches of grass to wriggle my toes in, but I'd be lying if I said that the search always offers a kind reward. In the city, even sandals can pose summertime hazards. Spend an afternoon walking in a pair of flip flops, and you'll realize that city feet are perhaps meant to be kept somewhat better protected. For this city-dweller, the lesson isn't easily learned. Despite all prior experience, I've left the house on many mornings having done little more than slip on a pair of leather flip flops and trade one cotton dress I call a nightgown for another that I call a sundress. When I return home mid-morning, a thin black line of grime has already formed at the edge of my heel. At the front door, I kick off my flip flops and tiptoe across my apartment floor. Standing fully clothed in the bathtub, I attack my heels with soap and a pumice stone, scraping off the city street that's made its way onto my heels. More often than not, the water runs gray.

This week, I'm at my parents' house, just two hours from the city but in a place where I was taught that toughened and callused feet were a virtue. In the summertime growing up, my sisters and I would demonstrate our toughness by the ease with which we could walk across a gravel driveway in bare feet. By the beginning of August, we'd winced our way across the pointy stones enough times that our heels had the balls of our feet had formed their own leathery protraction. We giggled behind our hands at out-of-town cousins who took the grassy way around.

I'm getting in as much bare footed time as I can manage, but if my ten year-old self could see the way I just picked my way across the driveway, she'd be cackling.

Things

Whenever I tell someone that my husband and I went to high school together, I’m quick to point out that we weren’t high school sweethearts. Pat, always ready with a joke, will tell you that he didn’t even like me that much during those days. An impossibility, of course, but the truth is we’ve built our relationship on compromise, laughs, and most importantly to me after 8 years in New York, a common understanding of where we come from. We know that fish frys are eaten on Fridays, that the Penfield Patriots will always be the Chiefs, that the Park Ave Fest --- in Rochester, that is --- is the first weekend in August. There are inside jokes and stories that date back to middle school, way before “Pat and Ali” meant anything. We know these things inside out, these truths about our past and present, but there has always been a piece of my husband that I couldn’t grasp. When Pat was 19, just shy of his junior year in college, his father died. Suddenly, tragically. And in the blink of an eye, his whole world changed. His dad was his rock, his role model, his mentor in sports and school --- in life, really --- and one day he just wasn’t there. For 10 years, I’ve tried to understand, but the truth is, I didn’t. I couldn’t. And suddenly I do.

There’s a desk in our apartment that Pat has had for all the years I’ve known him. For most of those years, it was nothing to look at – scuffed, with old hardware and a shape too antique for my taste. What it lacks in looks, however, it makes up for in sentimental value. It belonged to Pat’s dad, and so it has moved with him from college, to several apartments in Rochester, and then to Brooklyn in the back of a U-Haul van. Two years ago, when we moved into our new condo --- our first “real” home together --- I was determined to get rid of that desk. We don’t have the room! I want a NEW desk, one with drawers that close properly! Let’s store it at one of our parents’ houses! I tried every argument in the book, but in the end it was my mom who saved the day. She first told me to shut my mouth --- and then volunteered to refinish it for us, to transform that desk into something new. It was a compromise, and I begrudgingly agreed. For weeks, my mom labored over the desk, meticulously following each step in the refinishing process and updating me nightly on her progress. Anyone who knew my mom knows about her penchant for "winging it," and so her commitment to following the directions here was both shocking and touching.  In the end, the desk was reborn into a better version of itself. Now shiny and smooth, it has since provided a place for Pat to spend endless hours studying for the CFA exam, and is my home base several days each week. I like to think that my mom and Pat’s dad are laughing together somewhere at the humor and irony in that.

As it turns out, I now find myself surrounded by my mom’s things. On my right ring finger sits her amethyst ring. Strangers stop me to take a closer look at the ring,  guessing that it must have belonged to someone special to me, while family and friends recognize it right away. I take my mom's pearl earrings out at night and put them back in first thing in the morning. My history of losing jewelry --- earrings especially --- haunts me, but somehow I don’t let these out of my sight. My mom’s purses line my shelves, and with each trip back to Rochester, I know I’ll return with more tangible reminders of her.

In the end, they are just things, like I told Pat for so many years. They don’t replace the memories or the laughs, and they certainly don’t soothe the tears. But then, they are more than that, too. They are a constant reminder that our parents are never far; perhaps out of sight, but never --- ever --- out of mind.

On (Un)following on Twitter

I've been wondering what Twitter is to me. While my favorited tweets reflect of my headspace, and encapsulate my strengths and flaws, my entire Twitter stream is the pool from which these highs and lows materialize—an idea-filled microcosm of my world, where my current interests lie. I've been thinking about the process of unfollowing, especially after reading Mat Honan's piece on Wired about unfollowing everyone. For me, the unfollowing process is active and ongoing, and while I've unfollowed people for various reasons, it's less about the account being unfollowed and more about me. My interests change from week to week, so I follow and unfollow to keep up with my mind, to keep the flow rushing and constant and healthy, to prevent debris buildups and mental cobwebs.

* * * * *

Earlier this summer, I noticed a a smattering of #TBEX in my stream, the hashtag for a travel blogging conference. I'm not a travel blogger, but in 2008, I'd created my Twitter account and my blog as platforms to complement my job at a travel website. In the beginning, I followed and networked with travel writers and travelers by default, but over the past four years, I've diverged from this path and discovered other interests and topics I enjoy writing about. It has made sense to unfollow publications and bloggers that no longer offer ideas and information that are relevant to me.

I still have friends and contacts from the online travel sphere and today find myself on the periphery of this world, yet wade in other currents that interest me, like technology and nonfiction, within my Twitter stream. I see how my Twitter feed is constantly evolving, not stagnant. It feels natural to follow and unfollow; to cull and prune; to find a balance, on any given day, between information and entertainment, hope and despair, and significance and irrelevance.

And I notice occasionally that when I unfollow someone, they immediately and automatically unfollow me in return (and sometimes on other networks, too). I find this kind of reciprocal following and unfollowing meaningless, but I understand people use Twitter, and other social media, in different ways.

* * * * *

I have my reasons for following each account on my list. I follow a handful of bloggers because I regularly read them; a group of people for interesting ideas on all things digital; a bunch of folks for general news, art and design, and pop culture; book handles of bigger publications like the New Yorker and the New York Review of Books; and then a sprinkling of accounts who add the necessary color, humor, and "padding" to my feed.

I've thought about what kind of irrelevance to keep in my stream. I don't enjoy reading complaints and the daily minutiae of a person's day, yet I don't mind the wickedly inappropriate trolling tweets of assholes. I hate when "LOL" or "LMAO" appear in my stream, but am completely fine with other abbreviations.

A systematic randomness, I suppose.

And I don't follow my closest friends. Not because I don't like them, but because I don't use Twitter to communicate with them. I also may love someone's photography so will follow them on Instagram, but that doesn't mean I will follow them on Twitter. (Can't I be drawn to just one facet of a person?)

* * * * *

But ultimately, do I have to explain this process?

So, I'm curious: do you actively follow and unfollow people on Twitter, too?

Defining Simplicity: An Introduction

I fell in love with women’s magazines by about age twelve. My mom had a friend who was a librarian, and she would bring us back issues that would then pile up around the house, their glossy covers beckoning. Each issue offered its own promises of quick weight loss, clutter-free closets, and five-minute meals. I guess you could say I grew up in a sort of magazine heaven. Our house was a place where serials came to live on, far past their prime, dog-eared and well-loved. They made the journey from couch to recycle bin only on rare occasions and more often remained nestled under beds, in over-full baskets, or between cushions. Ironically, these volumes of promise eventually became a part of the clutter and weight of our material lives.

Of all the magazines I lived among, one title stood out above all others: Real Simple. I devoured the how-tos on packing healthy lunches for your kids, simplifying your beauty routine, and entertaining effortlessly. I remember a summer weather tip that suggested cooling off by running cold water over your wrists. How simple. I couldn’t get enough of it.

If I visualized my grown-up life, it was a collage of images and checklists swiped from between the covers of countless issues of Real Simple. From an adolescent perspective, age 35 looked something like a hazy mishmash of perfect white button-downs, a couple of charming children, a golden retriever, and something called a “work/life balance.” Above all, I was filling notebooks and mental file cabinets with instructions for keeping it all “simple.”

These days, my dreams have evolved (although, the ever-elusive perfect white button-down is still on my radar), but “simple” has stuck. It’s become a recurring question and a promise I encounter on a daily basis. Simple time management strategies. Simple DIY. Simple meals. Simple cell phone plans. Simple apps. Simple weddings. Simple investing. Simple skincare. Simple living.

I can’t help but wonder, what does “simple” really mean? And what is “simplicity”? A state of mind? A practice? A place? An illusion? Even a dictionary defines “simple” mostly by what it is not. It is not complicated, ornate, artificial, elaborate, or affected. More subtly, I would argue that “simplicity” is not necessarily cheap or convenient or easy, though the terms are often used interchangeably.

What is “simple,” then? And why does “simplicity” continually elude us and tempt us as consumers and as human beings? These are just a few of the questions I hope to explore in this column, through stories and memories and wonderings.

For now, though, I’d love to know what simplicity means to you. Where and when and how have you encountered it or achieved it in your own life? Or, alternately, how has simplicity eluded you?

What Are You Reading (offline, that is)?

Maggie Shipstead was born in 1983 in Orange County, CA. Her short fiction has appeared in Tin House, VQR, American Short Fiction, The Best American Short Stories 2010, and other publications. "La Moretta," a story published in VQR, was a 2012 National Magazine Award finalist for fiction. Maggie is a graduate of the Iowa Writers' Workshop, a former Wallace Stegner Fellow at Stanford, and a recent resident at the Cité Internationale des Arts in Paris. She doesn't really know where she lives but is open to suggestions. Seating Arrangements is her first novel. After seeing it on every list of best summer reads (including this one and this one), we ran out to buy our own copies and suggest you do the same---unless you hate laughing. I tend to have a smorgasbord of books going, dog-eared and sometimes set aside for weeks or months until I’m in the mood to pick them up again. Which book to read before bed on any given day is a question I address much like I figure out what to wear: with lots of blank staring at the possibilities, maybe making a false start or two, wishing for an infinite selection, and then yielding to the necessity of making a choice. I don’t feel much enmity for e-readers, but, for me, an integral part of the pleasure of reading is the pleasure of selecting a book from bookshelves, either mine or a store’s. Last fall I spent a month in Bali, and the Ganesha Bookshop in Ubud was a treasure trove of weird paperbacks discarded by travelers from all over the place (but, okay, mostly from Australia). I love the associations that grow between books and the places I read them. A certain mystery with a cracked cover and pill-y, yellowing paper is inseparable from a corner of shade in my landlady’s pool, where I stood in the water for hours, trying not to fry in the tropical sun. In January, when I was doing an artist residency in Paris, a Left Bank bookseller handed me The Hare With Amber Eyes, a haunting family history by ceramicist Edmund de Waal that’s about Paris and Vienna and Tokyo and war and precious objects. I read it on a hard single bed in my Spartan artist studio while the city and its past slept outside in the cold. Perfection.

These days, my bed in San Diego is a much less exotic venue for reading, but here, nonetheless, are some of the books that have recently been the object of my fickle attention.

Just finished . . . A Partial History of Lost Causes by Jennifer duBois A wise, crazy-smart, and heartbreaking debut novel built around the question of how to wage a battle that you know can’t be won. Sounds grim, but duBois’s writing is a treat: full of wry humor and incisive observation. Irina is a young woman from Boston living with a terminal diagnosis who embarks on a quest to Russia to track down a former chessmaster turned dissident politician, Aleksandr Bezetov, and see if he can give her any answers. DuBois also delves into Aleksandr’s past, starting in St. Petersburg in 1979. I have a lifelong thing for Russia, and—past and present—that sprawling, inscrutable country is the third lead in this book.

Telegraph Avenue by Michael Chabon Okay, so maybe this won’t actually be released until September, but a friend scored an advance copy for me back in the spring. Sweeeet! The novel follows two families living on the seam between Oakland and Berkeley, one white, one black. The wives are partners in a midwife practice, and the husbands own a record store. Chaos ensues. This is a fat, meaty, absorbing book, jammed with off-kilter characters and happenings and with Chabon’s signature riffs on pop culture.

The Honourable Schoolboy by John LeCarré I’m a big fan of LeCarré, especially his Cold War novels. This novel falls between Tinker, Tailor, Solider, Spy (best title ever) and Smiley’s People in a trilogy about George Smiley’s pursuit of his KGB nemesis Karla. Just on a language level, LeCarré is an amazing stylist—a very, very, very fine writer who is extremely nimble within the omniscient point of view—but he’s also a master at assembling complex plots and setting them spinning in a perfectly rendered, dreary-yet-fascinating, invisible spy world.

In the middle of . . . Look At Me by Jennifer Egan I’ve been meaning to buy this novel forever, and finally it appeared in front of my face at the right moment at the right bookstore (Books Inc. in San Francsico). One of the many things I admire about Egan’s writing is that she’s always experimenting with form and daringly fills her books with unexpected twists. In Look At Me, a model comes out of a car crash with eighty screws in her face, not disfigured but undeniably altered, and must figure out how her place in the world has also changed. That would be story enough, but other characters take turns behind the narrative wheel as well: a high school golden boy turned unhinged history professor, an outwardly plain teenage girl with a reckless streak, and a private eye, to name a few.

Arcadia by Lauren Groff I will always be obsessed with a short story of Groff’s that was in the 2007 volume of The Best American Short Stories and is called “L. Debard and Aliette.” The opening is set in New York in 1918 as a flu epidemic erupts and an Olympic champion teaches a girl recovering from polio to swim and, eventually, to do sexier things. The story is retelling of Eloise and Abelard and has a mesmerizing dreaminess to it that I’m also loving in Arcadia, which begins in a hippie commune in the 70s and, the reviews tell me, progresses all the way into the future. Groff’s writing has a matter-of-fact lyricism that allows her to write about very strange things very naturally and with apparent effortlessness.

Can’t wait to start . . . The Cat’s Table by Michael Ondaatje I love ships and the ocean and Michael Ondaatje’s books, so I see no reason why I won’t love this book. It’s about an eleven-year-old boy traveling from Sri Lanka to England on an ocean liner, and I think it’s going to be beautiful.

From the Italian Lakes....

Dearest Clara,

I think one of the nicest surprises you can have is when you unexpectedly find yourself back somewhere that holds a special place in your heart.  Sometimes, places you loved just have a way of working themselves back into your life.  Six years ago, I met your father---long before he was your father, and before he was a husband even---in the Italian Lakes region.  Como . . . Lago di Garda . . . Lugano . . . we did them all.  But the one that's just a little more special is Lago Maggiore.  That's where he got down on one knee and asked me to be his wife, and it has been one adventure after another for us ever since.

We have always wanted to go back, but we never pulled the trigger on the trip.  We said we would go for an anniversary . . . for a birthday . . . for a long weekend . . . but somehow something always got in the way.  Yet on this trip, which was not at all about Italy, the little town of Stresa, where we stayed after our engagement, just so happened  to be on our way as we were driving from Austria to France.  We couldn't help but stop to spend the night---in the same hotel no less. And it turns out it was worth the wait, since we were able to come with you.

In thinking about our very first trip there, here is what stands out in my mind:

• Always have some cash in your pocket: Believe it or not, while we were out on the lake, taking the ferries from island to island, we ran out of money.  We didn't think much of it, but it quickly became clear that credit cards were not going to get us on the last boat. We weighed our options between panhandling and swimming to shore; the latter lost out.  We will forever be grateful to that total stranger, and your father always makes sure he has some cash in his pocket when we leave home.
• Eat a big breakfast: No one does a breakfast like an Italian hotel---chances are you already paid for it with your room so take advantage.  Pick good proteins and fresh fruits, and a little roll in your bag for later comes in handy.  If you enjoy a nice leisurely and full breakfast, you can often skip lunch and make the most of your day out and about.  And don't forget a good cappuccino. Or two.
• A passegiata every night: The lakes aren't exactly bustling with nightlife, in the traditional sense.  No clubs here, but you'll find nearly the entire town taking a walk along the lake every evening before dinner.  That's a party to be part of.
• Admire pretty things . . . just because they are pretty: In this region, there are so many beautiful hotels, some would even call them over-the-top.  And you'll find some of the decorations to be excessive, maybe even unnecessary.  Just admire them for what they are: adornment.  The region is so beautiful, you can't blame people for trying to translate the visual feast of the view into their everyday surroundings.
• Take time to do nothing: The pace of life is entirely different around the lakes.  Days are calm, and there is nothing to hurry for.  Take in the view of the lake, enjoy a long walk, read a good book, have another coffee.  Or just sit and be.  You'll have time for it all here.  There will be hardly any obligations here---enjoy that rare freedom.

All my love,

Mom

My Story: Poetry and Prose

My parents are my heroes. I was their first child, born when they were 21 and 23, respectively. They were young, hopeful, and excited to become parents.

For the first four months, everything was normal. After that, things went downhill quickly. A bad reaction to an antibiotic sent my infant self into a quick spiral of electrolyte loss and malabsorption, until my tiny body was so taxed by constant vomiting and dangerously low potassium levels that my parents were told I was near death.

When I turned twenty-one—the age my mother was as she experienced all of this—I marveled. I could not imagine the pain that the two of them went through, welcoming their beloved first child into the world only to be told months later that the end was likely.

Finally, at six months, the doctor thought to test me for cystic fibrosis, a genetic disease that causes a buildup of sticky mucus throughout the body—and also, incidentally, leads to very quick electrolyte loss. The diagnostic test came back positive.

My early memories of cystic fibrosis are a jumble of doctor’s appointments, strange machines, and leaning upside-down on a pile of pillows as one of my parents percussed my chest to help keep my lungs clear. There are other things that swim through my remembering as well, like the time my babysitter told me that if a necklace clasp worked its way around to the charm in front, it meant you could make a wish.

Crystal-clear in my memory is one sunny Sunday afternoon as I left church with my favorite necklace around my neck. The clasp nestled against the heart-shaped pendant. With childish fingers, I reached to pull it back, remembering as I did so the babysitter’s words.

That’s easy, I thought. I wish my CF would go away.

Still, my childhood was by and large a happy and very normal one, defined far more by the monsters that lived in my basement and my favorite park two blocks away than by my disease. I breathed easily, and could not remember those early days of endless hospitalizations. It wasn’t until high school hit—and with it, sleep loss—that the hospital became a part of my life again. Each winter, I would be admitted for a few days to begin a course of intravenous antibiotics. I would finish out the weeks-long course at home, needing a month or more after I’d finished the round to recuperate from the harsh effects of the strong medications.

And then, early in my junior year, everything changed.

High school had been a hit to my immune system, and I’d grown used to spending the winters fighting off one cold after another. At first, the virus I picked up around Thanksgiving of my junior year seemed like all the others: I was tired, my throat was sore, I had a cough, I was spending most of my time in bed.

But unlike all the other things that had come my way, this didn’t go away. Months stretched on. I was exhausted all the time, living in a half-awake world where even reading a novel was sometimes too much for my brain to process. Weeks would pass in which I never really left the house. I rotated from bed to couch to my parents’ back porch, where I would stretch out across two chairs and watch the squirrels jump from tree to tree in the backyard. I canceled plans with friends again and again. Even a twenty-minute phone call was enough exertion to leave me so drained that all I could do was crawl into bed, desperate for sleep.

Every few weeks, my mom drove me to the pediatrician for more tests. Nothing came back positive, and still my symptoms did not change. I began to have pain in my legs and feet; over time, the pain got so bad that I could hardly walk. I spent my days confined to places where I could have my feet propped up, my legs stretched out, to give my aching muscles a little relief. I left church early each week, roaming the building to find an unused room where I could lay down on the floor. The simple effort of sitting up had become exhausting.

Eventually, a diagnosis came. Ten months after that first sore throat, my doctor tested me for Epstein-Barr, the virus that causes mono. It came back positive. Another doctor explained that because of my weakened immune system, I hadn’t been able to shake off mono like most teenagers do; not only would it take longer for my body to fight off the virus, but I would be susceptible to relapses in times of stress for the rest of my life. He also said that I had developed Fibromyalgia, a muslce pain syndrome, as a complication of the mono.

I hardly recognized my own life anymore. Gone was the vibrant, energetic teenager; in her place was a girl I didn’t know, a quiet girl who found long conversations tiring and needed as much sleep as a newborn. I raged against this change, raged against the loss of the life that I had loved.

But slowly, so slowly, I learned to find the beauty.

Nearly a year after my diagnosis, I sat at my desk with my computer slung across my lap and felt bathed in light and loveliness in a way I had never quite experienced before. That afternoon, filled with a peace I had not felt in so long, I wrote these words:

There is a state, somewhere between consciousness and unconsciousness, prose and poetry, that is entirely unique.

Colors seem brighter; sounds are sharper and clearer but, at the same time, gentler on the ears. Every movement you make—lifting a hand to brush at loose hair, blinking, turning to look beside you—feels lyrical, like ballet. You don't speak: there is no need for words. You simply are.

This, then, is one of the gifts that sickness has given me. This, the talent that some people are intrinsically born with, but I never was: the ability to slow down, to take things as they are, without preconceptions or misperceptions to cloud my vision. The ability to stop for a moment, and see loveliness in ordinary things: a mess on a table, a bag comfortably stuffed with contents, a plastic craft bead. The ability to recognize the extraordinary in the ordinary, and understand the beauty of peace.

I have always been a writer. I would venture to guess that I probably spun stories and wove words in the womb; I certainly have for all the years afterwards. But, I think, as I silently uncurl my legs and shift my position on the chair, that it is sickness that has made me a poet.

YWRB: Rebel for Want

By Amy Turn Sharp I love that Amanda remembers the Brando quote.

Who the hell knows what we were rebelling against, except my soft soul back then, the girl who still had invincible skin left.

I was rebelling for the future. I was leaving the past in the dirt.

It was also that year that I met Gloria Steinem and in a large crowded lecture hall I was able to stand at the microphone and ask her a question after the event. My lips bumped the mic, there was quiet noise.

I just need some advice, I asked. My name is Amy Turn and I need some advice for my life.

And so Gloria shook her head and said {and let me tell you it was certainly like a movie}

Amy Turn, BE A WOMAN WHO TAKES NO SHIT.

The crowd roared and we all looked at each other and it was like church up in there. It was gospel. Always has been.

What are we rebelling against and what is happening at a young age as women?

Well, I hope we are all practicing what to want. How to to need and want to be treated, how to love, how to push away. All the parts to be a woman that are not taught in classrooms, but in friendships, love affairs, seedy bars, libraries, and offices.

In Praise of Essays

By Randon Billings Noble Yesterday afternoon the twins were napping, rain was just starting to prattle through the leaves outside my window, and I was curled up with a cup of tea and a collection of The Best American Essays.

This is when I realized:  Something happens when I read essays---something that doesn't happen when I read novels or short stories or even memoirs.  I feel . . . enlarged.

The essay in this collection that brought my attention to this feeling was  "After the Ice" by Paul Crenshaw.  I won't write much about the content of the essay---I'd rather you read it yourself and let it unfold for you---but here is a passage that starts to show what I'm talking about:

"After the funeral, while my family gathered in the living room of my grandmother's house and some of the men stood on the front porch and talked of violence, I walked through the woods on my grandmother's land.  It was stifling inside the house, and loud with the sounds that accompany death, but outside it was cold and still.  The air hovered right around freezing, and the light mist that fell could not decide whether it wanted to be snow or rain.  Late in the afternoon, the dark came early, and by the time I turned around to walk back only the porch light was visible.  The rain had finally made a decision, and the only sound around me was ice on frozen leaves."

Nothing really happens in this passage.  But something does.  A boy leaves a crowded house and walks in the woods.  Something elusive but meaningful shifts during this walk, even though we never learn exactly what: the passage ends with a section break, and on the other side of that white space a new line of thought begins.  But the moment is captured.  A dilated moment of meaning.

When I finished reading I sat for a while.  The rain was coming down hard and steady, filling the room with its fresh green smell, and there was thunder in the distance.  This moment---this moment on my couch with the tea cold at my elbow and the rain outside and the feeling of this essay settling in my mind and somehow lightly tingeing it forever---this moment felt enlarged.  It felt important.  It felt connected to the moments that Crenshaw describes, walking through the woods after the funeral or driving by an empty house or standing in the backyard at night after a snowfall.  And it promised me that my own future moments---tonight holding one of the twins after a nightmare, later this summer looking out a window in New Hampshire, years from now running my hand absently along a stalk in a field of lavender---these moments would have the same largeness, the same sense of importance, even if I never wrote them down.

And maybe that's what essays do: they call attention to moments---real, lived moments---and that's all that is needed.  Attention.  Attending.  We notice and we wait and we serve the silent shift that marks the internal change from "then" to "now and forever after."

A moment in the woods.  In the dark backyard.  On the couch with a hard summer rain falling outside.  Sometimes that's all it takes to know that our course has been subtly shifted---to whatever our new future holds.

Lovely illustration by Akiko Kato 

On Narrative and Country Music

My son took his first unassisted steps this week. It was pretty amazing, particularly because he took them while giggling hysterically. We had to buy him big boy shoes, and once we got home and he was toddling around in them, there were tears. I try not to be too much of a sentimommy, (that’s sentimental + mommy, I think I just coined it) boring people with maudlin stories; however, seeing him in those shoes walking on his own made me flash back to a year ago this time when he was a writhing, yelping, mess of a baby. When my son was brand new, I spent a decent amount of time alone in the car with him. Often, when he woke at dawn (or just before), I would whisk him out of the house to try and foster an hour of two of uninterrupted quiet for my wife to sleep.  If the weather was nice, we often went somewhere to take a nice walk, but if it was too hot or rainy, we just drove around a bit.

I found myself one morning listening to the “today’s hit country” station on the satellite radio. I have never had a strong feeling about country music one way or another. I’m from West Virginia, so it’s always been around, but it’s not the first genre of music I choose (I do, however, have strong opinions about people who say “I like all music except country” because it’s a coded statement about rural people, the same way I dislike “I like all music except rap” because it is a coded statement about urban people). All of that said, I have a trivia maven’s knowledge of country music. I know who major stars are, I can identify certain key songs, but I am by no means a fan.

Last summer, though, I went all country all the time.  When my wife asked me what the deal was, I had a hard time coming up with an answer. Part of it was having something new and different to listen to. For a period of time, every single song I heard was new to me (which lasted about a week before I could easily identify which songs were in heavy rotation). But, more significantly, so many of the songs had actual narratives. Stories! Country music has always been known for its stories, and while it’s not true for every song, it seemed to be true for many.  I followed each narrative to its end, and in a time when I couldn’t often find a moment to finish a magazine article, much less a book, it was a little bit of comfort at a chaotic time.

I began to discover recurring themes and motifs, much like I am always asking my students to do. Last summer there were several different songs getting a ton of airplay that made passionate arguments in favor of back roads rather than the interstates. Multiple songs name-checked Hank Williams (both senior and junior).  One made fun of men who eat sushi, drive Priuses, and drive on the interstate. In the bleary-eyed days of early motherhood, I threw myself into music that I can’t say represents much of my worldview.

Except for one thing---my worldview does value narrative. A story, even one told in under four minutes that I can’t personally relate to, can be truly transformative. Sleep-deprived and at times overwhelmed, I was soothed by the narrative structure of country music. I hazard that there is no other genre of American music that conveys as many narratives as country music (somehow, Katy Perry’s story of “Last Friday Night” doesn’t have the same push and pull of plot as, say, Martina McBride’s song about breast cancer, “I’m Gonna Love You Through It”).

One day, about five months later, I realized I had stopped listening to the country channel and had gone back to my old stations. My acute need for narrative had passed somehow. Maybe it was because I was more rested, maybe because I was about to go back to my day job of teaching high school English, but it passed. I listen to some of the songs from that time, but more because they remind me of the early days with my son than because I really enjoy the songs. I’m grateful for the solace that country’s narratives brought to me. Oh, and for introducing me to Miranda Lambert’s “Baggage Claim.”  That one is just a great song.

In Lieu of a Tandem Bicycle

My fiancé commutes by bike most days. Roundtrip, it’s a five-mile ride, and from what I can tell, it’s uphill both ways. When I moved here to Atlanta from Boston in June, he’d been riding this route nearly every day for a year. Before that, he’d been riding in Boston, unphased by snow and ice and rain and groceries. There, he taught me how to ride in the city and waited patiently while I freaked out about traffic and potholes.

On Sunday, I surveyed the unfamiliar bike that had been borrowed on my behalf---I’d left my rusty Schwinn in Boston---and agreed to come along on his daily route. For the past few weeks, I’ve been busy trying to carve out a place for myself in this new-to-me city. In countless interviews and new-girl conversations, I’ve been trying to find a way to explain that I belong here too, as an individual, even though we’re in this together.

Finally, on Sunday, I decided it was time to catch a glimpse of the shape of his life---those mysterious pockets of “his life” scattered at the periphery of “our life,” which we’ve been working so diligently to arrange, together.

For him, riding is a way to get where you’re going, and fast. It’s about independence and shortcuts and bypassing traffic jams. For me, riding a bike is something I did as a child, meandering around the block, keeping to the sidewalk, never traveling much faster than a jog.

I have visions of the two us riding off into the sunset on our bikes. It’s a vision that’s soft around the edges, and in it, I’m wearing a chambray sundress that somehow never flies up or gets stuck in the wheels. Somehow I never have trouble keeping up with my handsome partner, and I certainly never sweat.

Our real life Sunday ride turned out to be a vision of another kind. Stephen cruised along effortlessly, perfectly suited up in his bike gear. I lagged behind, sweating and huffing the whole way, silently cursing the gods who created bicycles, and even worse, hills. My imaginary self would have made pleasant conversation (“What a lovely morning!”), but my real self could only muster the occasional pathetic squeak in response to check-ins as to whether I was still alive.

He looked at me with concern and a bit of remorse as I dragged myself and my bike up the very last hill.

“Maybe we should have started with a shorter ride?” He wondered out loud.

I quit panting long enough to shrug my shoulders. “Might be more fun on a tandem bike,” I offered, wading through the thickening summer heat.

Often it feels important and necessary to test my own limits and prove my own strength. Perhaps sometimes it’s simpler, though, and sweeter, to partner up, pedal in sync, and push through the hills and valleys together.

What Are You Reading (Offline, that is)?

Liz Moody, a freelance writer and former newspaper columnist, now runs a lifestyle blog, Things That Make Us.  Her posts about sex, love, travel and being a 20something in this crazy world (and, of course, the Point of Writing series) can be found at http://www.thingsthatmakeus.com.  Follow her on Twitter at @lizcmoody.  I spend a lot of time (too much!) thinking about the point of the written word, what function writing serves in the world at large.  Through my blog, I’ve gotten the opportunity to ask some amazing writers, and have received incredibly diverse and insightful responses.  “Writing allows the spotlight’s beam to cast outward into our society, then begin to illuminate ills and joys in ways we hadn’t allowed before,” says Kevin Salwen, author of The Power of Half (and my uncle).  My friend Hannah thinks that writing expands people’s capacity for empathy, while my other friend Chris thinks:  “Being able to feel from another person’s vantage point turns out to be nothing but intense self-examination.  What you’re doing, really, is finding out what it means to be you.”

I, of course, ask other people because I haven’t yet decided what my thoughts on the matter are.  The purpose has morphed over time, from the large type books I read when I was first learning how to interpret words on a page to the perfect world of Sweet Valley that I hid my face in as I walked to and from elementary school, on the bus and on the playground to avoid the less than perfect awkwardness of talking to real people.  There were the books I read in college to gain literary street cred, able to drop names with the pretentiousness one goes to college to learn.  Now, though, I’m free to read books for purely my personal relationship with them, free of other necessities or circumstances.  If I were to say what, right now, I believe the purpose of writing is, it would simply: to make us feel things.   If I close a book with my belly sore from laughter, it’s accomplished its purpose.  If I close a book with tears streaming down my face, all the better.  These are a few of the books that have made me feel the most:

Slouching Towards Bethlehem by Joan Didion The opening essay, “Some Dreamers of the Golden Dream,” radiantly captures the optimism of California gone awry.  It tells one story of one family in one town, in a way that is both incredibly intimate and incredibly universal.  It always leaves me with an eerie feeling, where I’m unable to talk to people or feel completely settled in whatever environment I’m in.

A taste:  “I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.”

Middlesex by Jeffrey Eugenides Beginning as a Greek epic, seguing into a tale of an immigrant family’s American dream, and brilliantly interweaving a coming-of-age story, Middlesex, to me, is about figuring out what it means to be oneself. The book manages to be incredibly complex and lyrically written while maintaining an easy read, page-turner quality.  I alternated between sobbing and feeling incredibly uplifted, in between wondering:  how did someone write this?

A taste:  “Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." … I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ”

When You Are Engulfed in Flames by David Sedaris While I love all of Sedaris’s books, this one is where I feel he really hit his stride.  I read an interview with him where someone asked if he worried he was going to run out of material (Sedaris writes nonfiction, often mining his past).   Sedaris answered that the more he wrote, the less “big” things he wrote about, and the more he liked his pieces for it.  This book is often about the subtle moments that matter in the every day.  It veers from don’t-read-in-public laughter worthy (a Neanderthal take on the college experience) to incredibly poignant insights on family and friendships.  This will be the funniest death-themed book you’ll ever read.

A taste:  “I think about death all the time, but only in a romantic, self-serving way, beginning, most often, with my tragic illness and ending with my funeral. I see my brother squatting beside my grave, so racked by guilt that he’s unable to stand. “If only I’d paid him back that twenty-five thousand dollars I borrowed,” he says. I see Hugh, drying his eyes on the sleeve of his suit jacket, then crying even harder when he remembers I bought it for him.”

Delicate Edible Birds by Lauren Groff A collection of short stories wherein each story has the emotional payoff of a novel is not an easy thing to come by.  I often had to set down the book as I finished a story, in order to let the story properly marinate in my head.  The pieces are wildly diverse: a baton twirler’s path to motherhood and meaning, a polio victim and her unlikely lover, the role of water in the world, and in one life.  While the form, particularly, allows Groff to tug on a wide range of emotions, the one I felt most acutely was a sense of loss, a pang in my stomach and chest of something I was now missing that I didn’t know was gone.

A taste:  “There is no ending, no neatness to this story. There never really is where water is concerned. It is wild, febrile, kind, ambiguous; it is dark and carries the mud, and it is clear and the cleanest thing. Too much of it kills us, and not enough kills us, and it is what makes us, mostly. Water is the cleverest substance, wily beyond the stretch of our mortal imaginations. And no matter where it is pent, no matter if it is air or liquid or solid, it will someday, inevitably, find its way out.”

Are you, like me, seeking emotion as you turn pages, or do you read for another reason? What do you think is the purpose of books?

Lessons from coming home...

Dearest Clara, Coming home from a trip is always a bittersweet moment, a mixture of relief that you made it safely with a touch of sadness for an adventure completed.  I’ve never been good at all of the activities that are supposed to take place after a trip: the laundry, the photos, the getting back into the swing of things at work.  I alternate instead between reliving the memories of where we’ve just come from, and dreaming away into planning the next adventure, the next trip.

Nonetheless, I still love the familiarity of home, wherever it is for us at the moment---here is what I always do when I arrive at ours:

• Tell people you are coming home a day later . . . or even two: The minute people know you’ve walked in the door, the world will start turning just as fast as it was before you left.  Tell others you’ll be home just a little later, and enjoy the quiet time that comes with no one knowing you are there.  Use the time for whatever you need for yourself.
• Don’t go back to work on a Monday: A boss of mine told me this years ago and I’ve stuck to it ever since.  There is something overwhelming about coming in first thing Monday morning with a list of things to do and a line of people to see you a mile long.  Come in on a Tuesday;  the week can start without you just fine.
• Drink lots of water: Whether you came home by plane, train, or automobile, I guarantee you didn’t drink enough water on the trip.  Drink lots, more than you think you need.  It will make you feel better and help ward off any unwanted souvenirs.
• Unpack on the first day you are back: Unpack at least a little . . . if only to throw your dirty laundry in the hamper (that alone should be the bulk of your suitcase anyway).  If you don’t start unpacking the first day, you can bet that your suitcase will stand there for at least a month before you touch it.
• Write it down: You think you’ll remember everything from your travels, and you think your photographs will be enough, but it is amazing how quickly the details start evaporating the minute you walk in your front door.  If it was important to you and you want to remember it, write it down, even if it is just a quick list in a notebook.
• Have a “coming-home” routine: Order dinner from the same place, take a taxi from the same stand, spend the first evening taking a bath or reading a magazine . . . whatever makes you feel relaxed and comfortable.  Since our home changes so often, we can’t always rely on the structure itself to make us feel like we are “back”.  Rather, the routines that we have developed over time have become our sense of home, our sense of arriving back where we belong.

I know you will travel far and wide over the coming years, and on your own---probably much further than I will ever go.  Enjoy every adventure that comes your way---but don’t forget that being at home sometimes can be just as beautiful.

All my love,

Mom

You can go home again.

At least twice a year, I come back to my hometown in California for a visit.  The goal is to get back here every quarter, which, in the math of our crowded lives typically translates into every six months.  These trips take on significance beyond a vacation.  They are a form of meditation for me, a head-clearing journey back in time. While many people avoid visceral reminders of the person they have been, I seek them out whenever possible.  In the movies, characters often return home to revisit glories from their youth or to avenge some wrong that they carry into adulthood.  This is not my story---it is nothing so black and white.  I do, however, perform some touchstone rituals that allow me to take stock.

Along with every German backpacker and family from Minnetonka, I pay a visit to the seals at the Cove.  I stand on the wall above the beach where, as a child, I spent hours diving to examine sea creatures and baking on the course sand.  I watch the slippery, spotted beasts cuddling close in the sun and am reminded of piling onto the roof of the car with my brother to watch a drive-in movie on a summer evening.  I walk up the hill along the water to a patch of grass that saw a friend’s mother’s psychotic break, a cottage that was the site of a first date turned into a marriage turned into an excruciating divorce and a cliff where I learned to bring my battered heart to the ocean.

As with so many aspects of my life, all this revisiting is at once healthy and productive and also like repeatedly running my tongue over a sore tooth.  I am afforded multiple opportunities to process the wounds and confusion of childhood and make some adult sense of things.  I am flooded with the sugar rush of memories from a mostly charmed young existence.  I call up primal fear and devastation and then forgive myself and everyone else.  I hit up every frozen yogurt joint in America’s Finest City because it just tastes better here.

Back home in New York, I have rituals, but they are rooted in keeping my present life manageable.  I fold the towels in the kitchen just so.  I put pacifiers in every room, ensuring I always have one at-the-ready.  I put ice cubes in Ruby’s dog bowl in the morning hoping her water will stay chilled for a few hours.  I approach the apartment through Fort Greene on my way home so I feel like I live in a nicer neighborhood.  The million and one things like this that comprise and organize my days feel like some version of a lifeline and I suppose have some relationship to my identity.  I don’t cook, but I like a clean kitchen.  I am a mother to child and bulldog, alike.  I worry about the shady dudes on my street corner.  But without a periodic anchoring to the chapters that have come before, I start to feel adrift.

I wonder whether moments in time will come to have the same power in my new(er) city.  In that place, I am collecting formative experiences all the time.  And I know that someday I will trot my daughter around and show her the block where her father first made me swoon on the walk back to the apartment that would become my home.  I will take her to the stoplight where we sat idling with her three-day-old, tiny, chicken of a self stuffed into a carseat on the way home from the hospital while they played that one song on the radio that it seemed like we must have willed them to play.  I will sit her on the Great Lawn and describe a hazy afternoon when we talked about books and politics for hours and I realized I could see myself moving back here so that this conversation would continue on forever.

The snapshots of life are more convoluted now.  They are messier portraits, built on layers of knowledge that temper the way they imprint on the psyche.  Perhaps coming back here and slogging through ancient history is a therapist’s version of escapism?  It is infinitely easier to solve the puzzles of the past than it is to do the complicated work of the present.  Still, I like the idea of looping back around again and again to find new twists on the narrative.  Each round brings me closer to this moment, where I have the chance to re-engage my story with a few extra insights.

Prologue

I have always loved butterflies. Something about the way they seem to hang on drafts of air, featherlight, the iridescent greens and yellows and blues of their wings catching the rays of the sun, catches at my heart. A butterfly flitting across my path or alighting on something nearby is a reminder to me to stop, to breathe deep, to live. To embrace joy, and be the deepest version of myself. One summer when I was straddling the line between childhood and adulthood, my Carolina hometown was overrun with tiny green and white butterflies. They fluttered everywhere, gems against the rich blue of the August sky. They were so abundant that it was hard, driving down the freeway, to avoid catching one on your windshield now and then.

“I hate to see them dashed against the glass,” I told my mother one afternoon as I swerved to miss a small white shape. “It makes me feel sick.”

“Don’t feel too bad,” she answered. “They only live for two weeks, anyway.”

That conversation has stayed with me. I think about it, sometimes, as I watch a butterfly pass me, or delicately fan its wings as it sips from a flower. In a human lifespan, two weeks is infinitesimal, hardly a blink on the landscape of a decades-long existence. It is so short as to almost be meaningless, lost in the longer lives of larger creatures.

And yet in its small life, the butterfly brings such beauty.

This is a principle I try to remember.

At six months old, I was diagnosed with cystic fibrosis, a life-shortening genetic illness that affects many organs in the body, causing frequent and serious lung infections, sinus infections, malabsorption, and a host of other issues. Halfway through high school, I battled a year-long case of mono that left me with Chronic Fatigue Syndrome and Fibromyalgia. My life is one that is lived in and out of doctor’s offices and hospitals; I have both my nurse and my pharmacist on speed dial. I spend hours each day doing treatments and therapies to help keep my lungs clear of infection. Each morning, I swallow more pills than my 82-year-old grandmother with Leukemia. Each day is a delicate balancing act, a struggle to accomplish what I need to without overusing the limited reserves of energy that I possess.

I am breathless on a daily basis. But, as a friend once reminded me, “breathless” is also the word that we so often use to describe moments where we are awed by beauty, or bathed in heart-stopping joy.

And this life of mine is both of these things. The days of frustration, of feeling overwhelmed and betrayed by my own body, are balanced with moments of deep, pure delight. I have learned to find the beauty in a small life, as well as a grand one. I have learned to break new ground, to blaze new trails when the old ones become impassable. I have learned to savor the moments that come my way.

I have learned that sometimes, the only requirement for happiness is a single choice.

This is my story. In this space, I hope to share my own evolution, the ways I have come to accept the circumstances of my life and find great contentment within them.

Because what I continually come back to is this: In my reckoning, two weeks is nowhere near enough time for anything to be accomplished or gain meaning.

And yet, each time I see a butterfly, I am reminded of just how precious each life—no matter how small—can be.

Moving the Goalposts

By Michelle Bunt Rugby is New Zealand’s national sport: it consists of two teams of fifteen players, and a 100-metre playing field. Points are scored by kicking the ball through the goalposts, or dotting the ball down over the goal line. For most of my life, I have approached health and fitness as though as it were a rugby game. I tried to get the ball (myself) through these very narrow goalposts, and when I failed to do so, I assumed the blame. What I have come to realise though is kicking between the goal posts is great in sport, but not so good as a guiding principle for life. Rugby is concrete, and ordered by the rules of the game, whereas life and people operate by a far more nebulous playbook.

Several years ago, after being on different medications that had the unfortunate side effect of weight gain, I decided I needed to get into shape, and exercise. My motivation was simple: I wanted to lose weight. My goalposts were the people around me. I desired to look how they looked, in order to be more acceptable. Fortunately for me, fitness derailed that rather shallow path early on, and opened me up to a much broader, more expansive way of being. After exercising for several months, and finding it a chore---yet another task to be ticked off my to-do list---I suddenly woke up one day to the discovery that I actually liked it: the sweating, the puffing, the burning muscles, the challenge. It was no longer just a means to an end, but actually something life-giving and affirming in and of itself. This was when I started to realise that my goalposts needed shifting; that squeezing myself to fit between the expectations of others could only lead to despair.

So my focus changed.  I spent some time figuring out what was important to me, and there in my heart was the answer, in all of its beautiful simplicity. I wanted to be happy and healthy. Luckily for me, exercise is a significant part of the equation for both of these. I am still not a super-fit, super-slim athlete, and it is possible that I may never be, but no longer do I allow that to determine my view of myself.

Recently, I have just discovered a new exercise obsession. It’s called CrossFit, and is a military-inspired type of group fitness training. On Sunday mornings, I turn up to CrossFit, look at the board for the workout of the day, and try and contain my panic. The workouts are daunting, and they bring my every fear about not being good enough right back up to the surface.

The Dalai Lama gives a brilliant talk about how one finger is only longer than another if you look at two fingers together.  However, if you look at one finger by itself, it just is, and is perfect in its own uniqueness. This is what CrossFit is teaching me. Michelle, in relation to all to the other people in the CrossFit class may be slower and not as strong, but this doesn’t matter. In the moment all that matters is me: Michelle---perfect in her Michelle-ness. Now that I am able to grasp this knowledge, the goalposts no longer matter.

All I see is wide open space, and the freedom to play my own game.

Outdoor Movies

I’ve never been to a drive-in movie. This is surprising, mostly, because given the chance to partake in anything that smacks even remotely of another era, I’ll be the first to sign up. I know I can’t be the only one daydreaming of necking while the latest sci-fi thriller goes unwatched in the background. I keep telling myself, one day.

In my own defense, active drive-ins are increasingly difficult to find. While I won’t claim to be an expert on the subject, I think we can probably blame increased land values and the incredible ease with which we can all watch movies from the comfort of our homes. Surely, there’s something wise to be said about an increased cultural tendency to turn inward and something else about folks’ unwillingness to pass a cozy evening surrounded by their favorite and least favorite neighbors.

While the drive-in movie might be largely a relic from another time, there’s an alternative to be found in movies playing in outdoors in city parks. Judging from the crowds at these cinematic evenings, I’d hazard the guess that more people than we realize relish the opportunity for some quality time surrounded by other humans under an open sky.

Last week, my fiance James and I joined throngs of our fellow New Yorkers to watch To Kill A Mockingbird in Brooklyn Bridge Park. The scene was impressive. The lawn was full to overflowing with families and friends and, in the case of the duo in front of us, very amorous young couples. Many of them packed dinner picnics and set up a hodge-podge of sleek picnic blankets and dirty beach towels to take in the film and the sunset over the East River. I imagine half the crew was seeking refuge from their overly air-conditioned offices and the other half sought the cool breeze coming off the river after a day of sweating it out without any.

Whatever the reason for being there, it was utterly delightful to be surrounded by so many happy movie-goers. The sun setting behind lower Manhattan alone would have been worth the walk down to the park, but seeing so many people enjoying it together, well, that just about got me choked up. If you’ve got a hankering for a little summertime movie adventure, or are feeling bummed out about a summer in the city, I heartily recommend trying to catch an outdoor movie or two. If you’re not in New York, never you fear. There are outdoor movies screening in cities all across the globe. Check out your local listings and make a pact to go. It'll be worth it.

YWRB: What We Rebel For

By Amanda Page Essays were written. We collected them and took them to the head of the English department. We handed him our short stack and waited. We waited for his reaction, for his feedback. We stood in his office, terrified, exhilarated, proud of ourselves for taking this on, scared of ourselves for the same reason.

Maybe we wanted his approval. Instead, we received, with apprehension, a question: what does rebellion mean to you? He didn’t want to disappoint us, that much was clear. But he wanted us to understand that something was missing.

“Right now,” he said, “all I’m reading is several stories about drinking in bars and meeting boys.”

It was early in the project and we were in our early twenties. Drinking in bars and meeting boys was a significant slice of our collective experience.  He went on to say that we needed to have a point, a reason to rebel. We knew he was right, but we challenged him anyway. My memory wants to share a moment where one of us (Amy) dared him to see past the surface to what we were really saying. I don’t remember exactly, and it both kills me and relieves me. I want to say that he responded by daring us to do the same.

We were orbiting the point, just discovering the lesson.

I don’t remember where we found it or who gave it to us, but we happened upon the Marlon Brando quote from The Wild Ones. A girl asks him, “What are you rebelling against?”

He answers, “What have you got?”

Well, we had plenty.

It’s too easy to look back and assign ourselves things to rebel against. I also think that we weren’t rebelling against things. Our rebellion didn’t look like rebellion, which could be seen as a type of rebellion. But we weren’t protesting, we weren’t overtly political, we didn’t have one particular issue that pushed us or for us to push back.

I like to think that we were rebelling in the service of something. We were rebelling for something, not so much against. The idea was to share some instruction on how to rebel, how to live, how to be a young woman writer. We were writing it in real time.

It’s clear to me now, that our rebellion was an attempt to figure out how to live our lives authentically---how to live an authentic life. Every act of authenticity is an act of rebellion. If we rebelled against anything, it was the script. When you’re about to graduate from college, your options can feel limited. You can be overwhelmed with choices, and paralyzed by the pressure to choose. We fought against that pressure, those expectations, often from well-meaning family and friends and professors and advisors.

The most we could hope for was to make interesting lives for ourselves. And at that point, the interesting stuff was boys and bars.

Of course, there was more. By claiming any kind of power over our own lives, we were rebelling against many things: parental expectations, societal expectations, what we’d been taught and what we’d been told to expect for ourselves.

That’s where essays served us most. We claimed our power by claiming our stories. By owning our experiences, through how we wrote them, we created respect for them. I learned to respect my own stories. I learned the power in having a story, and in telling it. The YWRB project made my stories matter at a time when no one wants you to trust yourself. But I trusted my stories. I trusted Amy’s stories. I believed our stories mattered. Our stories mattered. That’s all anyone can ever hope for. That’s what we were trying to say to other young women: Your story matters.

That’s what I rebelled for.

On (New) Marriage and the Ever-Elusive "Home"

Here on the Equals Project, and elsewhere—on my own blog, and in the musings of my favorite writers like Miranda Ward of A Literal Girl and Roxanne Krystalli of Stories of Conflict and Love—we talk of an elusive home. We explore what this thing, this state, this feeling means to us, is to us. If we have found it.

If it is not located on a map.

If, as Judy writes in Home Sweet Home, it is not a literal space to fix and construct.

If it shapeshifts as we change.

Or if it is the loved one that holds us, that anchor that keeps us afloat, wherever we may be in the world.

* * * * *

In Homelands, Miranda asks: What if home is just a memory that we carry with us?

In Home, Karey does not have a clear picture of home: "It still looks like my mom and smells like Oscar de la Renta and vanilla ice cream and chlorine and lilacs and cow manure. . . . It’s in the eyes of someone who has lost her world, someone who’s found it, and someone who’s trying her damnedest to get it all back."

In Wherever You Go, There You Are, Sarah describes her bicoastal identity—the pull of New York, but also her roots in California: "I live in New York, but I am not entirely at home here. When the question of where I am from comes up, my answer tends toward the knee-jerk and almost always mildly defensive: "CALIFORNIA, I am from California." This is said as if to distinguish myself somehow, as if to say 'I really belong somewhere else.'"

In No Place Like Home (Wherever That Is), Shoko places home in quotation marks, which reminds me of Roxanne's piece, Home, in quotation marks, which led me earlier this spring to explore my own definitions of home and love, and how they intertwine—or if they are one and the same.

What if home is not the birthplace, the stacked bricks laden with memories, but the new place, filled with learning, with promise, and with love?

 * * * * *

In Roxanne's recent post on her blog, she refers to her explorations of home and away as a "serial infidelity to place," which also reminds me of Miranda's musings from last fall on a visit to London, and whether or not she could live there, and how it's interesting that even though she has a home in Oxford, she's still window-shopping for places to live.

So it appears that while we are all different, born and raised in different countries, living now in different places, or between places, or constantly on the go, we share a special something, a quality I sense in each of us and hear in our voices. We redefine ourselves with each stop, each state of stagnancy, but also with our movements and lapses of change. We ask these same questions over and over again, which both comfort and confuse. We are driven by such elusiveness—driven to inspiration but also to uncertainty, and maybe to loneliness, but certainly driven, period.

* * * * *

I do love the haze produced by these questions of home; it's the best kind of fog—a cloudiness I don't mind.

Indeed, lately my head has floated about in this fog. So, so many things: engaged at the end of June, and then married to my beloved the day before the Fourth of July. Perhaps my mind hasn't been clouded, but is rather in the clouds. And I've been thinking a lot about my evolving definition of home, and how it continues to change now that my long-distance relationship has morphed into a marriage, here in San Francisco.

Can I finally remove the quotation marks, or place it in regular font and not in italics, because the person who has encapsulated this word is now physically next to me, each day?

Has my exploration of home come to an end?

As I read the words of the other women on the Equals Project and elsewhere, and their very different but very similar worlds, I know this is not possible; if anything, I continue on a trajectory in which the target continues to move, a bullseye that shifts as I, and my husband, grow together.

At the moment, that's all I know: that home continues to surprise and elude, that it can be many things and something unreachable at once, and that the one thing that matters right now is realizing this journey is no longer just mine, but ours.

Alone

“Run the marathon with me,” says my best friend (who also happens to be my business partner), “I don’t want to train for it alone.” At the time, her husband is contemplating taking a job 3,000 miles away, in our hometown. We are both hoping to move back in a few years—this city is the bullseye of our 30’s. Our lives are so intertwined that when she mentions him interviewing for it, the job isn’t even contained within the realm of possible. I take it as seriously as if she had told me he was buying a unicorn. I sign up for the marathon on a whim; running a marathon is on my bucket list, and who wants to do anything alone? We are going to train together, to run together. This marathon is to be another check on our list of things that we’ve done, together. We’ve built our business on the principles of wellness and prioritize making time for our friendship amongst our busy days. Our love of running (and ability to run together--no small feat for two lone-wolf runners) binds us; of course this would be something we would tackle together.

I get the message while I am finishing up some work for the evening: “He got the job.” And then within a matter of days, it’s final: my best friend is moving away. Far, far away. I feel happiness for her (she’ll be so close to her family) and deep, deep grief for the moments that I realize may not come the way we had expected them to (We always bring our girls to see Santa together, I worry about her kids not remembering me). At the core, below it all, I am desperately afraid of being left alone.

We were fast friends, bonded by our California roots and our preppy east coast husbands. Running together early on was a test of the potential in our friendship. Our first run together took us over a sun-dappled gravel path that smelled of decaying wood and fresh undergrowth in New Hampshire. It was the summer I got married, before spending our time together in the summer was happily consumed by organizing activities for our sunscreen-slathered children with impossible blonde highlights. She was training for a marathon. Before we started running, I had visions of being left far behind, huffing and puffing in an embarrassing attempt to catch up. That melted away once we started out. Our steps fell into synch, our paces compatible. This, I thought, could be a great friend. Towards the end, as our conversation waned and our breathing and footsteps were all that broke the silence, we realized that we had both stopped sweating, not for lack of exertion. This found us begging for water at a local bar. It was cool and perfect, and we clinked the plastic cups they had given us in a toast to our inevitable closeness.

She has been my steadfast company in a tumultuous time. Through my husband’s surgical training, where he works countless hours, through the birth of my daughter and the growth of our business, she has been my constant. I am as entwined into her family as I am into my own. I love her kids with the unrelenting ferocity of a blood relative; her little sister makes me feel like less of an only child. In fact, her family is the primary reason that though my husband spends far more hours at work than he does at home, I (and my daughter) have felt neither lonely nor alone. Now, during my runs, I have a desperate and sinking feeling. My brain repeats over and over, “I don’t want to do this alone.” What, exactly, I am afraid of doing alone eludes me. Perhaps this is an indication of the hole that she will leave when she moves.

For the first time, I am running and crying at the same time. With our training for the marathon, I am spending more time on the road. Mostly alone, since our routine has been so upended by this move. Running for me has always been a release, and the metaphor until this point has been of the yogic variety: finding comfort in discomfort, pushing through, knowing when to yield. I ran through teaching special education in the Bronx, through the abject terror of my father’s cancer, through the life-swallowing grief following my grandfather’s death. In these times of hardship, I turned to running to be my constant companion, found solace in its repetitive simplicity. Left, right, repeat. All without tears. To stop the tears, even. With this move comes a new metaphor in my running: I don’t want to do this alone. I’ve always run alone, save for runs with very close friends (I have exactly two people with whom I like to run, not including my dad's running club, many of whom I have known and run with since I started coming home from college). What is it about this time in my life that brings the tears every time I lace up? Running had, for so many years, been my companion; now its companionship reminds me of the one I am losing. This marathon, this move, solidifies for me the simple fact that good company is at the heart of what we all want in life. Yes, misery loves it, but so does joy.

It’s all anyone really wants, isn’t it? A friend to synch steps with; company for life’s path. We look for, and find, companionship in the oddest places. Online, in bars, in friends’ social networks. We find drinking buddies, lovers, friends, husbands, confidants. We curate relationships that we hope will prevent us from being alone---truly alone---on our journey. But, I’m learning (as an unwilling student), interludes of aloneness are inevitable, even with the most loving cultivation of relationships. More than not wanting to face her leaving me, I don’t want to face it alone. A cruel irony. The fact is that it’s only her and me inhabiting our friendship; when she shifts a bit, there is nothing to fill that space, except dull sadness and the fear that she has something to fill the space that I will leave.

A few weeks ago, my left quadriceps started to ache. It was unstretchable, unrestable, unmassageable. Gnawing. I chalked it up to getting older. Then, last week, my right leg began to ache behind my knee, a twinge with each step. As if one leg was incapable of working without the other. Left, right, repeat.