Looking Forward: Happy Homes.

My parents’ garage is a deep and cavernous place, worthy of a treasure map. There are shelves of old dishes; teetering stacks of luggage; Christmas ornaments in cardboard boxes gone slack with age. Propped against one wall is a giant foam-core poster of the Sex Pistols, which I rescued from the curb outside a Hollywood record store when I was in high school. Lining another wall are piles of VHS tapes: Aladdin, The Little Mermaid, Disney Sing-Along Songs. In the middle, there’s a stationary bike. An old washer and dryer. A butcher block. And in the back corner, a dining table from my childhood, a set of six wooden chairs, and a loveseat wrapped in plastic, never used.

I learned during my recent trip home for the holidays that these last few items were being saved for me. “So you won’t have an empty house,” my mom explained one night over dinner, “in case you decide to move back to L.A.”

---

My dad once told me a story about arriving in Hawai’i for the first time. Even though he'd never been to the islands before, he felt, to his surprise, as if he was returning home. (My family would later spend seven years living in Honolulu.)

A similar thing happened to me when I moved to Brooklyn, and fell in love with it in a way I’d previously assumed only happened between people. “It’s ‘The One,’” I told a friend shortly after.

Even so, I figured I’d spend a few years in New York City, and eventually return to the West Coast. Los Angeles, after all, has always been home base. It’s where my parents live, and my brother and his growing family, too. Years ago, when it was only one of two cities in which I’d ever lived, I couldn’t imagine building a life anywhere else. Slowly, though, that's starting to change. And I wonder, what do you do when the city you love most is thousands of miles away from so many of the people you love most?

The short answer is, you Skype. You text. You email. But how do these things measure up to conversations in the flesh? Hugging someone hello? Having a seat at family dinners?

I don’t know where I’ll make my home in the future, but I do know---instinctively, and because they’ve told me---that above all, my family wishes for me to be happy and to be living as full a life as possible, wherever I choose. On the flip side, I believe that “home” can be anywhere, as long as you’re with people you love.

When it comes down to it, my time here in New York may comprise just a chapter in my life. Or, maybe, it will be the story of my life.

Time will tell.

---

Last week, the day before I returned to New York, I had a conversation with my parents, about my future, and theirs.

“It doesn’t matter where we end up,” said my mom. “We know how to make a happy home.”

It’s true. We do. Happy homes follow happy people.

The rest, I trust, resolves itself.

Needing the New

Growing up, whenever there was a school vacation (regardless of length), I felt compelled to be different upon my return.  A three-day weekend prompted me to scavenge the mall, seeking out a perfect GAP t-shirt that would make all of the other seventh graders drool with corporate envy.  A week over Easter meant a new haircut or an unhealthy amount of time spent laying in my pool, trying to cultivate the perfect golden brown skin-tone (I am half Irish; this is not easy).  Summer break?  I needed to travel to far-flung places to build my sophistication arsenal.  I needed an accent, or at least a fake one.  I needed to lose weight or gain muscle, to learn gymnastics or grow three inches.  I needed, on that first day of school, the look in my friends’ eyes that said, “you’re a better you.” The world we live in, of course, both helps in creating this need for change and makes achieving it all too easy.  A quick perusal of the magazines on newsstands right now showcases too many “new you!” headlines to count, whether it be how to lose 10 pounds fast or reverse aging or try a new hairstyle that will change your life; flipping open the same magazines reveals advertisements and articles geared towards becoming your best self, over and over and over again.

And now, the pinnacle of the makeover madness, the holiday designed to remind us, yet again, that we’re still striving; that we will, in fact, always be striving: New Year’s.  Stressed and strung out from too much family time and too delicious gingerbread men, bloated from the eleventh eggnog cocktail and bleary eyed from waking up to play Santa, we look at New Year’s and think, “yeah, that sounds good. I’ll resolve to be better.”  Because who couldn’t stand to be a little better?  And because, of course, the resolution is the easiest part.

My need for drastic change has subsided over the years.  I remember distinctly returning to the hometown I’d moved away from when I was thirteen.  I was now sixteen.  Since leaving, I’d spent a summer abroad in Germany.  I’d stopped wearing bell bottoms (so unfashionable!) and moved on to bootcut jeans.  My hair was longer and less frizzy, my skin was beginning to emerge from under its sea of zits.  I rang the doorbell of an old friend’s house and stood on her porch, trying to cock my hip out just so.  She opened the door.

“Liz!” she said, flinging her arms around me.

“Hey,” I said, my irrational teenage heart sinking.  “I thought you’d hardly recognize me.”

She pulled back and looked me up and down.  “Nope, I recognize you perfectly.” She caught the look in my eye and frowned.  “Why?” she said.  “Did you not want me to?”

“I just wanted to be, you know . . . different,” I mumbled.

She swooped me into her arms again.  “But I,” she said, “wanted to see Liz.”  While I was disappointed, she got exactly what she wanted.

The ten pounds, the red hair, the black, brown or green hair, the tan, the pale skin, the contacts, the new dress: all of it is to get you that much closer to a person you like, not change you in the eyes of anyone else.  My friend would’ve recognized me no matter what.  The question was if I had become the person I wanted to recognize.  If I had become a person I could like.

This New Year’s, I’m resolving to stay the course.  Like many people my age, I’m learning to love myself a little bit more every year, and any drastic left or right turns might impede that journey.  I resolve to enjoy exactly who I am right now, and exactly who I may be in a week, or a month, or a year.

Happy New Year’s to everyone.  May your night and all the subsequent ones be bright.

To You and Yours

Happy New Year! We hope 2013 brings new adventures, familiar comforts, and endless inspiration. Thank you for being a part of the Equals Record community!

Fondly,

Elisabeth & Miya

A Christmas Present

A lovely video by Molly McIntyre

When We Are Older This Will All Make Sense and It Will Be Too Late

Sibyl, I have spent a significant amount of time pursuing one career direction, and now I am unsure if that is the right way for me. This is not unusual, but I am unsure how to decide on a new direction. Early 30's still feels too old to just try out some other career paths. I have worked in religious institutions or social services or both or 5 years. Now I would like to try something more creative . . . yet I am unsure where to go or what to do. How do I explore options while still affording to live? What can I do to both explore and survive?

Sincerely, Ummm

Dear Ummm,

I am so glad you brought this up.  True confession time: Sibyl has no idea what the heck she is doing with her life.  Like you, I have invested a considerable amount of time, energy, and debt in following a life in the "helping professions", only to find that it is an unsustainable way for me to live.  So, I am striking out into the world with writing and other creative pursuits, terrified at the outcome but totally sure that it is what I need to do, anyway.

I have learned some things along the way, which I will now share with you, dearest Um.

1. A life of service will suck you dry and spit you out when you have nothing left.  

My father was social worker, and when he would get home every day, I would ask, "How was your day?"  His one word response was invariably, "Crazy."  Whenever I pressed him for more answers, he just said, "It's a thankless job."  And that, my friend, was that.

Despite this harrowing harbinger of the life to come, I idolized my father and followed his footsteps, pursuing a life of helping others.  It just seemed like the right thing to do.  In college and graduate school, I heard a lot about the way the work feeds you from within, and how your thanks is in the process of helping others.  This was enough for me, in my twenties.  I worked my ass off at low-paying jobs, and did indeed find the work rewarding.

However, I realized that although I enjoyed this kind of work, I had some life goals I wanted to complete, namely, having a family.  So, I set out to get knocked up and have a child.  This is when I found that having a job that pays you very little to take care of other people's emotional needs does not work well with being a parent, which consists of being paid absolutely nothing to take care of another person’s EVERYTHING.  Like you, I realized I needed to create or I would be left with nothing.  Art poured out of me like my desire to "save the world" once did.  But for whatever money work in social services provided, art provides even less.  What to do?

2. Make a list of all your creative interests, no matter how foolish.

Let yourself really dream here.  Do you want write, paint, be a film critic, cook, front a band, report the weather?  Be ridiculous.  Write, "I just want to be Vincent Gallo."  Okay!  Now we're talking.  Look over your list.  Where do you find the MOST energy?  It is important to tell your inner critic to go take a nap when you do this.  Instead of listening to that nagging voice that says "You'll never make a living that way!", listen to the one that tells you that what the world needs is more people doing what they love, what makes them truly come alive.

There are tons of practical exercises like this in the book The Artist's Way, by Julia Cameron.  I suggest you pick up a copy and start the twelve week program she outlines, as soon as possible.  It's a great way to start your explorations while still living your day-to-day life.

3. Get water from a stone.

Have you decided on what creative path you're most interested in exploring?  If you chose filmmaking, you don't need to know what you want to make films about, you just need to start researching film schools, and go from there.  Look up unpaid internships (I know, I know) at your favorite magazine and write for them in the time you used to spend watching sitcoms.  Volunteer at your local artist collective and talk to people who actually do make a living as art-makers.  The way they’ve pieced together their lives could surprise you.  For instance, it may make a lot of sense to combine your helping profession efforts with art-making -- they could inform each other in beautiful ways.

Again, tell your inner critic to take a vacation while you're researching artist residencies in Maine.  Or, better yet, sit that critic down, and say, "You're RIGHT.  I'm never going to save for retirement and buy a house if I follow my creative goals now.  But giving everything I have to others has not made me millionaire either.  So guess what?  I'm going to do what makes me happy.  And when I'm drowning in debt, you can say, 'I told you so', and I can go make a masterpiece on my canvas.  You're right, but I win."

Here's what you need to do, Ummm.  Figure out the very least that you can live on.  One fancy coffee per week instead of five?  Awesome.  Brown bagging it every day instead of eating from food carts with your friends?  Excellent.  Turning on the heat in only the direst of snow storms?  Pull up that blanket!  I know that you've probably been living a life of almost-poverty taking care of others for so long.  But believe me, this is different.

Investing your time and efforts in art-making actually is enriching, in the way that all our professors told us that lives of service would be.  Okay, so you don't have a living room that could be featured in Ladies' Home Journal, and you can't go on vacation and post a picture of your feet with a fancy drink by the ocean on Facebook, but guess what?  You get to be you, and you get to be awesome.

You will always be that interesting person at a party who is not just talking about what milestone your baby has reached, but has a new project or idea you're working on that you want feedback from your friends about.  You'll always have something to do on a Friday night, because you'll be in your studio.  So, you don't have all the material bullshit and security our culture seems to uphold so much, but look how that's working out for those folks?  Rich, secure, and absolutely terrified of losing that wealth and perceived security.  Be bold, risk big, and yes, get mad about the fact that art-making doesn't pay actual dollars.  Do it anyway.

3. Don't go it alone.

So, you've spent all this time taking care of other people, and you're ready to follow your own dreams for once.  Guess what?  All of that time you spent caring for others spiritually and physically was not wasted.  It was all a part of your creation as a soon-to-be artist.  You not only became a person of substance, who actually has something to create art about, but you stored up a ridiculous amount of good karma.

Being there for others means that they are now going to be there for you.  They'll say, "That Ummm, what a good guy, he came to the hospital when my dad was sick, and now he's striking out as an artist and needs a leg up, why don't I buy one of his pieces, or, at the very least, invite him over for Sunday dinner."  You've got to find your people, and chance are, you already have, since you've devoted your life to loving humans.  Lean on them now.  Let them take care of you in the ways you've been taking care of them.  Help comes from the most unexpected places.  Reach out, and see the lovely (and materialistically helpful) ways your community responds.

It will not be magical, it will happen because of all the work you have already put in.  Everything is not going to mysteriously go your way once you set your mind to what you want to do, don’t buy that bull.  However, it will flow back to you proportionally to what effort you put forth.  You want to explore?  Really excavate!  Don’t hold back.  You get out of the creative life what you put into it.  Stop ummming and start risking, give up the fallacy of security, and be who you are, big time.

When we are older, all of this will make sense to us, and we will say, “Oh!  I should have started this or that sooner.”  But it will be too late.  Right now, contrary to what you are being told, is not too late, because it is all we have.  Dive in right this second.  I can’t wait to see what you come up with.

In solidarity,

Sibyl

Lessons from a New Year...

Dear Clara, One year rolls out, and a new one rolls in . . . I love the fresh feeling of possibility that the New Year brings, the crispness of winter, and the sense that there is a blank canvas of achievements just waiting for us.  Here is always what I think about for the year ahead:

• Reflect on the year past: I think it’s only fair that before you leave the old year with abandon, that you reflect on everything you accomplished.  And be generous.  We so often focus on what we didn’t get to on our lists that we forget what we were able to do.  Sit down with your calendar and think about all the good things that came your way, and you’ll have a new appreciation of what you’ve been given and what you were able to do with it, even in the tough years.
• Buy a new calendar: Nothing says possibility to me like the crisp, white, blank pages of a new calendar (except for maybe the crisp, white, blank pages of a new notebook!) This is where your plans will take place.  And this will be your record for looking back on everything that you will still accomplish in your new year.  Find a calendar that organizes you, but also inspires you.  They’re out there.
• List out your resolutions: I see more and more that people make fun of New Year’s resolutions, they say we should be doing these things all the time.  That’s probably true, but in all reality, this is a time of year where we have a bit of time to slowdown to think about the direction that we’d like to go in, whether it be personally or professionally.  Writing things down makes them more real.  Keep the list short, but mix a few tangible things with a few dreams, and I guarantee you’ll get to both faster.
• Do something for your wealth: Think about where you are financially and where you want to be eventually.  Are you moving in the right direction? Do you need to save a little more? Do you need to invest in your education a little more? Think about what makes you feel more secure and plan a few steps on that path.
• Do something for your health:  Remember that your health is a gift, but it can easily go away when we don’t take care of it.  Maybe it’s eating a bit smarter, maybe it’s moving a bit more, but think about one think that you can focus on to take care of your body in the way that it deserves.
• And do something for your happiness:  Try to think of what you don’t make time for but that you know would make you truly happy.  For me, these tend to be creative things.  I don’t have what most people would consider a creative job during the day, although for me it’s still rewarding.  But I look for other opportunities to get the creativity that I crave, and because it doesn’t become part of my work, I do it just for me and it makes me happy.  Look for just those one or two things that you know you should make time for, because it would help you find happiness in the other things that you do all day.
• Think hard about the changes that others would like to see in you: For the most part, our resolutions are about ourselves, for ourselves.  But I also try to think of a quality that I know others would like to see more of in me.  Patience comes to mind often . . . so does mindfulness regarding things like phone calls and correspondence.  These simply aren't always my strong suit.  Your job isn’t to turn yourself into the perfect picture of what everyone else would like to see in you.  But chances are, we all have a few things that could use a bit of improvement on, and that little bit of improvement could translate into a whole lot of happiness to those that matter most to us.  This isn’t a time to be defensive, it’s a time to be reflective.

In this new year, and in all of your new and many years ahead, may I be the first to wish you all the health, happiness, success, mindfulness and joy in the world.

All my love,

Mom

Akiko Yosano: Poet. Pacifist. Tanka Powerhouse.

The other day I happened upon a Wikipedia article entitled “The Top 100 Historical Persons in Japan” and I got historian-nerd excited. This was apparently a television program that appeared on Nippon TV in 2006, which had Japanese viewers vote on who they thought the most important historical figures in, well, history were. For me it’s exciting to get this little peek inside the historical mindframe of a non-Western nation—one that hasn’t been brainwashed into believing U.S. presidents, Italian explorers, and German composers are the most important people of all time-- but who has probably been brainwashed in parallel historical fashion, of course. Yet lo and behold, some of our “top historical figures” still ranked (Christopher Columbus came in at #75; Mozart’s #36; the highest-ranking Westerner of all, at #3, is, surprisingly, Thomas Edison).

The list is mostly dominated by Japanese figures, of course; almost all people who would not have placed on any Western country’s “Top 100 Historical Persons” list. And incidentally, one of these (#80) is today’s Historical Woman.

Akiko Yosano (born Shoko Ho) was a Japanese poet from outside of Osaka who revitalized, no, crushed the 1200-year-old tanka tradition in turn-of-the-century Japan. Born in 1878, young Akiko grew up in an oppressive household, daughter to a baker who privileged his sons over his daughters and actually kind of hated Akiko for the first years of her life for not being a boy. (Ja-HERK.) He got over it enough to realize she was incredibly bright, and was decent enough to get her a good education, as good as was possible for women at that time—but it was Akiko’s own ambition and talent that propelled her out of that house and into Japanese history.

Wandering her father’s library as a teenager, Akiko had become enamored with literature. She began writing poems and started contributing to Myojo, the literary magazine of one Tekkan Yosano, fellow poet. Akiko moved out of the family house and to Tokyo, and in 1901, she and Tekkan were married.

Like Sylvia and Ted, Diego and Frida, Sid and Nancy, Akiko and Tekkan had what can delicately be described as an interesting relationship. Tekkan had already been married twice before, and even after he married Akiko he continued to borrow money from his ex-wife. He was also regularly unfaithful, according to most sources, including with one of Akiko’s best friends, Tomiko, who died of tuberculosis at 29 and who Tekkan proceeded to write twelve poems about.

Tekkan had also helped to spearhead the anti-establishment poetry movement that Akiko’s poetry would be a part of, the revitalization of the centuries-old tanka form that had previously been dominated by an institution literally called the Old School (I know, right?). What’s interesting to me is that feminist icon Akiko’s husband Tekkan had actually written an essay in the 1890s called “Poetry Inviting National Decay: A Denunciation of Today’s Effeminate Tanka,” in which he advocated for a more “manly,” virile poetry. This went over well with contemporary Meiji nationalism, as the nation was in the midst of a war against China. Fittingly, Tekkan wrote some pretty “manly” stuff about swords and battlefields.

But by the early 1900s, Akiko was the famous one in the family. Her poetry star was on the rise; and Tekkan, naturally, began to feel inadequate. One day, Akiko came home to find him squatting in their yard, killing ants. (How sad is that? How freaking sad is that?) To make him feel better, she told him to go spend some time in France.

Akiko’s rebellion and feminism went beyond her poetic success story and her pants-in-the-family home life, though. Her poetry often focused on the emancipation of women, portraying women of all backgrounds sympathetically and advocating for their sexual freedom. One of her most famous collections, Midaregami (“Tangled Hair”), evokes a feminine image of a woman with “hair in sweet disorder”—this ran counter to the public beauty ideal that saw a Japanese woman’s hair as always straight, never out of place. “Tangled hair” could even be read as a sign of the erotic. Additionally, she founded a girl’s school where she also taught, passing her progressive ideas and literary skills to a new generation of little poet-feminists.

Akiko was also a pacifist in an era when the Japanese national attitude was anything but. Late Meiji Japan (1868-1912) was characterized by the rapid modernization of a formerly feudal nation, and over these and ensuing decades an increasingly militarized Japan turned its focus towards expansionism. During the Russo-Japanese War of 1904-1905, Akiko wrote the poem Kimi Shinitamou koto nakare (“Thou Shalt Not Die”), which later became a kind of anti-war protest song for the pacifist movement.

Akiko died in the midst of World War II, and her poetry was largely forgotten for many years. She has, however, enjoyed a resurgence of late, as demonstrated by her aforementioned 2006 placement on Japan’s list of favorite historical personages. To commemorate her revolutionary-ness, and to celebrate her anti-sexism-ness, I think I’ll end with one of her steamier poems:

Fragrant the lilies In this room of love; Hair unbound I fear The pink of night’s passing.

Since You Brought It Up: New Traditions

By Ashely Schneider This year’s Christmas is shaping up to be a quiet one. We opted out on a tree and have yet to firm up any plans. With family on the other side of the country, it’s just the two of us here in Oregon. My husband actually has to work on Christmas, so the past few days have been sad for me as I picture myself alone in our house on a day that’s meant to be cheerful and merry.

I’ve given myself a number of pity parties full of Neil Young songs (Helpless is my go-to), chocolate, bad movies, and tears. Deep down, I know that the emptiness I feel is nothing compared to the pain and suffering others are experiencing. I can’t help but think of heart broken families in Newtown, Connecticut, soldiers stationed in Afghanistan, or men and women living on the streets.

Don Miller, author of Blue Like Jazz, says it perfectly: The overwhelming majority of time I spend thinking about myself, pleasing myself, reassuring myself, and when I am done there is nothing to spare for the needy. Six billion people live in this world, and I can only muster thoughts for one. Me.

So today, I have decided to put on my big girl pants and do something good for others this season. I’ve signed up to volunteer at a local church where we’ll be serving meals to 200+ homeless people on Christmas Day. I’m not accustomed to spending the holidays this way, but I’m certain it’s the right thing to do. Perhaps in this quiet time of my life, as I wait for new things to happen, my thoughts have been centered too much on me. By choosing to let the spirit and meaning of Christmas live in my heart, I can turn to face the needs of others and focus on bringing them joy.

***

We believe we can find more joy in the holidays by squashing the little voice that tells us bright spirits and good cheer are only possible when we’re perfect.  The magic of this time of year comes from connecting with loved ones near and far, reminding ourselves of all we have to be thankful for, and . . . covering everything in twinkling white lights. 

We’re embracing our present lives—foibles and all—so we can spend more time drinking egg nog and less time worrying we’re not good enough. Imperfect is the new black; wear it with pride.

Want to lighten your load? Read the post that kicked off the series, Ashely Schneider's Down, Not Out. Add your story to the “Since You Brought It Up” series by submitting it here. 

What Are You Reading (offline, that is)?

Nina Sovich is an American writer who lives in Paris. She is releasing a travel memoir in July 2013 titled To the Moon and Timbuktu. She has written for Reuters, the Wall Street Journal, Time magazine and the Patriot Ledger. She blogs on travel and raising children in France on www.thesestolendays.com/blog. Every year, at this time, I find myself rereading books I loved as a younger woman. It might be that the holidays make me nostalgic. It might be too exhausting to discover great new fiction or it seems too selfish to buy a present for myself. It may have to do with the fact that I drink more than usual around Christmas and if I don’t read something familiar at night I’ll lose the plot.

I list below the books I love to read, many of which I have read before, that I will inevitably read again. These are not happy stories, but there is a certain authoritative melancholy to them that works in the dark month of December. Many are books that center on the family and wonder on the notion of love.  Many have a strong moral voice or ask ethical questions, which I find acts as an antidote to all the hysterical cheer of the holiday season.  Most importantly, all contemplate escape—from an overbearing Russian husband, a large family in St Louis, the decay of a colonial outpost, even from the myth of African salvation. These books make me feel like myself again, giving me the fortitude to start the New Year.

Lie Down in Darkness. William Styron.  This book came out in 1951 just as the intelligentsia, if not the nation, was realizing the life of convention-bound, country club-going WASPs wasn’t all it’s cracked up to be. As Virginia gentry, the Loftis’s drink and fight, abandon each other, rip each others’ hearts out and then scream for protection. Love is the least stable element in this family, resentment the most. Styron writes with urgency, despite all the hot summer afternoons and gentle landscape descriptions, and every scene is filled with real terror. Who will save them? Why must they do this to each other? Will the selfish, beautiful damaged daughter Peyton escape, at least a moment, before her death? So much is at stake, yet nothing need be lost. For any woman who has marveled at her mother’s callousness and her father’s adoration, this is your book.

Mating. Norman Rush.  This book is told through the eyes of a smart, unnamed female graduate student who casts out into the Kalahari desert in order to find a commune run by a brilliant anthropologist. She is tough, smart, well-read and romantic. The professor, on the other hand, is a total phony. He spouts social theory, contemplates Marx and sets about the unwinnable task of creating an African utopia by eliminating African men from the equation. The book is both a discussion of obsession and a strong commentary on foolish white expats who try to save Africa. I read it in my 20s, as I travelled the world in search of a cause, and saw worrying reflections of my own life. Perhaps I aspired to escape ordinary American life for something cleaner, more structured, theoretical and moral.  But, in the end, there was always a man at the heart of it--calling the shots, talking about equality… doing nothing.

No Hurry to Get Home. Emily Hahn. This is a compilation of autobiographical stories from The New Yorker that Hahn wrote starting in the late 1920s. She writes a big life for herself, without ornament or hyperbole, and even the small family anecdotes lead to greater freedom. Mickey (Hahn’s nickname) and her sister wear knickerbockers to school, because skirts are impractical, and earn press attention. Mickey goes to college far from home, where she startles the professors by studying engineering. She travels across the country with a friend and gets a job as a writer. Every step is taken with the hope that the world will bend to her conventions and not the other way around. In the end, it does. Soon the girl from St. Louis is travelling alone through the Belgian Congo, recording the racism and hypocrisy of the colonizers. She is smoking opium in China and reflecting on addiction. She is in love with a British intelligence officer and watching the Japanese invade Hong Kong. She lived so many lives in this one book that any one of them would do for me.

Anna Karenina. Leo Tolstoy. The story is known--Anna Karenina abandons her staid husband and young son to run away with her the rich, handsome Count Vronsky. The great thing about this book (yes, I am here to tell you) is that the moral stakes are high, but Tolstoy doesn’t write judgment into the pages. As a young, single woman, I sympathized with Anna and felt she had the right to pursue happiness, even if she abandoned her young son. Now that I have my own marriage and children, I find myself wondering if old Karenin was such a bad guy after all. I read this book over and over again, always changing my mind. And if Anna’s poor choices and narcissism becomes a bit too much there is Levin, a sweet and conflicted man who falls for the lovely Kitty.  ‘Freedom what is the good of freedom?’ Levin thinks. ‘Happiness consists only in love and desiring; in wishing her wishes and in thinking her thoughts…” That’s a man I can get behind.

Burmese Days. George Orwell. The entire colonial enterprise and all its failures are laid bare here. There are vicious British colonial officials who live for gin cocktails and enmity. Dr. Veraswami, a cultured Indian doctor, whose only pathetic desire is to get into the European club. U Po Kyin the corrupt Burmese official who has money and power but can only see enemies around him. But the heart of the story centers on one British man’s loss of identity and faith. John Flory, drunk, alone, and high up the white man’s pedestal, the view has become blurry. His best friend is Dr. Veraswami, but he won’t admit it. He keeps a Burmese mistress but won’t love her. When the young Elizabeth Lakersteen comes to Burma he courts her, but he has forgotten the small-minded, provincial ways of his countrymen. Needless to say it goes horribly, unbearably wrong.

Slowing down (with Emma and Erin)

“She appears to write much of her poetry, as Americans eat their dinners, in hot haste,” said one critic of Emma Lazarus’s early work, according to Esther Schor’s biography of the poet. I had to laugh at how the 1871 comparison still applies today. We still eat quickly, and we write quickly too, jotting off breathless blog posts and status updates without looking back. Lazarus would have thrived in today’s digital world, I think. In sharp contrast to her contemporary, the reclusive Emily Dickinson, she was a determined extrovert, eager for her writing to make it into the hands of the literary giants of her time. She wrote letters to Emerson demanding feedback on her poems. She milked her “network” in search of literary success. Her persistence and tenacity were astonishing.

But even the talented, energetic Emma Lazarus eventually hit a wall of anxiety as the speed and the pressure to produce caught up with her. As she wrote to a friend, “I have come home to hard work—finding three books to read & review by Tuesday . . . as soon as I feel that a certain thing is expected of me by a certain time, I get a panic & don’t know how to do anything. How anyone lives by writing I cannot imagine.” I was nodding emphatically as I read along. Preach it, sister.

Beyond the usual deadlines and expectations many of us receive from others or set for ourselves, I think there’s a sort of insidious pressure these days to exist online, to be always on and constantly, consistently producing. It’s the marketing advice about “personal branding” and blogging every day and building your audience. It’s that feeling of needing to “keep up” with the internet, as Erin Loechner describes it in her post, “The Rebirth of Slow Blogging.”

Forgive me if I sound like a broken record. I’ve written about slowing down here and here and here and here. It’s been at the heart of my work with Uncommon, a growing slow web community. I’ve been writing and thinking so much about slow food, slow tech, slow everything, coming at it from different angles as a way of figuring out what slow really means, as an intention and a practice.

Something clicked when I landed on Erin’s post, because I think she helps explain something important about the idea of “slowness.” It’s not about doing things in slow motion, but rather taking time for depth and storytelling. It’s about aiming for quality over quantity. It’s about taking time for reflection and creative restoration.

As I head into the new year, I’ve got Emma and Erin in the back of my mind, and I’ll be wondering about the delicate balance between creative impulse and depth, busy production and quiet reflection.

Lessons from a Christmas Holiday...

Dear Clara, So many people think that once December 25^th passes, that the Christmas holiday has come and gone.  But remember that Christmas is not just a holiday, but a season.  It’s both a time for us to celebrate spiritually but it’s also a time to celebrate on a very human scale, when our families and friends take first place, and our work and worldly obligations move to second.

• Prepare yourself for the holiday season:  There is a reason why in many calendars there is an Advent season, in the sense of a time of preparation.  From the outside world, you’ll be tempted to leap right into things, but trust me, it becomes overwhelming.  Pace yourself, make lists, consider what you can get done, and carve of pockets of time for yourself so that you don’t lose the spirit of the season while barreling forward towards the holidays and the end of the year.  It’s an investment worth making.
• Write on your holiday cards: There are a panoply of technology options that make sending cards easier.  And they’re wonderful, and many have their place.  Take advantage of the things that make sense---addressing envelopes, for example.  But keep in mind that while technology can replace process, it can’t replace you.  It’s better for your cards to come a little later, and have your own personal writing on them that shows people that you took the time for them.  It’s only once a year.
• Make every effort to be at home: Remember, this is the time of year when those closest to us come first.  It won’t always be possible---sometimes practical things like money and geography get in our way.  But if you can make it happen, be in your home any way that you can for the holidays.  Eventually you’ll have your own home, and your own family, and you’ll have to figure out what works best for all of you.  But deep down, you’ll always know where exactly you should be.
• Set an extra place at the table: It’s our Polish tradition to say that there will always be room for one more, especially on the holidays, and many visitors feel that you could knock on nearly any door on Christmas Eve in Poland and have a meal waiting for you.  It’s pretty much true.  If you have an extra place (or two) at your table, an extra guest is a welcome addition and not anything else.  You never know when you just might need to reach out to someone else and welcome them to your table.
• Be on the lookout those sad and the struggling: We should always be on the lookout, I know, but pay extra attention during the holidays.  Different people struggle with different things around this time of year and they’re not always willing to talk about it openly.  Maybe they lost a loved one, maybe they had a falling out in their own family, maybe they are too far away from home, maybe they’re struggling to keep up with all the financial demands of the holidays . . . Watch for people, even those close to you, that might need a bit of additional love and care during this time of year.
• Make room for your soul: I guess this relates a bit to the very first part, but again, it’s easy to get caught up in all of the activities and trappings that come along with the holidays, even if we do them because of our good intentions.  But regardless of what you believe in, just remember that the winter holidays carry a sense of spirit with them; don’t let that spirit pass you by.  Prepare a little room in your heart.

Wishing you all my love this Christmas and holiday season,

Mom

Books to Read If . . .

By Randon Billings Noble December is a loaded month---loaded with meaning, tradition, preparation, celebration and, finally, the anticipation of the coming year.  It can be exhilarating, frantic, lonely, relaxing, nostalgic, hopeful---and sometimes all of those things in one day.  But the end of the year always brings talk about books.  Prizes are announced, the “best of” lists come out and people browse bookstore tables shopping for both themselves and others.

Here are my thoughts about what to read this season …

... if you want something in small bites, enjoy adventures but are NOT traveling by plane: Contents May Have Shifted by Pam Houston tells the story of Pam’s efforts to balance family and travel, stability and risk.  Its 144 short vignettes describe her home-and-away adventures in Colorado, Tunisia, Wyoming, Tibet, New Jersey and beyond.  It takes a while to get comfortable with the peripatetic nature of this narrative (in the first few pages we jump from Great Exuma to California to Texas to Alaska) but I feel like that might be part of the point.  Sometimes a thread of story will pick up again a few sections later.  Sometimes it backtracks.  But I never had trouble following it and I always enjoyed seeing where it would lead next.

... if you love the sea and/or whaling but can’t quite manage Moby-Dick right now:

In the Heart of the Sea by Nathaniel Philbrick tells the story of the whaleship Essex, which was the inspiration for Moby-Dick.  The Essex left Nantucket in 1819, whaled its way to the center of the Pacific Ocean, and was rammed and sunk by one of the very sperm whales it was hunting.  For ninety days its crew tried to sail three lifeboats to the safety of the South American coast while enduring storms, disease, hunger, dehydration and worse.  In the Heart of the Sea continues where the fictitious Moby-Dick leaves off, and it pulls no punches as it describes the aftermath of a shipwreck and the desire to survive.

... if you want a fictitious story about wild animals and shipwrecks:

Jamrach's Menagerie, by Carol Birch, starts with a bang---an encounter with a tiger.  Jaffy Brown, then eight years old, is running errands on the streets of London when he is swept up into the jaws of a tiger, an escaped resident of Jamrach's menagerie.  Jamrach is so impressed by Jaffy's daring (he reaches up to stroke the oncoming tiger's nose) and his survival (his only injuries are some scraped toes), he concludes that Jaffy has a way with animals and hires Jaffy to work for his exotic animal import/export business.  Years later Jaffy is sent on a quest to find and capture a rumored dragon---the ultimate animal for the menagerie.  As in Life of Pi, there is a sea voyage, a boat with a dangerous animal aboard, a shipwreck and a catastrophic outcome.  But my belief in this story never faltered (as it did with Pi), my patience was never tested, and its ending was surprising in quite a different way.

... if you want to be challenged:

What Happened to Sophie Wilder, by Christopher Beha, is a quiet yet demanding novel in which the main character, Charlie Blakeman, wonders what happened to his best friend and sometimes girlfriend, Sophie Wilder, after college and her sudden conversation to Catholicism and almost immediate marriage to a rather unlikely man.  What had bound Charlie and Sophie together in school---a love of writing---does not seem enough to rekindle their romance when Sophie shows up ten years later.  But the book is about much more than their relationship.  It’s about faith and doubt and growth and despair and the way we craft the stories of our lives.  If you can, read this book with someone else; you’ll want to mull the ending over with someone who’s read it too.

... if you want to change your life:

Tiny Beautiful Things: Advice on Love and Life from Dear Sugar is a collection of advice columns from the once-anonymous Sugar at the online magazine The Rumpus.  But Sugar recently revealed herself to be Cheryl Strayed, and anyone who has read her essays (“The Love of My Life,” “Heroine”), or her bestselling memoir Wild, knows that Strayed is a writer of honesty and empathy.   In her answers to questions about divorce, miscarriage, identity and infidelity, Strayed tells stories from her own life, which makes Tiny Beautiful Things a memoir as well as a collection of columns.  Even if you aren’t looking for particular answers to specific questions, reading this collection will inspire you to live a richer, truer, more generous life, reassured, as she writes in her last letter, that even the “useless days will add up to something … The hours reading poetry and story collections and novels and dead people’s diaries and wondering about sex and God and whether you should shave under your arms or not.  These things are your becoming.”

... if you like historical fiction:

Hilary Mantel’s award-winning Wolf Hall tells the story of Thomas Cromwell, who rose from obscurity (he was a blacksmith's son, which his enemies at court never let him forget) to be Henry VIII's chief minister during the king's turbulent divorce from Catherine of Aragon, his subsequent marriage to Anne Boleyn, the execution of Thomas More and various misadventures after that.  Usually More is painted as the hero of these stories---a Catholic martyr to his conscience, which wouldn't allow him to name the King head of the Church or grant his right to divorce his wife.  But Mantel transforms Cromwell from the king’s lackey into a full-fledged person: husband, father, guardian; admirer of women, fashion, food and learning; a man committed to his work, his faith, his king.  Wolf Hall tells the story of Henry VIII’s first divorce from a whole new perspective … and then Mantel’s Thomas Cromwell trilogy continues with Bring Up the Bodies and the forthcoming The Mirror and the Light.  You will want to read until Cromwell’s (rather bitter) end.

... if you want a smart, quick, engrossing read:

A little bit The Talented Mr. Ripley, a little bit Howards End, a little bit Swimming Pool, and a whole lot of Harriet Lane’s own making, Alys, Always draws your attention from the first word and will not let go.  One winter night, Frances Thorpe stops to help a victim of a car crash.  The woman, Alys, dies on the scene, but once Frances meets her grieving family she begins to insinuate herself into their lives---to what end you’re not sure, and maybe Frances isn’t either.  But as she becomes more deeply involved with Alys’s widower, the reader keeps turning pages to see if it’s at all possible that this twisted story ends well.

... if you have the time/stamina/constitution to read a book in one sitting:

I do not want to give away even a hint of a spoiler about Gillian Flynn's Gone Girl, but I will quote the line that hooked me, which occurs early on, on page 37.  In the first 30 pages Nick Dunne has woken on the morning of his fifth wedding anniversary at exactly 6:00.  He has braced himself to go downstairs to his wife.  Then there is a space break.  Then he narrates that he was very late getting to work.  What happened during that space break?  We're not sure.  Nick drives home to find his wife missing and a couch overturned and a coffee table smashed.  The police arrive and question him.  He answers their questions, sometimes shrugging, sometimes blurting and sometimes with a lurching stomach.  The last two sentences that end the chapter are: “That was my fifth lie to the police.  I was just getting started.”  The lies stack up and the plot twists do too.  In a way I feel like this book was a dare to its writer: can you pull of this twist?  How about this one?  And THIS one?  I'm not sure how you'll react to the ending, but you'll be chasing Amy Elliot Dunne all the way through.

... if you are a romantic and/or an academic:

Love, in Theory, by E.J. Levy, is a collection of ten stories that entwine love with its seeming-opposite: academic theories.  Sometimes the characters actively ponder these theories, sometimes they are living illustrations of them, but always the story is enriched and not burdened by its intellectual overlay.  My favorite of the ten was the last, “Theory of Dramatic Action,” which is told in the provocative second person, so “you” are the star of the story.  You are film student who has recently left Colorado to attend film school in Ohio.  You are learning about theories of dramatic action and fear your life has no such arc.  But then you meet a handsome professor of ancient Greek.  And then an old friend comes to town.  And then your story might be moving into “Plot Twist (I)” or “False Resolution” or perhaps “Plot Twist (II)” after all …

... if you are a new mom and don’t have time to read:

Stealing Time is a new literary magazine for parents started by Sarah Gilbert and Katie Proctor.  They describe it as “a quarterly print literary magazine about the heart of parenting … fiction, essay, poetry, book reviews, and other pieces that are sad, hopeful, ebullient, resigned, reverent, wry, surprising, gut-busting, or just plain strange.”  The very first issue’s very first essay---“Into it All” by editor Sarah Gilbert---evokes all of those adjectives.  Gilbert writes---lyrically and inspiringly---about ways to balance writing and motherhood, art and biology, your own written words on the page and the unexpected words that come out of your child’s mouth.   Her writing and her magazine remind us to look up from the task at hand, the dishes in the sink, the search for the lost object, the Virginia Woolf novel at your bedside, and revel in the ambivalent and infinite role of being a parent.

... if you are or have a baby:

Big Board Books: Colors, ABC, Numbers by Roger Priddy

If you are a baby you will want to sit with this book for many minutes at a time.  If you have a baby, your baby will want to sit with this book for many minutes at a time---which will leave you free to read some of the above!

Happy reading, all!

Since You Brought It Up: Good, Grief

By Rhea St. Julien In the first five minutes of the 1965 classic A Charlie Brown Christmas, the main character pronounces himself "depressed", "let down" by Christmas, and lonely.  He dislikes the tradition of card giving, because it reminds him that no one likes him when he doesn't receive any.  He rails at the over-commercialization of Christmas, and despairs that no one seems to take it, and him, seriously.

Watching it with my toddler on Hulu, I realized that if it were made today, A Charlie Brown Christmas would be deemed too glum for mass consumption.  Characters on TV today have bizarrely huge smiles even in the worst of situations---Diego's grin at having to find the lost maned wolf reassures kids that "Sure, the mom lost her pup, but don't worry!  Everything is okay!  Al rescate!"  The expressions of the Peanuts gang look more like they have chili-induced indigestion, over things as small as decorations, unhelpful advice, and ill-thought-out letters to Santa.

I love that the Charlie Brown special depicts the big emotions of kids at this time of the year, because children are totally overwhelmed by all the bustle, no matter how tinseled it may be.  They act up, get scared more easily, need to be held during nap times and have melt downs in the middle of Target.  They are hopped up on sugar (when did Advent calendars start having chocolates for each day?!) stay up late for parties, and the stress of their parents is passed down to them.  It's a never-ending cycle, as parents get more stressed by their kids' behavior, and disappointed when special holiday-themed outings turn disastrous.  "I'm just trying to give you a good Christmas!" I saw a mom say thru gritted teeth, outside a store where other families were bopping around to carols, enjoying the discounts at the annual holiday party, happy it wasn't their kid that had filled their fists with cookies and ran out onto the street.

I felt her pain.  Just last week I took our toddler to a showing of The Velveteen Rabbit, a dance performance for children based on the Margery Williams book.  She had never been to anything like that, and though she overall enjoyed the experience, I did not.  She sat on my lap and asked questions throughout the entire show, at times scared, at other times just trying to make sense of what she was viewing.  All the kids in the audience were talking, laughing, and shouting, but mine seemed to be the very loudest.

The grandmother in front of us concurred with my estimation.  She turned around every five seconds, sneering, sighing, and shushing us.  I tried to explain to her that it was a children's performance and kids are allowed to make noise, but she proclaimed I had "ruined it for her" and I bowed out of the discussion before I got really angry.  What that lady thought she was getting when she bought a ticket to the 11am matinee is beyond me, but her shaming of my daughter while I was working really hard to parent her through the performance was horrible.  I left feeling defeated.  I had tried to do something special with my daughter for the holiday season, and had only managed to totally overwhelm her, myself, and the people sitting near us.

This week, at a winter-themed Story/Song/Dance time I was leading at my friend's store, I took homemade paper snowflakes out of my bag and let them drift down onto the children while I sang "Let It Snow", the closest those California kids would get to a snowstorm.  My daughter stood right in the middle and screamed, "Mama, I'm done!  Mama, no singing!"  I just sighed and asked my friend to take her for a walk so I could continue being all magical for the tots who were actually enjoying it.

Are we really so different from my easily-overwhelmed little one? I think not.  Everyone I know seems to be already over the holiday season, and we have at least two weeks more of it.  As adults, we dull our feelings with cocktails and present-buying, but they are still there.  That's why tonight, instead of heading out onto the wreath-lined streets to hit up a friend's pop up art show, I'm going to stay in with a book and a journal.  I'm going to write about how I miss my sister and my mother, who I am not seeing this year, and my father, whom I will never be able to spend another Christmas with on this earth again.  I'm going to take some deep breaths, and make some Charlie Brown faces.  I'm going to feel that good grief he keeps talking about, and create some space and patience for my daughter's feelings, as well.

***

We believe we can find more joy in the holidays by squashing the little voice that tells us bright spirits and good cheer are only possible when we’re perfect.  The magic of this time of year comes from connecting with loved ones near and far, reminding ourselves of all we have to be thankful for, and . . . covering everything in twinkling white lights. 

We’re embracing our present lives—foibles and all—so we can spend more time drinking egg nog and less time worrying we’re not good enough. Imperfect is the new black; wear it with pride.

Want to lighten your load? Read the post that kicked off the series, Ashely Schneider's Down, Not Out. Add your story to the “Since You Brought It Up” series by submitting it here. 

Facetime vs Real Face to Face

When I lived in the US, I would call my mom and dad while I was walking around New York.  “Okay,” I would say, when either answered the phone.  “I have roughly four and a half minutes to catch up before going underground on the subway.”  This was our main form of communication: in those four and a half minutes, we talked (quickly) about the highlight reel of our lives to the background music of ambulances wailing, cashiers expectantly demanding money from me, and various homeless people proffering marriage proposals (needless to say, I lived in a great neighborhood).  Peppering these primary conversations were the little moments when, despite Google and Facebook iPad apps and the myriad ways we can acquire information in the modern world, I just wanted parental input.  “How long can you keep leftovers in the fridge?” I’d ask my dad, staring at spaghetti that seemed to have self-generated a green and fuzzy pesto like topping (self-generating sauces: the food of the future!).  “What day is the cheapest to buy flights again?” I’d ask my mom, squinting at my computer screen.  While Bing may have had a more accurate answer, my mom’s was the most trusted one. Since moving to London, my parental conversations have moved to the land of Skype, a world where calls are announced by a strange symphony of beeps and dials; where faces pixelate in and out of the picture; where half the time spent talking to my parents, complete Skype neophytes, is spent saying, “Click the video button.  The one with the camera.  If you can’t see yourself, I can’t see you. Hold the camera higher – higher – dear Lord, please don’t show me your chest again.”

Several things have happened in the switch to Skype; the most perhaps obvious of which is that parents, surprise surprise, love seeing their children’s faces.  All conversations open and close with, “You’re looking so healthy!” and “What shirt are you wearing?” and “How did you cheeks get so pink?” and other variations of: keep on keepin’ on, my DNA-totin’ progeny.

Below the rosy skin and the same shirt I’m always wearing (come on, Mom!) there’s a different, more fundamental shift in the nature of the conversations.  We talk less often, certainly, but when we do, the conversation has an unprecedented level of focus.  You choose a time and date and make a plan, rather than a slapdash time filler.  You are, quite literally, staring into each other’s eyes (save for the moments when – and you know who are – you’re looking deeply into the eyes of yourself).  You’re freed from distraction, less the person on the other end catch a glimpse of what you’re doing and squawk, their annoyance transcending thousands of miles, “Are you doing something else?”

It makes for some of the most focused conversations I’ve ever had.  Conversations that quickly blow past the day-to-day trivialities that fill a quickie check in; conversations that move into the realm of history (personal and otherwise), of the world, of what you really mean when you tell this story or that one.  The truth is, after all, written all over your face.

On the flip side, the absence of those gap filling phone calls has had another effect entirely: once afraid, in any moment, to walk by myself, to wait for a bus by myself, to simply be, I am now forced to confront my boredom and live with the worlds both around me and coursing through my own mind.  At home, without my trusty text message parental net, I figure out on my own whether my leftovers will kill me, or if it’s reasonable to spend half my life savings on a flight to New York (hint: it’s not).  I get to spend more real time with both myself and my parents.

While it should be noted that it’s not real real time, as I’m gearing up for the holiday season (I’m writing this article eight hours into a plane ride, somewhere over the Great Lakes) I feel more connected to my parents than ever, despite being further, physically, than I’ve ever been.  And, as much as I’ve enjoyed the Picasso-esque, pixelated versions of their faces, I’m excited to see their real ones.

Making Sense of the World

As mothers, and as human beings, we are heartbroken by the tragic events that took place at Sandy Hook Elementary School on Friday. Words seem insignificant in the wake of such pain and yet words connect us and help us make sense of the world. Shannon wrote about her experience of finding her way through the sadness and anger as a mother. We hope others will contribute their perspectives---whether on dealing with the events personally, talking to their children about them, or grappling with topics of political and social significance.

We believe we understand each other better as human beings when we're exposed to different viewpoints and we take the time to consider them from a place of mutual respect. In the rush to say something, to make sense of tragedy, and to find our power following a situation that made us all feel helpless, it's all too easy to channel our anger into grand pronouncements that further alienate us from each other. Together, we can be thoughtful and purposeful about finding ways to make this world safer and kinder. Let's treat each other gently while we do that---we're united in our fragility; it's what makes this lifetime so special.

To help, you can make a donation to the Sandy Hook School Support Fund, which is providing support services to the families and community. If you're looking for guidance on how to speak with your children, check out Save the Children's 10 Tips to Help Your Child Cope With a Crisis and the National Mental Health and Education Center's tips for Talking to Children about Violence (both contain suggestions that can also be applied to ourselves as adults).

A Life Without My Mother

Eliza Deacon is a photographer living in northern Tanzania, and is also our latest contributor. Here, she writes beautifully about living the majority of her life without  her mother. Living, loving, traveling---it seems she is never really without her mother, something I can relate to in my own way. Thank you, Eliza, for sharing this beautiful and honest glimpse through yours and your mother's eyes.

By Eliza Deacon

When I reached the age of 33, it was something of a milestone: my mother had now not been present for more of my life than she had ever been in it. She died when I was 16, had been ill from when I was 13.  At 13 I remember her sitting down with my twin sister and I. I can remember the room we were in and where we were sitting, I even remember how I was sitting, legs tucked up beneath me in a brown armchair. She told us that she had this thing called cancer and that she was going to be away in hospital but that we shouldn’t worry. With the innocence, and ignorance, of a 13-year-old I remember thinking ‘wow, I wonder what that word means, but I can’t wait to tell my friends at school’.

I didn’t think then of how I would cope without a mother, I was too young. But how did I negotiate my way through the rest of my adolescence, my tricky teens, my 20s, 30s and into my 40s?  I did of course, admittedly with what seemed like more than my fair share of crash and burn disasters, but it’s a loss I’ve always felt. You get over it, you learn to live with it, but it’s always with you isn’t it. Your mother, any parent really, isn’t meant to die when you are 16 and your mother especially not.

Aren’t mothers meant to guide you, be something of a blueprint to show and teach you how to be the woman you’re going to become: a girlfriend, wife, lover, friend, mother, adult . . . all those things that we intrinsically are, but somehow also need to be shown. And whilst you do find your own way, you rather stumble through the complexities when oh lord, how on earth do you know who you are meant to be when you really have no real idea where to start!

My mother was the most amazing woman I will ever know. She was born and grew up a barefoot “jungle child” in India, she rode horses as a cowboy on the Colorado plains, she became a top model in the swinging London 60s scene, and she was a Bond girl in the original Casino Royale (the one without Daniel Craig!). I know now what I didn’t see then, that she often had a far-off look; she gave up many of her dreams when she---not unhappily, I hasten to add---met my father and settled down. But I don’t think she ever stopped yearning for distant horizons.

As soon as I could, I started to travel with an ignorance is bliss attitude, a sort of ‘I want to do this because I want to know how it feels’ attitude. I discovered it very quickly, in war zones and far-flung places. I wanted to be able to look back and say what an incredible time it all was. And yes it was, I was very lucky. I think my life, whilst not the same as hers, was set on a pre-charted course to somehow follow hers, but yet on a different parallel. Exploring, finding new horizons, new adventures, and in the process learning more about myself and the person I would become. Knowing the synergy of our lives makes me very happy. It’s also the knowledge that she would love my African life, this wild and wonderful continent I’ve lived on for the past 18 years.

At times I have felt her gentle presence and steadying hand in my life. How I waited patiently and, at times, not so patiently to find this beautiful man who now shares my life; my coffee farmer, my life-partner who walks his own parallel path in his quiet way and whose feet stand squarely next to mine. I rather think  that she had something to do with that.

I don’t have children and am unlikely to now. It could be an overwhelming thought, if I let it, to know that I won’t share that mother-daughter bond that I experienced so briefly. But I don’t dwell, I figure that things have turned out the way they were meant and I don’t wish to live with regrets. Life sends you on strange tangents and I can’t imagine any other than this one; one that I know she will always be very much a part of.

How to Talk About a National Tragedy

I spent Saturday night Christmas shopping, but it was with a heavy heart after the tragic event’s of Friday morning in Connecticut. I had thought about writing my column this week on holiday traditions and recognizing my joy as a parent, but it seemed somehow out of place. As I meandered Target on a date night with myself, so many aspects of the holiday felt contrived. I couldn’t get excited about fake plastic trees knowing that so many parents and families were grieving. Our good friends live a town away from the tragedy and have a son in elementary school. I worry about them. I worry about my own son, who isn’t even in school at the moment. I worry about the son inside of me waiting patiently to come out. Mostly, I worry about all of us. It’s so often the case after something like this happens to retreat to your strongest viewpoints. To make alienating statements starting with ‘I always’ or ‘I would never’. Instead, maybe we should try approaching this discussion from a place of love and rationality. The problem is, those things don’t often go hand in hand. As a firm feminist liberal, I want to cry out, “Ban all guns! Let’s move to Europe!” Neither of those is a realistic option, and both are just my fear talking. One of the best pieces of writing about this whole situation that I have read so far came from one woman’s blog, entitled “I Am Adam Lanza’s Mother”. My favorite line in her essay was:

“In the wake of another horrific national tragedy, it’s easy to talk about guns. But it’s time to talk about mental illness.”

She is 100% correct. Guns are an easy, heated debate that so many of us are talking about, but its not the complete story. Although if you want a fair, unbiased account of how gun laws contribute to these types of massacres, I suggest you read the comprehensive reporting done by Mother Jones. It is a straight facts, cause and effect article that sets religion and politics aside. The New York Times also ran a fantastic editorial about limiting the types of guns sold and how that has helped other countries (Australia's numbers were shocking).

Mostly  I want to tell you that I am grieving. I am grieving and frustrated and angry. I wonder how we all got so removed from each other. Even in the depths of my depression, I never considered harming another person. It is inconceivable to me the extreme mental anguish that must have contributed to Adam Lanza’s mentality. I mourn for him, for his family, but most of all for the kids and the bright futures they could have had. But in between the sadness there is anger. And maybe we should get angry. Maybe we should get angry and channel that rage into change. Instead of wasting time getting angry with each other, on Facebook and Twitter, we need to get mad at people who can make a difference. Write to your legislators, law-makers, senators. And most importantly, vote. Want to know how to talk about a national tragedy? Get angry from a place of love and respect. But most of all, support change. Because, regardless of your specific viewpoint, I think we can all agree that something is wrong here and it needs to change.

Surprise Packages

Taking a cue from R, on the idea that emotions can come in surprise packages, often at untimely moments. I hesitantly consider surprise loneliness. Not that I have ever claimed to be able to wrap my emotions up and tie them off with beautiful shiny bows. However, their ability to catch me off guard, especially during the holidays, never ceases to amaze me. To contextualize this, somewhat public, account of emotions, I must preface it with my nature as a community-centered person, who attempts to stay close to friends that at this point in life scatter the globe. In a typical extrovert fashion, I draw my energy from engaging with the incredible people in my life. However, the flip side of this is what a close [introverted] friend refers to as “the extrovert’s dilemma.” At times, I find loneliness lurking in the corners when I am physically alone. While most of us don’t fit neatly into the categories described by these buzz words---the bottom line is that since I was a little girl I have attempted to develop my introverted side. Goal lists spot my travel mole-skins; “become comfortable with spending time alone” is scribbled on the top of each one. I long to not wage battle against the lurking loneliness.

Loneliness: the creeping sensation in my gut---throwing me off kilter in a simple moment, invoking memories---both joyful and sad; nostalgia for distant places and faraway people, people I will never see again, moments that cannot be reproduced. It zaps my [fairly] romanticized view of the world---the snowy, almost timeless, afternoon, drinking a picture-perfect latte in a café, lazily reading, and it drags me back to a different form of reality, where I am huddled in a corner pouring over my text book, sucking down coffee in a manner that is far from relaxed. Its creeping nature takes the color out of every day moments and the tranquility from the serene present.

Off-center. The word that encompasses my general attitude towards the holidays, especially in the current version of my current life where it feels increasingly important to cement one’s notion of home and family based on where you spend the holidays and who you spend them with. Latent in these often gleeful conversations, loneliness plans its sneak-attack, filling me with unease. Last week it snuck in. At the end of a night of guitar-filled singing, surrounded by incredible friends, warmth, and love, I found myself cleaning up wine classes, the sign of a thoroughly enjoyed celebration. I felt the creeping sensation, tears welling behind my eyes, as my mind struggled to stay in the present---searching for past moments of contentment as well as loss. Where did this sneak attack come from?

Today a new friend remarked, he already felt nostalgic for today. The day, or rather the moment, had not yet ended---how can that happen? Perhaps, it is a cue from loneliness, itself, that the moment is good, hold on to it.

It consists of its own category: loneliness, with an element of surprise. It’s not grief, nor loss---it’s not fear, nor anxiety---it is a reminder of the present, anchoring me to the feeling of being alive, on a continual search for a sense of home, community, and place. And yet, even when I have found these, for me, being completely un-lonely, means situating myself in the present, letting go of the other places, peoples, and moments I am nostalgic for. So for this holiday season, with a sense of unease, I am retreating to a café, ordering what I hope is a perfect latte, to watch the snowfall and sit with a sense of loneliness, knowing that it anchors me to my present life.

Asking for It, with Sibyl: An Introduction

Who is Sibyl?  Sibyl is the witchy woman you meet at a party and figure you'll avoid because she looks bizarre, but somehow end up sitting near all night, telling her about your roommate troubles and your theories about your family secrets.  Sibyl is the older sister you always thought you'd have, who'd sit you down and help you do your hair in just the way that suits you, and sticks up for you on the playground when everyone else is calling you "Brace Face."  Sibyl is the friend who shows up just to be with you, not talk, when you're facing the deepest grief of your life---when your partner has run off with a lover, when your baby is dead in your hands, when you're scandalized and have been pushed out of a job you love.  Sibyl is your queertacular friend who takes you by the hand and pulls you to the dance floor, spinning until you both dissolve into fits of laughter, forgetting your fears.  Sibyl is a ruined woman. Sibyl is married with children. Sibyl was on the Honor Roll, then cut class to go out to the soccer field to take a tab of acid and stare at the sky.  Sibyl may spend most of her time with her head in books about the nature of the soul, but she totally cares that Duchess Catherine is pregnant.

Who should write in to Sibyl?   Sibyl is for the ladies.  Sibyl is for the ladies who used to be dudes.  Sibyl is for the ladies who want to be dudes, who are dudes within.  Sibyl is for the ladies who love ladies, Sibyl is for the hopelessly straight.  Sibyl is for the wallflowers, who think no one is ever going to listen or care.  Sibyl is for the Mamas and the Papas.  Sibyl is for those of you putting a brave face on being alone.

What should you ask Sibyl? Whatever is twisting in your gut, those issues that make it hard to breathe, that you know are mysteriously killing you, even though they should not be a big deal.  They are are a big deal.  You are a big deal.  Ask away.

And to All a Good Night

What happens when you put your Jewish friend in charge of stringing the lights on the tree, is that you get to the bottom and have no way to plug them in.  “What I have here in my hand is two female parts, but it seems like I need two male parts,” I called out to my oldest friend.  She looked perplexed, herself, having never been the one to do the lights on the tree.  The tree endeavor (both selection and installation) had always been the province of her husband, who made a big production out of it with her kids.  He had been gone just three months and the whole operation carried a pall of sadness.  I was determined to establish a fresh tradition, help her feel confident in her new role and win the day with enthusiasm.  The kids had been good sports at the tree lot that morning, although it must have been terribly disorienting to be there without their father.  I felt the least we could do was to get the tree going before nightfall.  Ultimately, we had to call up our reserves---two effective and creative friends (with four children between them), both Mommies who were responsible for all things tree-related in their homes.  Within the space of twenty minutes, those two had stripped the tree, restrung the lights and carefully dotted the whole situation with ornaments.  That day, my status as “other” when it comes to celebrating Christmas and participating in the “Holiday Season” took a back seat to being present for a loved one. I returned home feeling decidedly less sorry for myself.  Even considering my pattern (like so many American Jews) of feeling a bit left out at this time of year, I had to consider the heartache of my friend and so many others who have lost a spouse or someone close to them, knowing the pain of a loss like that is much more acute during Holidays, birthdays, anniversaries and the assorted benchmarks of life.

As much as I have my own issues with the Christmas behemoth, its value as a touchstone for many families in this country is undeniable.  It is a marker around which people create important memories with one another.  Children experience Christmas as an expression of familial love and have the opportunity to be showered with special attention by parents and extended family.  Adults take time away from work to be with their families and reflect.  Sometimes people even use the Holiday as a way to process wounds that haunt them from childhood.  The corrective experience of making your own Christmas for your own family as an adult must be incredibly powerful on a number of levels.

There still resides inside me, the smart-ass fourth grader who wrote an essay about how the White House Christmas tree lighting ceremony was a violation of church and state.  This represented my desperate attempt to communicate the plight of the American, Jewish 8-year-old during the Holidays.  Back in the 80s, they didn’t really show much of Reagan lighting an obligatory Menorah somewhere or sitting down with his staff for a game of Dreidl.  And I likely would have argued that, to be fair, he shouldn’t be publicly participating in any religious celebration.  They also didn’t give Chanukah much air-time in the media in general back then, which made it even more critical that I drag my Mom into my elementary classrooms so that she could fry up Latkes on an electric griddle.  There is almost nothing more tragic than a bunch of disinterested school children carting floppy paper plates of greasy potato pancakes and dollops of applesauce to their desks to “enjoy.”  “Also, we get chocolate coins!” I asserted to anyone who would listen.

While I feel certain that I will be confronted with many uncomfortable conversations with my own children about why we don’t adorn our home or really do anything amazing at this time of year, I also trust that they will find ways to turn their outsider status into something interesting.  They might end up with a fantastic sense of humor about it.  It might increase their empathy for people that experience actual “other” status (people of color, immigrants, gay families) and who live permanently outside the mainstream.

I will always feel a little twinge at Christmas time.  I will try and remind myself that I can appreciate someone else’s traditions and how profound they are without needing to participate myself.  We have our own traditions on December 25th– Dim Sum!  Blockbuster movies!---and I remain grateful that I won’t need to cling to them like a life-raft, girding against loss.