Looking Forward: Solitude.

I landed on the North Island of New Zealand in November 2008. I was alone, except for a mammoth North Face backpack, stuffed to capacity with Dr. Bronner’s peppermint soap and two dozen chocolate-chip Clif Bars. I planned to spend the next four weeks by myself, farm-hopping, if you will, as a participant in an organization called WWOOF (“Worldwide Opportunities on Organic Farms”).

For seven nights, I slept in a trailer on the lawn of a couple in their sixties, who sold produce at local farmers’ markets and ate only raw food. Bedtime came early at this particular household, and I spent hours each night reading by flashlight in my bunk, a hot water bottle nestled at my feet. I felt fragile---emotionally, because the quiet made me nervous, and physically, because I was too unsettled in my new surroundings to stomach the mountains of raw vegetables that were served for dinner each evening.

The next ten days were spent on a small family farm so implausibly lush, I was certain I’d found Tolkien’s Shire. There, I met Jo, a single mother who---on a daily basis---baked bread, practiced yoga, milked goats, trimmed roses, tended an unwieldy flock of chickens, and kept a vegetable garden. She taught me to make pavlova and strawberry jam, clean chicken coops, care for the animals. And at the end of each day, I retired to a cozy cabin in the backyard. I was alone, but exhausted. My body ached in a way that felt satisfying, even pleasurable. I slept soundly.

I ended my trip on Great Barrier Island, where I washed dishes at a local fishing lodge in exchange for a bed and free meals, many of which happened to include lobster. The people there were patient, generous, relaxed. The fishermen---who wore rain slickers and thick white beards, just as I expected fishermen would---took me to sea and taught me to properly cast a line, never batting an eye when I ultimately chose to eat gingersnaps on the boat’s deck rather than participate in the unsavory task of gutting the day’s catch.

One morning before I left, the lodge owners allowed me to take their station wagon to the beach (a terrifying experience, as I’d had no prior experience driving on the left-hand side of the road). When I finally arrived, nauseous and a little shaky, I found the sands deserted, with not a single other beachgoer in sight. And so I spent that afternoon alone, with a book and a sandwich and a sweater to guard against the wind.

I might, at one time, have found this solitude frightening. But on that day I felt adventurous. Like a daring traveler. A wanderer. A pioneer.

Today, as a writer, I spend an inordinate amount of time alone. Depending on my mood and the rhythm of the day, I find this both liberating and lonesome---there are times when I can’t stand the quiet; there are others when it’s nothing short of sublime.

Solitude, I’ve found, is its own kind of wilderness. Becoming familiar with the terrain requires a certain amount of exploration, and a bravery I can’t always find.

But what a pleasure it can be to surrender sometimes---to wander, to get lost, to accept the challenge.

Reflecting on milestones: 2012

This column first appeared on Stories of Conflict and Love earlier this week. I have always been attached to the process of documentation and the rituals of recording memories. Different notebooks have held disparate thoughts across eras of my life, with their pages threading together class notes on violent conflict in Africa to poetry to to-do lists to workshop outlines to endless nights of worry. For the past four years, I have lived out of a suitcase, shedding belongings and an attachment to 'stuff' and hoarding memories instead. The notebooks have been the only possessions of mine that have traveled everywhere, truly everywhere, stretching suitcases till they bloat. And even though they now sit neatly on a shelf in Boston, there was no arrangement or system to how they were organized. The only rule was that every page had to be filled before a new notebook was commissioned to be my wandering companion.

January 16, 2012 was the beginning of a new notebook, for no reason other than its predecessor running out of pages. On that day, I copied down Mary Anne Radmacher's poem, "Living Eulogy:"

Under that, inspired by Katie, I started making a list. Every year, Katie tracks goals she'd like to meet before her next birthday. Page 1 of this new notebook mirrored that format and, below Radmacher's poem, I started outlining my own hopes for 2012.

Some were laughably simple, almost thrown in there the way you write "laundry" or "grocery shopping" onto a to-do list: for the painless joy of crossing those items off. #12 on my list was "throw a party." There had been plenty of parties in my nomadic life. There was the table dancing in Guatemala---ceaseless dancing on tables, it seemed. There were the nights in Cairo when we all gathered in that penthouse apartment and sang our lungs out to Queen. I remember the night Elijah walked me to Tahrir to hail a taxi and I could still hear Bohemian Rhapsody in the background. But then the moving, the ceaseless moving, took its toll and the parties were mostly farewell parties, for me and for others. #12 on the list was not (just) about buying Solo cups and cheap wine. It was about being embedded in a community long enough, feeling its grounding enough, to host snippets of it in my home "just because." Not because anyone was leaving, not because it was a birthday. Because it was community.

And there were parties. #12: done.

#15: Take a night photograph I am proud of. You see, this one correlated to #25: Learn to shoot my camera on manual. I "knew" how to use my camera on manual. I taught photography workshops for crying out loud. But it always felt a little foreign. The photos always felt nicer on 'automatic'---as though anything nice in life ever came out of automatic. The night photos, in particular, always felt shaky. All of me felt shaky at times this year. Shooting the camera on manual, dragging it along and having the weight of its strap tug on my shoulder at night, was a challenge not because of its mechanics, but because of my own wobbliness. And then Milos happened. Greece and I have the kind of relationship that melts anxiety, such that this photo can be taken, such that elbows can sit steady and skirted legs can plant themselves firmly on salty ground and hair can billow in the wind and I can hold my breath long enough to defeat the blurriness.

#15: Take a night photograph I am proud of. Done. It is not a particularly original image. Add a cat into it, a skewer of souvlaki, and some cheesy reference to "Greece is for lovers", and it's a generic postcard. But it is clear, unshaken, and taken by me, and that makes it a cherished first. Done.

Then there were the trickier dreams. #21: Create a home. This is not a to-do item of the "laundry" and "grocery shopping" variety; it is not the kind of goal one can fulfill by focusing hard enough or trying harder or by finding the perfect rock on a Greek island onto which to perch her elbows to take a not-blurry night photograph. The irony behind this wish is that I did not expect it to be fulfilled until the fall came, and the suitcases were unpacked and put away, and I lived in Boston with the ability to firmly derive my identity from being a graduate student. Jerusalem snuck up on me. It insisted on not being ephemeral. It demanded lasting love. It required commitment: the purchase of the space heater, the unavoidable conversations with everyone on the street from the baker to the laundromat operator. The evaporation of any desire to avoid conversation. I did not think 2012 would hold two homes, but it did. Some would argue that the very existence of multiple homes speaks to the lack of a solid, meaningful one---but, in this case, I'll take the polyamory.

I cannot pronounce #21 done; no home is ever 'done', the process of making one is never complete---let alone the process of creating and sustaining multiple homes in one's heart. But #21 is the kind of item I would never like to cross off a list and pronounce 'done' in the first place. I simply wanted to know it was possible.

Some of the items on my 2012 wishlist stand unfulfilled, but I am determined to give them another try. See #14: Keep an ideas notebook. I have a noisy brain, the kind that I am trying to make peace with, rather than silence. Particularly in moments of euphoria, ideas zoom through it and most of them remain uncaptured, evading me in the moments of calm when I try to revisit them. When Kim sent me a notebook with "Ideas" scribbled on its cover in February, it seemed like the perfect moment to slow down and start jotting down the thoughts born out of elation or enthusiasm before they become too fleeting to ground. The pages of that notebook are still blank. I still want to try in 2013, because I want the mornings after ideas to be just as alive and enlivening. #14: not done, decidedly not done. But still salient enough, necessary enough to stay on the wish list for another year.

Then there were the wishes that remained unfulfilled, but I am willing to let them stand as such. They either became less relevant as the year passed or I grew readier to live without them. I never entered a contest (#7) with my writing or photography in 2012, nor did I send 12 handwritten letters (#25). I wrote new columns in 2012, including this one, and I published photo-essays, but I never quite went through with clicking submit and having my work evaluated by a panel of seriousness. I penned endless cards and thank you notes and Christmas wishes and Congratulations on your marriage, but 12 handwritten letters never quite happened. I could dissect why that was, I could investigate the desire behind those items in the first place, but they do not burn brightly enough any more to necessitate that. As such, #7 and #25: unchecked, peacefully so.

Unlike those items, there were those at which I failed abjectly, and disappointingly. #1: Worry less. In my final Gypsy Girls Guide column, on January 3, 2012, a mere day after my birthday, I wrote that I wanted 2012 to be the "year of the exhale." I knew then, as I know now, that a human being cannot go on worrying at the level and meticulousness that I do. I was aware that it was time to let go of some of the anxiety, of the post-traumatic stress, of the grief, of the intensity of conflict zones, of the emotional minefield of work that I did not know (or want) to do unemotionally. I wrote then:

It is not journeys I long for this year. It is not novelty or fireworks I crave, though I welcome all of this into my life and am open to it if it comes. In 2012, I am willing a quiet mind. In 2012, I want to banish Ray LaMontagne for Damien Rice and his belief that I can “look into my eyes and see that noone will harm me.” Some former smokers say that months after quitting smoking, an exhale comes and they breathe deeply, making it all worth it. In 2012, I am living for the exhale.

2012 endowed me with journeys, novelty, fireworks---and some exhales, too. But I was naive to think that those would come without more moments that cut an inhale short, trigger a gasp, or make me hold my breath till I turn blue in the face. Exhaling was beautiful and needed, but if I am to keep writing, and reflecting, and living with intention---as Mary Anne Radmacher would have it---then I need to learn not only to wish for the exhale, but also to master creating it myself and living patiently with the moments that render it elusive. I failed at worrying less this year. In the scheme of life, this is a more costly failure than having failed at other items on the wish list. I am slowly realizing that in my life, item #1 from year to year will continue to be Worry Less, until it, too, is rendered unnecessary. Until this wish has been scratched off the list, edged off by other priorities, sufficiently conquered, or---perhaps more realistically---until I make peace.

When We Are Older This Will All Make Sense and It Will Be Too Late

Sibyl, I have spent a significant amount of time pursuing one career direction, and now I am unsure if that is the right way for me. This is not unusual, but I am unsure how to decide on a new direction. Early 30's still feels too old to just try out some other career paths. I have worked in religious institutions or social services or both or 5 years. Now I would like to try something more creative . . . yet I am unsure where to go or what to do. How do I explore options while still affording to live? What can I do to both explore and survive?

Sincerely, Ummm

Dear Ummm,

I am so glad you brought this up.  True confession time: Sibyl has no idea what the heck she is doing with her life.  Like you, I have invested a considerable amount of time, energy, and debt in following a life in the "helping professions", only to find that it is an unsustainable way for me to live.  So, I am striking out into the world with writing and other creative pursuits, terrified at the outcome but totally sure that it is what I need to do, anyway.

I have learned some things along the way, which I will now share with you, dearest Um.

1. A life of service will suck you dry and spit you out when you have nothing left.  

My father was social worker, and when he would get home every day, I would ask, "How was your day?"  His one word response was invariably, "Crazy."  Whenever I pressed him for more answers, he just said, "It's a thankless job."  And that, my friend, was that.

Despite this harrowing harbinger of the life to come, I idolized my father and followed his footsteps, pursuing a life of helping others.  It just seemed like the right thing to do.  In college and graduate school, I heard a lot about the way the work feeds you from within, and how your thanks is in the process of helping others.  This was enough for me, in my twenties.  I worked my ass off at low-paying jobs, and did indeed find the work rewarding.

However, I realized that although I enjoyed this kind of work, I had some life goals I wanted to complete, namely, having a family.  So, I set out to get knocked up and have a child.  This is when I found that having a job that pays you very little to take care of other people's emotional needs does not work well with being a parent, which consists of being paid absolutely nothing to take care of another person’s EVERYTHING.  Like you, I realized I needed to create or I would be left with nothing.  Art poured out of me like my desire to "save the world" once did.  But for whatever money work in social services provided, art provides even less.  What to do?

2. Make a list of all your creative interests, no matter how foolish.

Let yourself really dream here.  Do you want write, paint, be a film critic, cook, front a band, report the weather?  Be ridiculous.  Write, "I just want to be Vincent Gallo."  Okay!  Now we're talking.  Look over your list.  Where do you find the MOST energy?  It is important to tell your inner critic to go take a nap when you do this.  Instead of listening to that nagging voice that says "You'll never make a living that way!", listen to the one that tells you that what the world needs is more people doing what they love, what makes them truly come alive.

There are tons of practical exercises like this in the book The Artist's Way, by Julia Cameron.  I suggest you pick up a copy and start the twelve week program she outlines, as soon as possible.  It's a great way to start your explorations while still living your day-to-day life.

3. Get water from a stone.

Have you decided on what creative path you're most interested in exploring?  If you chose filmmaking, you don't need to know what you want to make films about, you just need to start researching film schools, and go from there.  Look up unpaid internships (I know, I know) at your favorite magazine and write for them in the time you used to spend watching sitcoms.  Volunteer at your local artist collective and talk to people who actually do make a living as art-makers.  The way they’ve pieced together their lives could surprise you.  For instance, it may make a lot of sense to combine your helping profession efforts with art-making -- they could inform each other in beautiful ways.

Again, tell your inner critic to take a vacation while you're researching artist residencies in Maine.  Or, better yet, sit that critic down, and say, "You're RIGHT.  I'm never going to save for retirement and buy a house if I follow my creative goals now.  But giving everything I have to others has not made me millionaire either.  So guess what?  I'm going to do what makes me happy.  And when I'm drowning in debt, you can say, 'I told you so', and I can go make a masterpiece on my canvas.  You're right, but I win."

Here's what you need to do, Ummm.  Figure out the very least that you can live on.  One fancy coffee per week instead of five?  Awesome.  Brown bagging it every day instead of eating from food carts with your friends?  Excellent.  Turning on the heat in only the direst of snow storms?  Pull up that blanket!  I know that you've probably been living a life of almost-poverty taking care of others for so long.  But believe me, this is different.

Investing your time and efforts in art-making actually is enriching, in the way that all our professors told us that lives of service would be.  Okay, so you don't have a living room that could be featured in Ladies' Home Journal, and you can't go on vacation and post a picture of your feet with a fancy drink by the ocean on Facebook, but guess what?  You get to be you, and you get to be awesome.

You will always be that interesting person at a party who is not just talking about what milestone your baby has reached, but has a new project or idea you're working on that you want feedback from your friends about.  You'll always have something to do on a Friday night, because you'll be in your studio.  So, you don't have all the material bullshit and security our culture seems to uphold so much, but look how that's working out for those folks?  Rich, secure, and absolutely terrified of losing that wealth and perceived security.  Be bold, risk big, and yes, get mad about the fact that art-making doesn't pay actual dollars.  Do it anyway.

3. Don't go it alone.

So, you've spent all this time taking care of other people, and you're ready to follow your own dreams for once.  Guess what?  All of that time you spent caring for others spiritually and physically was not wasted.  It was all a part of your creation as a soon-to-be artist.  You not only became a person of substance, who actually has something to create art about, but you stored up a ridiculous amount of good karma.

Being there for others means that they are now going to be there for you.  They'll say, "That Ummm, what a good guy, he came to the hospital when my dad was sick, and now he's striking out as an artist and needs a leg up, why don't I buy one of his pieces, or, at the very least, invite him over for Sunday dinner."  You've got to find your people, and chance are, you already have, since you've devoted your life to loving humans.  Lean on them now.  Let them take care of you in the ways you've been taking care of them.  Help comes from the most unexpected places.  Reach out, and see the lovely (and materialistically helpful) ways your community responds.

It will not be magical, it will happen because of all the work you have already put in.  Everything is not going to mysteriously go your way once you set your mind to what you want to do, don’t buy that bull.  However, it will flow back to you proportionally to what effort you put forth.  You want to explore?  Really excavate!  Don’t hold back.  You get out of the creative life what you put into it.  Stop ummming and start risking, give up the fallacy of security, and be who you are, big time.

When we are older, all of this will make sense to us, and we will say, “Oh!  I should have started this or that sooner.”  But it will be too late.  Right now, contrary to what you are being told, is not too late, because it is all we have.  Dive in right this second.  I can’t wait to see what you come up with.

In solidarity,

Sibyl

Home

Faded ticket stubs, dried rose petals folded inside notes of high school love, gleeful photos of attempting to blow out candles on childhood birthday cakes, and journals describing firsts---the first time away from home, the first crush, the first heartbreak, and the first encounter with grief. A whole life, a full life, is contained in the dusty leather photo albums and journals, remnants of a world before Facebook and iPhones. This past life, which I visit upon coming “home,” feels distant. I associate with the girl in the photos, whose memories I find in my childhood bedroom---the one smiling in the photos, wistfully blowing dandelion seeds off a dark green stem; the one who scribbled “BFFs” on the back of pictures and saved notes secretly passed in class, attempting to immortalize friendship; and the one with the mischievous grin of adventure-scheming, creating imaginary worlds in the backyard. Yet, she feels distant.

Home is now packaged with the holidays and my trips are fewer and shorter. At times it astounds me that over ten years ago, I packed my bags, ready for a new world in Boston. Without fail, upon returning to this bedroom, my attention is drawn to the old photo albums (which I aptly called “memory books”), scribbled notes, and journals---each full of its own memories. Perhaps by searching through the past I can find answers to the persistent questions of the present. Perhaps simply reigniting the memories, the feelings, of a life contained within a single community and countable friendships, will bring resolutions to questions in a life not contained by space and experiences.

What pulls me to these photos and scribbles is the inability to return to these cherished moments---childhood, a past sense of friendship and family, or, in many ways, the version of myself that existed here. As the brilliant article in the Harvard Business Review, How to Move Around without Losing your Roots notes, “. . . home is where we are from---the place we begin to be.” Home is where the “self” I began with is.

As a wise friend told me recently that we carry the “versions” of ourselves from the past with us.

The self in the photos is confident in belonging; joyful, yet naive to realities beyond her world; and, yet this self longed for understanding beyond her immediate experience. While the current version feels distant from the photos and scribbles, so much of the searching, creating, and defining in my life was born in this mischievous grin and the very first iteration of home and self. The notion of home, even if it is past, challenges me to assess changes and growth, while tying my current life back to the Colorado landscapes, the house my father built, and friendships helped me define who I was in the beginning. As distant as I may ever feel, my current self is rooted in this past narrative of home and place. If home is an experience of “belonging, a feeling of being whole and known,” as the HBR article describes, it is not my current self in the place that “I began” that feels at home. Yet, the self I remember when I visit may hold joyful child-like insights and mischievous adventure schemes to inform my continued search for this notion of “home.”

Lessons from a Christmas Holiday...

Dear Clara, So many people think that once December 25^th passes, that the Christmas holiday has come and gone.  But remember that Christmas is not just a holiday, but a season.  It’s both a time for us to celebrate spiritually but it’s also a time to celebrate on a very human scale, when our families and friends take first place, and our work and worldly obligations move to second.

• Prepare yourself for the holiday season:  There is a reason why in many calendars there is an Advent season, in the sense of a time of preparation.  From the outside world, you’ll be tempted to leap right into things, but trust me, it becomes overwhelming.  Pace yourself, make lists, consider what you can get done, and carve of pockets of time for yourself so that you don’t lose the spirit of the season while barreling forward towards the holidays and the end of the year.  It’s an investment worth making.
• Write on your holiday cards: There are a panoply of technology options that make sending cards easier.  And they’re wonderful, and many have their place.  Take advantage of the things that make sense---addressing envelopes, for example.  But keep in mind that while technology can replace process, it can’t replace you.  It’s better for your cards to come a little later, and have your own personal writing on them that shows people that you took the time for them.  It’s only once a year.
• Make every effort to be at home: Remember, this is the time of year when those closest to us come first.  It won’t always be possible---sometimes practical things like money and geography get in our way.  But if you can make it happen, be in your home any way that you can for the holidays.  Eventually you’ll have your own home, and your own family, and you’ll have to figure out what works best for all of you.  But deep down, you’ll always know where exactly you should be.
• Set an extra place at the table: It’s our Polish tradition to say that there will always be room for one more, especially on the holidays, and many visitors feel that you could knock on nearly any door on Christmas Eve in Poland and have a meal waiting for you.  It’s pretty much true.  If you have an extra place (or two) at your table, an extra guest is a welcome addition and not anything else.  You never know when you just might need to reach out to someone else and welcome them to your table.
• Be on the lookout those sad and the struggling: We should always be on the lookout, I know, but pay extra attention during the holidays.  Different people struggle with different things around this time of year and they’re not always willing to talk about it openly.  Maybe they lost a loved one, maybe they had a falling out in their own family, maybe they are too far away from home, maybe they’re struggling to keep up with all the financial demands of the holidays . . . Watch for people, even those close to you, that might need a bit of additional love and care during this time of year.
• Make room for your soul: I guess this relates a bit to the very first part, but again, it’s easy to get caught up in all of the activities and trappings that come along with the holidays, even if we do them because of our good intentions.  But regardless of what you believe in, just remember that the winter holidays carry a sense of spirit with them; don’t let that spirit pass you by.  Prepare a little room in your heart.

Wishing you all my love this Christmas and holiday season,

Mom

Surprise Packages

Taking a cue from R, on the idea that emotions can come in surprise packages, often at untimely moments. I hesitantly consider surprise loneliness. Not that I have ever claimed to be able to wrap my emotions up and tie them off with beautiful shiny bows. However, their ability to catch me off guard, especially during the holidays, never ceases to amaze me. To contextualize this, somewhat public, account of emotions, I must preface it with my nature as a community-centered person, who attempts to stay close to friends that at this point in life scatter the globe. In a typical extrovert fashion, I draw my energy from engaging with the incredible people in my life. However, the flip side of this is what a close [introverted] friend refers to as “the extrovert’s dilemma.” At times, I find loneliness lurking in the corners when I am physically alone. While most of us don’t fit neatly into the categories described by these buzz words---the bottom line is that since I was a little girl I have attempted to develop my introverted side. Goal lists spot my travel mole-skins; “become comfortable with spending time alone” is scribbled on the top of each one. I long to not wage battle against the lurking loneliness.

Loneliness: the creeping sensation in my gut---throwing me off kilter in a simple moment, invoking memories---both joyful and sad; nostalgia for distant places and faraway people, people I will never see again, moments that cannot be reproduced. It zaps my [fairly] romanticized view of the world---the snowy, almost timeless, afternoon, drinking a picture-perfect latte in a café, lazily reading, and it drags me back to a different form of reality, where I am huddled in a corner pouring over my text book, sucking down coffee in a manner that is far from relaxed. Its creeping nature takes the color out of every day moments and the tranquility from the serene present.

Off-center. The word that encompasses my general attitude towards the holidays, especially in the current version of my current life where it feels increasingly important to cement one’s notion of home and family based on where you spend the holidays and who you spend them with. Latent in these often gleeful conversations, loneliness plans its sneak-attack, filling me with unease. Last week it snuck in. At the end of a night of guitar-filled singing, surrounded by incredible friends, warmth, and love, I found myself cleaning up wine classes, the sign of a thoroughly enjoyed celebration. I felt the creeping sensation, tears welling behind my eyes, as my mind struggled to stay in the present---searching for past moments of contentment as well as loss. Where did this sneak attack come from?

Today a new friend remarked, he already felt nostalgic for today. The day, or rather the moment, had not yet ended---how can that happen? Perhaps, it is a cue from loneliness, itself, that the moment is good, hold on to it.

It consists of its own category: loneliness, with an element of surprise. It’s not grief, nor loss---it’s not fear, nor anxiety---it is a reminder of the present, anchoring me to the feeling of being alive, on a continual search for a sense of home, community, and place. And yet, even when I have found these, for me, being completely un-lonely, means situating myself in the present, letting go of the other places, peoples, and moments I am nostalgic for. So for this holiday season, with a sense of unease, I am retreating to a café, ordering what I hope is a perfect latte, to watch the snowfall and sit with a sense of loneliness, knowing that it anchors me to my present life.

I'm Sexy and I'm Over It

Dear Sibyl, I am a former sex worker (exotic dancer & some fetish work) who has left that phase of my life for fairer pastures. Since dropping out of that world, my perspective on my experiences has evolved, and as of now, I have scant positive feelings about it all.

A fun and fascinating lady has entered my life recently, and we are involved in a creative project together. She is a current sex worker (erotic massage provider/dominatrix). Our project entails one-on-one time and I'm sure our relationship will take on an intimate aspect (of the non-romantic variety) in the near future. The thing is, I am nervous and in fact afraid of this, due to her profession. I understand why she does it—to support herself while in school, as I did—and I don't judge her at all. But I'm scared that in getting close to her, somehow her present—my past—will affect me. I don't want to go back to that place emotionally, but I fear it's only around the corner, although my rational mind knows that's ridiculous.

We have a considerable age difference (7 years), and I should be able to be the bigger person and not convey insecurity. Of course, I don't want to be the older, wiser one who knows better, even as part of me wants to tell her to get out of the business ASAP. How can I stop projecting my fear of my own past onto her? And how can I be a good friend to her when I have such close-to-home issues about her job?

Thanks, Sibyl!

Sincerely,

Shipwrecked Stripper Swimming to Shore

Dearest Shipwrecked,

Have you considered that this woman has been placed in your life like a gift, one that, if you choose to open it, could be a Pandora’s box of healing experiences for you?  I have a friend who complains a lot, but then follows up all those complaints with, “Well, I guess it’s just AFGE.”  “What’s affguh?”, I finally asked one day.  “Another Fucking Growth Experience!”, she cried.

I advise you to dive right into this lovely AFGE that has landed in your sexy little lap.  In order to do that, you must first shed your clothes once more, not your actual garments, but rather this suit of need to be “The Bigger Person”.  I don’t know who laid that outfit for you on your bed before school one morning, but it’s time to throw that uniform into the Goodwill pile. Don’t be the Wise Old Owl, telling her exactly how many licks it takes to get to the center of the Tootsie roll pop.  I think you should definitely just go ahead and convey your insecurity.  What could be more charming?

In order for this friendship to get off the loading dock and into the deep waters of a real relationship, you've got to come clean with her about your feelings.  First, you'll have to figure out what those feelings are.  Obviously, fear.  You mentioned you don't want your past to affect you, but I wonder if what you really meant was "infect" you, for your past to bubble up and poison your life with your feeling state from that time. So, let me speak this to you now: You are not the person you once were.  If you were to find yourself in exactly the same position that you were in when you were doing sex work, I am positive you would act differently, feel differently, and there would be different outcomes.  So, even if your worst fear materializes and this girl’s profession somehow lures you back in, you’ll treat it differently.

You obviously care about this friend, and I wonder, when you were in her place, did you have any doubts about it?  Would it have been helpful to have real conversations with people who had been there, not just having to put on a brave face with your fellow sex workers, ("This is great, right?  We are making so much money, we are redefining feminism!") or hiding your job from people who wouldn't understand because they haven't been there?  Does your friend even know that you are a former sex worker?  It could put her at ease, and it could give you a chance to work through some of your sticky emotions with that time in your life.  I have this sneaking suspicion that you are not meant to teach/save her at all.  She has been placed in your life in order to teach/save you.

Rather than expounding to her about all the ways being a sex worker has had detrimental effects on your life to come, what if you took this opportunity to write a letter to your past self? You can put in it all the advice you are tempted to share with your new friend.  Here, I’ll start it for you:

Dear Younger Version of Me, I forgive you.  Dang, sometimes I really wish you hadn’t started me on certain paths that I am still trying to rid myself of.  I realize now that you did that because of _______ and _______ and though that was really fucked up, I have compassion for you now.  I do not see you as broken or wrong, just human. I love your humanity, I cherish your imperfections, and I want to accept you fully, so that I can feel like a whole person, rather than this self with a shadow I’m trying to shake.  Currently, I’m a little afraid of you.  I’ve worked hard not to let the choices you made back then dictate the rest of my life.  However, I’m scared that by befriending you, you’ll force yourself into the driver’s seat once again, and my life will be taken over by a ghost of Christmas past. So, as I seek to befriend you so that I can be friends with a woman who reminds me of you, go easy, okay?  Tell me when it’s time to take breaks, stop thinking about this stuff for awhile, and come back to it later.  I’m trusting you, don’t let me down!  We’re in this together. Love, Current Me.

Add your own touches to that primer, Shipwrecked, and stop swimming away.  Find your own shore, within.

Love, Sibyl

Do you have a quandary that you'd like Sibyl to help you with? Submit it here!

Asking for It, with Sibyl: An Introduction

Who is Sibyl?  Sibyl is the witchy woman you meet at a party and figure you'll avoid because she looks bizarre, but somehow end up sitting near all night, telling her about your roommate troubles and your theories about your family secrets.  Sibyl is the older sister you always thought you'd have, who'd sit you down and help you do your hair in just the way that suits you, and sticks up for you on the playground when everyone else is calling you "Brace Face."  Sibyl is the friend who shows up just to be with you, not talk, when you're facing the deepest grief of your life---when your partner has run off with a lover, when your baby is dead in your hands, when you're scandalized and have been pushed out of a job you love.  Sibyl is your queertacular friend who takes you by the hand and pulls you to the dance floor, spinning until you both dissolve into fits of laughter, forgetting your fears.  Sibyl is a ruined woman. Sibyl is married with children. Sibyl was on the Honor Roll, then cut class to go out to the soccer field to take a tab of acid and stare at the sky.  Sibyl may spend most of her time with her head in books about the nature of the soul, but she totally cares that Duchess Catherine is pregnant.

Who should write in to Sibyl?   Sibyl is for the ladies.  Sibyl is for the ladies who used to be dudes.  Sibyl is for the ladies who want to be dudes, who are dudes within.  Sibyl is for the ladies who love ladies, Sibyl is for the hopelessly straight.  Sibyl is for the wallflowers, who think no one is ever going to listen or care.  Sibyl is for the Mamas and the Papas.  Sibyl is for those of you putting a brave face on being alone.

What should you ask Sibyl? Whatever is twisting in your gut, those issues that make it hard to breathe, that you know are mysteriously killing you, even though they should not be a big deal.  They are are a big deal.  You are a big deal.  Ask away.

Lessons from Copenhagen...

Dear Clara, Believe it or not, our time in Washington is coming to a close.  When we arrived last summer, two years seemed like decades away, but in less than half a year, we’ll be on the move again.  We know where now, and that always lifts burden off my shoulders.  I never really mind where the home is, but I do like knowing what I should plan for.  Your father and I did a little scouting mission to our new home-to-be this past month, and here’s what we noticed so far about Copenhagen, Denmark:

• Candles are cozy and lighting matters: In a place that gets dark by the time most of us are finishing up lunch, light and atmosphere matter a lot.  We had heard a lot about Danish “hygge”, which can only be loosely translated as a feeling of coziness or warmth, but we didn’t really understand to what extent those principles of creating a welcoming environment really matter.  Even the Laundromat had candelabras and everyone took their job of creating an environment you want to be in very seriously.
• There is no such thing as bad weather: . . . only bad clothes for the weather---many a Dane seems to say that with pride.  And it’s true---weather conditions, again in a place with a long and cold winter, don’t seem to stop people from doing much.  Whether it was dark or cold or rainy, people had on the appropriate footwear or layers or hats or gloves, and everyone was out, on their bikes no less.   It was a reminder for us that if you’re prepared, you can still be up for anything.
• Fresh air is good for you: In a similar vein to the above, people seemed to be ready and willing to be outside and partake in fresh air.  We saw baby carriages on the outside of coffee shops---with babies still in them---and children out at recess.  Fresh, clean air is a luxury that refreshes the body instantly.  If we’re lucky enough to be surrounded by fresh, clean air, we should take advantage of it.
• Early to bed, early to rise: We arrived just past ten o’clock in the evening our first night, and already all the restaurants were closing up, including in the hotel.  Everything seems to be happening earlier here: people get out of work earlier, they eat earlier and they go to bed earlier.  Yet somehow, I bet their day is still longer.
• Maybe things are supposed to be more expensive sometimes: You notice instantly that life in Copenhagen doesn’t come cheap.  Even the small things, such as a simple coffees in a café, are easily three times the price we’re use to paying.  I know we will be quick to complain about the cost of living---it’s an adjustment after all, and paying more for one thing, means having less for another.  Yet, life in Copenhagen seems to be pretty good; people seem to be taken care of.  I’m sure we’ll get a better sense of how everything works once we’re living there day in and day out, but the thought occurred to me, maybe it’s not a bad thing to pay more for the smaller things in life if it guarantees that some of the bigger things will be provided for.

I can’t wait to explore our new home with you –

All my love,

Mom

Christine de Pisan: Widow. Writer. Anachronistic Feminist.

A few weeks ago, on a lazy Sunday, my boyfriend and I were watching the History Channel. This is not something we tend to do, and as a self-dubbed historian I can tell you that us historians have our problems with the so-called “history” of the History Channel (often fondly referred to as “the Hitler Channel”). Nevertheless—on that Sunday, it was on. Specifically, a show about ancient Rome, and its marvels and its Caesars and its rise and its fall and all that stuff.

Through historical reenactment and cheesy voiceovers, we were introduced to Emperor Claudius and his wife Agrippina, a conniving seductress if ever there was one. We’re told that one day, poor Claudius took violently ill and died. Cheesy voiceover: “Claudius was poisoned by a mushroom flower . . . and his wife’s ambition.”

“Do they have any evidence to substantiate the claim?” I asked (the History Channel doesn’t do footnotes, after all).

“Yeah,” my boyfriend replied. “She’s a woman.”

Before you virtually slap him, note that this was said tongue-in-cheek. This is how our cynical senses of humor work.

I bring this up because, while the woman-as-seductress trope remains alive and well in many contexts—particularly in political thriller and historical biography—there was a lady who, way back in 1399, was also sick and tired of such tired and misogynist characterizations, and like me, she decided to write about it. This lady was Christine de Pisan.

Christine was born in 1364 in Venice, but grew up in the French court—her father was the court astrologer to Charles V of France. (Yes, that was a thing.) She was married at 15 to a court secretary named Etienne, had three children, and then was abruptly widowed at 25. None of this was particularly remarkable. What was remarkable was what she chose to do after that.

Most medieval women of her class would have remarried, or, if they were feeling particularly pious, gotten themselves to a nunnery. Christine did neither. To ensure the financial well-being of herself and her children, she decided to work for a living by utilizing her special talent at writing.

Here I must exclaim with delight. (Yay!) As Virginia Woolf once famously noted, there were very few women writers prior to the nineteenth century; so Christine was trailblazing a path that literally did not exist. In her career, she was patronized by the rich and powerful and produced many well-received works of poetry, practically creating what it meant to be a “woman writer” in Western Europe, and was able to provide for a family without a man to help her.

What’s more, her works are considered to be some of the earliest written examples of feminism. Now, it’s a bit anachronistic to ascribe the word “feminist” to anyone living in the Middle Ages. That said, Christine’s work impressively promoted women’s value to society and combated the “misogyny” of her male writer counterparts.

For one thing, she practically invented the whole "Your Historical Woman of the Day" concept (though I will retain all rights and privileges to said concept, thankyouverymuch): In Le Livre de la cité des dames (“The Book of the City of Ladies," also the best book title ever), written in 1405, Christine recorded examples of historical women who were known for heroism and virtue, who could serve as inspiration for women in her own time.  And in Le Livre des trios vertus (“The Book of the Three Virtues”), she discussed women’s role in medieval society and provided moral instruction for women from all walks of life.

As mentioned earlier, Christine was perturbed by certain depictions of the archetypal Woman in medieval (male) writings, particularly one satirical Roman de la Rose by Jean de Meun, which portrayed all women as conniving seductresses. So she directly engaged ol’ Jean in her critique L’Epistre au Dieu d’Amours (“Letter to the God of Loves”) and defended women against such misleading attacks. Her view was that, contrary to popular belief, women were not simply temptresses designed to lead men astray; rather, they  were valuable members of society who, if allowed to receive the same education as men, had the potential to be just as accomplished and successful.

Many feminist scholars have cautioned against holding up Christine as some kind of Light of Early Feminism. Obviously, her thinking was still constrained by medieval understandings of society and the world, and she later in part recanted her more “radical” early attacks of misogyny. And, in the end, she did get herself to a nunnery, where she remained until her death around 1430. However, her accomplishments make her quite the iconoclastic figure—a woman who made her own career in writing, who earned widespread acclaim from kings and nobles (including Henry IV of England), who promoted the place of women in a society far more rigidly patriarchal than the one we know today, whose books continue to be remembered. She even wrote an account of Joan of Arc’s early victories; and it was written during Joan’s lifetime, the only such account in existence.

Not to get cheesy, but I’m pretty sure Christine and I are sisters across the ages.

Since You Brought It Up: Downshifting

By Lauren Kodiak It’s been six months since I finished school. From kindergarten to graduate studies, I never stopped—never took a moment to breathe, reflect or reassess. You see, after four years of college, you’re supposed to have it all figured out. During my senior year, I began to dread the impending doom that post-grads feel when searching for jobs. I needed a goal, something to keep working towards, so I applied to graduate schools to study Higher Education (because, hey, that sounds promising). A few short months after graduation, I boarded a plane to Portland, Oregon, leaving my family and friends behind in Connecticut, where I’d lived my first 22 years.

Throughout my two-year grad program, I noticed an internal shift. I took things a little less seriously, slowed down and appreciated quiet moments alone where I could be with my thoughts. I even started a personal blog, something I never thought I’d do, and each post felt more therapeutic than the last. This, of course, made room for pesky feelings to bubble up, feelings that confirmed I wasn’t as passionate about this field as I had originally hoped. Still, I made an effort to savor my last years as a student, and trudged on to graduation.

And here I am, six months out, and though I’ve felt pangs of that post-grad doom, I’m surprisingly calm. I work two part-time jobs—one (that uses my degree) to pay the bills, another (a writing gig for a local publication) that doesn’t feel like a job at all. I've become quite taken with stringing words together, fitting each one in its exact place to complete a puzzle of sorts. I don’t have it all figured out, by any means, but I am energized and hopeful about following this creative outlet to see where it leads.

But as I’m getting ready to head home for the holidays, self-doubt has started to creep in. Will others judge me for “wasting my degree” if I abandon Higher Education for a little while, or altogether? Am I a fool to go for the less lucrative or stable career? I realize that most of this pressure is self-imposed. I'm working on being at peace with my decision, reframing it in a positive way. When people ask why I don’t have a full-time job at a university, I’ll pass on saying “Because the job market is so dismal,” in favor of saying “Because I decided to pursue another path.” I want to finally give myself the time to explore what I’m truly passionate about—but first, I need to own it, embrace it and carry it with confidence.

***

We believe we can find more joy in the holidays by squashing the little voice that tells us bright spirits and good cheer are only possible when we’re perfect.  The magic of this time of year comes from connecting with loved ones near and far, reminding ourselves of all we have to be thankful for, and . . . covering everything in twinkling white lights. 

We’re embracing our present lives—foibles and all—so we can spend more time drinking egg nog and less time worrying we’re not good enough. Imperfect is the new black; wear it with pride.

Want to lighten your load? Read the post that kicked off the series, Ashely Schneider's Down, Not Out. Add your story to the “Since You Brought It Up” series by submitting it here. 

Roast Beef Sandwiches, Torpedo IPA, and Bioluminescence

By Hilary Halpern It's funny how special experiences can shape our tastes. Roast beef with horseradish on sourdough has never been a sandwich I order at the deli, but after eating this particular sandwich sailing downwind on a light, breezy day on the Monterey Bay, it has become my favorite sandwich. And I've always liked Sierra Nevada's Torpedo Extra IPA, but drinking one now makes me nostalgic for Wednesday night races on Rocinante - it was the skipper's favorite beer.

Whenever I am able to catch a glimpse of the coast at night, I gaze out on the horizon and imagine all the activity happening beneath the surface. I imagine the plankton glittering in the water like fireflies as their environment is ever so peacefully disturbed by the natural wake of a living creature; a whale, or a sailboat. I like to think of sailboats as alive. The moody breeze whirls past the sails, manipulated by the lines, which are held by the sailor, who is steering the boat to get to perfect synchronicity with the wind, the sails, the hull, and the water all working in unison. Then it is alive, a sea creature gliding silently through the water amongst the other sea creatures.

It was a cloudy August morning. When I arrived at the harbor I had butterflies in my stomach that were so debilitating, they dulled my senses. We were rafted up next to another Santa Cruz 27' and were passing our personal cargo for the race from the dockside to their boat to our boat. Even though I have rigged these boats dozens of times in my sailing classes, I was blanking on how to run any of the lines. The butterflies were making me light - my sea legs had escaped me and I awkwardly moved about bow.

In a blur, we had cast off from the other boat somehow and were on our way out the harbor mouth. We sailed to and fro until the countdown and set ourselves up for a perfect start. As the gun went off, my butterflies were scared away - the anticipation was over. It was not a particularly windy day, which, being a novice sailor, I was secretly relieved about. My first race on this same boat was short and sweet with winds blowing over 25 knots and a near catastrophe that could have brought our rigging down, but that is another story for another time. This would be only my second real race aside from the Wednesday night beer-can regattas, and the longest race I have ever participated in. We would sail back at night! My feeble duty at this point was to keep my weight evenly distributed about the boat to maintain speed and keep her from heeling too much. I would have liked to work the lines, the pit, or the foredeck, but I had to prove myself as rail-meat first. I was just grateful to be on the water.

The advantage to being rail meat is the observation time. Going upwind I loved dangling my feet off the railing and feeling my weight flatten this roughly 4000 pound vessel. I would watch the coastline get farther away and listen to the water lapping up against the hull. I loved feeling the wind sting my face. I would listen to the skipper talk strategy. He would give everyone full access to his thought process and game plan as he spoke his mind, his focused stream of consciousness. When we would tack over I would do my best to time switching sides just right as to keep the boat balanced. If it was really windy and the boat was heeling heavily, it could never be guaranteed whether I could make it to windward or not; I've come pretty close to slipping through the railing of the lee side and into the cold water. I would grip the mast for dear life and struggle across the bow as swiftly as possible and ideally, without any help. A good rail-meater doesn't need a hand and is completely self-sufficient; a complete gift of weight distribution, allowing other crew members to focus on their own duties. On this mellow race day I didn't have to worry about any of that — the breeze was light and we were leisurely sailing along.

After we rounded the Natural Bridges mark, most of the course was downwind. We lunched on our roast beef sandwiches courtesy of our skipper and he even popped open a Torpedo. It was going to be slow-going. It was an oddly chilly summer day and we all had on our foulies, anticipating the cold, but as the afternoon rolled around the breeze grew warmer and the high fog was bright white with the sun shining just above it. The conversation would ebb and flow like the current; we would talk sailing or just share stories. At one point I laid on the bow and gazed up at where the spinnaker met the mast and savored every sight, sound, and scent of being on the water. It was one of those moments I drank up so much that if I close my eyes right now I swear I could teleport back.

Things started to get exciting as we neared the other side of the bay. We were almost to our final mark - the Elkhorn Yacht Club. I think as much as we love to be on the water, most sailors have an innate sense of relief as the comforts of land approach and are ever more certain. We were tied up just in time for dinner and festivities at the yacht club were well underway . . . this is when the whirlwind of the night began. As we walked into the warm twinkle-lit flag adorned yacht club, everyone was rosy-cheeked and wind-blown from the elements and the booze. There was live music for the race celebration and everyone shared stories of the day and spoke tales of the past and plans for the future. As the night wore on, people got warmer and fuzzier off their buzzes and declarations of respect and loyalty were made amongst sailors and dancing ensued.

Midnight approached and it was time for us to go. Some were getting a 45 minute taxi-ride back to Santa Cruz and some were camping in their boats to sleep off the booze and sail back in the morning - we were the only bunch that wanted to undertake the five-hour journey on the water that night. We received warning after warning and reason after reason not to go, but our skipper was determined. I had been looking forward to my first sail at night ever since I knew I would be on this race, but I began to build up some fear as everybody gave me their phone number and pleaded that I call them if anything were to go wrong (as if I could make a phone-call as we sink into the deep). However, I trusted my skipper completely and respected whatever decision he made — and this time it was to rig the boat for take off. I had a little buzz going all night but as soon as we started inching out of the harbor, I was sobered with task at hand - making it back home in one piece.

The breeze was still light and the fog was high. We couldn't see any stars but I was grateful we could see the dim lights of the coastline. We wanted to keep these lights in sight for the entirety of our voyage, even if it wasn't the most direct line. We started out motoring on low RPM's; the feeble puffs of wind could barely blow the wisps of hair off my face. The water was eerily serene. The sails were collapsed. We were all silent. It was very dark and I couldn't see anyone's faces. When I looked at my skipper all I could see was the red glow of his cigarette. I started to relax. I was chilled from the damp air and glad I had on my foulies. Every once in a while I would go down below and check on my snoozing crew-mate while also huddling next to him for a shot at warmth. I could never stay below for long because the setting above was too special to miss. It was worth battling the elements.

We started to get stronger puffs and I asked the skipper if we could turn off the outboard engine. We set the sails. Now I could hear the sounds of the sea at night. The mile buoy was whining in the distance with the subtle swell. The water was softly lapping against the hull of the boat. There was a splash here and there and I assumed it was the fishing sea-birds, but I couldn't be certain it wasn't a dolphin or whale breaking the surface for air, a curious shark, or perhaps a mermaid. Who knew what reality was happening below us — I loved imagining it all. As for the crew, we were mostly silent. It was incredibly peaceful. The skipper only broke the silence to tell me to look over the railing and dip my hand in the water. When I first stared at the passing sea-water, I could barely make out something glowing just beneath the surface. I looked back at our wake and saw that we were leaving a phosphorescent path. I dipped my hand in and to my delight glowing plankton jumped up my arm, glittering just for a second before disappearing back into the water. The disturbance of my hand was also leading a glowing path. It felt like I was creating magic. It was the moment that I became one with the sea. I was in love. I felt magical. I felt connected. I felt at peace with myself and the universe. I felt incredibly alive and unafraid of death. I will never forget that rare, beautiful moment.

We made it back to the harbor at 5am. This was the last time I sailed on Rocinante before I moved away and it was the perfect way to say goodbye. Until I get to experience the magic of sailing at night again, all I can do now is gaze at the horizon, eat a roast beef sandwich and raise my Torpedo IPA to Rocinante, my skipper and the crew, the sea, and that beautiful glittering plankton.

Republished with permission from What's It About?

Effortless

The sky overhead is grey and glowering, locked with low-hanging clouds that make the earth feel squeezed. The air is cool, breezy, hovering between autumn and winter. I walk with my hands in my pockets, my wool coat held closed with the only button that will still reach over my pregnant belly. I am never sure whether I like these long solitary walks or not. I love the nip of the air, the feel of the wind on my face, the wild scent of raindrops as the light drizzle hits the pavement below me. I love the time alone with my thoughts, the feeling of escape, the openness of the world around me. Still, there is something monotonous about the churning of my legs, one step after another, the same motion repeated again and again. They don’t feel tired today, my legs. After my first block, I decide to keep walking, turning away from my house and widening my path.

The wind picks up as I walk up a leaf-carpeted sidewalk; it snatches the leaves into the air and for several long seconds, I am carried along in a rush of dry leaves, swirling around my feet and legs with a sound like water. It is a magical moment, a good-to-be-alive moment, and I find myself rejoicing in the day—in the wind, in the leaves, in the strength of my own body.

When I get home and plot my meandering route into the computer, I am shocked to find that I walked two miles easily. Effortlessly, I think, remembering the way my legs kept going, the way my breathing was steady. I am overwhelmed by some emotion I cannot name. At the beginning of this year, I couldn’t walk one mile without it feeling like a monumental effort, without coming home afterward and collapsing onto the couch.

This is my year of miracles, my year to make medical history. Eight months ago I started a brand-new medication for cystic fibrosis, groundbreaking in its abilities, but still only available to handful of CF patients with a relatively rare mutation—a mutation I happen to have. In these eight months, I have watched my life slowly change in ways more dramatic than any I could have imagined. I have walked further. I have felt better. I have seen my lung function go up instead of down, and gone for two-thirds of a year without ever feeling the need for a hospital admission. After a year and a half of infertility, I find myself pregnant with a miracle baby and breezing through the pregnancy without any serious health concerns.

These are the kinds of things that you never expect, with a terminal illness. You don’t expect to get the chance to travel back in time, to reach a place of better health and more stability. You don’t expect to spend eight months watching as, one by one, so many of your longest-held dreams come true.

A few weeks ago, I sat in a hard plastic chair, beaming, as a stream of medical professionals came in and out of my room. Each one exclaimed over my lung function test results, my burgeoning belly, my newfound stamina, my health in general. In the lulls between visits I could hear the patient next to me—young; nearly all CF patients are young—talking with his nurse as she replaced his oxygen canister. They wondered aloud if he was up to the walk down to the cafeteria, or if his mother should take him in a wheelchair.

The cafeteria is almost directly below the pulmonary clinic, perhaps five hundred steps.

That afternoon lingered with me for days, and I found a familiar question returning again and again to my heart. Why me? I wondered. Only this time I was on the other side of the fence: I was not asking Why me? Why is my situation so much harder?

Instead, I was asking Why me? Why am I so blessed?

These eight months have brought with them a wealth of complicated emotions. I feel consumed with joy each day, overwhelmed by my own fortune. Every day I walk further. Every day I feel my tiny daughter move inside me, a sensation so magical it brings tears to my eyes, remembering all of the days I thought I would never feel this.

Every day, I am grateful.

But there is frustration, too, and guilt. While I have been experiencing a year of miracles, it seems like nearly all of my friends with cystic fibrosis have been locked in a year of trials. Today, when I get home from my two-mile walk, I learn that one of my very oldest and dearest friends has spent the week in critical condition, unable to breathe on her own.

Like that afternoon in the doctor’s office, it is a stark contrast.

I know that all of my friends are thrilled for me in my good fortune, and I am certainly grateful for it, incredibly so. I wouldn’t trade this year for anything; not only has it changed my day-to-day standard of living, but it has flung open so many doors to the future, exploded all of the barriers that used to exist. In a community of disease where the average life expectancy has yet to hit forty, suddenly old age doesn’t seem like such an impossible achievement. But still, I wish that I could share it, could watch all of the people I love experience similar miracles.

I cannot, of course—not yet, at least, not until science has come a little further and there are miracle medications for more common CF mutations. All I can do, for now, is to make sure that I never take this new life for granted.

And so, now, I pull back on my shoes and re-button that single button on my coat, and go outside again. I am not ready to be done walking yet, not ready to be done relishing the feel of the wind on my face and the strength in my body.

Wanting to hold on, for just a little longer, to that feeling of effortlessness.

Imaginations of a different life

I was between places, which is increasingly where I think I live. Between Guatemala and Bosnia, between two different worlds of heartbreak and solitary immersion into the work that makes me come alive. Between the confusion of fulfillment and immense human tragedy inhabiting the same universe. There is a level of experience that comes with floating in the in-between places and it comes with a dance of transience, reflection, and anticipation.

A dear friend asked me during that in-between place if I ever imagined a smaller life. "Can you do away with it all? Kick it into the sea?" We all like to think that we can. "No, really, I'm serious. Small house on a Greek island. White house, blue windows. That is your life. All of your life. Can you do that?"

There is exhilaration to living in the privileged overlap between the life you imagined and the life you are inhabiting. As a guest lecturer in my Processes of International Negotiation class yesterday, former Ecuadorian President Jamil Mahuad posited "sometimes, real life is more imaginative than imagination." So what if that imagination shifts? What if, enamored as you are with your current life, grateful as you are for it, you also harbor a parallel imagination of a different life?

In that life, you wake up on a Greek island. You are blessed to call that your homeland.

Your hair smells of salt, your eyes breathe of sea.

Your days are sun and waves, white-washed and bright. Your breaths are deeper, your fingers slower when they type. Or write. Maybe they remember to write, pen intertwined between them.

You remember what slowness feels like. You smile more easily, you drop your shoulders to their intended height, well below your ears.

You call yourself a writer. A photographer. A creative soul. The labels matter less; they become easier to claim. You create. You put the whole force of your soul behind your creations.

Your senses become more acute, and so does your memory. Greek islands are for nostalgia and remembrance, for making memories, for sometimes forgetting them.

You know that Greece, or the islands, is not the only place where you can do all of this: where you can claim the labels, and create, and drop the shoulders, and inhale deeply. But you also know that Greece gives you permission -- and permission is what you need to set yourself on this trail...

You fill your palette with wine and feta, with warmth and embraces.

You love. Amply. The only way there is to love.

You call that your life.

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One Bad Mother

I have the video monitor on with the sound turned way up. I listen with one ear perked to her noisy, clogged breathing---such an adorable, pathetic, concerning sound emanating from our miniature person with a cold.  I glance periodically at the screen, whose camera looks like it is hunting for paranormal activity.  I flash on all the tasks that should consume the rest of my evening---the tasks left hanging from a never-ending work day.  It is 8:38 PM and I wonder how much steam I've got left before that heavy molasses feeling envelops my brain.  I am distracted momentarily by her flipping over, sighing a little and registering a tiny complaint.  My resolve begins to waver and now I'm considering the consequences of simply climbing into bed at this point with the monitor and a magazine.  Or better yet, scooping her up out of the crib and bringing her into bed with me.  In weeks like this one, there are days when I spend more time watching her on the monitor than I do holding her in my arms. Even a generation ago, I am not sure women allowed themselves the luxury to think about work-life balance in the way that we do now.  Today, as I was frantically rushing home to catch 20 minutes with the baby before bedtime, I thought about how lucky I am to even consider such a notion.  How fortunate that I have the education, training, and capacity to work outside the home in the first place, let alone be daunted by how to thrive in two environments.  My work is meaningful to me, it is in a chosen field, and I have a large measure of control over my schedule.  I am not limited to an exclusive childcare role nor am I forced to work a job that is dangerous, unsatisfying or menial.  When I zoom out on my scenario, I realize how refined and esoteric my dilemma might seem to some.  In fact, in an ideal world, more women would face this kind of dilemma---one in which they are choosing among many good options for childcare and have the privilege of participating an elevating career.

It would appear that whether or not women (and many men) have had the consciousness or the language to describe it, this struggle is ages old.  I try to recall how my own mother dealt with managing work and home life.  I don't ever remember noticing her being particularly tired, lacking the energy to make things happen at home or even seeming anxious about her responsibilities.  She consistently helped with homework, threw some hot meal on the table (albeit rarely cooked by her) and made it to all our games/performances.  Although she worked full-time, I always had access to her on the phone.  She arranged for school pickups and shuttling to activities with others if she was unable to coordinate her schedule.  We definitely reconvened each night as a family and this seemed to re-set the connectedness.  I do remember a general sense of wishing I could spend more time with my mother and vaguely complaining about this in moments.  But weekends were exclusively devoted to us and our needs and whatever else was happening during my parents' busy lives, it was clear we were the priority.  Of course she had help, as I do, with housework and childcare.  Oh and did I mention she had five kids?

When I ask my mother these days about what it was like for her raising a brood and working full time, she admits to feelings of guilt, mostly about not being enough or doing enough at home.  She was always highly competent and effective at work---in her mind, it was home that suffered.  Although it was not our experience that she dropped any particular ball, I have more insight now into how she must have lived with powerful ambivalence.  It is also worth noting that my parents literally never took a single vacation on their own or did any individualized, enriching, adult activities.  This is the one area where I picture doing things a little differently.  As much as I can't begin to process the demands on their time for all those years, I hope/plan to delineate more regular space for my marriage and more escape for myself.

Sometimes my mother says to me, "Oh, well, you know it was easier back then."  I have some sense that she is right about that but neither of us can put our finger on exactly why this is true.  I think for one, it required less money and less time at work to be a solidly middle class family and achieve financial flexibility.  I also think there was more neighborly and community support built in to people's lives.  Perhaps the expectations on adults and children were also more reasonable---not everybody was supposed to a "Super" anything?  The fact remains that we had soccer, art class, piano lessons et al and my parents were pulled in a zillion directions.  Still, I can't access a single episode of a legitimate melt down---the machinery always moved fairly seamlessly forward.

The guilt I feel about missing time with our baby casts long shadows and tugs at me throughout the day.  I genuinely imagine that she might develop a greater attachment to the baby sitter during weeks when their time together is more enduring.  When I come home and she instantly lurches forward from the babysitter's arms for me to hold her and proceeds to cling to me like a chimp for the remainder of the evening, it brings some secret satisfaction.  The selfish side of me is relieved when she demonstrates a touch of separation anxiety, howling when I leave the room.  I want her to be securely attached, but I also want to know she prefers me to anyone and won't forget that during the many hours I am away.

I am proud of my work and know it is critical to my identity to have a holistic sense of self.  I recognize it is good for my daughter to establish her independence and be cared for by many different loving adults.  I reaffirm that I want to be her primary and central model of a woman with a career.  This doesn't mean I don't cry at my desk mulling the fact that she might take her first steps today and I could miss it.  This is the fulsome experience of the modern woman/parent.

In my view, it is not so much about figuring out how to have it all as it is being happily immersed in what you are doing at any given moment.  I think anyone who presents as having each domain of life under control is hiding something or is teetering on the brink.  I respect and appreciate the women in my life who admit to questioning their many roles and evaluating their health and sanity with respect to each of them.

By 10:17 PM I had done nothing but write this piece and pump 5 ounces of breast milk before I packed it in for the night.  Then again, I guess that is something.

Photo of Sarah: Buck Ennis for Crain's New York Business.

Lessons from Cabaret...

Image Credit: Time Out London

Dear Clara,

I’m in London again for work; it seems like the opportunity is coming up more often these days.  I was able to schedule in an evening in the theater, courtesy of my best friend, for one of my most favorite shows, Cabaret.  While many musicals often aim to stay above any kind of disheartening fray, Cabaret introduces both social and political commentary, without removing any of the fun---in fact, I would argue the fun is even taken to a whole new level.  I absolutely adore the music and pace of the show, and I’ll even admit that I might have spent a Halloween or two as Sally Bowles.  The thing though, is that the Cabaret comes to an end, tragic every time.  It's getting harder and harder to watch, since you know inevitably what happens not so long after the show ends.  A few things always stick with me:

• “In here, life is beautiful…”: Everyone should have a place, cabaret or otherwise, where life is at its best.  Whether it’s wine, song, dance or nature, quiet and tea, look for spaces that are the best representation of what’s good in this life for you.   Just remember that you can’t live exclusively in those places; the outside world will always come in and you need to be prepared.
• “And it just so happens I do paint my fingernails green, and I think it’s pretty”: All of the characters have their eccentricities, personalities and even character flaws, yet for a time they all manage to be a cohesive group.  It doesn’t last of course, but focus on differences in people as something interesting, something to be learned from, and something that compliments those things that make you yourself different.  It’s a quality not many people have.
• “I thought I should know something about the politics”: When Cliff arrives in Berlin, he immediately starts to read the literature of the day, much to the confusion of Sally, who is caught up in the moment.  Different travels and places offer us adventures, but we should also take the time to know something about the location, and what’s happening in current events and what that means for all groups that live there, not just the glimpses we are given when we’re visitors.  It might just change your perspective.
• “A pineapple? I am overwhelmed”: I think one of the most touching scenes in the entire show is when Frau Schneider is gifted a pineapple by her gentleman caller.  Not only is it a tremendously sweet display of romance amongst two people who thought they would remain alone, but it also captures how something rare can really touch you.  Lately, I notice that people always laugh during this scene.  No one seems to realize that at the time, pineapples weren’t that readily available, were extremely rare, were a symbol of the exotic and were incredibly expensive.   Now you could walk into nearly any supermarket, probably one that’s open 24 hours and buy a pineapple anytime you feel like it.  It’s good to appreciate where our fruits and food come from, and how long they traveled to get there, and what a gift it is truly to have such fresh items full of flavor and vitamins for ourselves at any time.
• “What good is sitting alone in your room?” Come here the music play . . . Make time for music and for enjoyment with others.  There is so much in life that can drag you down,  don’t waste your opportunities when times are better.

All my love,

Mom

Michelle Obama: First Lady. Political Powerhouse.

Yes it may be a stretch to call Michelle Obama “historical” (as in, she's alive and hugely relevant), but I’m invoking my own executive privilege as YHWOTD president. Plus it’s timely. Plus no matter which way you slice it, Michelle Obama will certainly go down in history.

I was struck by this last fact as I watched Barack Obama take the stage for his election-night victory speech, accompanied by his ridiculously photogenic family: daughters Sasha and Malia, getting older every day, and wife Michelle. They waved to the audience; they turned around and waved to the back audience (you know, those randos who sit behind the stage and look awkward during speeches); they hugged and kissed; and then Michelle and the young ‘uns took off to leave the President to his important man task.

It struck me because, more than any other First Lady in recent memory, it seemed a crime that this was the only part she got to play. Just as it struck me during the debates when I would exclaim with delight over Michelle’s fabulous outfit choices, and then I would immediately feel conflicted about how this was all I had to say about Michelle.

Not that I’m denying her role as fashion icon—she certainly is one. But she’s also an incredibly accomplished woman, at least as accomplished as her husband: before Barack’s political career skyrocketed, she attended Princeton and Harvard Law School and worked several prestigious law jobs in Chicago. What’s more, she is constantly upping the ante about what it means to be a First Lady, running campaigns to promote healthier eating, making countless media appearances, and killing it at the Democratic National Convention with a pitch-perfect speech supporting her husband’s reelection.

Of course, Michelle is not the first First Lady to make that role more than a piece of set decoration in pretty dresses giving domestic tours of the White House. Notable precursors like Eleanor Roosevelt and Hillary Clinton (herself a potential President—once and again?) have undoubtedly paved the way for proactive Presidential spouses like Mrs. Obama. Yet the very persistence of the office of First Lady reminds us that we’re still living politically in a man’s world (as if the countless “definitions of rape” debacle during election season weren’t reminder enough!). When will there be a First Man? (First Gentleman? First Husband? First Guy?) When will the whole idea of a “First Lady” stop seeming so patronizing? When will a family walk out onto a stage on election night, and the wife-slash-female-partner will stay?

In the meantime, kudos to Michelle Obama for being a strong, empowered, incredible role model who continues to make her husband look good. And for reminding us—every time she has to watch silently from the sidelines—that there’s still work to do.

Looking Forward: Looking Back.

Somewhere in a closet at my parent’s house is a journal I kept as a child. It’s orange. It has gold pages. There’s a painting of a cat on the cover. I don’t remember much of what’s written in it, save for the fact that I assigned each day a letter grade, a decision inspired by a book I’d read by Judy Blume. Days when friends came over, or when I managed to sit next to the older girls at summer camp, or any day on which a birthday party occurred received an ‘A.’ Bad weather, chocolate milk shortages at lunchtime, or having to accompany a parent on bank- or insurance-related errands merited a ‘C,’ or worse. Really bad days (missed soccer goals, botched trips to the zoo) were accompanied by a drawing, barely discernible, of a hand with the thumb pointing downward.

As must be the case with most children who like to write, I was given countless journals as gifts over the years. For whatever reason, this one was the only one I ever used.

Years later, in high school, I filled two large, spiral-bound books with what I referred to as my thoughts on “reality, rebellion, and rock ‘n’ roll.” I wrote extravagant, long-winded essays – all by hand, a feat I can hardly fathom now – on art, and music, and the meaning of life. I cataloged regrets, made lists of goals, and — because I was, in the end, a teenager — diligently made note of each and every movement made by the floppy-haired boy who sat behind me in math. (Taped to one page of the journal was a tiny balled-up clump of paper he threw in class one day, intending to hit the back of a friend’s head. It landed on my desk instead and I saved it, convinced its altered course was a sign.)

I found these journals — the cat one, and the two from high school — a couple of years ago as I packed up my room before moving to New York.

I read through each.

The one with the cat cover, filled with chicken-scratch entries that made me smile, went back on the shelf, where it remains today. The other two, whose pretentious ramblings I could barely get through without vomiting, went into the shredder.

 ---

I had a conversation a few weeks ago with a group of MFA students about how hard — and how painfully embarrassing — it can be to read old work. I’m not sure what I was thinking as I destroyed page after page of those spiral-bound books, but at the time, I felt that the many hours I’d spent recording my thoughts were less important than the possibility of someone finding them. And judging them. And thinking that the words on these pages represented me.

I realize now that those journals were like marks on a growth chart. That I needed to go through certain phases in order to get better. That attempting to “cover my footprints” was unnecessary. But I’m still not immune to the urge to hide work I’m not proud of anymore.

However, now that so much of my writing is public, I no longer have the luxury of being able to rip up my work if I decide later that I don’t like it. The thought of this sometimes makes me uncomfortable, but the solution’s clear: my only choice is to write as honestly as I can. Then, there’s nothing to regret.

In college, I attempted to write a story about an artist in diary form. It contained two parts: one was a journal he wrote for his eyes only, and the other was one he wrote with an audience in mind, one he hoped people would find after he died.

I never finished the story, because I couldn’t keep track of the two voices. I can only hope that as a writer, I never have that dilemma myself.

The challenge ahead is to create a single voice; for better or for worse, an honest one, my own.

Lessons from a workshop...

Dear Clara,

Since we’ve been back in the US this past year, I have tried to remain mindful to use the time we have here for things that we wouldn’t be able to do abroad.  Part of that time has been allocated to friends and family, taking advantage of their proximity.  Part of the time has been dedicated to seeing the great United States – you’re still too young to remember your adventures here but I’ve taken lots of pictures and amassed all kinds of stories.  But part of the time I’ve stashed away for myself to get out of my shell and learn some of the things that inspire me, but that I haven’t been brave enough to learn more about in previous years.   And so, this past year has become the “year of the workshop”.

One of the things I’ve made peace with – at least for now – is that sometimes our professional lives can be rewarding in their own way.  We like well enough what we do, we have good colleagues, and it helps us to put our portion of dinner on the table.  It gives us a lifestyle, and it gives us worth in our day.  But what it might not give us is something more passionate.  And what our passions and interests give us, might not exactly fill those other qualities that our jobs provide.  So I’ve used this workshop time to help round out those creative interests that aren’t necessarily related to my professional life, but they are to my inspired life.  I’m nervous at these workshops, which are mainly related to photography or the creative aspects of my blog.  Before each one, I contemplate dropping out, and after each one, I’m always so glad I stuck it out, usually at your father’s insistence.  So after all of these workshops this year, here are a few of the lessons I’ve learned:

• The first step is signing up: This is the most intimidating part – signing up and sending the money.  Choose wisely, after all, resources will be limited by either time, money or both, but choose bravely.  One of my managers told me once that any job should make you sweat outside your comfort zone just a little bit, and I’ve applied the same principle to choosing learning outside of the job.  Push yourself a bit and you’ll be surprised how much you can learn.
• Be flexible: Chances are, the workshop won’t run exactly the way you expect it too.  Maybe it’s in a location you’re not used to, maybe they’re flexible on timing…just come with an open mind.  The whole point of doing something different is to do something different, right?
• Attend all the events: Sometimes workshops have a dinner, or a get together, or some other event associated with it.  If you’re going to know a new group of people for just a short amount of time, get the most you can out of it.  Do the events and don’t be shy.  Introduce yourself and get out there.
• Give yourself time to absorb: The great thing about workshops is that they usually fill you with lots of new and grand and big ideas.  Make sure to give yourself a little clean time after the workshop to let it all sink in.  You’re going to want to go in 34 directions all at once – don’t compromise the value of everything you learned by overloading social commitments or other things that start the minute the workshop is over.  Give yourself space to absorb the learning and plot out exactly what you’re going to do with it.  A few notes to yourself now will pay out great dividends later.
• Translate into your own voice: Sometimes when we see something by someone we admire at a workshop, we’re tempted to go home and recreate the exact same thing.  Re-creation is great for practice.  But the workshop’s intent was to teach you a series of tools so that you can create what you want out of it.   It’s still going to be up to you to apply them in your own voice and vision.  Don’t hesitate to stretch what you’ve learned into the direction that you need it to go to work for you.

All my love,

Mom

Greetings from Grrls Meat Camp

The morning is chilly and bright. A sheen of frost covers the picnic tables and the wooden deck, the nearby pond is shimmering in the morning light, and the towering evergreens sway in the breeze. This idyllic setting belongs to the YMCA’s Camp Duncan, located just outside of Chicago. Inside the cozy cabin kitchen there are biscuits in the oven and sausage gravy simmering on the stove. After breakfast there will be an entire 250 pound hog delivered to the back porch, followed by lessons in whole animal butchery, pate and sausage making, and grilling and smoking. This is Grrls Meat Camp.

I first learned of Meat Camp via Kate Hill's Kitchen at Camont blog and through last year's Washington Post coverage of the inaugural event.  It's a gathering of chefs, butchers, bakers and enthusiastic home cooks. It's a weekend of food, fun, and ultimately of camaraderie and encouragement.

The group's Facebook mission statement reads: "To inspire, educate and foster sisterhood through a cooperative collaboration of women . . ." with an aim of "giving voice to those working with animals and meat on farms, butcher shops, restaurants and home."

It was an inspiring weekend, and not just because of all the delicious food.

It was a salon, of sorts, with conversation focused on sustainability, ethical farming, and our shifting food systems.

Even more moving, perhaps, were the personal stories shared of learning a craft that didn't typically welcome gender diversity. At Grrls Meat Camp, though, we were all in the front row. We all had access to new knowledge and experience, and were encouraged to participate.

At one point over the weekend I over heard a conversation between two of the butchers who were discussing the most physically difficult parts of their job. "If you have the right tools, you can do anything. Anything is possible if you've got the right tools." It's true of butchery, sure, but it struck me as some advice for life's work in general. "The right tools" could mean sharp knives and saws, but also the strength an individual receives from a supportive community. Many women I met this weekend were self-educated and self-motivated, their successful careers the products of their own initiative. Even the professional food photographer who was busily shooting stills of the beautiful dishes coming out of the kitchen agreed: No one taught her to be a photographer, she taught herself. So, even if you have no desire to butcher a hog or some beef hip, these lessons from Meat Camp resonate with those of us finding our way---in the kitchen, and beyond.