Social Distortion

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I used to be a person who worked the room at a party, sprinkling laughter around as I moved from conversation to conversation.  People often commented that I relished being social, like talking to people was a vocation for me.  In fact, this is part of the reason I became a therapist — I seemed to have a knack for engaging with people, hearing their stories and reflecting their light.  If you had known me as a teenager or in my 20s, you would never have understood that this persona, this social bravado was something of a mask.  I have always battled with anxiety and a sense of failing to fit in.  I have carried a fear of others judging me harshly, of saying the wrong thing and of being mortified publicly.  I achieved social success in early life with a paradoxic solution and it came to me with relative ease.  Amazingly, people bought it.  I am noticing now in my later 30s, with mounting responsibilities and a collection of profound life events behind me, the person who really just wanted to be home under the covers, the person on unsure social footing has re-emerged.  And yet, when I fumble around for that outgoing mantle, the trusty suit of charm offensive, I can't seem to find it.  Or when I do, it keeps slipping off. When I was a kid, I was described as socially precocious.  I could hold my own at an adult dinner party, and was expected to perform in those situations, at times literally.  Once, a friend's parents actually hired me to sing a medley of show tunes (no joke at all) at their New Year's Eve party in front of 500 guests.  My memories of that evening are storms of emotion that include terror and elation.  Mind you, I was 7 years old, maybe even 6.  In retrospect, I don't have the first clue about how I pulled something like that off.  What reserve of preternatural confidence did I draw upon to make that happen?  The person I am now grapples with chatting up a familiar colleague at a professional networking event.  Who was that little girl and where did she run off to?

In adolescence, I don't have to describe the tempest of feelings, the cauldron of concerns that befell me.  This is implied in the word, "adolescence."  Incongruously, this was the period in which I honed my craft.  By about age 15, I could have taught a master class at the Actor's Studio.  My singular focus in that era was to entertain others and deflect attention from the awkwardness of the pariah I imagined myself to be.  In a hackneyed teen movie archetype, I was the class clown (oh sure, check the yearbook), the person in the corner of the room shouting "LOOK AT ME, I'M DANCING!"  I would do anything for a laugh and would risk any kind of consequences to help a friend.  I fought so fervently against the advancing insecurity that I presented as radically carefree.  My antics as court jester/supporting actress in a leading role once landed me in the Vice Principal's office where he told me without mincing words that my future hung in the balance.  That grim meeting followed an incident in which I was performing an ill-timed, but spot-on impression of our AP Economics teacher just as she walked back in the classroom.  I recall very little of Keynes, but I can still hear her exact words as she pointed to the door, "Sarah, this is my classroom, not yours.  Do not pass go on your way to the office."  Mercifully, that was followed two weeks later by an offer of admission from the college of my choice.

Although in college the social anxiety would keep better pace with me, I redoubled my efforts.  I immediately accrued a boyfriend (during orientation week, didn't even wait for the first day of classes!), surrounded myself with friends and became immersed in activities.  I was a consummate "joiner" in those days - sports teams, singing groups, volunteer organizations and the like - whereas now I can't even bring myself to participate in an essentially anonymous Mommy list serve.  In my sophomore year, exhausted from the chase, I finally succumbed to symptoms I could no longer fend off and landed in therapy.  The next decade or so would find me toggling between a brilliant capacity to shine in the spotlight and struggling to even answer the phone when a friend calls.

In my current life configuration, I have all the usual excuses for why my facility for being social has suffered.  Like everyone on planet earth, I am tired all the time, have way too much on my plate and am just trying to make it through the week.  I am also depleted from many consecutive years of major life changes, some tragedies and some losses.  But I have to ask myself, what is the alternative?  I had an "Aha!" moment last night when my husband wanted to discuss potential plans with friends later in the week.  I was prepared with every justification as to why I wouldn't be able to make it…the baby, chief among them.  My husband had a response to every barrier I constructed (including a babysitter) and capped it off with, "I would like to spend some time out with my wife."  It suddenly occurred to me for the first time that being wrapped up in my own head, folded in on myself has real impact on this person I love.  There was no getting around his matter-of-fact request and I felt a little ashamed that my self-indulgent fears would come at the expense of his social life.  I am not sure what about this interaction tipped the scales, but in an instant, I was confronted with how much I have regressed on this issue in the past few years.  Stopped in my tracks, I agreed to an evening out.  A small thing, to be sure, but an important shift.

I am on the hunt again for that brassy girl of my youth who enjoyed costuming and talent shows.  That girl bucked authority, won debate competitions and was the glue holding her group of friends together.  She left the house for a night out utterly prepared to experience something magical.  And I know I have opportunities to reignite that energy all these years later.  I can approach professional events, teaching floral classes, meeting with clients and vendors with a new zeal.  I can exude competence in that realm and pay special attention to building relationships through my business.  I can employ all the mental gymnastics required to tamp down nerves with friends and acquaintances, which these days mostly involves reminding myself that I am just not that powerful…nobody is noticing the things I think are vulnerabilities.  People are busy with their own lives and just want to connect.  Nobody can take a lifetime of negative self-talk and swirling doubt and transform herself into a reality TV diva.  But somewhere in there I have expertise in "acting as if," which has often lead to me to a steady state of being.  If you see me out on Thursday wearing a fabulous top and a broad grin, be sure to give a wave from across the room.

What I Believe

Over the weekend I was talking with a friend of mine.  We had one of those twisty conversations that covers a million topics, to trace back how we got to talking about the movie Bull Durham would require flow charts and recording devices. But get there we did. I’ve never seen the movie, so my friend was telling me the major plot points and characters.  She said her favorite part was a speech Kevin Costner’s character gives, in answer to Susan Sarandon’s question ‘What do you believe in then?’  The speech covered Baseball, Love, Sex, Politics, Holiday Traditions, and more, and my friend had it memorized.  And at the end, Kevin Costner turns and walks out the door, having said his piece. Should the occasion ever arise, I’d like to be able to rattle off a list of my truest beliefs without consulting notes or stumbling over the words.  Here’s my first draft:

I believe in kindness, goodness, luck, and the importance of good juju. I believe in the Muppets, Gene Kelley, Fred Astaire, and Bing Crosby.  I believe in cozy sweaters and keeping the thermostat low to cuddle under the blankets. I believe in family, those gifted at birth and those chosen.  I believe in books, records, and hand-written letters whenever possible, but accept digital versions as well. I believe in love. I believe marriage isn’t right for everyone, but that everyone should have the option. I believe in laughing every day, trusting the universe, and marching to my own drummer.  I believe gummi bears are better with I vodka and the time vortex is a thing. I believe in back roads, sunsets, and stopping to take pictures.  I believe in coffee, glitter, red wine, and great shoes. I believe happiness is just as worthy of a goal as a corner office. I believe in saying I Love You. I believe that time spent together is never wasted. I believe everyone has their own truth, their own journey, and their own sources of joy.

What do you believe in?

 

Not open for business

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I'm a 33 year old woman who has no interest in having children. If your first reaction to that statement was something along the lines of, "Oh, just wait, you'll change your mind," or "You never know until you try it, " I beg of you: please keep it to yourself. You're not alone in having that reaction, and I've heard it a thousand times. The thing is, I won't, and I do. And it can make dating awfully interesting.

See, I like children. Hell, there are some children I even love. A lot. Like, stand-in-front-of-an-oncoming-train a lot. And so men are occasionally confused by what they see as conflicting positions. I talk about my friends' kids with love, admiration and excitement (especially when it comes to buying them books), but I'm not at all interested in populating a nursery of my own.

Three years ago, this wasn't an issue. I'd never be asked about my desires for marriage or children on a first, second or even fifth date. But now? Hoo, boy. People want to know what's up with my reproductive system like it's going out of style. Which, I suppose, it is. I can't have more than a few thousand viable eggs left at this point.

Case in point? A couple of weeks ago, I went on a solidly good first date with a guy we'll call John. He talked a bit about having had lots of lackluster relationships in his 20s (he's now 34), and about wanting to change that pattern now. He also talked about how all his cousins are married with kids, and how he feels a bit behind. At first, I was taken aback by all this marriage/baby talk on a first date (a woman bringing this up would, no doubt, be labeled as crazy and desperate as opposed to adorably open and honest), but I found it kind of charming. (I didn't feel the need to bring up my own stance on the first date, but I appreciated the openness.) I talked a little about my friend Miya's daughter, whom I adore, and about how my pregnant cousin Abby was almost to her due date.

On the second date, though? The man was couldn't stop talking about how "far behind" he is and how his life to this point has been a waste---all because he's not married and doesn't have kids. He talked about it a little. And then some more. And, finally, he wrapped up by launching into a speech about how he sleeps so much better when he sleeps next to someone, and let's go to a comedy club (despite my having said, repeatedly and that very evening, that I do not enjoy comedy clubs).

Obviously, this guy is a textbook version of oblivious. I made up a 7:30 AM meeting to get away at the end of the date, then steadfastly stepped away when he tried to kiss me goodnight, and still he acted shocked and led on when I sent him a (very nice) thanks but no thanks email a couple of days later.

And yet, he is a great example of an important point: women are not the only ones with biological clocks. When it comes to feeling subject to the whims of nature and the rules of society, we women are not alone. After all, we can't possibly have been the only ones enforcing the norms all this time.

So, let's make a deal. The next time a woman tells you she doesn't want children, pay her the respect she deserves and take her at her word. And when a man tells you he wants kids, pay attention and assume it's not just a seduction tactic. After all, when you're 33, you don't have time to spend on people who want your babies.

(original photo by velkr0 on flickr)

What to Wear on Halloween

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I remember when Halloween was just a trip to the thrift store and some face paint. You get dressed up, your mom approximates some whiskers on your cheeks. You go out with your little friends. And then, more importantly, you end up with a plastic pumpkin bucket full of fun, fun sizes of chocolate and candy. As girls become women, however, the candy takes a backseat to the costume—and costumes ain’t what they used to be. Sure, you can still dress as the cartoon characters, animals, and superheroes of your youth; you just have to precede said costume title with the word “sexy.”

It doesn’t really matter how ridiculous the result is, either, as demonstrated by this collection. Sexy cats sit on costume shelves alongside sexy Big Birds and sexy hamburgers. The main thing is, it needs to be short, tight, or low-cut—preferably all three. For many women, Halloween is an opportunity to show off your body without shame. It’s like a one-time-a-year free pass for even the normally reserved and modest: no one will call you a slut in the morning.

More power to every woman who wants to jump on the sexy costume trend, but I think there are many women who are more like me: uncomfortable with the objectification that the once inclusive, innocent holiday increasingly promotes. It’s okay to be annoyed that this pressure to be sexy exists exclusively for women. Men’s costumes tend to be funny, ironic, gory, scary—no sexy Freddy Kreugers for them. So why are we women inundated with the Sexy Costume trend?

For those who are asking themselves the same question, I’ve come up with a few ideas for costumes that are fun, topical, empowering, attractive, but not demeaning. (Disclaimer: I’m no Halloween costume-choosing expert, so feel free to add your own to this list.)

A politician with a sense of humor

Hillary Clinton, Texts from Hillary-style.

To apply: Sweep your hair behind your ears (or invest in a short blond wig), put on shades, wear a black pantsuit with a large brooch pin, hold your phone in front of you at all times.

 

An Olympic gold medalist

Missy Franklin or Gabby Douglas

To apply: Slick your hair back tight in a ponytail or bun. (If you’re Missy, might be good to apply enough gel that your hair looks wet all night.) Wear a black bathing suit or red, white and blue leotard. Put fake gold medals around your neck (choose the appropriate number per athlete). Feel free to add tights or a towel to cover up. (If you’re going as McKayla Maroney, add perpetual scowl and folded arms.)

 

A kickass superheroine

Catwoman or Black Widow. Yes, they’re both super-sexy, but they’re also powerful and take-charge. And what do you want to bet that somewhere out there are “sexy” versions of their film costumes (read: shorter)?

To apply: Tight leather-ish black bodysuit, boots, gun belt, attitude. For Catwoman, add black eye mask and ears. For Black Widow, add a red wig.

 

A female fantasy protagonist

Katniss Everdeen or Hermione Granger

To apply: For Katniss, find gray, earth-toned winter clothes—a parka, sweater, khakis, and boots. Sling a quiver of arrows over your back and carry a bow around. Put your hair in a long side braid. For Hermione, just pick up a long, dark Hogwarts-emblazoned robe at your local costume store, replete with starched collar shirt and red and gold tie. Carry a wand. And if you’re doing old-school Hermione, make sure your hair is big and frizzy.

A Strong Female Character

There’s plenty of others to choose from, some of which I’ve discussed on this blog: Olivia Benson from “Law & Order: SVU,” Zooey Deschanel, Brave, Buffy (who I dressed up as in tenth grade using only a leather jacket, a hair claw, and a wooden stake). Don’t ever feel limited by what’s on the costume store shelves—the possibilities are truly endless. In fact, don't even be limited by your gender! Dress as a male character you like. You get bonus points for defying gender expectations and upsetting the patriarchy.

As for what NOT to wear: My only advice is, don’t do the ethnic costume thing. Besides exposing a lot of leg, Halloween also has the tendency to expose a lot of racism, poignantly argued by this Ohio University campaign. If you’re going as a historical or notable figure of a different ethnicity or nationality, that’s fine—just be aware of the overall impact of your costume (is it respectful or caricature?) and NEVER, NEVER paint your skin a different color.

If all else fails, follow Oscar from “The Office”’s example: dress as yourself and tell everyone you’re a "rational consumer." Given the cost of some Halloween costumes, that might end up being the best choice.

Freedom from Food

This morning’s bowl of stale corn flakes made me very happy. Lunch was perfect, too: a limp lasagna noodle covered with a thick layer of oily cheese and a lone, soggy artichoke heart. I loved it all because I didn’t have to make it. I didn’t even have to wash the dishes. I haven’t had to think about preparing food for the last 24 hours, and it has been a pleasure unforeseen. My thoughts are usually so congested by obsessing over what to eat, how to eat it, where to buy ingredients, how much money to save or to spend. But waking up this morning and knowing I had no say in what to eat today? It was a gift. This week I find myself at an artists residency program. I say “find myself” because I was invited off the waitlist, whisked away from my normal life and into the resplendent Blue Ridge mountains. Here in the company of poets, painters, and musicians, there is no room for cooking. Literally. We are not allowed into the kitchen. But what lacks in culinary counter space is made up for in the form of a private writing studio with a big desk and view of a rocky, cow-dotted field. There is lots of time, space, and freedom from household chores. But the freedom I am enjoying most? The freedom from food.

It’s not that thinking about what to eat is a problem, not at all. It’s actually one of my favorite topics in conversation, especially with the many adventurous eaters I have for friends.  I love looking at beautiful food photography, too, and I enjoy reading cookbooks front to back for their stories as well as their recipes. The problem is that food and writing about food is the weak link in my chain of focus and concentration when I’m at task on a different creative project. I think it’s because cooking is such a outlet for expression that it does battle with my writing on a regular basis. A weekend afternoon, for example, will be laid out before me, ripe with potential for new words and ideas. Instead of writing, though, I find myself poking around in the grocery store pondering butternut squash soup with garlicky croutons. We have to eat: It’s the most justifiable and enjoyable distraction.

During this writing retreat, however, I’ve come to scrutinize my obsession with thinking about food. My first day here has felt like a week. During this long day so much has happened (when actually so much has not, but that’s a form of “happening” when it comes to the imagination, right?)  This food void and the sense of freedom that came with it reminds me of Barbra Ueland’s book If You Want to Write. I flip to the chapter titled “Why Women Who Do Too Much Housework Should Neglect it for Their Writing” and wonder how many more hours I could spend writing at home instead of planning meals and hunting down recipes?

This is not to say I don’t want to make dinner most weeknights, can tomatoes for a few days at the height of tomato season, or throw an all out dinner party on the occasional weekend. It’s more of a realization that my dinnertime daydreams need to be budgeted. The mental energy saved will be at the expense of fantasies about blueberry coffee cake, pumpkin bread pudding, and homemade pasta. But maybe those dishes might just benefit from this new thought-diet of mine: less time thinking, more time doing.

Same, too, for the writing.

 

 

Autumn Changes

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Autumn has officially changed her wardrobe and, in my opinion, she is the most stylish season of all.   Ruby reds and burnt oranges seem to be her everyday wear and occassionally a pop of goldie-locks yellow accents her bold style.  It seems as though autumn spreads vibrant colored leaves all over the grassy parks and sidewalks just as a daily reminder that she's only around for a short time.  This year my husband and I are taking in her beauty from our new home in a mountainous city in Tennessee.  Living here is like being part of an ever-changing painting where the artist's talent gets better with every stroke of the brush.  Miss Autumn is also very gracious to give us a break from the extreme southern humidity which can only be truly appreciated and understood by a long-time resident.  During the warm months, just walking out to gather the mail will leave you drenched in sweat before making it back to the front door.  Air conditioning and wading in a pool of water is a necessity when it comes to summer survival down here.  Now that the cool fall temperatures and crispy breeze have arrived, we love falling asleep with our windows up and waking up feeling refreshed.

When this time of the year rolls around, the leaves aren't the only ones going through a change.  What I wear, how I cook, our weekend activities, and how I view each day is different.  Slowly but surely my sun dresses and flops are replaced with cozy sweaters and knee-high boots.  Warm scarves are taking the place of summer necklaces and I prefer it that way.  During the hot southern months, our refrigerator is packed full of cold pasta salads, washed and sliced seasonal fruits, and chilled tomatoes for a quick sandwich because turning on the oven would be like tossing wood into a blazing fire.  These days my crock pot stays full of vegetarian chili,  the oven is constantly heating up winter vegetable casseroles with a variety bubbling cheeses, and hot tea is my drink of choice. Late night frozen yogurt runs take a back seat to dark chocolate s'mores and a mug full of steamy hot cocoa.  One of my favorite fall traditions is to drag my husband to the local pumpkin patch and, according to him, spend way too much time picking out the perfect one.  And of course, football and tailgating is like air to a southerner.  Fans drive for miles and miles to set up tents and multiple tables of the most delicious food imaginable while sporting their team colors.  The grills serve as a way feed anyone who walks by and also as a hand warmer.  Maybe it's the different color palette of the landscape or the fresh-faced chill in the air, but there is definitely something about fall that makes me more aware, more energized, and more thankful for each day.  Autumn . . . I think she's pretty fantastic.

The Secret Downside to Travel

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When I was in high school, I watched The Real World: Paris.  It was the four thousand eight hundredth season, and was called the most boring by many critics, cited as evidence the franchise was failing.  To me, though, The Real World: Paris represented who I wanted to be.  Look at those cool, college-age kids (not to be confused with people actually in college) gallivanting under the Arc de Triomphe!  If I were in France, surely I would be flirting with beautiful, accented men at clubs.  I would be eating baguettes in sexy heels, or meeting friends in quaint cafes with spindly tables and tiny coffee cups. When, four years later, I found myself in Paris, I was staying at a hostel on the outskirts of town, unable to afford the outrageously expensive rooms in the busier areas.  My roommates were not seven strangers, picked to live in a house, but rather a family of cockroaches, a cold shower and an Irishman named Stephen who was always drunk (although on further contemplation, the latter holds true to the MTV series).  I wandered around the streets during the day, expecting to be hit by the wonder Paris had long promised in my imagination.  And to be sure, it was beautiful---the Sacré-Cœur Basilica glowed shining white on the hills of Montmarte, while the Notre Dame crouched in its gothic glory on its lonely island in the Seine.  By myself, though, seeing the sites felt single processed: I saw it, and I was done.  There was no one to digest the experience with, to complain about the upwards trek to the church on the hill, or to share a crepe with on the banks of the river.  Most importantly, I was no different in Paris than I was back in the United States:  the simple change of location didn’t render me suddenly high-heeled.  It didn’t make accented men want to flirt with me and it didn’t make me suddenly enjoy coffee, in tiny cups or otherwise.  It was the first time I realized a change of location wasn’t enough to warrant a change of self, and the first time that the reality of a place didn’t live up to my fantasy.

Yet, I kept doing it.  Social media took what The Real World began with and elevated it exponentially: even my failed Paris adventure was documented in a series of photos artfully designed to portray the image of the trip I had before I took it.  When I was readying myself for my move to London, I found myself picturing weekend jaunts to Berlin and Rome, likely with a jaunty hat and a perfectly structured leather tote bag, perhaps embossed with my initials.  I pictured Zack and I strolling hand in hand through manicured English gardens.  When, in my imagination, it started to rain, we would laughingly duck into a quaint pub to nurse hot toddies while the droplets pattered against the ancient paned glass.  I pictured myself surrounded by groups of English-accented creative types, who would have immediately taken me into their circle and invited me out to inspiring, interesting events all over the city.  Needless to say, I have an overactive imagination.

When I came to London, I was lonely. It felt lame to disclose it even to my family and friends, to admit that this European city I was lucky enough to move to felt closed to me.  Zack, busy with the program that we moved out here for, had less time for strolling than I expected, leaving me with large chunks of time to fill on my own.  With no job and no friends, I spent a lot of time by myself.  There are so many hours that can be filled by browsing career websites, by Facebooking and reading blogs that, after a while, all seem like they say the same thing.  I walked around by myself a lot, although the ever-present rain rendered that, even, more difficult than my pub-filled fantasies had allowed for (there are only so many times one can duck into a pub a day).

It’s gotten better: I’ve found writing groups out here, I’ve started building my own company, and slowly but surely, my circle of friends has expanded.  But it’s not perfect. It’s not, unlike my Facebook or Instagram might suggest, a series of charmingly strange foods (prawn cocktail chips anyone?), beautiful parks, and friend-filled nights out.  It’s these things, yes, but it’s also the moments that I don’t document, the trip to the grocery store in the pouring rain, the night when, alone in the house, I spend far too much time talking to my cat.  And that’s okay.  It’s not that my life isn’t the real world---it’s that the real world isn’t real.  The good, the bad, the rained on, the postcard worthy---that’s the real real world, and that alone makes it better than anything a fantasy of television or social media could offer.

IX. Provence

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Agnès has a small dinner party one Friday night and asks me to stay through the drinks before I go out to meet friends. I don’t pass up opportunities to speak French, plus watching my host mother in these kinds of social situations is oddly fascinating. The two male guests are old boyfriends of hers who still come over and have her cook for them sometimes. Both quiet and sullen, they don’t say thank you when Agnès sets plates full of steaming food in front of them. I think that that she might have a type. The shorter of the two scoots his chair up next to mine in the living room. As I sip my small plastic flute of rosé, he asks me a few questions about myself: where I’m from, what I’m studying, why I’m in France. Then he asks me how many children I want to have.

In the United States, this kind of question would be considered out of place. Rude, not to mention weird, and none of any strangers’ business how many children I want to have, or if I even want to have any. But here, it’s not. Not as weird as I think it is, anyway. French culture — while so socially progressive in some ways — can still be so backward that it makes me want to scream.

But I’m starting to realize that I can’t change it. So I stare at him for a beat, unblinking, and answer, “Thirteen.”

What Are You Reading (offline, that is)?

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Trina McNeilly is a mom to a brood of four, a freelance writer and a self proclaimed style scout.  When she isn't wrangling or writing she dabbles in design and is always looking for the lovely.  Trina has been blogging for 4 years and writes daily at her lifestyle blog, la la Lovely where she shares her lovely finds.  She's learned that the most lovely things in life are not things at all, and well, she writes about that too.  In her, very few, spare minutes she is busy making her childhood home her now grown up home.  I love books, almost every kind possible actually.  I love the way books look, always adding soul to a home.  I love the way books feel, there is just something about turning each page that is rather comforting.  And most of all, I love what is on the inside of books . . . words.  Words that, on their own, might not mean much but strung together form a story; a story once lived sharing a life to learn from perhaps just a story to get completely lost in.  Truthfully, that is what I look for most in a book . . . a way to get lost, a way to loose myself.  And yet, almost every time, at some point in the story, I am found and find more of myself than I knew before.  And when I find that I have been found in a book, that particular story always seems to stay with me.  Sometimes it haunts me with its grasping tale when I see specks of the story in real life days.  And, sometimes it reminds me of a truth I’ve needed to know and am trying to live and other times it is a teacher that helps me to string my words into a story of their own.

 

My own reading habits vary (as life does with 4 littles) but my regular and most familiar pattern is to read a couple of books at a time.  I love to always have a story ready at hand to escape to and I always find the need to be reading a book to help better me as person (which can have vast range of topics from motherhood to business).

 

These are the books you would, most recently, find making their home on my nightstand:

The Flight of Gemma Hardy

By Margot Livesey

If you were to ask me my all time favorite book I would likely reply Jane Eyre.  No explanation needed.  Any retelling of that story sparks interest, but also skepticism.  While running through the airport last month, this title caught my attention and when I read that it was a new telling of Jane Eyre I was curious.  I continued on to read that Gemma was from Iceland and resides in Scotland on the somewhat mystical Orkney Islands and . . . I was sold.  I had never heard of the Orkney Islands but I had to know about it.

Although The Flight of Gemma Hardy, for the most part, followed the story line of the classic, Jane Eyre, I inevitably knew what was coming next, but I didn’t quite always know how, and I found myself looking for how the story varied and the differences and uniqueness of each story.

I found Gemma’s story, although very sad at times, to really be one of hope.  Hope that your story can end well.  That good can come of bad.  And that in the midst of trials, when you can’t seem to find your way, or even yourself, if you keep moving forward, choose to be brave in the everyday and pay attention to your thoughts, it is there that you will be found.  Gemma ran, only to ask herself “Why had I left if I was going to carry him with me every step of the way?”  Yet in the running she was found.  And she found the one thing she wanted so badly, “to be well regarded and well loved.”  And isn’t that what we all want?

 

The Gifts of Imperfection

by Brené Brown

This is the kind of book that ruins you in all of the right kind of ways.  But I should confess, I wanted to get ruined when I picked this book up.  The subtitle goes like this, “Let Go of Who You Think You’re Supposed to Be and Embrace Who You Are.  Your guide to a wholehearted life.”   The truth is, I have a lot of ideas of who I think I’m supposed to be, and who others want me be but I’m still working on accepting and then embracing who I really am.   Brown starts off this internal journey by saying that “owning our story and loving ourselves through that process is the bravest thing that we will ever do.”

It’s chapter after chapter of defining words that we effortlessly throw around in our daily lives without knowing the true meaning or implication of that word.  For example the original meaning of the word courage is, “to speak one’s mind by telling all one’s heart.”  And to become more courageous you have to practice courageous acts, “you learn courage by couraging.”  The idea that it takes courage to share what you really want or need or who you are, actually makes complete sense as it something most of us hold back from doing in fear of not being accepted.

The Gifts of Imperfection is a book that I’m sure I’ll reference for a lifetime.  If you aspire to live an authentic wholehearted life than I think you will enjoy getting ruined as much as I am.

 

The Tales of the Seal People

Scottish Folk Tales

Duncan Williamson

I have a thing for fairy tales and folklore.  I’m always up for anything that is a little magicky and requires a heavy dose of make believing.

After reading The Flight of Gemma Hardy and doing a little research on the fascinating Orkney Islands, I read that The Tales of the Sea People was a book that Margot Livesey used as research when writing her book, The Flight of Gemma Hardy.   When I read that these were a collection of stories from Scotland that were somewhat guarded and scared to the fishermen and people that lived by the sea, I was instantly intrigued.  My great grandma was from Scotland and I wonder if she ever heard of, or maybe even told, any of these tales herself.  Although these are folk tales to some, somewhere down the line they were very real happenings to the originator of the story.

The Tales of the Seal People is a collection of short stories, which are simply written and read as if someone is actually speaking the story. All of the stories are centered around Silkies (Seal People) who were part human and part seal.  Each story is an intertwined tale of a person who lived by the sea and their encounters with the Silkies.  It’s interesting knowing that these are likely common stories told among Scottish children and up until this point I had never even heard of a Silkie.  I love reading these stories to my children and I even love reading them all on my own.  I find that after I read one, I always want to read another.  And I’ll surely never look at a seal the same way again.

 

 

It Takes a Village

For several months, the two of us have been rattling along—slowly and steadily at first, and then, all of a sudden, at lightning speed—toward our wedding day this past Sunday. There were a couple of brave souls who volunteered right away to stir up decor, to preside over refreshments, to fashion a cake. Then we all retreated to our respective workshops, pounding out the details one by one. Our own two-person workshop was a quiet but busy one. In the early mornings and late at night, we pooled our resources and put on our most creative thinking caps. Over simple lunches and steaming cups of coffee, we crafted our lists and spreadsheets, made our calculations and recalculations.

Everything changed this past weekend, when a small but mighty ensemble of joyful hearts and open arms descended upon us. From what seemed like the furthest corners of the earth, our loved ones swooped down and began to work magic in many forms. They read poetry and chopped cabbage. They lit candles and fireplaces. They held our hands and told us to breathe. They brought their singing voices and their dancing feet. They wrapped us in an embrace of busy and brilliant love.

By the time we woke the next day, it felt as if all the world were still. Our loved ones had packed up the debris of a wedding well-celebrated and returned to their vibrant and bustling lives. As we begin a new leg of our journey together, I know for sure that we are learning from the best. We are learning from those who love with their hands and with their feet, with their full hearts and with their comforting voices.

We often envision weddings as a celebration of the love of two people for one another. But I was delighted to witness this weekend what I already must have known: that our bright, little love is buoyed by our village of family and friends, near and far, who love us steadily, and then sometimes, all of a sudden.

Paying it Forward

Over the weekend I attended a family reunion of sorts.  First and second cousins, aunts and uncles gathered to celebrate two milestone birthdays.  I knew it would be legendary, our gatherings always are; last time a sticker fight of monumental proportions rocked my parents' house.  This time it was glow sticks and piggyback battles on my aunt and uncle’s front lawn. We’re pretty awesome like that. Over the weekend I chatted with relatives about what I’m doing with my life, listened to stories about my ancestors, gave hugs like they were going out of style, and ate more food than I will admit here.  But probably the highlight of my weekend was hanging out with my younger cousins, four of whom were in attendance.  You don’t know them, but trust me, these kids are awesome.  They are the children of my first cousins (all of whom are older than me) and are intelligent, inquisitive, and laugh-out-loud hilarious.

I snuck them dessert before dinner, demanded high fives and hugs in exchange for stickers, and lost count of piggy back rides.  I even took a turn at playing the villain and carried one of the girls off from the playhouse.  Of course the other cousins chased us down and my role shifted from captor to prisoner—on the way I earned the honor of having my name on a wanted poster or four.  I’m still quite proud of that.

My aunt and uncle live in my grandmother’s old house, so as we ran through the yards and surrounding hills and wooded paths, it was easy to remember the times, not so long ago, when I was the younger cousin—walking through the same mystical trails and creating entire plots with only my imagination.

At the end of the weekend, I said goodbye to my cohorts with more hugs and high-fives and demands of letters and pictures.  As I said goodbye to my playmates' parents—my first cousins, the ones who wrote me letters and sat still to listen to my stories or play never-ending games of war—I was thanked.  I’m still not sure for what.  Yes, I hung out with, entertained, and literally carried off my younger cousins.  Maybe I did ‘make their weekend’ but at the very least it was an even trade.  I came home talking just as much about them, telling stories of adventures, full of memories that are still making me chuckle, and with a new drawing for the fridge.

But besides all of that, for me, this is just what family is.  Of course I’m going to play games and go on scavenger hunts.  Obviously I’m down for some serious conversations about sequins, nail polish, and the latest book for 12 year olds.  That’s why I’m here. That’s what being an older cousin is all about. I know because I have older cousins.

Twenty years ago my cousins made me feel special simply by taking an interest in my life and listening to what I had to say.  They wrote me letters, told jokes, and provided themselves as amazing role models. To think that I would try for any less is nonsensical.  I may not make it, but if I can be half of all that they were to this new generation, I will consider that a job well done.  That’s what family does—we pay it forward to the new generation.  To be a part of the chain is a privilege, and I require no thanks.

Do More With Less

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By Ashely Hogge Do more with less. I try to live this mantra every day. Luckily, I prefer less. Less technology, less clutter, less shiny, less expensive. For me, I find more in the experience. The things that aren't quite things but rather untouchables. I'm attracted to places that offer and encourage outdoor activities like skiing, biking, and hiking. Even Portland Oregon, where I currently live, is close to both the mountains and the ocean. I have such peace of mind knowing I can escape the city at any moment. And quite often, I do. I keep it easy---a day hike in the Gorge with a peanut butter and jelly sandwich, an apple, Goldfish (yes, I love kid food) and chocolate. With my camera in tow, I am most content on the trail. In this setting, hikers are stripped of those day to day annoyances. Signals are lost. Perspectives quickly shift. Most of the time, the literal and figurative weight will lift. Tension and anxiety will dissolve. It seems almost primal to be so out of touch and yet, you can do so much more. More thinking, listening, meditating. It's easy to let the mind wander. I become inspired by possibility and tend to dream up vacations, travel plans, or a simple meal for dinner.

It's outings like these that keep me grounded for weeks to follow. How do you maintain such a mind-set with the many distractions out there? I focus on quality not quantity. One hot cup of coffee, a good book recommended by a friend, a restaurant I've always wanted to try, or maybe it's as simple as a walk around the block. I can't help but quote Gus McRae, a character from one of my all time favorite movies, Lonesome Dove:

Lorie darling, life in San Francisco, you see, is still just life. If you want any one thing too badly, it's likely to turn out to be a disappointment. The only healthy way to live life is to like everyday things, like a good sip of whiskey in the evening, a soft bed, or a glass of buttermilk.

To piggy back along with what Gus said, life is still life no matter where you are. I believe that experiences, conversations and a genuine hello to a fellow hiker can make our days valuable. We can be happier with less and most definitely do more to better ourselves and those around us.

Lessons from Gone with the Wind...

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Dear Clara, I just returned from a few days in Atlanta last week.  I don’t think there is ever any possibility of going to that city without thinking of green velvet drapes and feisty tempers.  Margaret Mitchell’s penned classic and Vivien Leigh’s spirited interpretation of Scarlett O’Hara in Gone with the Wind will remain always one and the same with that city for me.  It might be an old story by the time you’re my age, but it will still be a true classic.  Here is what I’ll always remember from it:

  • You can lose everything: At almost any moment.  Scarlett definitely knows a thing or two about loss, but in any story that spans a generation, I’m always taken by how privilege at the start doesn’t necessarily mean so at the end, and vice versa. We’re born what we’re born with, and some of us got it a little luckier, but that doesn’t mean it’s guaranteed.  Anyone’s fortunes could change either by circumstance or by their own foolishness---be prepared to mitigate against both.
  • Sometimes you have to create from what you have, not from what you want: Scarlett’s dress that she fashioned from her drapes is probably the best example in this story, but you’ll find that she does this over and over again.  Sometimes, if not most times, we won’t have as much as we want . . . as new as we want . . . as different as we want . . . at the time that we want it.  But people who are most resilient and most successful look at what they have, and make it fit what they need, not what they want.
  • Life is under no obligation to give us what we expect: When I read Gone with the Wind, I think I must have dog eared at least twenty pages of quotes and words to remember, if not more.  I was a great collector of quotes back in the day, and I think this particular one captures how much we have to be careful about expectations since then we are often disappointed. The one I remember most though, were Rhett’s words about mending what’s broken:  “I was never one to patiently pick up broken fragments and glue them together again and tell myself that the mended whole was as good as new. What is broken is broken---and I'd rather remember it as it was at its best than mend it and see the broken places as long as I live.”  That quote did, and still does, make me nearly cry because I happen believe the opposite.  I think there is room for mending, and room for forgiveness, and I don’t believe that there are things such as permanently broken---but I think Rhett is just expressing the way that many people truly feel.  And you’ll come across people who believe in that strongly sometimes, and you’ll have to know when to keep fixing, and when to let it go because they will never see past the mend.  It's always best not to break in the first place, but we make mistakes, and not everyone will forgive us.
  • People always come back: There is something uncanny about the way characters unfold in Gone with the Wind, and it mirrors life very much this way.  Even though the protagonists go through all sorts of changes and life takes them on many paths, they always seem to run together at different points in life.  Always appreciate people as though you’ll never see them again, because chances are, you will.  When you do, you will be glad that you left on good terms to pick up from; when you don’t, you’ll be reassured that you left with your best foot forward.

All my love,

Mom

Stupid Charming Things

An olive wood salt cellar will not make you dinner. It can’t chop an onion or boil water, and even it if it could it certainly wouldn’t wash the dishes afterwards. I tell this to myself while pacing around a fancy kitchen goods store, salt cellar in hand, trying to talk myself out of buying yet another kitchen luxury item that is at odds with both my lifestyle and my budget.

My husband and I live in a dilapidated boathouse-turned-cabin that was built in the early 1800s. The kitchen isn’t really a kitchen at all. It’s a room with a freestanding Ikea cabinet, a mini fridge, a convection oven, and a hotplate. Last spring I placed a heavy cast iron Dutch oven on the hot plate, causing the heating element to collapse into the stainless steel base. I remedied this by propping up the feet of the busted-in side with two Christmas lima beans.  So, not only do I cook on a hotplate in a glorified boathouse, but the utility of said hot plate is dependent on lima beans. Not exactly the kind of kitchen where you’d expect to find a pricey,  imported-from-France wooden salt cellar, hm?

This sort of retail conflict happens more than I’d like to admit.  I have a soft spot for stupid charming things: Tiny glass salt and pepper shakers, cheese knives, vintage Fire King coffee mugs, pinch bowls, and pretty much any kitchen item colored sage, mint green, or celadon. I shouldn't be allowed within fifty feet of a flea market or estate sale. And I certainly shouldn't have been poking around in any fancy kitchen goods store, that's for sure.

Over time I've gathered that this addiction to stupid charming things is not uniquely my own.  When I worked at a high-end gift shop in Park Slope, for example, I saw firsthand the pull of lovely objects on others. Thanks, just browsing, an innocent shopper would say. Then, moments later, I’d be ringing them up for a ten dollar trinket. Sometimes it would be a bookmark, a set of overpriced sticky tabs, a travel candle. If it wasn't any of that, it was the tiny glass animals. We stocked a bowl of them---itty-bitty little glass "sculptures" no larger than a penny.  You need a tiny glass cat, right? An elephant? What about an alligator? I felt like a drug dealer as I encouraged customers to dig deeper into the bowl. There’s a unicorn in there some place. I’d say. Then they’d ooh and ah and toss bills across the counter in glee. The glass animals were cute, sure, but were they worth anything more than that initial dopamine bump linked to the act of buying? I'm fairly sure the answer is "no."

A new object might be liberating at first, I think, because it baits the mind and our perspective in that moment, leading us from a place of sameness to a place of newness and wonder. Take my example, where I imagined the possibilities of cooking in a kitchen so well-appointed that flaky sea salt is homed in a dainty and sculptural bowl which was created precisely for that purpose by an artisan in a far away land. A new life opened up to me, one where I didn't find mouse poops in the measuring cups or stinkbugs in the mixing bowls.

Which brings me to narrative. Which brings me to identity. Objects do have a role in the stories about ourselves that we tell ourselves. In that moment at the fancy kitchen store, I wanted to use that salt cellar to tell myself I had good taste, that I understood and appreciated fine objects. I also wanted to pretend that I had no hotplate, no lima bean, no rustic boathouse kitchen. Mouse poops in measuring cups and stink bugs in mixing bowls? No, no, not me---I own this precious vessel, this hand crafted gem, this beautiful, stupid, charming thing.

Here's where I want to say that I stopped desiring the salt cellar. I want to say that I made these realizations about the false connection between things and self worth and identity and I immediately overcame my materialistic instincts. But I didn't. As I put the salt cellar back on the shelf I also added it to a mental wish list of presents my husband could get me for Christmas this year.Then I sulked out the door with a vague and absurd feeling of pity for what I perceived to be a salt cellar-shaped hole in my heart.

 

Dreaming Brooklyn. Or not?

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Did that really happen? When I woke up this morning I couldn’t answer this question. Was I really in Brooklyn last night, strolling down 5th Avenue? Did I really stop at Gorilla Coffee to grab an espresso and then went all the way down to the park on 5th, set on a bench and read a book? No, that can’t be true. I don’t remember the book’s title and come on, reading is my job. It can’t be real that I read a book and forget the words and the title right after finishing up the last page. But yet, everything looked so real . . .

 * * *

Beacon’s Closet is open. There seem to be many women staring at the store’s window, and I think No, I’ll check it out another time, come on Alice, you can’t spend all of your income in vintage clothes! You don’t have enough space in your closet! And then, a small paper cup in my hands with a red gorilla painted on it, I make my way toward the cross between 5th and Lincoln Place. Yes, my friend Joanne must be home from work by now. I should stop by and say Ciao! She loves practicing her Italian with me, and I like going over for a chat. But what time is it exactly? The sun light is weak, and a cold breeze is blowing down 5th. It must be late afternoon. Jo isn’t answering her doorbell. She is probably still at work. Well, I’ll step by another time. Maybe I should go home now, I’m starting to get cold and I really don’t want to fall sick. I have to work tomorrow and I can’t skip a day. So I slowly walk towards President Street, and I’m still on the left sidewalk.

My paper cup is empty now, but I keep holding it as I don’t know what to do with my hands. Hands can’t be meaningless and dangle ridiculously at your side. So, while Left pretends to be busy holding an Italian blend, Right searches into the darkness of my bag. I never carry much on me, for I like to feel free from burdens. But here’s the biggest burden of all, a huge and heavy book that Right seems to be proud of digging out. What is it? What’s the title of this book? It must be some story I have to read for work, but I can’t really focus the letters and the image on the cover.

It isn’t dark yet, so it must not be so late. I realize I still have some time for myself. At the cross with President, I keep going. The Cat Clinic is open. I can swear I see this weird guy entering the door with a miniature poodle, dressed with a pink sweater that looks just alike the one its human friend is wearing. But as I look through the window, I see no sign of human or animal presence. The place is empty. In a few seconds I reach Connecticut Muffin and I feel weird---I could have bet this place was on 7th Avenue, not on 5th. But I do have a craving for muffins, and location disquisitions are not important right now. There is a long line inside, this means the muffins are tasty and delicious, just like I remember. I reach for the door, but it doesn’t open. Some customer might have locked it by mistake. I knock on the glass, and my cheecks are burning red as I don’t like to bother people and seem intrusive. But no one must have heard, because the door is still locked. So I knock again, this time harder, but still nobody turns or looks at me. These people actually don’t seem to realize I am out there, craving muffins! Annoyed and a little cross, I look around. And I am glad I finally see the park in front of me, the small park with an old stone house in it. It’s not Prospect Park, but it’s cozy, and it is the perfect place to start my Huge and Heavy Book.

I cross the street, paying attention to the streetlights even though the road is deserted, and I go sit on a bench under a tree covered in orange and red leaves. And while the leaves keep falling down on me, hitting random parts of the pages, I collect the words that suddenly take a shape and a solid form and I close them in a small wooden box that sits beside me on the bench. What am I going to do with these words when I’m finished? They are so many now. Can I sell them, perhaps? Can I glue them to other pages from other books, and maybe make a new story?

It is dark when I raise my head. The only thing that is luminous is my little wooden box. I try to open it, because I need light to find the way back to my house, but now the wooden box is locked, and my book is finished, and I forgot what story I was told. So I open Huge and Heavy Book another time, because I really can’t forget a story that I just finished.

And all I can see now is white and empty pages, and a story that needs to be re-written once again, maybe with the luminous words hidden my wooden box. Only, I have to find a way to give them a new sense.

From Alice in Wonderland.

'Hold your tongue!' said the Queen, turning purple.

'I won't!' said Alice.

Off with her head!' the Queen shouted at the top of her voice. Nobody moved.

'Who cares for you?' said Alice, (she had grown to her full size by this time.) 'You're nothing but a pack of cards!'

At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face.

'Wake up, Alice dear!' said her sister; 'Why, what a long sleep you've had!'

'Oh, I've had such a curious dream!' said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, 'It was a curious dream, dear, certainly: but now run in to your tea; it's getting late.'

So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been.

 

My Wise Voice

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Two years ago, I made the difficult decision to take a medical withdrawal from college. It was a decision that was years in the making, and one that brought with it a sense of crisis about what I should be doing with my life. As I transitioned from full-time student to part-time student to, finally, full-time wife, homemaker, and caretaker of my fragile health, I fought a continual fight with guilt—the feeling that I wasn’t doing enough, that I was slacking off, that I ought to be accomplishing so much more. For all of my life, the thing I have wanted more than anything is to be a mother. The past few years have been ones of longing and impatient waiting, until I learned with awe and amazement this summer that I was pregnant. Now, a third of the way through my second trimester, I am preparing for yet another transition: From stay-at-home wife to stay-at-home mother.

I suppose I always thought, in those years of waiting and wanting, that if I finally did get pregnant, that voice of guilt would disappear. Pregnancy is a physical ordeal for any woman; for those of us who live with chronic disease and are also blessed to have the chance to create new life, it brings with it added challenges. I used to think that, if given that chance, I would finally be able to relax, to cherish myself a little, to allow my body all the rest and comfort it needed.

It is probably no surprise when I say that it hasn’t been that way. Sure, I’ve been a little more motivated to make sure that I’m taking the best possible care of myself, since taking care of myself now also translates into taking care of baby. Still, it has surprised me, at least, to find that the guilt is largely unchanged. Now, instead of berating myself inwardly for not getting the dishes done, I spend my hours on the couch worrying about all the cleaning and organizing that needs to happen before the baby gets here. When a day goes by in which the most I’ve accomplished is yet another trip to the doctor (because my pregnancy is high-risk, I have the privilege of seeing three!), I find myself returning to all the old patterns of self-castigation.

Several winters ago, while visiting with a pair of wonderful friends, one of them said something about the importance of “listening to your wise voice.” That phrase has stuck with me ever since, through the intervening years, always giving my memory a gentle prod whenever I need it most. The idea of “my wise voice” has become, to me, the opposite of that voice of guilt and castigation.

It is my wise voice that tells me when I am doing right, even if it seems counter-intuitive. It is my wise voice that quietly whispered to me that that medical withdrawal two years ago was exactly the right thing to do. It is my wise voice that cautions me when I am acting out of pride, or shame, or guilt, or nervousness. It is my wise voice that continually prompts me to live with generosity and kindness—even towards myself.

I’m learning—or perhaps I am being reminded—through this pregnancy that there will always be the opportunity for guilt, because there will always be something more that can be done, or accomplished, or checked off a to-do list.

But I am learning, too, that I always have the chance to listen to my wise voice.

Autumn Smells

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In my house growing up, the fall months brought up the smell of earth from the dirt basement. It’s a difficult smell to try to describe. It’s not rich like the smell of garden soil and nothing like the particular scent attached to the concrete basements of my friends. It’s the perfume of a particular brand of old Yankee house that’s been sitting on the same patch of dirt for two and half centuries---a combination of must and dirt, and more often than not, the stink of an unfortunate chipmunk that found its way through a chink in the stone foundation. In October, a month that’s goulish without even trying, our house could smell like death itself. To combat the scent of the damp and dying, my mom kept a small pot on the back burner of the stove. In it she’d pour a glug of apple cider and mix it with water from the tap. If there was an apple peel that would go into the pot, along with dried orange peel if we had any, a stick of cinnamon, allspice, and cardamom. Every hour or two, we’d add more water to the mixture, which became thick and dark the longer it simmered. The burbling spices would mask the smell of rotting vermin and simultaneously herald in the new season.

In college, when I didn’t have a stove of my own, I would buy heavily scented candles. Yes, the ones that come from stores so full of artificial scents they make you queasy. They had names like Autumn Spice and Harvest and once, maybe, I stooped so low as to cart home something called Apple Pie. I’d line up the candles on my desk at school and they’d sit, unburned, from October until Thanksgiving. The result was never the same, but the approximation was all that mattered.

These days I’m armed with a pot and a stove of my own and my method mirrors my mom’s. In our tiny apartment there’s a pot simmering away on the back burner.  Fall is here and it smells so much better than a candle.

VIII. Paris

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Emma, one of my best friends from high school, comes to visit me in Chambéry for her spring break. We travel up to Paris to spend a few days, renting a room in a hostel in Montmartre from which we can lean out our window to see the tiniest part of the Sacré Coeur. Emma doesn’t speak or understand a word of French. It is up to me to guide her around, which I kind of like.

One night, having slept through dinner, we go out to find some bread and cheese. The only place open around us is a sketchy little grocery, common in certain parts of Paris. The man behind the counter, unshaven, overweight, and twice my age, leers at me from the second we walk in. There is nothing I hate more than being leered at.

As we try to pay, he keeps asking me where we are staying, what are we doing in France, will I have a drink with him. I, of course, have to do all the communicating. Emma, unaware of what’s happening at the counter, is studying the candy display as I try furtively to nudge her out. The man doesn’t take the money until I tell him I will meet him later, which I have no intention of doing. I want to tell him how much he repulses me, but instead I turn and walk away as fast as I can, slipping on the cobblestones.

I felt sick, dirty, the rest of the night, even while Emma and I eat our dinner on the Montmartre steps overlooking the city. I don’t walk by the shop for the remainder of our visit. I don’t even walk on that street.

Let's get this show on the road

As I write this post, I am surrounded by wedding paraphernalia. Place cards piled on my desk. Road signs that shout “Wedding this way!” propped against the wall. A conspicuous ivory dress calling to me from the back of my closet. And then there are the peripheral objects, filling up our routine spaces with signs of impending festivities. The cards (incoming and outgoing) perched on the shelf, supplies to feed more than just the two of us piling up on the counter. Even our little dog, Maisie, has resigned herself to a pre-wedding snooze, belly-up in the corner, exhausted from all the preparations.

For the past seven months, we’ve mostly kept the wedding debris at bay. Even if it was increasingly on our minds, we generally kept the wedding off of the kitchen table, returned relevant reading materials to their places on the shelves, and tried to make lists, not piles.

 

With two days left to go, however, all bets are off. I suddenly feel as if my space reflects my internal state—messy, chaotic, ridiculous, and wonderful. Our little apartment is starting to feel something like backstage at a theater. Everything points to something important that’s about to happen, something much bigger than this little space or even the two of us, scrambling to get this show on the road.

If there ever were a time to call liminal, it’s this. I can only think to compare it to finals period, when time seems to come unhinged. You fall asleep late and wake up early in an attempt to add more hours to the day, to slow down time. Your stomach feels weird, and you’ve been eating a very balanced diet of cupcakes and Doritos. You will accomplish a seemingly impossible number of tasks. Something will certainly be left undone. You are so very close to an end and a new beginning.

Over the next few days, I'm sure I will wish I could fast forward through stressful moments and slow down beautiful ones. I am looking forward to many hugs and smiles. I am so, so thankful to be marrying my sweetheart. As the whirlwind weekend begins, I am grateful that we're taking the time to acknowledge our commitment among a handful of family and friends, and I am especially excited to return to our regularly scheduled programming, to our life together.

What Are You Reading (offline, that is)?

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Joy Netanya Thompson is a freelance writer based in Pasadena, California. Born and raised in Los Angeles, she holds a bachelor’s degree in biblical studies and recently finished her master’s degree in theology and the arts at Fuller Theological Seminary. Joy loves to travel, and spent extended amounts of time in Australia, Mexico, Norway, and Germany. Besides daydreaming about her next travel destination, Joy also spends much of her time relishing novels now that her graduate studies are complete, learning how to cook a meal in under an hour, and riding bikes with her husband Robert. She writes at her hopefully-soon-to-be-revived blog, Eeper (www.netanya.wordpress.com). Joy Netanya Thompson

The Gift of Asher Lev

by Chaim Potok

My husband and I have been devouring Chaim Potok’s books for the past few months. Our first exposure to him was about a year ago when I read My Name is Asher Lev for a class. The Gift of Asher Lev is the sequel, and focuses on the title character, a world-famous artist who started out as a child prodigy in a Hasidic community in Brooklyn. In both books, Asher struggles with his two identities—the Hasidic Jew who is loyal to his faith, family, and community, and the world-class artist who must create or die. Potok’s style is utterly mesmerizing—his are the type of books in which you become totally absorbed—and his stories are haunting, the kind you think about for days after finishing them. Reading his books, I not only feel more connected to my Jewish roots, but also to my own humanity. Over the past few months I also read The Chosen and Old Men at Midnight. They are all worth the read!

A Room Called Remember

by Frederick Buechner

I was introduced to Buechner last year through his novel Godric, which I also highly recommend. A Room Called Remember is nonfiction, a book of his uncollected pieces. It’s a hodgepodge of essays and articles, a few sermons and a few speeches. My favorites include “All’s Lost—All’s Found,” “A Room Called Remember,” and “Love.” Each piece in the collection is written in his lyrical style that sometimes includes seemingly endless sentences with all the words toppling over each other—but in the best kind of way. His insight into the human condition, and especially human spirituality, is piercingly beautiful. He is a truth teller and a wordsmith, an utterly powerful combination. I also just finished his novel Son of Laughter in which he fleshes out the story of Jacob in Genesis, with all of its scandal and betrayal and humanity; it’s also a fine work.

 

Becky Still, Managing Editor and Senior Writer at Fuller Theological Seminary

How It All Began

by Penelope Lively

I liked this a lot; the writing is excellent. The book follows a chain of people whose lives are all affected (some of them significantly) because one older woman, Charlotte, is mugged. Her daughter Rose must rush to her aid, which ends up setting off a chain of events for the man Rose works for, and on and on. There is interesting commentary by Charlotte about growing old and the nature of one’s individual history, how it defines us. The whole book illustrates, in a delightful way, how interconnected we are.

Stone Diaries

by Carol Shields

This book is from the early 1990s—I randomly picked it up at the library and ended up liking it quite a bit. Again, great writing. It is the fictional “autobiography” of a woman named Daisy Stone Goodwill, tracing her life from birth (1905) to death in the 1990s, through diary entries written both by her and by various people in her life. Diary entries written by different people about the same event show how much we see things through the lens of our own experience.

 

Grace Farag, Writer

The Way Through Doors

by Jesse Ball

My "author crush" on Jesse Ball began when I read his novella "The Early Deaths of Lubeck, Brennan, Harp, and Carr" in the Winter 2007 issue of the Paris Review. The quirky strangeness of the plot, an odd formality of style, and lightly yet sensitively drawn characters hooked me right in—and at the (haunting) end of the story, I was simply, wildly jealous that I had not been given the privilege of writing it. After that I set out to read more of his work…and that's how I eventually got acquainted with his novel The Way Through Doors, which has become one of my favorite works of fiction of the past few years. I love the interwoven narratives that blend in and out of each other, and how you never know when and where one is going to begin or the other end. I love the underlying romantic sensibility of the story. I love the title. I love the poetry of Ball's prose, the musical rhythms of his sentences. (It was no surprise to me to learn that Ball is also a poet.) I love that he has a character who is a "guess artist." I love that I never quite knew where Ball was going, but that there was so much pleasure in the getting there. I just plain love this book! But I won't lie--not everyone will. And that's OK. That's the beauty of literature, of any art. So many doors, so many ways through them. Here's to the unexpected journey…