On Narrative and Country Music

My son took his first unassisted steps this week. It was pretty amazing, particularly because he took them while giggling hysterically. We had to buy him big boy shoes, and once we got home and he was toddling around in them, there were tears. I try not to be too much of a sentimommy, (that’s sentimental + mommy, I think I just coined it) boring people with maudlin stories; however, seeing him in those shoes walking on his own made me flash back to a year ago this time when he was a writhing, yelping, mess of a baby. When my son was brand new, I spent a decent amount of time alone in the car with him. Often, when he woke at dawn (or just before), I would whisk him out of the house to try and foster an hour of two of uninterrupted quiet for my wife to sleep.  If the weather was nice, we often went somewhere to take a nice walk, but if it was too hot or rainy, we just drove around a bit.

I found myself one morning listening to the “today’s hit country” station on the satellite radio. I have never had a strong feeling about country music one way or another. I’m from West Virginia, so it’s always been around, but it’s not the first genre of music I choose (I do, however, have strong opinions about people who say “I like all music except country” because it’s a coded statement about rural people, the same way I dislike “I like all music except rap” because it is a coded statement about urban people). All of that said, I have a trivia maven’s knowledge of country music. I know who major stars are, I can identify certain key songs, but I am by no means a fan.

Last summer, though, I went all country all the time.  When my wife asked me what the deal was, I had a hard time coming up with an answer. Part of it was having something new and different to listen to. For a period of time, every single song I heard was new to me (which lasted about a week before I could easily identify which songs were in heavy rotation). But, more significantly, so many of the songs had actual narratives. Stories! Country music has always been known for its stories, and while it’s not true for every song, it seemed to be true for many.  I followed each narrative to its end, and in a time when I couldn’t often find a moment to finish a magazine article, much less a book, it was a little bit of comfort at a chaotic time.

I began to discover recurring themes and motifs, much like I am always asking my students to do. Last summer there were several different songs getting a ton of airplay that made passionate arguments in favor of back roads rather than the interstates. Multiple songs name-checked Hank Williams (both senior and junior).  One made fun of men who eat sushi, drive Priuses, and drive on the interstate. In the bleary-eyed days of early motherhood, I threw myself into music that I can’t say represents much of my worldview.

Except for one thing---my worldview does value narrative. A story, even one told in under four minutes that I can’t personally relate to, can be truly transformative. Sleep-deprived and at times overwhelmed, I was soothed by the narrative structure of country music. I hazard that there is no other genre of American music that conveys as many narratives as country music (somehow, Katy Perry’s story of “Last Friday Night” doesn’t have the same push and pull of plot as, say, Martina McBride’s song about breast cancer, “I’m Gonna Love You Through It”).

One day, about five months later, I realized I had stopped listening to the country channel and had gone back to my old stations. My acute need for narrative had passed somehow. Maybe it was because I was more rested, maybe because I was about to go back to my day job of teaching high school English, but it passed. I listen to some of the songs from that time, but more because they remind me of the early days with my son than because I really enjoy the songs. I’m grateful for the solace that country’s narratives brought to me. Oh, and for introducing me to Miranda Lambert’s “Baggage Claim.”  That one is just a great song.

You can go home again.

At least twice a year, I come back to my hometown in California for a visit.  The goal is to get back here every quarter, which, in the math of our crowded lives typically translates into every six months.  These trips take on significance beyond a vacation.  They are a form of meditation for me, a head-clearing journey back in time. While many people avoid visceral reminders of the person they have been, I seek them out whenever possible.  In the movies, characters often return home to revisit glories from their youth or to avenge some wrong that they carry into adulthood.  This is not my story---it is nothing so black and white.  I do, however, perform some touchstone rituals that allow me to take stock.

Along with every German backpacker and family from Minnetonka, I pay a visit to the seals at the Cove.  I stand on the wall above the beach where, as a child, I spent hours diving to examine sea creatures and baking on the course sand.  I watch the slippery, spotted beasts cuddling close in the sun and am reminded of piling onto the roof of the car with my brother to watch a drive-in movie on a summer evening.  I walk up the hill along the water to a patch of grass that saw a friend’s mother’s psychotic break, a cottage that was the site of a first date turned into a marriage turned into an excruciating divorce and a cliff where I learned to bring my battered heart to the ocean.

As with so many aspects of my life, all this revisiting is at once healthy and productive and also like repeatedly running my tongue over a sore tooth.  I am afforded multiple opportunities to process the wounds and confusion of childhood and make some adult sense of things.  I am flooded with the sugar rush of memories from a mostly charmed young existence.  I call up primal fear and devastation and then forgive myself and everyone else.  I hit up every frozen yogurt joint in America’s Finest City because it just tastes better here.

Back home in New York, I have rituals, but they are rooted in keeping my present life manageable.  I fold the towels in the kitchen just so.  I put pacifiers in every room, ensuring I always have one at-the-ready.  I put ice cubes in Ruby’s dog bowl in the morning hoping her water will stay chilled for a few hours.  I approach the apartment through Fort Greene on my way home so I feel like I live in a nicer neighborhood.  The million and one things like this that comprise and organize my days feel like some version of a lifeline and I suppose have some relationship to my identity.  I don’t cook, but I like a clean kitchen.  I am a mother to child and bulldog, alike.  I worry about the shady dudes on my street corner.  But without a periodic anchoring to the chapters that have come before, I start to feel adrift.

I wonder whether moments in time will come to have the same power in my new(er) city.  In that place, I am collecting formative experiences all the time.  And I know that someday I will trot my daughter around and show her the block where her father first made me swoon on the walk back to the apartment that would become my home.  I will take her to the stoplight where we sat idling with her three-day-old, tiny, chicken of a self stuffed into a carseat on the way home from the hospital while they played that one song on the radio that it seemed like we must have willed them to play.  I will sit her on the Great Lawn and describe a hazy afternoon when we talked about books and politics for hours and I realized I could see myself moving back here so that this conversation would continue on forever.

The snapshots of life are more convoluted now.  They are messier portraits, built on layers of knowledge that temper the way they imprint on the psyche.  Perhaps coming back here and slogging through ancient history is a therapist’s version of escapism?  It is infinitely easier to solve the puzzles of the past than it is to do the complicated work of the present.  Still, I like the idea of looping back around again and again to find new twists on the narrative.  Each round brings me closer to this moment, where I have the chance to re-engage my story with a few extra insights.

The trips that weren't

What they do not tell you about the Pyramids is that, grand as the monuments may be, the surrounding area smells profoundly of camel piss. I arrived in Cairo ungrounded: no apartment, no friends, no Arabic, not even my own luggage. I was anchorless to the point of adrift---weightless to the point of exhilarated. Over time, Cairo became filled with the buoyancy of firsts and the gravity of love. It was the first place where I worked with the United Nations and, in many ways, where my passion for gender advocacy and conflict management came alive. Cairo marked my first attempt to live mindfully in the present, an endeavor that ran counter to my inclination to wander in the memory of the past or anticipation of the future. And on the first day of Ramadan that year, I met someone on a boat on the Nile in the kind of way that will make it impossible for me not to consider the river blessed, the city magical, and my time there transformative.

We drank strawberry juice in a street alley across from his apartment building. Pronouncing "Mumkin asir faroula?" became a small victory. The strawberry juice gave way to tea and to coffee and to domino and when we ran out of non-alcoholic drinks and board games, he would deposit me into a taxi and I would employ the only other Arabic I spoke at the time: "Five pounds. The fare is supposed to be five pounds." The driver would argue, I would say no emphatically, habiiiiibiiii would bellow from the radio, we'd run a red light or five, and my head would hit the pillow just as the first call to prayer of the day echoed from the nearby mosques. The realm for a public romance was limited and filled with mines, so our budding love was rife with the kind of companionship that prepares you well for retirement: conversation, domino and tea.

And I had yet to see the Pyramids.

This was a point of contention among my friends. It did not matter that I was filling their inboxes with the cautious enthusiasm of a young love. Everyone would write back asking how Cairo is and "have you seen the Pyramids yet?" "No, but there's this little alley that I love . . ." stopped cutting it as an answer.

Four months of alleys and domino later, I had eight hours before I had to be on a plane to Uganda. I asked the cab driver to take me to Giza for the trip that almost wasn't: the pilgrimage to the Pyramids. The postcards create an impression that the Pyramids exist in a vacuum. They do not tell you that there are apartment buildings poking the air around the area of the Pyramids. The guidebooks do not mention the all-piercing smell of camel piss.

They also do not mention that great memories are not always made in the shadow of historical grandeur. Future travelers should take note of the unmarked alley off the map (which, to be fair, also occasionally reeks of urine). After standing in awe in front of the Pyramids for a few minutes, and waving off the salesmen asking me to buy papyrus, I went back to my alley, for one last whiff of nargileh smoke, sip of strawberry juice, and exhale of gratitude for the memories that were.

In Guatemala, I failed to make it to Lake Atitlan. In Colombia, I never saw Villa de Leyva. In Uganda, I missed Murchison Falls. This was neither my criminal inability to traipse to remarkable places nor a snobbish rejection of the kinds of experiences that inspire universal awe. Rather, I learned in Cairo to allow myself to be attached to the alley---and, like Hansel and Gretel in the fairy tale, to leave a trail of crumbs to come back to. "The trips that weren't" give me an anchor in a home that once was. They supply a reason to retrace the steps to a self I left behind. Seventeen conflict and post-conflict zones after Egypt, I favored the sites of memories over those in the Lonely Planet, saving the latter as collateral to the promise that I would return.

Jerusalem was meant to be the last stop for a while. After my work there, I would fly across the ocean to the United States to return to an academic study of gender and conflict. I would unpack the bags and own what is gratuitous simply for the sake of not worrying about how to pack it for the next trip. I would own wine glasses and more than one pair of sheets and I would get excited about things like latte art and permanence. This time, I was not interested in leaving any item unchecked. A month before our departure, I made The List: walks, food, experiences to have before we leave. We ate nostalgia for four weeks, stuffing our stomachs with all the food we thought we would miss and our days with itineraries. I thought we did a good job this time, that we did so much and saw so much and felt so much that we would leave Jerusalem with a sense of satiation---as though that could vaccinate us against future nostalgia.

Two hours before we had to hail a cab to the airport, we lit a coal for our nargileh and breathed apple-flavored smoke into the street. We had recreated the alley. Everything else may have shifted, but it was still him and I and the apple-flavored smoke. We looked over The List and realized that "the trips that weren't" had become the trips that were. I was afraid that we had done it all, that there would be no more Jerusalem to discover in the future. We had crossed off the items.

All except one: The YMCA was his favorite building in town. It became mine as well. We never made it to the top.

Outdoor Movies

I’ve never been to a drive-in movie. This is surprising, mostly, because given the chance to partake in anything that smacks even remotely of another era, I’ll be the first to sign up. I know I can’t be the only one daydreaming of necking while the latest sci-fi thriller goes unwatched in the background. I keep telling myself, one day.

In my own defense, active drive-ins are increasingly difficult to find. While I won’t claim to be an expert on the subject, I think we can probably blame increased land values and the incredible ease with which we can all watch movies from the comfort of our homes. Surely, there’s something wise to be said about an increased cultural tendency to turn inward and something else about folks’ unwillingness to pass a cozy evening surrounded by their favorite and least favorite neighbors.

While the drive-in movie might be largely a relic from another time, there’s an alternative to be found in movies playing in outdoors in city parks. Judging from the crowds at these cinematic evenings, I’d hazard the guess that more people than we realize relish the opportunity for some quality time surrounded by other humans under an open sky.

Last week, my fiance James and I joined throngs of our fellow New Yorkers to watch To Kill A Mockingbird in Brooklyn Bridge Park. The scene was impressive. The lawn was full to overflowing with families and friends and, in the case of the duo in front of us, very amorous young couples. Many of them packed dinner picnics and set up a hodge-podge of sleek picnic blankets and dirty beach towels to take in the film and the sunset over the East River. I imagine half the crew was seeking refuge from their overly air-conditioned offices and the other half sought the cool breeze coming off the river after a day of sweating it out without any.

Whatever the reason for being there, it was utterly delightful to be surrounded by so many happy movie-goers. The sun setting behind lower Manhattan alone would have been worth the walk down to the park, but seeing so many people enjoying it together, well, that just about got me choked up. If you’ve got a hankering for a little summertime movie adventure, or are feeling bummed out about a summer in the city, I heartily recommend trying to catch an outdoor movie or two. If you’re not in New York, never you fear. There are outdoor movies screening in cities all across the globe. Check out your local listings and make a pact to go. It'll be worth it.

YWRB: What We Rebel For

By Amanda Page Essays were written. We collected them and took them to the head of the English department. We handed him our short stack and waited. We waited for his reaction, for his feedback. We stood in his office, terrified, exhilarated, proud of ourselves for taking this on, scared of ourselves for the same reason.

Maybe we wanted his approval. Instead, we received, with apprehension, a question: what does rebellion mean to you? He didn’t want to disappoint us, that much was clear. But he wanted us to understand that something was missing.

“Right now,” he said, “all I’m reading is several stories about drinking in bars and meeting boys.”

It was early in the project and we were in our early twenties. Drinking in bars and meeting boys was a significant slice of our collective experience.  He went on to say that we needed to have a point, a reason to rebel. We knew he was right, but we challenged him anyway. My memory wants to share a moment where one of us (Amy) dared him to see past the surface to what we were really saying. I don’t remember exactly, and it both kills me and relieves me. I want to say that he responded by daring us to do the same.

We were orbiting the point, just discovering the lesson.

I don’t remember where we found it or who gave it to us, but we happened upon the Marlon Brando quote from The Wild Ones. A girl asks him, “What are you rebelling against?”

He answers, “What have you got?”

Well, we had plenty.

It’s too easy to look back and assign ourselves things to rebel against. I also think that we weren’t rebelling against things. Our rebellion didn’t look like rebellion, which could be seen as a type of rebellion. But we weren’t protesting, we weren’t overtly political, we didn’t have one particular issue that pushed us or for us to push back.

I like to think that we were rebelling in the service of something. We were rebelling for something, not so much against. The idea was to share some instruction on how to rebel, how to live, how to be a young woman writer. We were writing it in real time.

It’s clear to me now, that our rebellion was an attempt to figure out how to live our lives authentically---how to live an authentic life. Every act of authenticity is an act of rebellion. If we rebelled against anything, it was the script. When you’re about to graduate from college, your options can feel limited. You can be overwhelmed with choices, and paralyzed by the pressure to choose. We fought against that pressure, those expectations, often from well-meaning family and friends and professors and advisors.

The most we could hope for was to make interesting lives for ourselves. And at that point, the interesting stuff was boys and bars.

Of course, there was more. By claiming any kind of power over our own lives, we were rebelling against many things: parental expectations, societal expectations, what we’d been taught and what we’d been told to expect for ourselves.

That’s where essays served us most. We claimed our power by claiming our stories. By owning our experiences, through how we wrote them, we created respect for them. I learned to respect my own stories. I learned the power in having a story, and in telling it. The YWRB project made my stories matter at a time when no one wants you to trust yourself. But I trusted my stories. I trusted Amy’s stories. I believed our stories mattered. Our stories mattered. That’s all anyone can ever hope for. That’s what we were trying to say to other young women: Your story matters.

That’s what I rebelled for.

Alone

“Run the marathon with me,” says my best friend (who also happens to be my business partner), “I don’t want to train for it alone.” At the time, her husband is contemplating taking a job 3,000 miles away, in our hometown. We are both hoping to move back in a few years—this city is the bullseye of our 30’s. Our lives are so intertwined that when she mentions him interviewing for it, the job isn’t even contained within the realm of possible. I take it as seriously as if she had told me he was buying a unicorn. I sign up for the marathon on a whim; running a marathon is on my bucket list, and who wants to do anything alone? We are going to train together, to run together. This marathon is to be another check on our list of things that we’ve done, together. We’ve built our business on the principles of wellness and prioritize making time for our friendship amongst our busy days. Our love of running (and ability to run together--no small feat for two lone-wolf runners) binds us; of course this would be something we would tackle together.

I get the message while I am finishing up some work for the evening: “He got the job.” And then within a matter of days, it’s final: my best friend is moving away. Far, far away. I feel happiness for her (she’ll be so close to her family) and deep, deep grief for the moments that I realize may not come the way we had expected them to (We always bring our girls to see Santa together, I worry about her kids not remembering me). At the core, below it all, I am desperately afraid of being left alone.

We were fast friends, bonded by our California roots and our preppy east coast husbands. Running together early on was a test of the potential in our friendship. Our first run together took us over a sun-dappled gravel path that smelled of decaying wood and fresh undergrowth in New Hampshire. It was the summer I got married, before spending our time together in the summer was happily consumed by organizing activities for our sunscreen-slathered children with impossible blonde highlights. She was training for a marathon. Before we started running, I had visions of being left far behind, huffing and puffing in an embarrassing attempt to catch up. That melted away once we started out. Our steps fell into synch, our paces compatible. This, I thought, could be a great friend. Towards the end, as our conversation waned and our breathing and footsteps were all that broke the silence, we realized that we had both stopped sweating, not for lack of exertion. This found us begging for water at a local bar. It was cool and perfect, and we clinked the plastic cups they had given us in a toast to our inevitable closeness.

She has been my steadfast company in a tumultuous time. Through my husband’s surgical training, where he works countless hours, through the birth of my daughter and the growth of our business, she has been my constant. I am as entwined into her family as I am into my own. I love her kids with the unrelenting ferocity of a blood relative; her little sister makes me feel like less of an only child. In fact, her family is the primary reason that though my husband spends far more hours at work than he does at home, I (and my daughter) have felt neither lonely nor alone. Now, during my runs, I have a desperate and sinking feeling. My brain repeats over and over, “I don’t want to do this alone.” What, exactly, I am afraid of doing alone eludes me. Perhaps this is an indication of the hole that she will leave when she moves.

For the first time, I am running and crying at the same time. With our training for the marathon, I am spending more time on the road. Mostly alone, since our routine has been so upended by this move. Running for me has always been a release, and the metaphor until this point has been of the yogic variety: finding comfort in discomfort, pushing through, knowing when to yield. I ran through teaching special education in the Bronx, through the abject terror of my father’s cancer, through the life-swallowing grief following my grandfather’s death. In these times of hardship, I turned to running to be my constant companion, found solace in its repetitive simplicity. Left, right, repeat. All without tears. To stop the tears, even. With this move comes a new metaphor in my running: I don’t want to do this alone. I’ve always run alone, save for runs with very close friends (I have exactly two people with whom I like to run, not including my dad's running club, many of whom I have known and run with since I started coming home from college). What is it about this time in my life that brings the tears every time I lace up? Running had, for so many years, been my companion; now its companionship reminds me of the one I am losing. This marathon, this move, solidifies for me the simple fact that good company is at the heart of what we all want in life. Yes, misery loves it, but so does joy.

It’s all anyone really wants, isn’t it? A friend to synch steps with; company for life’s path. We look for, and find, companionship in the oddest places. Online, in bars, in friends’ social networks. We find drinking buddies, lovers, friends, husbands, confidants. We curate relationships that we hope will prevent us from being alone---truly alone---on our journey. But, I’m learning (as an unwilling student), interludes of aloneness are inevitable, even with the most loving cultivation of relationships. More than not wanting to face her leaving me, I don’t want to face it alone. A cruel irony. The fact is that it’s only her and me inhabiting our friendship; when she shifts a bit, there is nothing to fill that space, except dull sadness and the fear that she has something to fill the space that I will leave.

A few weeks ago, my left quadriceps started to ache. It was unstretchable, unrestable, unmassageable. Gnawing. I chalked it up to getting older. Then, last week, my right leg began to ache behind my knee, a twinge with each step. As if one leg was incapable of working without the other. Left, right, repeat.

What Are You Reading (Offline, that is)?

This space is usually reserved for books, sometimes magazines, but always the printed word. At risk of romanticizing the tactile pleasure of physically marking where you’ve left off (are you a corner-folder or a book marker?), feeling the right side lighten with every page flip, or getting the perfect crease in the newspaper allowing you to hold it with one hand while balancing a coffee in the other, I will say that print will always be cozier—in my mind, friendlier—than digital words. But some print publications are fleeting and I feel incredibly lucky to live in a time when an article I’ve read, dog-eared, carried with me even, can be shared via the internet.

***

I love books. I’ve loved them unrelentingly since my first wobbly attempts at reading—maybe closer to memorization—when I was still small enough to be afraid of the dark and was, thus, the proud owner of a flashlight, perfect for illuminating pages under my covers. In elementary school, I once got into mild trouble for reading a too-good-to-put-down-for-an-entire-school-day novel on my lap during an unnecessarily long lesson on soil erosion. So you can imagine my surprise when during a particularly tumultuous time in my life, I’ve found myself unable to give a book my full attention or to still my thoughts long enough to form my own sentences.

It was only during this past year that I truly released the notion that we would move west. We renovated our apartment to include an office big enough for daily work sessions with my business partner/best friend and co-worker/sister, settled our daughter in an adorable preschool, found a nanny for our son who puts Mary Poppins to shame, and helped my sister move from an apartment upstairs to one literally right next door. Life being what it is, we had only just settled into this routine that felt worthy of forever when my husband got a job offer in San Francisco—at a company he’d admired for years, doing exactly what he wants to do, with people who could aptly be described as awesome.

In some ways this move is a no-brainer. Even putting aside my husband’s opportunity, there is a lifetime of reasons why our family should settle in San Francisco. One of the first things that people learn upon meeting me is that I’m a Northern Californian. My husband and I got married in Napa. Our dog is named Tahoe. I refer to the Bay Area as “home” (I also happen to refer to New York as home, but that’s fodder for another time). My huge extended family spans the west coast from San Jose to Seattle, with three quarters of them living in the Bay Area; our holiday gatherings have been described as epic. But it was sudden and I’m sad (which is a huge step up from the first few weeks after this news when I would have said heartbroken).

While books, even some of my forever-favorites, haven’t soothed my anxiety or even temporarily diverted my attention from this looming change, essays and articles that seem to have been written with me in mind have found their way into my purse. I pull them out—all crumpled and soft from the friction of my wallet, phone, and stray chapsticks—and read snippets when I’m feeling particularly heartsick. They’re worry stones for my mind.

***

I’ve always been a loyalist—none of that flitting around from thing to thing for me. I excel at commitment. My upcoming move wasn’t even a topic of conversation when I came upon this article, “The Joys of Staying Put,” over a year ago. Apparently, there are people who live in their New York apartments for a lifetime, generations even (see also “100 Years of Staying Put”). These are my people, my tribe. This article may have been the catalyst for my decision to live not just in the same city or same neighborhood, but the same apartment . . . forever.

The funny thing is, our apartment isn’t even that great. I mean it’s reasonably sized by Manhattan standards, it’s a duplex, and it has a backyard. Oh, and our rent is below market in a neighborhood we love. It’s also what a good realtor would call “charming” or “full of character,” meaning it’s old, creaky, and will always have a thin veil of dirt, no matter how hard you scrub. None of that really matters though because we hear the birds chirp every morning and one of the neighbors with an adjacent yard plays classical music on his outdoor speakers most afternoons (though everyone on the backside of our block, at one point or another, thought we lived in listening distance of a great pianist). Only one other person seems to understand: the late and great Nora Ephron. Her brilliant essay, “Moving On,” about falling in love and leaving an apartment, is everything I feel. Like one of her movies, I read this piece and find myself laughing through my tears.

Now I’m in what Thomas Beller calls the “In-Between Days.” We technically still live in New York, but we’ve been traveling to and from San Francisco. Our count of the New York days we have left is close to single digits. Every experience has the potential of being characterized as “the last”—last impromptu backyard grill party, last day of pounding lattes and never watching videos of animals doing funny things in the office, last run up the Great Hill. Then there are the saddest ones of all—last stroll through an empty wing of the Museum of Natural History while our daughter makes up elaborate stories about the exhibits and our son interjects with animal noises, last family walk during off-leash hours where our little ones scramble up the rock they’ve termed “the mountain,” and the kids’ last ride on the double-swing my husband hung in our backyard (the one baby Jack is only just big enough to hold on to himself). There’s a real danger of letting every moment become too precious to be real.

Despite my temptation to squeeze the life out of our last days in the only home I’ve known for my adult life and to document everything we do prior to our move for posterity, I’m trying to remember that I don’t have to. I should be marveling at my luck. Unlike Joyce Maynard, I’ve fallen in love with a place that in all likelihood will remain right where it is for the entirety of my life and my kids’ lives too. In Maynard’s essay, “Paradise Lost,” she describes her grief and finally acceptance when rising waters slowly submerged her home and haven on Lake Atitlán. Her surrender to the reality of life came when she realized "The idea that any of what we have will last forever is a dream." If we hadn't changed our life by deciding to move across the country some other circumstances would have. We'll cry, we'll move, and then we'll visit an ever-changing New York through our ever-changing eyes.

He'd have me at Atwood.

Tell me, if you would, what each of these lists has in common.

1984, The Odyssey, Infinite Jest, Super Sad True Love Story. Lots of non-fiction, typically covering: history, science, or art/art theory. Neil deGrasse Tyson/Brian Greene/Richard Feynman. And biographies/autobiographies.

Just finished Nick Flynn's Another Bullshit Night in Suck City, which is incredible. I am sappily fond of David Foster Wallace for many many reasons.

Confederacy of Dunces, Girl Curious Hair (surprised, wanted to really hate him), everything Salinger or Kundera.

Currently reading Life by Keith Richards and miscellaneous repair manuals. Some favorites: White Noise, Libra, Assassination Vacation, Shop Class as Soulcraft, Outliers.

All the Kings Men, The Man in the High Castle, 100 Years of Solitude, The Odyssey, Who Censored Roger Rabbit, The 1,001 Nights, Rosencrantz and Guildenstern are Dead, Catullus.

They are lists of books, it's true. And they're charmingly eclectic, up to a point. I mean, you have to admit that there's something adorable about a list that includes works by both Homer and Neil deGrasse Tyson. But look a little closer, and you might notice something missing: not one of these lists of favorite books includes a single novel written by a woman.

The common thread uniting these? They all herald from the OKCupid profiles of men who've either emailed me or caught my attention in the last few weeks. I haven't met any of these gentlemen in person yet, but they all seem perfectly nice, bright and open-minded. They are men who claim, either in their profiles or in the answers to their questions, a certain level of liberalism---even feminism. But nary a one lists a single book by a woman---not even a freaking short story---as among their favorites.

Whenever I get an email from a promising guy, I dread scrolling down to this part of his profile, knowing that pretty much every time I'm going to feel a twinge of disappointment in a man I otherwise find interesting. Why is it, I ask myself, that none of these men can be bothered to include a woman among their favorite authors? The likely answer, of course, is that they probably haven't read anything by a woman---with the possible exception of Doris Kearns Goodwin---since college. (Habits developed in childhood---which we've discussed before---follow people for life, kids.)

By contrast, here are the favorite books of some awesome, single, straight ladies in the same age range and geography:

A Visit From the Goon Squad (Jennifer Egan), Super Sad True Love Story (Gary Shteyngart), The Amazing Adventures of Kavalier and Clay (Michael Chabon), The Unnamed (Joshua Ferris).

I have favourites ranging from the Hitchhiker's Guide books to Jane Austen (cliche I know) to Stephen Fry's books.

Beckett, Plath, Hughes, Jack London, Brontës, Poe, Camus, Anthony Minghella's radio plays, Donne, Dostoevsky, Gogol, Strindberg, Thoreau, Marx, artists' journals (especially Munch), T.S. Eliot, Braudel, Benjamin.

Nabokov. Wells Tower. Lorrie Moore. Jennifer Egan. (Writing a list of books could take me forever and would only look boring on screen.)

The Handmaid's Tale, Middlesex, House of Mirth, I Capture The Castle, Persuasion, Grimm's Fairy Tales

This is hardly a scientific survey. But I can't help but think that when men---especially supposedly progressive, liberal, worth-dating men---can't be bothered to read women's writing (or, if nothing else, to cop to it online), we have yet another symptom of our still-yawning gender gap. (On the flip side of things, note the woman who feels the need to temper her love of Austen, one of the Western canon's greatest social satirists, with an aside noting how cliche her admiration is.)

I truly believe that "small" things like this are just the bubbles popping on the surface of a roiling body of sexist water, seemingly benign indicators of the ongoing wage gap (even more notable for women of color), the constant, unending street harassment women face on a daily basis, the one in four women who will be raped in their lifetimes---and on, and on, and on.

Plus, these dudes are missing out on some seriously awesome writing. Margaret Atwood is for real, bros. And would guarantee a reply email, to boot.

On Inequality

The night before my son was born, my wife and I were in the hospital at the beginning of a very long process. It was June 24, 2011, and the New York state legislature was preparing for a vote on a bill that would legalize same-sex marriage in our adopted home state. The timing was pretty remarkable. My wife and I have been married since 2008, when our immediate families joined us at City Hall in Toronto, Ontario for our wedding. It was a funny limbo to live in, to be married in Canada, but not at home in New York. When we drove into Massachusetts, and said “married!” it often caused us to chuckle darkly. It’s weird enough to be able to buy beer in grocery stores in one state and not another, but to have your own family status legally change based on state boundaries is beyond weird.

The vote in the legislature was going to be close, and both of us had contacted our state senator, Steven Saland, a Republican, to state our hopes that he would vote for equality. In fact, I had called that very day while my wife packed up the last of her things for the hospital. I felt as though he might not even believe me, leaving a voice mail saying, “I’d like my son to be born to two married parents and you could make this happen.”

Of course, the ending of this story is well known.  The bill did in fact pass, and Senator Saland was one of the swing votes. His wife of forty-six years, according to him, “certainly lobbied him,” reported the New York Daily News. How fitting that my marriage was legally recognized partially because of the bond and influence within another marriage?

The moment when the bill passed, as we were up late in the hospital room felt almost ethereal.  Our son was about to enter the world at a remarkable moment in history, and not just History-with-a-capital-H but in our personal history. It felt fated, and I don’t feel that way very often, but even my cynicism couldn’t deny a certain sense of destiny.

Now that a year has passed, however, I no longer feel the blissful surprise of the legislature’s decision. I’m not satisfied with feeling as though I only have a handful of states in this country I can ever live in, with so many others officially off limits (I’m not taking that particular step backward). I realize how quickly this year passed and I know that the years will keep flying by and soon my son will have questions.

There’s no easy way to explain inequality. Why do some people have so much and others so little? Why do women still not make as much money as men for the same jobs? I teach Elie Wiesel’s Night to tenth graders every year and there’s always at least one who asks, “but why?” as the concept of a Jewish ghetto is introduced.  I have honed an answer to that question over time, but it never feels convincing. How will I explain to my son that our state sees us as a family, but our country does not?

I suppose I could show him all of the various tax returns that we had to have prepared: separate federal returns (which mean that my wife, in the eyes of the federal government, is a single mother), a joint “dummy” federal return to inform state returns, and a joint New York return.  I could explain that many people have had to endure a lack of family equality for as long as the United States has existed. We could talk about the Loving v. Virginia decision that will likely inform any decision the Supreme Court makes on the issue.

Fortunately for me, our little boy is not yet concerned with such things, not when there is water to splash and trucks to make go “vroom-vroom.” Someday, though, he will be. I am grateful to Governor Cuomo and New York’s lawmakers for validating our family and setting an example for the rest of the country, but I hope that this inequality, one that is anathema to what I believe to be “American,” is rectified before today’s children are adults who are appalled by the generations before.

What Are You Reading (Offline, That Is)?

Yes, I have a love affair with books. My relationship with them is passionate, compulsive, sometimes even compromising. Books have shaped my life since I’ve been born – naming me Alice, my mother fatally bound me to a destiny of being a day and night dreamer, and I soon started to accept the responsibilities carried by my name, letting myself be won over by an alluring and beguiling world called Wonderland. And once upon a time, when I was 25 (well, I’m 30 now!), I did find my Wonderland---it actually feels like my Neverland, too---in a country (America) I deeply love and consider the one where I can get lost, and found, and I always feel myself at my best potential. I indeed tumbled into Brooklyn, a borough I fell in love with, a very special spot that takes thousands different shapes and smells thousands different smells. A place where I hope to live again soon.

So these are some of the books that have inspired and influenced my love for Brooklyn, and that have somehow contributed to shape my idea of a unique place.

A TREE GROWS IN BROOKLYN. By Betty Smith. LOVED IT BECAUSE it made me want to go back in time, wander around the streets of Williamsburg and meet Francie Nolan, a character I feel deeply attached to. Francie looks for simple pleasures in life, like being allowed to sleep in the front room of her house on Saturday nights, watching the busy streets below. Like her beloved tree, she is ready to burst into bloom. This novel paints a portrait of Brooklyn at the turn of the twentieth century, and it goes far beyond mere description. It made all of my senses came alive and helped me feel what it was like to live in Williamsburg back then.  A classic, a must read.

“It’s mysterious here in Brooklyn. It’s like – yes – like a dream. The houses and streets don’t seem real. Neither do the people.”

THE BROOKLYN FOLLIES. By Paul Auster. LOVED IT BECAUSE I lived in Park Slope, Brooklyn, not far from where this story takes place. The novel feels and sounds like the borough, and Auster's native Brooklyn is painted with affection. I liked Nathan Glass, a man who retires to Brooklyn to recover from lung cancer (and his divorce). And I liked his project entitled The Book of Human Folly, a chronicle of his unique mishaps, misunderstandings, foibles and foolishness, where he actually begins the process of authoring his own true existence.

“Kafka wrote his first story in one night. Stendhal wrote The Charterhouse of Parma in forty-nine days. Melville wrote Moby- Dick in sixteen months. Flaubert spent five years on Madame Bovary. Musil worked for eighteen years on The Man Without Qualities and died before he could finish. Do we care about any of that now?”

BROOKLYN. By Colm Tòibìn. LOVED IT BECAUSE this is ultimately an optimistic novel, and on many occasions it actually made me smile. Eilis comes from a small town in Ireland, and in the 50’s she crosses the ocean to find a new life. She has to learn to live in a new culture away from the only home she has ever known. I feel like she could have been more curious about Brooklyn though, and if I ever meet her in Wonderland I’ll tell her!

"She had been keeping the thought of home out of her mind, letting it come to her only when she wrote or received letters or when she woke from a dream in which her mother or father or Rose . . . appeared. She thought it strange that the mere sensation of savouring the prospect of something could make her think for a while that it must be the prospect of home."

BROOKLYN WAS MINE. Edited by Chris Knutsen and Valerie Steiker. LOVED IT BECAUSE it’s a collection of essays that gives some of my favorite authors (and today’s best writers) an opportunity to pay a tribute to Brooklyn. Its literary history runs deep, and also in recent years the borough has seen a growing concentration of bestselling novelists, memoirists, poets, journalists. Contributors include Emily Barton, Jennifer Egan, Alexandra Styron, Darin Strauss, Jonathan Lethem.

“... but this life, we have to admit - this endless throwing and retrieving of a ball, this endless cycle of shade trees to acorns to the winter hiatus from which our kidst burst, metamorphosed completely, while we try to believe we ourselves haven't aged - is the real life: the repetitive rhythm, the onrush of time.”

“There are moments when a city can suddenly acquire all the kinetic qualities of a human being, a person's moods and expressions, so that she becomes a character of some kind - like a large woman, I often think, half asleep on her side. You find yourself talking to her, asking her questions, pestering her. And living in such a city is a long, monogamous affair, or else a marriage one abandons from time to time. Cities are rarely causual flings.”

Only, I don’t feel Brooklyn WAS mine. It IS mine! And WILL always be mine!

Alice runs “alice + wonderland”, her new blog. She is now a copy editor at Rizzoli Publishing, in Milan, and a former Italian lecturer in New York and Washington DC. Alice is passionate about books, travelling, taking pictures, vintage clothing, and of course Brooklyn ❤ Tweets @pluswonderland.

From The Sound of Music....

Dearest Clara, We're having a bit of a homecoming this week you might say . . . Vienna, Salzburg, the mountains, the lakes: all of our Austrian favorites are on tap as we head off for vacation.  When Americans come to Austria, they can't help but think of the Sound of Music, much to the bafflement of many Austrians.  They just don't get why we like that movie so much, but how can you not? Love stories, hero stories, gorgeus mountains, all set to cheery music? It's the recipe for a winner.

I've been watching this movie at least once a year since the age of five.  I remember when I first saw it, I could barely make it through the first half, and most of the storyline was lost on me.  But so much more comes out of that movie when you get older---not only does Captain Von Trapp become more and more handsome, you start to notice different characters in a new way.  Here is what I've learned over the years from this movie:

• Some parts of a party are for children, and some parts of the party are for adults: I am always almost as excited as Gretl when she exclaims "My first party!".  The Captain lets them attend and perform, but when the guests are seated at dinner, the children sing their way upstairs, which always struck me as a nice balance for everyone involved.  So please don't be upset if mommy tells you to go to bed halfway through a party.
• Bow out gracefully: Unlike many people, I think the Baroness von Schraeder gets a bit of a bum rap.  And as I've gotten older, I've actually started to feel for her---after all, she thought everything was going swimmingly until a would-be peasant nun from the hills, half her age waltzs in and turns everything upside down.  I give the Baroness a lot of credit for putting up a battle for the Captain, but more so, for bowing out gracefully when she sees the battle is lost.  She is, even in heartbreak, a pretty decent lady.  And she's got some of the best lines in the movie.
• Sometimes those closest to you will hurt you the most: We want to love and trust those closest to us, it makes natural sense.  But sometimes those we love and trust turn out to be influenced by something else more than us.  Between Liesl and Rolf, and the Captain and the Butler, we see that it is sometimes those closest to us that can hurt us the most.
• Your favorite things will be your most comforting things: When the dog bites . . . when the bee stings . . . all things that can make us cry.  But I love how Maria and the children sing of simple things that they love, like brown paper packages tied up strings, and schnitzels, and ponies. Keep a list of those things that make you smile, you can call on those memories when you can't call on me to keep you company when things might be a little saddier or lonelier.
• If you're afraid of something, you should probably go back and face it: I always loved how Mother Superior calls out Maria for hiding in the convent.  She tells her that if she joins the religious life, it must be for the right reasons.  She makes her face her fears and really explore what she was meant to do, even if it meant a loss to her convent.  I think everyone should be so lucky to have a mentor that really makes us look at what we want and need out of life, and then helps us find the courage to face it.

All my love,

Mom

Apple Pie, etc.

At this time of year, compelled by a latent patriotic streak, I often find myself pulling up a copy of the Declaration of Independence.  I find the first passage stirring each and every time.  The prose is so beautiful, the sentiments so impassioned.   Even though when they wrote, “all men are created equal,” they were, in fact, only really talking about men and not actually all men, I would say it was a pretty propitious beginning for a nation.  It is obviously important to note that the men who drafted this document were functioning in a particular social and historical context and so I forgive them, to a great extent, for not including language about women, people of color, the LGBT community, etc.  The concepts of feminism and civil rights were barely a glimmer in the eye of our founders.  I do think, in their minds, they were creating a country in which citizens could be fundamentally free and that over time, they would leave it to the people to decide to whom this freedom applied and what exactly it meant.  In 2012, however, I would like to hold us to a higher standard.  After all, we have had a few years in the interim to work out the kinks. Although I am a bit of a cynic and feel like “Holidays” can be really arbitrary markers in the passage of time, I do appreciate a solid and socially sanctioned opportunity for contemplation.  Also, I am a sucker for fireworks.  Still, in moments, I absolutely struggle with my identity as a U.S. citizen.  I worry that our domestic discourse has been reduced to a profoundly childish political game with no heed of the real consequences for our people.  As recently as 2008, our First Lady was publicly eviscerated for simply acknowledging that we are a country with a history of discrimination and lack of opportunity.  There is real dissonance with all the talk about what the founders intended and the reality that some of our citizens still don’t have equal rights or access to decent basic services.  Meanwhile, the very groups that like to tout liberty and the original “values” of this great nation tend to support limiting the prospects for everyone but those in traditional positions of power.

Living with this kind of ambivalence---despairing over the state of our union while believing that progress will prevail---is my daily bread.  As I wade through the morass of feelings and obsessively check in with Nate Silver in an effort to predict the future, I thought I would try real hope on for size.  This year, there are a few things that make me truly proud to be an American.

1. Barack Hussein Obama is our president.  That’s right, a black man is the president of the United States of America.  That is still fairly mind-blowing, am I right?  Oh, and a black man of mixed race, with an African father and a middle name that was the same exact surname of one of our country’s sworn enemies.  This guy is so “other,” that fringe people (I am looking at you, Donald Trump) still insist he is a Muslim, Socialist, Communist who was not born in this country.  And yet, WE DID IT.  We elected him fair and square and might just do it again.  This is fantastically American and is us at our best.  By the way, the person who gave him a real run for his money?  A woman.  It’s getting better all the time.

2. Same-Sex Marriage is recognized by nine states and licenses are issued in six states (plus Washington, D.C. and on a couple of Indian Reservations).  And several other states have legal avenues for recognizing same-sex unions.  And the President just publicly endorsed same-sex marriage---unalienable rights!  And people functioning in high-profile, mainstream positions, like the anchor Anderson Cooper can come out with fewer professional and personal consequences.  And when Dan Savage decided to create the It Gets Better Project---a movement to develop awareness and a call to action regarding the bullying and the suffering of gay youth---practically an entire nation took to YouTube to lift people up.  There we are again.

3. 30 million uninsured Americans just got healthcare.  I will spare you my rhetoric about how this is a moral issue.  And we can talk until the cows come home about whether or not you support various aspects of the new healthcare law.  But make no mistake, this is one of the most powerful legislative achievements on behalf of under-served people in the last 40 years.  I am so proud of the people who have fought for this bill and who believe, as I do, that a country has a responsibility to its citizens to help them when they are ill.  NO WAY, the founders had in mind to leave people to get sick and die because they couldn’t afford care.  NO WAY.

There are plenty of other, more modest reasons to hang bunting on the front porch this week.  But I think even just the above will do for the time being.  The march toward access and opportunity continues, despite a great many obstacles, both social and political.  So, go ahead, accuse me of being a hippie, but I will say this . . . you’d better start swimming or you’ll sink like a stone (Bob Dylan, The Times They Are A-Changin’).  Happy 4^th, one and all.

(Fireworks photo: Ian Kluft from Wikimedia Commons.)

Tide Pools

I was at the beach with my good friend and her daughter the other week. The sun was hot, I was sporting my high waisted bikini that I was finally brave enough to wear. The breeze was cooling and salty. It was one of those rarely perfect days where the tide had pulled out slowly and left little tide pools in its wake. They made perfect pools for toddlers, and instead of shooing them away from the larger waves the whole time, we got to stand there and chat, and have a conversation. In eighteen months of friendship, both of us having kids, I think this was the first time it was possible. We, of course, chatted about more kids, when was the right time? It seems that as soon as your first one is walking people start asking about the second one. Has it always been this way, or are family members just nosier nowadays? They were trying for a second and we were . . . on the fence. I was complaining,

“It takes SO long for them to start doing things. When I pictured being a mother, it was to do fun things like art projects and trips, they can’t do that for YEARS. Plus the sleep deprivation is maddening . . .”

“Yes, but it all goes so quickly, before you know it, they are doing this:” And she pointed at my son and her daughter in the sand, completely entertained, playing with each other, oblivious to the adult world. “Besides, you don’t want him to be lonely.”

Loneliness was a common argument I had heard against the only child. I have a sibling, a brother who is five years younger than me, and I still remember feeling lonely. Or, if not lonely, just bored. But I was a fairly introverted child preferring to read books and squirrel away in my bedroom upstairs than interact with other children outside.

After the loneliness argument, the other opinion I heard always revolved around what a joy siblings were to have. “My sister is my best friend!” My friend was thoroughly convinced that three was the perfect number. She was one of three kids and really liked that atmosphere. Do you just choose what you are used to? My husband is seven years younger than his brother, so in many ways both of us had the benefits that only children have. We played by ourselves a lot, had different opportunities. How do you know when you are done?

At first I thought three, maybe five kids? And then I had my son, and I thought for sure one was enough. But something happened that day at the beach; I could see the other side. I could see those fun things that I had pictured myself doing with him were just around the corner, through a hazy fog of the infant and toddler years. I once read a New York Times article that described children as a ‘back-end investment’. It was even accompanied by a great little chart. You put all the work and toil in, in the beginning, and it gets easier over the years, and the ‘pay-off’ is supposed to be when you are older and they are caring for you.

Maybe you just trust that you can weather the storm, and what will be left when the sand settles and the water pulls away is a perfect little tide pool. Each one a different size, unique and beautiful.

Notes on Memory

My earliest childhood memory is from August 18, 1984. I see a reflection of my little self in the large mirror in my parents’ bedroom, sitting on burnt orange carpet with my legs crossed. My face has the shape of a pear; my hair is jet black, long, and straight. I am barefoot, wiggling my tiny toes. “So Cherilynn, how does it feel to be four years old?” my aunt Julie asks. I don't see her; her voice comes from the bathroom.

“It feels the same as being three,” I say as I stare at my reflection.

This memory is intact more than any other childhood memory I have; I replay it in my head like a familiar video clip on loop, and perhaps it would not be so fixed had the mirror not been there. But I don't view this memory as more precious than those memories I can't grasp, that have shapeshifted so drastically. In fact, while I'm grateful to have this memory, as I don't really recall long sequences of moments like this until my third or fourth grade years, its immutability feels unnatural.

* * * * *

I went to the second day of the championship round of the U.S. Open, which took place recently at the Olympic Club just south of San Francisco. I'm not a fan of golf, but I thought it'd be something new and interesting to experience. I was in a bit of a panic, though, reading the championship's rules—no mobile phones, portable email devices, cameras, and anything potentially disruptive.

So I mentally prepared for a day without my iPhone, as phoneless days are rare. Before we left, my boyfriend tweeted that he'd have a ringside seat to watch me self-destruct without it. It sounds silly, but being without that portal in my pocket—not knowing what the rest of the world is doing, or perhaps not being able to tell or show the rest of the world what I am doing—freaks me out a little.

As we wandered the Olympic Club sans phones and cameras, I wanted to take photographs of various tents and pavilions, the rolling hills of green, different holes of the course, and the grassy slope overlooking hole 8—a golf course version of A Sunday Afternoon on the Island of La Grande Jatte—where we spent a few hours under the sun. But I didn't want to take pictures to record my first golf experience, or to compile an album of the day. I wanted to take photographs mainly to prove I was there. I hinted at this urge in a blog post on the new way I take photographs; now, consuming and owning the present moment has become more important than capturing an experience cohesively, or creating something to add to an archive.

* * * * *

Pictures or it didn't happen.

I've never liked this phrase. Yet I've become a slave to this very mode to self-document and share from moment to moment, and in a way my U.S. Open experience feels incomplete because I have no documented and shared proof that it happened. And so I wonder: What is a memory in this digital age? Why am I beginning to view a memory not photographed or tweeted—one residing solely in my mind—as unattractive? I'm a visual person, so I take mental snapshots of the places I go, keeping these images in my head. But this sort of intangible, mutable evidence seems increasingly inadequate in our world of over-sharing, and on an Internet where our traces are permanent.

It's as if undocumented memories are now less potent.

I wish this wasn't so; elusiveness is the very quality I love about (my) memory. But these days it feels as if I'm doing something wrong—or simply not doing enough—if I'm not experiencing each moment in my day with the intention of documenting and sharing it for all to see.

Thank you.

We're getting all teary over here trying to convey our thanks for voting for us. We really, really believe in Equals, and we are so driven to grow it---the fact that you voted for us makes us love it even more. We have so much in store over the coming months. A philanthropic call to action, a foray into print---you can look forward to all of that. But for right now, we're blown away by you, our readers and supporters. Equals has made us feel so grateful for and enamored of all of the strong women (and the men who support them) who have powerful, moving stories to share, and who are choosing to share them with us. We can't wait to grow with you and for you. So, thanks. For voting, for getting your friends to vote, for reading, for sharing, for commenting. We wouldn't be us without you.

Love,

Elisabeth & Miya

The Sweet Sounds of Summer

Are you like me?  Are you profoundly distractible in the summer?  Are you flooded with memories of some silky body of water from childhood?  Do you perpetually conjure fantasies of what your life would be like with a beach house?  While I am aware that it would make me a far more interesting person to say that my favorite season were fall (“LO, the changing leaves, the chill in the air, the opportunity for reflection . . .”), it is unequivocally summer.  The sense of liberation, the peeling of clothes, the ubiquity of gazpacho . . . my mood lifts for a solid three months. Yet, here we are, mere mortals---without that second home with the chic friggin’ towels, jute rugs, and $67 candles on the vanity.  You and I are still caged in the daily grind (however joyful and soul satisfying) of work and the business of life.  At times like this, I like to use music to transport, because as it turns out, there is nothing fired up on the helipad to take me to the Hamptons or Anguilla.

I compiled a list of some all-time favorite albums that give me that carefree summer vibe.  In doing so, I have noticed a few things: 1) I am kind of old; 2) As such, I seem to have gotten a little bit stuck in the ‘90s; 3) Maybe the ‘90s were sexier?; 4) I digress; 5) I can’t remember the other thing I was going to say here.  And one final author’s note (for the sake of what we will not characterize as my obsessive compulsive disorder, but merely something on the wide-ranging and often totally, totally normal anxiety spectrum), this list is certainly not comprehensive.  These albums---yes, I call them albums, I mentioned I was kind of old---are classics in my mind and I reach for them consistently in this season, but they are in no particular order and there are so, so, so many more I could discuss.  That is all.  ENJOY IN GOOD HEALTH.  Oh, and I would love to hear about your clutch songs or albums for summer in the comments---always looking for new classics.

Moondance – Van Morrison (1970) Let’s begin at the beginning, shall we?  This is such an obvious choice, but I have (even recently!) met people who have never heard this album in its entirety and I have even met people who don’t own this album or any of the songs from it.  If something doesn’t move inside you when the opening of “Into the Mystic” begins, well . . . then I’ll be a monkey’s uncle.

Songs in the Key of Life – Stevie Wonder (1976) Double album.  Stevie is so fully, totally, serious here, such a monster talent.  He played many of the instruments on many of the songs.  This is a major opus in his long and illustrious catalogue and is referred to by several critics over the years as the best album ever made (like of ALL the albums ever made by anyone, ever).  This masterpiece comes with a 24-page booklet of lyrics and liner notes.  UNREAL.  Stevie writes the book on heavy duty lyrics paired with gorgeous melodies.  Prepare to have your mind blown by “As,” one of my favorite songs, period.

3 Feet High and Rising – De La Soul (1989) Pure, unadulterated, wacky fun.  I wish hip-hop existed like this today---sadly, it does not.  This concept album is smart and sassy and hot and will make your booty shimmy.

Static & Silence – The Sundays (1997) This is the third and final album by the dreamy band, The Sundays.  If I had a voice like lead singer Harriet Wheeler, I think I would use it only for good.  And she totally does.  At all times.  And the single, “Summertime?” How about this chorus stanza:

“And it’s you and me in the summertime.  We’ll be hand in hand down in the park.  With a squeeze and sigh and that twinkle in your eye.  And all the sunshine banishes the dark.”

Heaven or Las Vegas – Cocteau Twins (1990) Cocteau Twins are completely weird, and I recognize they might be an acquired taste for some.  But if you don’t know this band and want to go into a really cozy version of outer space, this is the album to choose.  I also love Elizabeth Fraser’s voice and although she is noted for singing jibberish, this is one of the only albums on which you can actually hear her clearly and make some sense of the lyrics.  This seems like a strange endorsement, but please go download this?

Summerteeth – Wilco (1999) Haunting, lush and beautiful album by the always amazing Wilco.  An all-time favorite for all seasons.

Old World Underground, Where Are You Now? – Metric (2003) Metric is an awesome Candian indie rock band that it would really behoove you to know better.  Total Girl Power music, but also heady and sharp.  “Hustle Rose” makes me all intense and gets me grooving every time.

Rumours – Fleetwood Mac (1976) Do I really have to write anything here?  I mean, COME ON.

The Hits/The B Sides – Prince (1993) 3 albums of HOT SEX.

Celebrity Skin – Hole (1998) I will grant you that Courtney Love is a complete and total mess.  But she has made (arguably in collaboration with many other talented people) some rock-solid music in her day.  Particularly because I suspect that day has passed, never to return, what with all the crazy . . . this deserves a good, hard listen.  This whole album is sort of dedicated to LA and is very much evocative of California pop (a common theme in my musical tastes).  This also makes it a gorgeous summer stand by.  The hits on this are obviously great, but try “Boys on the Radio” on for size.  You won’t regret it.

The Story of a House

They knocked down the Miami house the other day. I was riding my bike, faster, faster, as small rain droplets were starting to fall. It was any other Wednesday, and when I glanced up, it was gone. Only the foundation remained, and a pile of rubble. The tacky turquoise shutters were gone, the pea gravel driveway was in disarray, but the rain made it so you couldn’t see my tears. I suppose I should explain. Six months ago, in a fit of rage against our current house, we called our realtor. We had been living in our house a little over a year at that point and we still weren’t happy. Renovations had slowed and become frustrating. Two rooms had no flooring, one bathroom was completely gutted, but my biggest complaint was that it was dark and gloomy. The main area is paneled in dark, raw wood---it’s original and unique and depressing. It’s also rare and expensive, so we aren’t rushing to rip it out or paint over it, like we had initially thought. It will be the middle of summer and we will leave the lights on in the living room to read. It’s just that dark. So, we called our realtor, who knows we are totally insane, and had a long discussion about putting the house on the market as is. We made an appointment to view our competition, three houses on the market in our price range in our neighborhood, to see how we would fare.

The house on Miami Avenue was the third house we saw that day. From the first moment we walked through the door, it felt like home. The radio was playing softly, and it smelled clean and comforting. It was a beautiful mid-century modern rancher with pitched white paneled ceilings. There was a tiny quaint kitchen with a back door in the corner. I said to my husband, “Something about that door feels so familiar to me” and he replied that he knew exactly what I meant. It hit me later, the house I grew up in had a door off the kitchen as well. It was home. The most amazing thing about the house was that half of it was glass. It was unbelievably bright and sunny. The house was an L-shape, and the inner L was all glass sliders out to the garden. Even the hallway was bright. We fell in love.

We must have spent two hours at least wandering the house and day-dreaming until our realtor snapped us out of it. “Well?” He wondered. And we debated, and thought about it all week; we even brought family members to see it. We came so close to putting in an offer with a contingency to sell our current place, but then sanity kicked in. Would our lives really change that much if we only moved three blocks? Did it even matter? It seemed like a lot of work. In the end, we walked away, and then biked past it every chance we got.

That house felt like it could have been another life for us. One in which I wanted more kids and was content to be a mom. Or it could have been the same struggle we have now, feeling like we don't love where we live, but wondering if it really matters at all. Does place define you? Does your house define you?

While we were debating buying it, we did a little research on the owner, and her family. We found the most incredible heart-wrenching story. About ten years ago, the family was having a graduation party for their son at the beach. It was windy and the waves were tall, the current sharp. Everyone was swimming and having a great time, until their young nephew started drowning. The father of the house ran in and saved him, but died in the process. I instantly flashed back to our time in the house. Above the upright piano there was a large framed photograph of a man, the same man in the newspaper article. It had been her husband. It was sad, but also comforting. We wondered what had happened to the nephew who lived.

I thought of this when I saw the wrecking ball. I wondered how many other stories the house held? Did she measure her children's heigh in the hallway? Did they put handprints in the concrete in the garage? I imagined all the family dinners held before the father passed away, and then the grieving that occurred. I’m sure dishes arrived constantly, and the rosary was fingered carefully everyday. All those stories were gone. It makes me wonder, what will become of our story?

YWRB: Genesis, Part 2

by Amy Turn Sharp Last month, Amanda and I went back to Athens, Ohio. A pilgrimage of sorts. We had not been back to the deep woods together for over a decade. We went to the Ohio University Literary Festival. We were going to meet Terrance Hayes (one of my favorite poets). As soon as we walked into the auditorium, we spotted our old professor. Mark Halliday. The poet. Another favorite of mine. He was the same. Interestingly eccentric,. Nervous, yet commanding. Weird socks. Fidgety.

*     *     *

I remember storming into his office one day with Amanda. I dragged her like a rag doll toward his big wooden desk.

I beat on his desk and told him about the Young Woman's Rebellion Bible. I was nearly reenacting scenes from Dead Poets Society with my passion. I almost jumped on his desk.  I told him how I freaked out when I heard Amanda tell me her ideas about this project we could work on together. I told him everything. I moved about the office like a dancer. I was so young. Amanda giggled and nodded her head. There was music from an old radio in the corner. I think it was Joan Armatrading. Or perhaps I made that up years later. It was a calm office made insane by us. We were often bringing high intensity to calm situations. It was our best practice. He smiled and encouraged us, but it looked like he was also afraid. And looking back, perhaps he was afraid it would not happen. It would loose steam and fall flat. It would make other work suffer. Or he was just amazed by us. I think I was amazed by us.

*     *     *

We listened to the magic Terrance Hayes read to us. It was amazing and his words purred at us and we all sat on the edge of our seats, poets scribbled in tiny notebooks. We all wished for language mastery. It was perfect. And when we left, I was kinda sad that I did not run up to Halliday and hug him tightly, tell him we are doing it again. That it just took us a long time. To become us. I had daydreams of us ditching our car and heading to our old tavern. But I knew things had changed. I knew there were new rebellions all over the place. I raised my hand and waved at him like a cool kid, and blew him a kiss. All the way home I thought about the fire in my belly that made me dance when I talked about writing. I knew it was back. I could feel my feet moving in the floorboards of Amanda's SUV.

We're curious: Has there been a time when you've amazed yourself?

Time Traveling

Nothing swirls history into the present for me quite like wandering through aging structures---those kinds of architectural treasures where you know people walked, and slept, ate, and died hundreds of years ago. One afternoon, visiting Seville's Alcazares palace and gardens, I found myself stuck gazing into a corner as the evening sunlight painted the walls alternating shades of peach and gray with passing clouds. As I watched, I realized the sun had shone here on these walls, just like this, every afternoon in April since they were built. I was only one of hundreds of people to have met that corner at that hour and seen the sun glow there. So I traveled in time for a while. Photographing as the palace, indifferent to the date or year, came alive for me, as it always had for anyone who cared to watch. [gallery link="file" orderby="title"]

From New York, New York

Dearest Clara,

This week has been so much hustle and bustle . . . but I guess hustle and bustle is what you get when you’re in New York.  That city just never stops---and that’s a good thing.  Every time I head up, I always end up being exposed to something new.  You just can’t avoid it in New York.  That sense of always experiencing something new there makes it hard to pick out single lessons, since I feel like they’re different from every trip there.  But maybe, that’s what New York is all about.

• Try something new every time you go: You could probably live an entire lifetime in New York City and not repeat a meal, a hotel, a theater . . . there are not many places like that in the world.  Take advantage to do or eat or try something you would never do at home---that’s what you came to New York for!
• Look for a few favorites: New York is always changing but there are a few things that will always be there for you:  a dark corner bar, a bench in Central Park, a Sabrett’s hot dog cart, the holiday displays on Fifth Avenue . . . Find a few things that you love in New York and try to incorporate them into your trips---sometimes, you’ll just need that little bit of the familiar.
• Pack your thicker skin: This city gets a bad reputation sometimes.  Here, things move fast, and here, things can move on without you.  Sometimes, nothing can crush you like this city---you’ll probably cry at some point.  I did.  It’s okay---it happens to everyone.  New York can definitely be tough---but stick it out.  New York is also full of sunshine and second chances.
• Always look up: there are some great surprises on those skyscrapers: art deco details, people going on about their daily lives in full glass windows, billboards as far as the eye can see---this city can do amazing things with heights.
• Marvel at the little logistics: I can never stop being fascinated by how this city works.  How do they manage to provide water . . . and heat . . . and trash pick up . . . and emergency services . . . and dry cleaning . . . and some of the best food delivery in the world . . . you name it---I am always amazed by how well everything works in New York---there are so many cities that are smaller or less populated or more spacious and don’t run with nearly the efficiency of New York.  And as always, whether it’s the subway driver or police officer, appreciate those that make this city somewhere we can go and enjoy the gifts that all of its other citizens bring.

One day you’ll “be a part of it” too.  I can’t wait to hear what you think.

All my love,

Mom