Grief: Mapping Your Online Community

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I learned the phrase “Community mapping” at age sixteen while volunteering in a small community in rural Paraguay. At the time, the notion of mapping the resources in a community seemed clear. Quickly drawn on a piece of paper---the community school, church, homes, the dirt roads connecting the dots, and the fields that spread in the spaces between houses. The stick-figure buildings my host family drew to mark the previously listed sites represented the physical locations of where community manifests. They leapt off the page as a visible sign of the strength and resources held within this community.  At sixteen, I transferred this model to my life in Colorado---my school, my home, my family’s cabin, and the places where I spent time with my friends.  My map made sense, I didn’t question my places of support and where my community came together. The intervening twelve years of moving and creating new communities---including online---threw a wrench in my map. It no longer fits on one page or within a single community. I access much of the pieces of different communities in online spaces, including gchats from friends who still inhabit past homes on other continents, Facebook messages from childhood friends, and following twitter feeds of friends-I-haven’t-actually-met, who share a common journey.

Grief and loss often throw the individual into an unknown emotional space, where the “community map” becomes increasingly important. It creates a sense of one’s resources and places of support; showing the individual the strength of their community(ies). For many, the communities of support blend between in-person, phone, and online communication.

Admittedly, the online space trends towards the more positive aspects of life, as Jenna Wortham notes in her article, Talking about Death Online, “This is more than trying to decide how carefully polished you want your online image to be. . . . It’s about the way social software is slyly engineered to get us to participate---we are encouraged to brag about our lives, and present ourselves as living our best lives each day and year.” Between updates about babies, engagements, jobs, and school---loss becomes just another post that slides by not really resonating.

Engaging with more difficult, heart-wrenching topics, such as grief and loss via social media opens the individual up to vulnerability. For many, loss creates moments of intense need to reach out to one’s community. The online platform is not necessarily designed for in depth sharing or support, as posts and tweets have character limits. The feeds stream by, not allowing the adequate time or ability to respond to a friend’s post. As Jena Wortham writes, “However, when it comes to talking about death and grief in a non-abstract way---that is, when dealing with the loss of a family member, a partner or close friend---it gets much, much trickier. It doesn’t have an appropriate reaction face, a photo that you can reblog, a hashtag.” I often wonder as I see friends hesitantly posting memories of their lost parent how our ability to comfort each other spills into this medium?  How much of our ability to empathize in person actively translates with each “like” we give to their posts?

As a firm believer in allowing each individual to chart their own path for grieving and healing, online spaces may become mechanisms for both. In my own process, I try to push the boundaries of what feels comfortable to share on Facebook, twitter, etc. I don’t shy away from posting pictures of my father, marking what would-have-been his sixtieth birthday, the sixth year since his death, or my travels to places he would have loved. However, the accompanying text is often positive, such as “missing your adventures” rather than engaging with the harder, empty feelings of loss. While I can’t express my “full self” in this online space, I trend towards sharing what I can with this online world. As my community is spread throughout many places, online becomes the place that I receive (and provide) support from so many communities at once. Online, I am reminded of the people beyond the Facebook photos who love and care about me---through likes, comments, and quick emails after they see the post.

Beyond our individual experiences with grief and healing---Facebook has become a community in itself, creating a way to memorialize those who have died. Two of my “current” Facebook friends are people who have passed away. Their profiles remain places where friends and family leave notes---sharing life updates, memories, or simply typing “I miss you.” In a world where visiting gravesites may not be practical, the online memorial space may bring us closer together.  In her blog post, Online Mourning and The Unexpected Refuge of Facebook, Cheri Lucas (another Equals Record writer) discusses her experience with a friend’s death;

“A few hours after receiving the news, I wrote something and shared it as a Facebook note. I posted scanned photos from college—precious moments of youth, debauchery, and experiences I had never shared publicly—from nearly 15 years ago: onto his profile, our friends’ profiles, and my timeline. I sat in front of my computer, clicking on photos people tagged of him: images that conjured memories, that stunned and confused me, that made me feel grateful for knowing him, that devastated me because I realized I didn’t know the man he had become.

Alone, I sobbed. Yet I sobbed with Facebook open—his life revealed and exposed in bits on my screen, his friends spilling tears on his profile. I sobbed at home, by myself, but also with everyone else. I had never given in to the community of Facebook until that moment. For the first time, its communal space had comforted me.”

The possibilities of online spaces to bring us together are endless, we can share memories of those who have died, sharing our own healing processes, and of course, share our joys. Yet, as Wortham also notes, we don’t yet know the outcomes of creating online communities that don’t support the whole breadth of human emotions. However, we should trend towards sharing our authentic selves, our whole journeys---and in return, we should support others who do just that---comment on posts people share about those they have lost, about their difficult moments---engaging with the full spectrum of emotions, will only make the blissful moments stronger.

Much of my community is online, thus my grieving and healing cannot be completely separate. However, as with all pieces of grieving, this is personal---and we will each have to carve out how we interact with our online spaces. Yet, striving to make these spaces open to deeper human interaction, will only bring us closer to each other, and as a community---closer to healing.

Just Somebody That I Used To Know

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Dear Sibyl, One of my best friends who I have known since kindergarten is slipping away from me.  I'm in my mid-30s and we've have a pretty distant relationship for at least the past 10 years.  I see her several times a year and love her very much.  We have so much past behind us and obviously care about each other but it seems that she puts no effort to be my friend.  When I reach out to her by phone or email, she does not respond.  And when we see each other in person I feel like she doesn't seem that pumped to be with me.  

We both have kids now and I thought that this would bring us closer.  Both of our dads died in the same month and still we can't seem to find a way to communicate like best friends.  It's strange and sad for me.  I don't feel that there is a way of talking about this with her.  It just doesn't really work to ask someone if they don't like you anymore.  

I want her to be a close friend but I don't know how to do it, our friendship seems so empty and what feels like one-sided.  I am certain that we will always know each other since we are basically family.  I think we have a lot less in common now than we did when we were kids but I still love her very much.  What can I do to make it less awkward and more friendly?

Sincerely,

Long Lost Best Friend

Dear LLBF,

When my teenage best friend slept with my first love boyfriend, I not only forgave her, I put her in my wedding as a bridesmaid seven years later.  At the time, I thought I was being so very magnanimous, but now, seeing how that friendship fizzled out over the years as I struggled to keep the connection with letters, emails, and phone calls that went basically unanswered, I think I had a lot to learn about boundaries and letting go.

For so long, I considered myself a pitbull in relationships---intimidating at first, but once you got in, I'd hang on by my eye teeth forever.  I believed that that was what it meant to love someone---to hold on no matter what happened, but over time I found that what I had sunk my teeth into was simply a hungry ghost.  She floated away from me, and in her wake I found that she was actually a pretty terrible friend.  I had been afraid of letting go of our intimacy because I feared I'd lose a part of myself in the process.  What I realized is that I'd always be the young girl who loved her, trusted her, forgave her, and kept reaching for her, but she had moved on, and I needed to as well.

Luckily, as an adult I have worked hard to create a few incredibly honest friendships, the kind where if we have a phone conversation and the other person seems distant one of us calls back pretty soon after to say "That was so weird.  What is really going on?  I think it's me, I'm in a strange place today.  Sorry I made fun of your boyfriend's hair.  He's Sassoon fabulous."

The juxtaposition of these two friendships, one in which I was striving to make something work even though all I was getting was indifference at best and poor treatment at worst, and the others, in which we are so concerned with keeping short accounts with each other that we go the extra mile to check in about the smallest bit of disengagement growing between us, is what I keep thinking about with your question, Long Lost Best Friend.  What you have found yourself in, all these years later, is a non-reciprocal relationship, in which you are doing all the pursuing, and she is distancing as fast as her legs will take her.

The simple fact that you don’t feel like you can share that you feel disconnected from her is a huge red flag to me.  In order to find the friendliness you seek, you actually have to dive further into the awkwardness.  What have you got to lose?  At this point, you don’t have a real friendship, and it’s leaving you with grief and, I imagine, a growing resentment of some kind.  So, my suggestion is that you plan a date with her, sans kids, to sit down and say, “I’ve noticed we’re growing apart, and it’s sad to me.  Do you think it is just an inevitable part of growing up, or has something gone wrong?  I’d really like to work on this with you.  Either way, you are always in my heart and will be in my life.  But I’d like us to be close like we used to be, when we’d be so excited to talk to one another that we could barely wait for the next chance.  Have you felt this too?”

Hopefully, she’ll say, “Yes!  I’m so glad you brought this up.  It pains me too.  How can we make it better?”  And you’ll have a chance to ask her to respond to your emails and phone calls more frequently.  Or, she’ll tell you what she’s been holding on to, some place that the relationship broke down, and the two of you can work it out.

However, she may claim that she doesn’t know what you’re talking about.  This is the time that you stand firm in your reality, and say, “Well, I miss you.  I’d love it if you called more often.  If you can’t do that, I understand, but we’ll lose a connection that we’ve forged over many years, and I’ll be grieving that loss.”  She’ll think you’re brave for stating your truth, and will be flattered that you hold her so highly.  Then you can relegate her to someone who walked alongside you for awhile, hand in hand, but is now on an adjoining path, still moving in the same direction, but with distance between you.  It could free you up to form a closeness with a new best friend, who has the capacity to give you the intimate friendship you crave.

With Love,

Sibyl

Doing Nothing All Day Long

This past weekend I did something important.  Vitally necessary and good for my health. I did nothing.  For an entire day.

On Sunday I woke up, made some coffee, and then got back into bed.  While my husband watched the Premier League, I cozied under the covers and spent most of the day reading.  Occasionally I picked up my phone to text one of my best friends or check out instagram (I’m just a wee bit addicted), but I never opened my laptop.  I avoided my work email and really did a whole lot of nothing.

Besides being generally lovely, my nothing day served a purpose; it helped me recharge.  Like a cleanse or detox, a day of nothing is like pressing the reset switch.  My priorities are in sharper focus, Being Happy and In Love are at the front of my mind and the top of my thankful list. Everything else falls behind.  My mood, which was good to begin with, has jumped a few more rungs, and I generally just feel lighter. I feel bubbly and sparkly, refreshed in Mind, Body, and Spirit.

All from a day spent doing nothing.

Lessons from a North Dakota Winter...

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Dear Clara,

Remember your trip to North Dakota this summer? With long summer days, green grass and your discovery of dandelions? The wintertime paints a different picture---in the place of the green and gold fields is a blanket of thick, quiet white.  There is something about the air when you step outside---when the temperature is so low, I like to think that the air can’t be anything but completely pure and clean.  I love that kind of winter in its own right, but like everything else, it is only when you spend some time away that you really appreciate the peculiarities of a place like this.  Over many winters growing up in North Dakota, this is what I've learned:

  • Don’t leave the house without a hat, scarf and gloves: You might think you are just heading out to the car but you never know.  The car will break down, there might be a storm, you might get locked out . . . Always, always, always have winter layers with you.  Remember, it is always much more important to be warm in conditions of that kind, than fashionable.
  • Brake slowly, allow time and give yourself space: Nothing good ever comes of being in a rush in the winter time.  Things will always somehow not go the way that you planned.  Don’t rush when you’re driving so that you don’t put yourself or others in dangerous situations.  If you start slipping, brake slowly---no knee jerk reactions.
  • Don’t spin your wheels, you’ll only end up deeper:  If you get stuck in the snow while driving, don’t keep trying to accelerate your way out of the problem.  Stop, figure things out, move wheels around, take a deep breath, get traction from other materials . . . Catch yourself while you can still do something about it.
  • Take care of your hands: Your hands are one of the first things to betray your age.  You won’t appreciate this when you’re younger, when you think that young skin will last forever.  But a harsh, dry winter won’t be kind to that skin.  Use lotion regularly, wear gloves, keep your nails short so that they do not break.  You hands will always make an impression on others.
  • Never take the last flight out:  The chances are high that you won’t be going anywhere.
  • Accept that sometimes the weather will be stronger than you: When the snowstorm comes, or the wind chill sets in, or the gusts of wind blow snow up your door, realize that there are some elements of nature you just won’t beat.  And that’s okay.  Know your own limitations.  Be prepared to change plans, to enjoy the quiet, and admire the elements from the inside looking out.  Sometimes those changes that we can’t control end up being their own gift.

All my love,

Mom

 

 

Matera, A Gem Of Italy

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"The real voyage of discovery consists not in seeking new landscapes, but in having new eyes." - Marcel Proust

I have never had an easy relationship with my country. Until the "American period", when I moved to Washington DC and taught Italian for three years, I had lived in Italy my whole life. My hometown is Bergamo, a city close to Milan, where I studied, made intimate friendships, met my husband and lived happily with my family. Yet, when I graduated, I felt the urge to leave. It was a strong feeling, something from deep inside. I needed to find my own way, my way of thinking and living. I am happy I left for a while---America was a land of opportunities to me, a place where I felt free and happy.

As weird as it may sound, during the time in the United States I grew to know that country much better than my own---I was living every day like a tourist, surprising myself like a baby for every doughnut covered in chocolate, cinnamon, sprinkles, maple iced, lemon filled and so on. Places like Barnes & Noble were new to me---could I really take a magazine from a shelf, read it for a while and then place it back? In Italy, that was (still is?) quite unimaginable. And what to say about sports---I am a couch potato, oh yes, and seeing all those people running at all times was a kind of culture shock. I was about to convince myself to go running, too (not sure I could survive a mile!) but well . . . I made it back to Italy before even trying.

In the last couple of years my family of two rooted between Bergamo and Milan. Husband and I made a promise to ourselves: stop thinking that traveling means going to the most faraway places, and start exploring Italy a little more. So this past Halloween we left the north and drove all the way to the south to visit a real gem, a place which is unknown to most of the people who visit Italy, and a little out of the main routes. The city is Matera, and this is why I call it a gem . . .

We arrived in Matera in the evening, and here is what we saw, a landscape that at first sight was very similar to Jerusalem.

At night, the cathedral's tower jetted out in the black sky, and the rest of the sassi glimmered in shades of yellow and orange. Have you heard of the movie "The Passion", by Mel Gibson? It was shot here.

We dropped our bags at the Hotel in Pietra and asked the receptionist, a very nice lady, to recommend us some good restaurant to taste local food. After a few minute walk, I had already fallen in love with Matera, and there was still more to see the next day! We spent the night in a tiny and beautiful room at the hotel (by mistake, Husband had made reservations for a single room, and since it was too beautiful to give it up we squeezed a little!) and the next morning we had breakfast with homemade cakes and foamy cappuccino. Everything was so delicious, and the atmosphere was quite relaxing. Imagine a 12th-century Benedictine church converted into a hotel, where the rooms are dug in the rocks.

After breakfast, we explored the sassi and the cave churches. The sassi left us speechless and in awe of its beauty. It’s hard to describe the feelings–when you see such places, you can’t help but thinking there must be something beyond this world, some holy entity that gave us all this beauty to enjoy.

Matera was a gift, and now it is one of my favorite places in Italy. I can’t recall having met such wonderful people elsewhere. Everyone was smiling and ready to help, the food was great and the sassi were so unique and beautiful you could easily get lost in the small paths by looking up and around all the time.

This trip to the south helped me to recall that Italy is an amazing country. We struggle with politics, unemployment, financial crisis, but still we find our way to smile broad smiles and treat each other with welcoming hospitality and warm hearts. I’m happy I took this trip. It opened my heart and mind to places I didn’t know, that felt so far but were yet so close.

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More or Less Like Family, Part I

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By Molly Bradley The village Mouit was like living on a beach without the water: just a vast expanse of shore with buildings spattered here and there on the sand, with no logic to it.

We were there for a brief stay to explore another part of Senegal. The group of students I was traveling with would reunite in the nearby town of Saint Louis at the end of the week, but for now, we were scattered in separate families in the village of Mouit. We’d left our host families in Dakar to be hosted yet again: a home away from home away from home. Instead of feeling further removed, it all started to feel pretty much the same. Family became a very relative term.

Aside from my parents, I grew up with just one sibling (and, only later, a dog). My family is by no means quiet, but it’s not large. Four people can only be so rambunctious.

Unexpectedly, the family that adopted me in Dakar was even slimmer. I called my homestay parents Aunt and Uncle, Tata et Tonton, because my ‘sibling’---twelve-year-old Malik---was their nephew. It felt more or less like family.

So it was alarming when approximately nine and a half flailing sets of limbs accosted me as soon as I walked in the gate of my Mouit homestay family. Nine of them were chattering children, spanning roughly seven through twelve years old. The half-set of limbs only constituted half a set because it belonged to a baby carried by one of the girls, and the baby didn’t quite have control of all her components. Her eyes stuck to me that whole first night.

They dragged me to meet my homestay parents. Neither spoke French, but both were all easy smiles and steady nods. The village was Wolof, but my language still wasn’t up to native speed. I tried to gesture a Hello, Thank you for having me, I’m very grateful, but fell upon no convenient mimes for those words, save a wave for the Hello. We stood smiling a few moments, motionless. Then my father left the fenced complex. As chief of the village, he presumably had better things to do. My mother smiled, shrugged and shuffled off.

Good to be home.

The complex was made up of a few small rooms, each a separate low boxy building. My siblings indicated my room, where I could put down my bags.

“This is Binta’s room,” said one of the girls, in French. Only the girls had accompanied me into the room. They were all watching me.

“Her room,” another girl said, pointing.

Another person had materialized. This girl was older: it was in her height; the way she held her face; her body. This fifteen-year-old (I asked her age later) was more womanly than I would probably ever be, judging by my own body at twenty years of age.

Binta watched me with a slightly curved mouth. Either that was her neutral face or she was smiling just a little, watching the adopted tubaab try to clumsily inhabit her bedroom. Binta commanded the space. I felt flustered by it.

“Thank you,” I said to her. “C’est vraiment gentil.” That’s really nice of you.

She just curved her lips and walked out.

 ***

I spent the evening with more siblings than I could count in what functioned as the family room. It was where the kids spent all of their time when they weren’t in school or doing chores. This was because it had a TV. Mouit was a unique village in that regard: it was typical of rural Senegalese villages in most ways except for the fact that it had electricity. Like most places in the world, the TV sapped not only electrical but human energy. It had most of us hooked most of the time. There was no end to the soccer and the Senegalese soap operas.

I finagled some conversation out of a few people. For the most part, any questions I asked were met by a rush of eager voices that I didn’t have time to distinguish before they fell abruptly silent again.

There were a few older teenagers, mostly boys, already in the room when I came in with the younger kids. They occupied the mats to the right of the television, backs against the wall, alternately watching the screen and flipping open their cell phones. Every now and then, when they got their phones out, a few of the younger ones would look over with obvious envy.

Toward nine in the evening, a man walked in. He looked relatively young. He stood in the doorway awhile, watching the screen. No one glanced his way. I was at the very edge and toward the back of the mat where all the kids crowded. Eventually he sat between the door and me, his back against the wall, on the concrete floor.

Given how close his face was to mine in the dark, it seemed odd not to acknowledge it. I turned to him and said hello in French and asked his name.

His mouth moved, and he let his breath play in and out of his lips before he said, “I’m Mamadou. I don’t speak French.”

Was that English? It was definitely English.

“I’m from the Gambia,” he added.

“Oh,” I said. “I’m from---well, I’m American. But my family lives in France. I grew up there.”

“America, France,” he repeated. “It must be beautiful.”

He asked me my name.

“Mama,” I said with a wry smile. “They named me after the other Mama.”

“Oh, yes, the baby,” he said. Host families commonly named their tubaabs---white people, or foreigners---after an existing family member. Ordinarily this family member was one older than the tubaab, which made chronological sense---you name someone new after someone who’s been around longer, right? I, however, had been named after the baby, who was still staring at me in the dark.

“But, no,” Mamadou said, “I mean your American name.”

That was a first. We’d become accustomed to giving out our “Obama names” whenever anyone cared enough to ask. Obama delighted people here. It was the most recent great thing about America today, amid all the other great things, thought most Senegalese. Obama was now synonymous with America.

“I’m Molly.”

“Molly,” he repeated. “Molly.”

He was silent awhile, but in the glow of the TV I could see his lips still moving, playing with the name. Even though English is the official language of the Gambia, the names are mostly the same as those in Senegal. After all, it’s just a little crumb trapped in Senegal’s big gullet. It sits there small and quiet, almost blending in.

 ***

He was from the Gambia and he was making his way upward, traveling steadily toward the top of Africa. He’d left his family three, four years ago, he said; what was left of his family, anyway. It sounded sinister when he first said it, but he clarified that several of his brothers had already left to do what he was doing now: working to make a little money to send back to their family, and a little money to get themselves somewhere else.

Mamadou wanted to go to Europe. Or America.

“England. I think England is nice,” he said. “Maybe I will go there, then America. Or maybe France, but I don’t think I will like France so much as England, or America.”

“Why?”

“I was told it’s very like Senegal,” he said.

He kept saying that he just had to get to Europe, and then he’d list the places he would go: Germany, maybe; England; America. . .

I began to suspect he may have thought they were all next door. I had neither the opportunity nor the heart to correct him. A few times I said, “Well, America’s really far from England, so. . .” He only paused, said “I see, alright,” nodded a little, and went on.

I noticed that a few of my siblings were glancing over at us from time to time. Not really when Mamadou spoke, since a lot of the time he spoke it was to no one, commenting on a character in the soap, or to wish---somewhat rhetorically, since he said it so softly and was paid no heed---that the television were tuned to a different channel. But when I replied, a few bright eyes in the dark flitted our way, then briefly about the room as though to see if anyone else had heard, then back to the TV. No one but the two of us, though, said a word.

We talked intermittently through the few hours we sat there in the family room. My host family was hosting him, too, for four months while he worked in the onion fields owned by my host father. There were a lot of fields, he said. My father, the chief, owned several. Mamadou worked and watered them from five in the morning until about five in the evening. Then he came home for dinner and a night’s good rest. I went to bed around the same time he did---nine-thirty, ten---while the rest of the family sat up later. It was a little embarrassing that, at the end of a day during which I had not exerted myself at all, I had no more stamina than a man who’d worked twelve hours carrying heavy buckets of water in the hot sun. I decided it was mental fatigue, the Wolof and all. Yeah. I had to believe I was doing some pretty challenging stuff in Senegal.

Looking Forward: Solitude.

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I landed on the North Island of New Zealand in November 2008. I was alone, except for a mammoth North Face backpack, stuffed to capacity with Dr. Bronner’s peppermint soap and two dozen chocolate-chip Clif Bars. I planned to spend the next four weeks by myself, farm-hopping, if you will, as a participant in an organization called WWOOF (“Worldwide Opportunities on Organic Farms”).

For seven nights, I slept in a trailer on the lawn of a couple in their sixties, who sold produce at local farmers’ markets and ate only raw food. Bedtime came early at this particular household, and I spent hours each night reading by flashlight in my bunk, a hot water bottle nestled at my feet. I felt fragile---emotionally, because the quiet made me nervous, and physically, because I was too unsettled in my new surroundings to stomach the mountains of raw vegetables that were served for dinner each evening.

The next ten days were spent on a small family farm so implausibly lush, I was certain I’d found Tolkien’s Shire. There, I met Jo, a single mother who---on a daily basis---baked bread, practiced yoga, milked goats, trimmed roses, tended an unwieldy flock of chickens, and kept a vegetable garden. She taught me to make pavlova and strawberry jam, clean chicken coops, care for the animals. And at the end of each day, I retired to a cozy cabin in the backyard. I was alone, but exhausted. My body ached in a way that felt satisfying, even pleasurable. I slept soundly.

I ended my trip on Great Barrier Island, where I washed dishes at a local fishing lodge in exchange for a bed and free meals, many of which happened to include lobster. The people there were patient, generous, relaxed. The fishermen---who wore rain slickers and thick white beards, just as I expected fishermen would---took me to sea and taught me to properly cast a line, never batting an eye when I ultimately chose to eat gingersnaps on the boat’s deck rather than participate in the unsavory task of gutting the day’s catch.

One morning before I left, the lodge owners allowed me to take their station wagon to the beach (a terrifying experience, as I’d had no prior experience driving on the left-hand side of the road). When I finally arrived, nauseous and a little shaky, I found the sands deserted, with not a single other beachgoer in sight. And so I spent that afternoon alone, with a book and a sandwich and a sweater to guard against the wind.

I might, at one time, have found this solitude frightening. But on that day I felt adventurous. Like a daring traveler. A wanderer. A pioneer.

Today, as a writer, I spend an inordinate amount of time alone. Depending on my mood and the rhythm of the day, I find this both liberating and lonesome---there are times when I can’t stand the quiet; there are others when it’s nothing short of sublime.

Solitude, I’ve found, is its own kind of wilderness. Becoming familiar with the terrain requires a certain amount of exploration, and a bravery I can’t always find.

But what a pleasure it can be to surrender sometimes---to wander, to get lost, to accept the challenge.

Soak

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January comes and suddenly I have the urge to soak myself in a hot tub. The impulse usually only lasts for a few weeks and the total number of baths that I take in a given year never totals more than a few. But it's that hopeful time of year again and baths have been on my mind, and here are my thoughts, in no particular order:

1. Epsom salt baths: When I was 17---on the night of graduation from high school---I found myself at one of those mandatory parties that schools throw in order to keep young graduates safe. There was a psychic. Or maybe she was a fortune teller. Whatever the case, she was someone making vague claims of mystical powers and I sat and listened to her. I don't remember a word of anything she said to me about my bright future, but I do remember that she told me that I was someone who should take an epsom salt bath at least once a week. I've never been prone to sports-related injury (a lack of sports playing improves those odds) so I can only imagine she sensed in me a propensity for stressful thinking and thought a good soak would help me. I've been thinking about her advice ever since, but it wasn't until this past weekend that I actually endeavored to buy one of those strange milk carton-shaped containers of salt and have myself a soak. It's looking like that total number of baths I take might increase in 2013. This watery soul is hooked.

2. Clean tubs: I recently asked my mom how often she cleaned our tub at home growing up. Her answer shocked me into realizing that it wasn't through bad luck or particular misfortune that my tub always looked grimy (though I'm tempted to blame city pipes and mineral deposits). My tub looks grimy mainly due to my persistant resistance to scrubbing it as often as I should. Clean tubs require elbow grease.

3. There are no bad baths, only bad bathtubs: And bad tubs don't matter so very much. Ours is installed backward. The drain is at the opposite end from the shower head and if you take a bath, the slope of the tub leans the back of your reclining head precisely into the faucet. This doesn't matter. I crane my neck to one side and slide on down anyway. The water feels just as good at an angle.

4. Bringing my camera into the tub elicited a series of panicked jokes from my husband about things "going down the drain." That's okay. I needed to photograph my own toes in order to get across the point of all of this blathering which is that if you have a tub, try a good soak. It might surprise you.

5. Candles. Light them.

XIX. Savoie

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When I go to the Chambéry train station to pick up Clémence for her weeklong visit, I have a panicked moment where I think I won’t recognize her. We were practically kids when we were together before, strangely privy to witnessing each other’s lives for a handful of weeks that summer. We’re still in that part of life where six months can turn you into a completely different person. Who knows if we’ll still know each other after two and a half years?

This is what I’m thinking about, shivering in my red coat on the platform as the snow falls on my shoulders. I keep peering down the tracks, first left and then right, not knowing which direction her train is coming from. I tell myself that in these last couple months alone in Chambéry I’ve just become unaccustomed to having friends around---that’s why I’m nervous. But still.

Each time that Clémence and I see each other, one of us is always speaking in a language that we don’t entirely understand, fumbling through unfamiliar verb conjugations and fast-spoken idioms. One of us is the leader, and the other is the follower. The follower must do and say as the leader does and says. Since that first time that she spent a month with me in Ohio, Clémence has not been back to the U.S. We are always in her country and her language. And for that, I constantly feel like a child around her, stumbling along in her footsteps.

But the second she steps off the train, I spot her strawberry blond hair and her funny white eyebrow that changed color after she went to college. We catch each other’s eyes and beam.

In that moment I remember that even though we don’t actually know that much about each other, we love each other in a way that feels unconditional. I rush toward her and she rushes toward me and we collide in a hug like in a scene from a movie.

T’es voilà! I say, tears streaming down both our faces. You’re finally here.

What Are You Reading (offline, that is)?

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Samantha Shorey is an essay writer and film photo taker from Portland, Oregon. She recently moved to a small New England town to get her masters studying communication and culture at The University of Massachusetts Amherst. Her current research focuses on the way people create authentic identities online.  Samantha's blog Ashore looks at everyday life through metaphors and a camera lens, mostly in close-up. She believes photos should look more like memories and in Motown records on Sunday mornings. Even though I love (I mean, really love) browsing bookstores, back-cover paragraphs just don’t work for me. They’re all plot synopsis, and no “this book made me realize that love is the bravest choice!” or “this book made me ugly cry on public transportation.”

So, I asked my friends Laura and Meg for a recommendation over coffee at Stumptown in New York. Both of them are heart-stirring writers, and they’re my go-to girls for books that make me feel.

After our chat and a little iPhone voice-memo magic, here are five books to make you feel hopeful, encouraged, understood, inspired, and interested---respectively.

Recommended by Laura Marie Meyers | Little Things and Curiosities

Love Walked In by Marisa De Los Santos When people ask me for book recommendations (which happens a lot because I’m a full time writer!) my number one choice is Love Walked In. I’m a sucker for characters that stay with you long after you’ve finished the book---as if you might actually run into them somewhere. With names like Cornelia and Teo, they were so unlike anyone I’ve ever known that I wanted to find pieces of them in people around me. This book follows so many different types of love that you’re not really sure which is the most important---whether it’s the love of a child, or the love of a family member, or the love of a lover. It’s about every type of love.

And really, I’m a sucker for the title. I love the ide of love walking in---as if it was somewhere else and then stepped through the door. Like Love was out doing it’s own thing and it wanted to drop in on you one day. Love walked in? “Oh! Hey, Love! It’s been a while, fancy seeing you here!”

Recommended by Meg Fee | The Wild and Wily Ways of a Brunette Bombshell

Tiny Beautiful Things: Advice from Dear Sugar by Cheryl Strayed Dear Sugar is a collection of advice columns written by Cheryl Strayed, previously written under the pseudonym “Sugar”. Advice columns are usually all about the person asking for advice and not the person giving it. But, she totally turned the thing on its head and decided to talk from her own personal experience.

I think this book is so great because every time you think you know the advice she is going to give---it isn’t. Her advice just calls attention to what the person is actually telling her. They already know the answer. She tells people that they have to be guided by their truest truth, and that is an immovable thing.

Two of my favorite pieces of advice from her are: “every last one of us can do better than give up” and “we have to reach in the direction of the life we want.” I think about that last one a lot. Real change is happening on the level of the gesture. It’s one person creating a tiny revolution in their own life.

Recommended by Samantha Shorey | Ashore

High Fidelity by Nick Hornby “Only people of a certain disposition are frightened of being alone for the rest of their lives at twenty-six.” If you’re that type of person---and I definitely am---then High Fidelity is a book for you. Rob, an English record storeowner, narrates the story in the days after his live-in girlfriend moves out of their apartment. Hornby’s writing is funny, full of emotion, and punctuated by music references and “top 5” lists.  I’d like almost any book about heartbreak, but this one especially captures the messiness and uncertainty of this in-between age---the unquietable desire to love and be loved, but the fear of being tied down. In times of happiness and in times of sadness the question is the same: is this all there is? or will something better come along?

Walkable City: How Downtown Can Save America, One Step at a Time by Jeff Speck Walkable City is the perfect book for cocktail party conversations with the hip and urban. After reading it, I’ve started quite a few sentences with “did you know _____?”. (Did you know that additional highway lanes often make congestion worse because of “induced demand”?). Being from Portland, Oregon, I have first-hand experience with a lot of the things that Speck says make a city walkable---and ultimately, wonderful. His argument is so compelling because it has less to do with buying into “being green” and more to do with the tangible things that make life better. Cities have corner coffee shops, chance encounters on the sidewalks, easy errands, and less time spent in traffic. All of these are the reasons why cities like mine and San Francisco, Chicago, New York and even Charleston are attracting disproportionate numbers of the bright and creative.

Slouching Towards Bethlehem by Joan Didion I’m pretty sure Joan Didion is my spirit animal! Slouching Toward Bethlehem is a collection of her essays about California and the counter-culture movement, written in the style of “New Journalism”. It isn’t removed third-person newspaper writing---her sentences have such extraordinary presence and clarity. She’s inspiring to me as a researcher too, because she’s acutely interested in the way people live their every day lives.

One of the personal essays in this book, On Self Respect, is the most important piece of non-fiction I’ve ever read. In it she writes “People with self-respect have the courage of their mistakes. They know the price of things.” Without it “we are peculiarly in thrall to everyone we see, curiously determined to live out . . . their false notion of us.” As a people-pleaser, it’s a bit of tough love that I’ve always needed.

How to See in the Dark

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Sibyl, In the past few months, my family has suffered two major tragedies, and a few minor ones.  Now every time my husband leaves the house and doesn't answer his cell phone I think he's dead.  Most of me knows this is irrational, but until he gets home or contacts me, I'm a bit of a mess.  I can't afford the $170/hr to see a shrink, but sometimes I don't know how I'll move through the world without feeling at any moment someone I love could die or be hurt.  How can I move past this?

Sincerely,

Irrational

Dearest Irrational,

I have good news and bad news.  Since I know it would calm your anxiety to get it out of the way, let's start with the bad news.

You are not going to get past this.  It is going to become part of who you are.  These traumas, whatever they are, are changing and shaping you.  Who you become in the face of them is up to you.

We'll get to that.  Before you can worry about who you're going to be, you have to survive these first traumatized months.  First of all, explain to your husband that for right now, you need him to answer the phone every time you call.  He doesn't have to talk, he can answer with a text that just says "I'm here".  But for right now, that is what you need -- to know that he is alive.

It is perfectly okay to be Irrational right now, when life makes so little sense.  It’s okay to be a mess.  It’s okay to put your hands on his face every time he returns to you, and say, “I thought I lost you.  You’re back.  We’re home.”

If he really objects to this imposition, put a time limit on it, "I just need this for the next 2-4 weeks.  Then we can reassess."  Trauma is a huge relationship litmus test, so if he can be there for you in this, you will only get closer.

Now for some good news: you don’t have to go it alone.   Of course you can't afford $170/hour for a therapist.  Who can?  That fee is absurd.  I don't know where you live, but I bet there's a clinic or a graduate school nearby that has therapy interns that could see you for as little as $25/session.  If you live in California, and any of your recent tragedies are from violent crimes, you can get therapy through a program called Victims of Crime.

So, with a little bit of research about clinics, schools, and resources in your area, you can see a therapist that you can afford to help you through this time.  You'll have to go through this dark period of your life no matter what, but you shouldn't have to go through it without a guide.  Therapists are trained to walk alongside folks who have experienced tragedies while holding the lantern to help them see the way.

So, with your supports in place, you'll be able to dive in to the crux of the matter.  These recent tragedies have pulled the veil off of your life and you are seeing humans for what we really are: ephemeral.  Our lives, no matter how bright and beautiful, will one day pass away.  It is a horrible panic attack-inducing truth.  But it is also what makes our lives have a sense of urgency, what propels us to ever do anything of consequence, what gives us something worth fighting for.

When my beloved father died, I spent a grief-stricken winter laying face up on my bed, immobile, staring at the one lonely snowflake I had hung from my ceiling, reciting my favorite poems and feeling the chill of a world in which my anchor had been pulled up.  I was adrift.  And terrified.

So, when it came time to register for classes at my university, I signed up for an intense course in Death and Dying, in which we read 12 books about death; theological, philosophical, and personal texts.  The professor's father was dying as he taught the class.  He and I spent several afternoons in his office, laughing at the absurdity of death and sitting in silence at the horror of it.  It was insane to immerse myself so fully in my grief, but I had a therapist I trusted and my fiancee by my side, so I dove in.  I needed to make sense of the world before I could commit myself fully to living in it.

Perhaps you are not about to take such an undeniably intellectual pursuit.  However, do something to make sense of your world, or you will find yourself trying to control it in odd ways.  Pulling out bits of your hair and lining them up in straight rows, restricting certain foods to cheat death's knocking, calling your loved ones obsessively -- I've been there, I know this behavior.  But how you face these tragedies will direct a good portion of your life.  Don't judge yourself for however you experience grief, but strive to get the better of it.  Just the fact that you wrote in to this column shows you are ready to face these fears.

Finally, do something that makes you feel really alive.  Take up boxing, write a poem every day, hike the hills behind your house, sing at a monthly open mic night.  Whatever it is, choose something that brings you close to the core of life, but does not throw you over.  Grind your feet into the earth, finding your shoring beneath you.

Remind yourself why you want to remain a citizen of this world.  Give yourself visceral experiences of the beauty of this life, despite the pain we inevitably incur.  Love so fiercely that death has no lasting sting, just a dull ache that reminds you that what you’ve lost lives on in you, propelling you to further bravery in loving.

Love,

Sibyl

A List of Resolutions

I’m not normally very good about New Year’s Resolutions.  In fact, I typically skip them altogether.  It seems when January 1st rolls around, my life is already in a state of chaos and/or change or I have already adopted any ‘resolutions’ I might make.  But this year is different.  This year I find my life in a near constant state, I’m not planning any moves, I already have a job (or two) that I like, things are stable. So the door is open for resolutions.  After listening to the goals and commitments of my friends and family for years, I finally have my own resolutions.

  • Be a grown up: Put away money for a rainy day, update important things like health insurance and retirement plans, get a handle on my taxes and generally be a responsible adult.
  • Be a great friend: make the phone calls first, send long emails, write letters. I treasure my relationships, especially those with my friends---its important to act like it.
  • Take care of me: develop healthy eating and exercise habits.  My sister once told me that she exercised because she feels (and I agree) that she’s pretty awesome and “that much awesomeness deserves to last as long as possible and be as healthy as possible”.
  • Read to expand my horizons:  Books about science, religion, and interesting biographies are on my list, as well as dipping into poetry and essays.
  • Set goals: I’m kind of a float-through-life gal; setting goals on a monthly basis will help me stay on top of my resolutions and give me a rush when I cross things off.
  • Direction, dreams, and discovery:  These are my keywords for 2013.  I’m not one for corporate dreams or following a set path, but there are still things I want to accomplish and places I want to focus my energies. I want to see where projects or ideas might lead me; it’s thrilling and exhilarating to think about all the new things I might do, learn, and create.

May your 2013 be everything you could hope for and more!

Lessons from a Birthday...

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Dear Clara, Birthday season has come upon us! In our little family of three, there is yours, then mine, then the holidays, then your father’s, and then the new year, all in a row.  And our extended family is pretty close to our timeframe too–I guess we were all fated to be together.  But the rapid succession of all our celebrations made me think of what I’d always like you to keep in mind on your own birthdays in years to come:

  • Wear something new: Even if it’s a little thing . . . there’s something about bringing something new out of the package, cutting the tags and having that new, shiny, or crisp feeling.  It just adds the right start to the day, and going forward you’ll always associate that item with the day you celebrated another year.
  • Call you parents: I never really thought of this growing up, but your birthday is actually more emotional for a parent than for the person celebrating.  It is the day, after all, that their life changed forever when you came into their world.  Don’t forget the fact that they are celebrating in their own way too.
  • Don’t forget to celebrate in your own way: When you’re younger, celebrations come easily.  There are parties, there are friends, and there are always much-ado’s about birthdays.  But as you get older, and work schedules set in, and bills need to get paid, and hundreds of other things crowd our mind, not the least of which is our uncertainty about being yet another year older, it’s easy to say that we don’t want to celebrate.  That’s bogus.  You don’t always need a big party, but do something to mark the occasion---you will be more likely to embrace the year ahead and the gifts it brings.
  • Don’t be upset if people forget your birthday: It happens.  Some people are excellent about remembering birthdays, but some people slip, despite all of their best intentions.  If someone calls late, don’t hold it against them.  Accept their good wishes for you, that’s what counts.  Someday it might be you that forgets . . . despite all of your best intentions.
  • But remember how nice it feels when people do remember: Try to be the person that remembers.  Take notes of important days, keep a calendar, set up reminders.  You might not always get it right but if you try, it’s much easier.  Think of how special it makes you feel when someone goes out of their way to call or write a card or do a surprise for your birthday, and try to be the person that does that for other people.  They will remember you for it, even if they don’t always thank you.

I wish you only the happiest of birthdays over many long years, and remember that I will be with you, in some way, for all of them.

All my love,

Mom

 

 

Needing the New

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Growing up, whenever there was a school vacation (regardless of length), I felt compelled to be different upon my return.  A three-day weekend prompted me to scavenge the mall, seeking out a perfect GAP t-shirt that would make all of the other seventh graders drool with corporate envy.  A week over Easter meant a new haircut or an unhealthy amount of time spent laying in my pool, trying to cultivate the perfect golden brown skin-tone (I am half Irish; this is not easy).  Summer break?  I needed to travel to far-flung places to build my sophistication arsenal.  I needed an accent, or at least a fake one.  I needed to lose weight or gain muscle, to learn gymnastics or grow three inches.  I needed, on that first day of school, the look in my friends’ eyes that said, “you’re a better you.” The world we live in, of course, both helps in creating this need for change and makes achieving it all too easy.  A quick perusal of the magazines on newsstands right now showcases too many “new you!” headlines to count, whether it be how to lose 10 pounds fast or reverse aging or try a new hairstyle that will change your life; flipping open the same magazines reveals advertisements and articles geared towards becoming your best self, over and over and over again.

And now, the pinnacle of the makeover madness, the holiday designed to remind us, yet again, that we’re still striving; that we will, in fact, always be striving: New Year’s.  Stressed and strung out from too much family time and too delicious gingerbread men, bloated from the eleventh eggnog cocktail and bleary eyed from waking up to play Santa, we look at New Year’s and think, “yeah, that sounds good. I’ll resolve to be better.”  Because who couldn’t stand to be a little better?  And because, of course, the resolution is the easiest part.

My need for drastic change has subsided over the years.  I remember distinctly returning to the hometown I’d moved away from when I was thirteen.  I was now sixteen.  Since leaving, I’d spent a summer abroad in Germany.  I’d stopped wearing bell bottoms (so unfashionable!) and moved on to bootcut jeans.  My hair was longer and less frizzy, my skin was beginning to emerge from under its sea of zits.  I rang the doorbell of an old friend’s house and stood on her porch, trying to cock my hip out just so.  She opened the door.

“Liz!” she said, flinging her arms around me.

“Hey,” I said, my irrational teenage heart sinking.  “I thought you’d hardly recognize me.”

She pulled back and looked me up and down.  “Nope, I recognize you perfectly.” She caught the look in my eye and frowned.  “Why?” she said.  “Did you not want me to?”

“I just wanted to be, you know . . . different,” I mumbled.

She swooped me into her arms again.  “But I,” she said, “wanted to see Liz.”  While I was disappointed, she got exactly what she wanted.

The ten pounds, the red hair, the black, brown or green hair, the tan, the pale skin, the contacts, the new dress: all of it is to get you that much closer to a person you like, not change you in the eyes of anyone else.  My friend would’ve recognized me no matter what.  The question was if I had become the person I wanted to recognize.  If I had become a person I could like.

This New Year’s, I’m resolving to stay the course.  Like many people my age, I’m learning to love myself a little bit more every year, and any drastic left or right turns might impede that journey.  I resolve to enjoy exactly who I am right now, and exactly who I may be in a week, or a month, or a year.

Happy New Year’s to everyone.  May your night and all the subsequent ones be bright.

Lucky Peas

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Happy 2013!  It's officially that time of the year when people flock to their favorite social media sites to proclaim their resolutions to the world. Realized or not, most goals are to lose and gain at the same time.  Lose weight, gain confidence; lose a bad habit, gain a healthier lifestyle; lose the bad attitude, gain a positive outlook.  My resolution for this year is to improve myself on a daily, not yearly, basis.  Every morning should be viewed as a fresh start, a clean slate, and a day that we can all choose to be a better person.  Whatever the goal might be, there is also another important component to this day---the food.  There is a variety of dishes deemed as lucky and many would argue are a necessity on any true new year menu.  A plate full of cooked greens and black-eyed peas symbolize monetary growth and good fortune, pork represents abundance and progress, and fish is thought to promote a long life.  Being a vegetarian means I usually go for double helpings of the greens and beans then hope for the best.  My favorite way to ring in the beginning of a year is to indulge in an overflowing plate of the classic southern dish known as Hoppin' John.  There is a variety of ways to make this dish, but I always take the simple, meatless route.

Hoppin' John
2 cans black-eyed peas (washed and drained)
1 cup vegetable broth
1/3 cup chopped red onion
1 tablespoon extra virgin olive oil
1 minced garlic clove
1 teaspoon dry thyme
lemon juice and zest
cilantro
fresh spinach
rice
In a pan, saute the chopped onion and garlic in olive oil until the aroma makes your mouth water with excitement.  Add peas, broth, thyme and bring to a boil.  Once the stew is bubbling, turn the heat down and simmer on low for 45 minutes to an hour.  Serve over a bed of spinach and a heaping mound of rice.  Spritz with lemon juice and garnish with lemon zest and a few twigs of cilantro.   Hoppin' John may not be the most eye popping dish, but it's definitely a recipe for good luck and a full belly.

A Christmas Present

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A lovely video by Molly McIntyre

When We Are Older This Will All Make Sense and It Will Be Too Late

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Sibyl, I have spent a significant amount of time pursuing one career direction, and now I am unsure if that is the right way for me. This is not unusual, but I am unsure how to decide on a new direction. Early 30's still feels too old to just try out some other career paths. I have worked in religious institutions or social services or both or 5 years. Now I would like to try something more creative . . . yet I am unsure where to go or what to do. How do I explore options while still affording to live? What can I do to both explore and survive?

Sincerely, Ummm

Dear Ummm,

I am so glad you brought this up.  True confession time: Sibyl has no idea what the heck she is doing with her life.  Like you, I have invested a considerable amount of time, energy, and debt in following a life in the "helping professions", only to find that it is an unsustainable way for me to live.  So, I am striking out into the world with writing and other creative pursuits, terrified at the outcome but totally sure that it is what I need to do, anyway.

I have learned some things along the way, which I will now share with you, dearest Um.

1. A life of service will suck you dry and spit you out when you have nothing left.  

My father was social worker, and when he would get home every day, I would ask, "How was your day?"  His one word response was invariably, "Crazy."  Whenever I pressed him for more answers, he just said, "It's a thankless job."  And that, my friend, was that.

Despite this harrowing harbinger of the life to come, I idolized my father and followed his footsteps, pursuing a life of helping others.  It just seemed like the right thing to do.  In college and graduate school, I heard a lot about the way the work feeds you from within, and how your thanks is in the process of helping others.  This was enough for me, in my twenties.  I worked my ass off at low-paying jobs, and did indeed find the work rewarding.

However, I realized that although I enjoyed this kind of work, I had some life goals I wanted to complete, namely, having a family.  So, I set out to get knocked up and have a child.  This is when I found that having a job that pays you very little to take care of other people's emotional needs does not work well with being a parent, which consists of being paid absolutely nothing to take care of another person’s EVERYTHING.  Like you, I realized I needed to create or I would be left with nothing.  Art poured out of me like my desire to "save the world" once did.  But for whatever money work in social services provided, art provides even less.  What to do?

2. Make a list of all your creative interests, no matter how foolish.

Let yourself really dream here.  Do you want write, paint, be a film critic, cook, front a band, report the weather?  Be ridiculous.  Write, "I just want to be Vincent Gallo."  Okay!  Now we're talking.  Look over your list.  Where do you find the MOST energy?  It is important to tell your inner critic to go take a nap when you do this.  Instead of listening to that nagging voice that says "You'll never make a living that way!", listen to the one that tells you that what the world needs is more people doing what they love, what makes them truly come alive.

There are tons of practical exercises like this in the book The Artist's Way, by Julia Cameron.  I suggest you pick up a copy and start the twelve week program she outlines, as soon as possible.  It's a great way to start your explorations while still living your day-to-day life.

3. Get water from a stone.

Have you decided on what creative path you're most interested in exploring?  If you chose filmmaking, you don't need to know what you want to make films about, you just need to start researching film schools, and go from there.  Look up unpaid internships (I know, I know) at your favorite magazine and write for them in the time you used to spend watching sitcoms.  Volunteer at your local artist collective and talk to people who actually do make a living as art-makers.  The way they’ve pieced together their lives could surprise you.  For instance, it may make a lot of sense to combine your helping profession efforts with art-making -- they could inform each other in beautiful ways.

Again, tell your inner critic to take a vacation while you're researching artist residencies in Maine.  Or, better yet, sit that critic down, and say, "You're RIGHT.  I'm never going to save for retirement and buy a house if I follow my creative goals now.  But giving everything I have to others has not made me millionaire either.  So guess what?  I'm going to do what makes me happy.  And when I'm drowning in debt, you can say, 'I told you so', and I can go make a masterpiece on my canvas.  You're right, but I win."

Here's what you need to do, Ummm.  Figure out the very least that you can live on.  One fancy coffee per week instead of five?  Awesome.  Brown bagging it every day instead of eating from food carts with your friends?  Excellent.  Turning on the heat in only the direst of snow storms?  Pull up that blanket!  I know that you've probably been living a life of almost-poverty taking care of others for so long.  But believe me, this is different.

Investing your time and efforts in art-making actually is enriching, in the way that all our professors told us that lives of service would be.  Okay, so you don't have a living room that could be featured in Ladies' Home Journal, and you can't go on vacation and post a picture of your feet with a fancy drink by the ocean on Facebook, but guess what?  You get to be you, and you get to be awesome.

You will always be that interesting person at a party who is not just talking about what milestone your baby has reached, but has a new project or idea you're working on that you want feedback from your friends about.  You'll always have something to do on a Friday night, because you'll be in your studio.  So, you don't have all the material bullshit and security our culture seems to uphold so much, but look how that's working out for those folks?  Rich, secure, and absolutely terrified of losing that wealth and perceived security.  Be bold, risk big, and yes, get mad about the fact that art-making doesn't pay actual dollars.  Do it anyway.

3. Don't go it alone.

So, you've spent all this time taking care of other people, and you're ready to follow your own dreams for once.  Guess what?  All of that time you spent caring for others spiritually and physically was not wasted.  It was all a part of your creation as a soon-to-be artist.  You not only became a person of substance, who actually has something to create art about, but you stored up a ridiculous amount of good karma.

Being there for others means that they are now going to be there for you.  They'll say, "That Ummm, what a good guy, he came to the hospital when my dad was sick, and now he's striking out as an artist and needs a leg up, why don't I buy one of his pieces, or, at the very least, invite him over for Sunday dinner."  You've got to find your people, and chance are, you already have, since you've devoted your life to loving humans.  Lean on them now.  Let them take care of you in the ways you've been taking care of them.  Help comes from the most unexpected places.  Reach out, and see the lovely (and materialistically helpful) ways your community responds.

It will not be magical, it will happen because of all the work you have already put in.  Everything is not going to mysteriously go your way once you set your mind to what you want to do, don’t buy that bull.  However, it will flow back to you proportionally to what effort you put forth.  You want to explore?  Really excavate!  Don’t hold back.  You get out of the creative life what you put into it.  Stop ummming and start risking, give up the fallacy of security, and be who you are, big time.

When we are older, all of this will make sense to us, and we will say, “Oh!  I should have started this or that sooner.”  But it will be too late.  Right now, contrary to what you are being told, is not too late, because it is all we have.  Dive in right this second.  I can’t wait to see what you come up with.

In solidarity,

Sibyl

What Are You Reading (offline, that is)?

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Lauren Kodiak is a Connecticut native living in Portland, Oregon with her boyfriend and her slightly overweight cat. She has a master’s in Educational Policy, Foundations and Administration, but still doesn’t know what she wants to be when she grows up. She loves to spend hours in the kitchen, practice yoga and eat ice cream for dinner. My boyfriend, Drew, is an MFA in creative writing candidate, so every inch of our tiny studio apartment is occupied with books of all kinds. I rarely have to make a trip to the bookstore or library when I’m looking for a new read, as I have a seemingly endless supply at my fingertips. Since reading is such an integral part of our relationship and life together, I thought I’d extend the invitation to him to share a favorite book with you all. Perhaps in light of the tragedies our nation currently grieves, our picks lean toward the darker side, full of raw emotion. But in these stories, as in life, there is always humor and light to be found if you choose to look for it.

Lauren: We Tell Ourselves Stories in Order to Live by Joan Didion Comprised of seven books of nonfiction, dating back to 1968, this is certainly a hefty undertaking. But what I love most about it is that I’ve been slipping back and forth between books here and there, in no particular order. My first foray into Didion was just this past year, when I read The Year of Magical Thinking. I found myself captivated by her precise observations and minimalistic prose. I kept rereading sentences, trying to decipher what it was exactly about each one that elicited so much emotion. After reading from We Tell Ourselves Stories in Order to Live—specifically The White Album—I see now that it’s not the how, but the what. Sure, her sentences are sparse, but what they contain are stories of a nervous breakdown, of her multiple sclerosis diagnosis, and of the paranoia and anxiety she experienced while living in California during the unsettling time period of the 1960s-70s. She shares everything, spares us none of the unsavory truths. As I read more of Didion, I’m beginning to understand that writing about deeply personal issues is not synonymous with depressing others. Actually, these dark anecdotes inspire and reassure, universalizing anxieties and fears we all have felt at some point in our lives.

Drew: The Sisters Brothers by Patrick deWitt As a graduate student of creative writing, I’ve read some great literature. And while I enjoy much of what I read, I sometimes agree with the opinion that criticizes contemporary literature as plot-less and humorless. Patrick deWitt’s The Sisters Brothers reminded me why I fell in love with literature in the first place. A hilarious adventure set in the old West of Oregon and California, the novel drives forward in short, sometimes mere page-long chapters, which force things to happen—force horses to fail, whisky to be drunk, and gold-seekers to be murdered. The voice, younger brother Eli’s first person account of a manhunt undertaken with his brother, is pared-down, even keeled, sharply chiseled and oftentimes downright hysterical. Yet at its core, The Sisters Brothers meditates family and the moral compass of a mercenary. These topics, of course, are potent and worthy of examination in imaginative literature. Lucky for us, deWitt doesn’t crutch on his sentiments to carry the book; instead he juxtaposes them against a hilarious cast of characters, situations and killings gone wrong, all of which make this the best novel I read this year.

Both: Olive Kitteridge by Elizabeth Strout We have a soft spot for coastal Maine, the setting of Elizabeth Strout’s Pulitzer Prize-winning collection of thirteen linked stories, Olive Kitteridge, and the title character—a crotchety, opinionated retired teacher—serves as the collection’s nucleus. Regardless of whether we are inside Olive’s head or see her through the lens of others, her big, boisterous character is ever-present. Despite Olive’s abrasive and callous demeanor, we can’t help but find her loveable as she lumbers through life. With such emphasis on Olive, it would be easy for the rest of the book to fall to the wayside, but the scenery of Crosby, Maine and the lives of those that inhabit it are richly illustrated. As you become privy to the gossip and secrets of the townspeople—an elderly couple is held at gunpoint, the mother of a killer becomes a hermit, a widowed old woman finds love in the least expected man—it’s difficult not to feel intertwined and invested in this little community. The range of emotions and experiences expressed throughout Olive Kitteridge are representative of those of the human condition. We both got lost in the day-to-day trials and misgivings of these characters, and cheered for them when they found glimmers of hope and happiness. A must-read for all!

Home

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Faded ticket stubs, dried rose petals folded inside notes of high school love, gleeful photos of attempting to blow out candles on childhood birthday cakes, and journals describing firsts---the first time away from home, the first crush, the first heartbreak, and the first encounter with grief. A whole life, a full life, is contained in the dusty leather photo albums and journals, remnants of a world before Facebook and iPhones. This past life, which I visit upon coming “home,” feels distant. I associate with the girl in the photos, whose memories I find in my childhood bedroom---the one smiling in the photos, wistfully blowing dandelion seeds off a dark green stem; the one who scribbled “BFFs” on the back of pictures and saved notes secretly passed in class, attempting to immortalize friendship; and the one with the mischievous grin of adventure-scheming, creating imaginary worlds in the backyard. Yet, she feels distant.

Home is now packaged with the holidays and my trips are fewer and shorter. At times it astounds me that over ten years ago, I packed my bags, ready for a new world in Boston. Without fail, upon returning to this bedroom, my attention is drawn to the old photo albums (which I aptly called “memory books”), scribbled notes, and journals---each full of its own memories. Perhaps by searching through the past I can find answers to the persistent questions of the present. Perhaps simply reigniting the memories, the feelings, of a life contained within a single community and countable friendships, will bring resolutions to questions in a life not contained by space and experiences.

What pulls me to these photos and scribbles is the inability to return to these cherished moments---childhood, a past sense of friendship and family, or, in many ways, the version of myself that existed here. As the brilliant article in the Harvard Business Review, How to Move Around without Losing your Roots notes, “. . . home is where we are from---the place we begin to be.” Home is where the “self” I began with is.

As a wise friend told me recently that we carry the “versions” of ourselves from the past with us.

The self in the photos is confident in belonging; joyful, yet naive to realities beyond her world; and, yet this self longed for understanding beyond her immediate experience. While the current version feels distant from the photos and scribbles, so much of the searching, creating, and defining in my life was born in this mischievous grin and the very first iteration of home and self. The notion of home, even if it is past, challenges me to assess changes and growth, while tying my current life back to the Colorado landscapes, the house my father built, and friendships helped me define who I was in the beginning. As distant as I may ever feel, my current self is rooted in this past narrative of home and place. If home is an experience of “belonging, a feeling of being whole and known,” as the HBR article describes, it is not my current self in the place that “I began” that feels at home. Yet, the self I remember when I visit may hold joyful child-like insights and mischievous adventure schemes to inform my continued search for this notion of “home.”

Would you like that book in print or pixels?

Armed with a shiny new gift card, I set about fulfilling my reading wish list this week. There was only one problem. For each title, I hovered over the “add to cart” button, wavering unsteadily between two options: print or ebook. In the past, the print vs. digital decision has always been an obvious one. I wanted to feel the weight of a book in my hands, inhale that new (or used) book smell, and wander my way through the geography of its pages. My Kindle library, on the other hand, is made up largely of books I couldn’t find at the university library two hours before a class. The sensory aspect of print always won out; ebooks were second-string.

Lately, though, the gravitational pull of digital has dragged me right into the center of the debate. It used to seem as if digital libraries were isolated ones. When all of our recent reads drift into the abyss of the cloud, we lose that particular intimacy of hovering over a friend’s bookshelves, running a finger over the titles, and uncovering the stories behind the stories.

That’s the thing about personal libraries. They bear witness to the places we’ve been and the people we’ve loved. The collective provenance of our books is like a time capsule. Where were you when you read this one, and who were you with, and where did you get it, and who had it before you? The used books and those with personal inscriptions are of particular interest. They remind us of our connections to friends and strangers.

And anyways, have you ever had an author sign your ebook?

But despite the compelling arguments for print (and I can think of many more), I am beginning to glimpse the possibilities for reading in community with ebooks. You can read together long-distance and share impressions in real time with 24-Hour Bookclub. You can share favorite passages with Readmill, and you can even browse your friends’ digital libraries with Goodreads. I’m just touching the surface of these and so many other possibilities, but I’m excited about reading as a communal sport. I hope it lands comfortably somewhere on the spectrum between very quiet alone-time reading and social media overwhelm.

In the end, I bought one ebook and one print. I’m devouring the former while I wait a whole forty-eight hours for the latter to arrive, in all of its weighty, book-scented glory. As for the rest of my list, I’ll let you know how it goes.